[b]Name:[/b] Vincent “Vin” TreVayne

[b]Gender:[/b] M

[b]Age:[/b] 35

[b]Place of Birth:[/b] Seattle, WA

[b]Sexuality:[/b] Hetero

[b]Relationship Status:[/b] Vin was engaged to a girl he’d been together with since his late teens, and through unforeseen circumstances, the relationship ended.

[b]Occupation:[/b] Co-partner of several tattoo shops along the East Coast of the United States, mostly located in upscale areas, Buckhead being one of them.

[b]Skills:[/b] A vast background in traditional art, with a focus on tattooing and the use of various inks and their properties.

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[b]Power:[/b] [i]Tattoo & Body Art Manipulation[/i]

Essentially, a telepathic ability that allows him a certain degree of control over the ink used for the tattoos, thereby giving “life” to an otherwise static image on his (or a chosen target’s) skin. His ability is most potent when used on his own tattoos, allowing him to lift the imagery from the skin, solidifying it, and giving it a brief independance from the host body. (i.e. A crow tattoo on his chest can “peel” away, transform into solid mass, and fly around). 

Natural tattooing inks created by plant dyes, animal minerals, salts and various other natural sources, etc work the best. Synthetic inks are generally weaker.

As a defensive mechanism, if threatened, the tattoo ink will protect itself (and the host), adapting and shielding Vin from physical attacks for a limited amount of time.

Areas that are covered in tattoos also have the potential to heal much quicker, as the artwork essentially “repairs” the affected area. The more severe the wound, the longer time it takes to completely heal and the more mental exhaustion is incurred.

Cost of Power Use: Causes varying degrees of mental fatigue & migraines, and the longer it is sustained, the more lethargic he can become, to the point of unconsciousness if not careful. There are instances where the power, if not kept in check, could lash out violently toward others or the host himself as it begins to take on a life of it's own...
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[b]Appearance:[/b] Vin stands about 6’1, tall and lean. He generally keeps a closely trimmed beard or clean shaven face, and a neatly comb head of thick dark auburn hair. His wardrobe tends to lean toward a “chic rocker” fashion in blacks & grays, more so to impress the higher-end clientele. His arms, chest and back are covered in various tattoos of fantastical venomous creatures, tribal & gothic patterns, life, death, and various symbols that only he may know anything about.

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[img]http://rawknart.com/img/Vin.jpg[/img]
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[b]Personality:[/b] Vin comes off as relatively light-hearted and easygoing, and yet can easily be identified as borderline narcissistic due to the fact that he seems to “know everything about everything” and holds nobody else but himself in high regard, which can reflect in his close professional and personal relationships. He is inherently stubborn and critical about a great many things, especially related to artwork, and his intense focus can be misinterpreted as being “socially disconnected” when in the middle of a project as he doesn't tolerate distractions very well.

Generally, however, he’s a guy that goes along to get along, and enjoys to socialize in circles where there may be an opportunity for gain or pleasure. As an artist himself, he loves art, especially body art, which he’ll gladly discuss with anyone who will listen to his incessant ramblings which inevitably circle around to him talking about himself.

[hider=History]
[b]History:[/b] As “deceptive appearances” go, Vin had always managed to keep his life running against the grain as much as possible, turning his nose to rules and regulations that seemed to only work for everyone else but him. Although he’d never let on that he had an ounce of the proverbial anarchist in him. Growing up in Seattle during the late eighties, early nineties, he found himself in the midst of the grunge scene, which influenced not only his outlook on life and society, but his love for various rock music and art. His family life was rather eventless (some would even say “normal”); both parents got along, worked hard at their respective blue-collar jobs, and generally made a bearable life in the Lower Queen Anne area of the city. As most good parents did, they both encouraged their son to do something meaningful with his life... 

Of course, "meaningful", was a matter of interpretation.

Vin loved the city, especially the underground scenes, and most of his time was spent running with his wayward friends, getting into the seediest dumps to see their favorite bands play or hanging with the best local street artists, painters, and tattoo kings that Seattle had to offer. As his artistic talents flourished, he also reaped the rewards of diligence and hard work. He eventually turned his focus on tattooing, which it seemed everyone was willing to pay good money for, no matter their social status. At seventeen, he’d saved enough from various art jobs to share rent on an apartment in the downtown area, closer to where the action and the money was. Vin was a dreamer, and he wanted to keep the film rolling as long as possible. He'd met, for the first time, a girl he could really see sharing his already chaotic life. A girl who shared many of his own passions and aspirations, which gave Vin the feeling that he could really control the relationship and all its variables. 

Funny thing how our own interpretations sharply contrast the harsh reality of things...

Years passed quickly as they would for those living a life that seemed to be an endless party. But for Vin, the fun hit rock bottom when his soon-to-be wife had decided to lavish herself in the lifestyle of another man. A man who seemingly had his shit together and gave her the world. The blowback became a stain that stuck in the forefront of Vin’s mind, degrading his outlook of a future he hoped would have been shaped by his own hands. The solid relationship he once had with his parents began to suffer as he spiraled downward and pushed away a lot of people in the process. He eventually made it to a point where was ready to move on, to leave his old life and hopefully never return until he felt ready to return.

And he’d found the perfect way out...

Vincent reached out to James, an old friend who’d moved to the east coast to start up a chain of tattoo and body art shops mainly located in upscale areas. James knew the business, and even the rich enjoyed the opportunity to leave a lasting mark, whether it was social prestige or simply ink on their body, he’d gladly offer it all. Vin, confident in knowing that his artwork would be a great addition to his friend's business, didn't hesitate to take advantage of becoming a co-partner, quickly moving from his hometown of Seattle to a hi-rise apartment in the heart of Atlanta, Georgia.
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