[hider=Diana][center][hider=Image][img]http://i.imgur.com/QVjMIUE.png[/img][/hider]

[b]WEAPON[/b][/center]

[b]Name[/b]: Diana Evelson

[b]Age[/b]: 13

[b]Gender[/b]: Female

[b]Species[/b]: Demon Weapon, Witch

[b]Abilities[/b]:

[i]Weapon Transformation- Spear:[/i] As Diana lacks her brother's naming sense, she has not given it a name such as 「Profane Lightning God's Lance」 or 「Heaven-Searing Vasavi Shakti」 (both suggestions from him), but rather just calls it a spear. It is the form of a short-spear in a silver-black coloring, obviously meant to be wielded with two hands. Traces of electricity flit from the spearhead, running into whatever it clashes with. Either of her arms are capable of being partially transformed into about half of the spear's length (though only one can be transformed at a time).

[i]Magic- Spatial:[/i] A high-ranking magic relatively rare among witches, but something common to the family line of Diana's mother regardless. Her talent in this is high, but her actual experience and skill at the current time are rather middling.

[b]Techniques: [/b]

[i]Lightning Joust:[/i] Weapon ability, the ejection of a bolt of electricity from the spearhead. Range and strength both scale with the level of energy placed behind it, but even at best it is not yet at the point where it can decisively kill a human being.

[i]Acceleration:[/i] Weapon ability, the increase of speed for the individual holding the spear. Applies to movements of the spear moreso than movements of the wielder's body. The aspect Diana has trained the most in.

[i]Seven-League Step:[/i] Spatial magic, the act of connecting two points in space in order to achieve instantaneous transit between them. In other words, teleportation. Requires that the new location is within the user's line of sight, and consumes a heavy amount of magical energy even to use once.

[i]Hazy Barrier:[/i] Spatial magic, the creation of a distortion in space by "folding" it, causing what was in the folded space to be torn apart. Infeasible in the heat of combat as it requires heavy time investment for the incantation, so it is better valued for its utility in dealing with environment.

[b]Equipment:[/b] A spatial pocket bag from her mother, of similar make to the one Claudius possesses. In it are some bare essentials such as food, water, rope, and the like.

[b]Personality:[/b] A princess who locked herself in an ivory castle, one who views the world and its coexistences as a single harmonious song, a series of notes that flow together to make a holistic base. As such, to Diana, what is necessary for "a beautiful world" is that the notes the song is composed of are able to sing in tandem with one another. Whether to encourage, belittle, befriend, or incite, any form of interaction between them is welcome, because it continues the tide of the song. As a result, she can be called a figure that views things from the clouds, ignoring the nature of minutiae so long as they exist. 

Nonetheless, like an ever-shifting tempo she is horrifically fickle; while that core ideal of hers will forever remain, the way in which she expresses it varies. Nine times out of ten, her actions are simply indicative of someone who "wants everyone to get along", but is nonetheless detached from that ideal, as if her imposition to make it so would result in the meaning being tainted. The remaining one time out of ten, she adopts an almost tyrannical viewpoint on how she feels the song of the world ought to be; rather than simply trying to realize a song, she tries to interfere with its composition and remove elements that conflict with its dictated meaning. 

This secondary ideology is actually the remnant of her innate impulse towards the Sway of Magic, as a result of what she is. Due to her nature, that impulse has changed from "destroy that which is around you" into "destroy the dissonants that would taint your world". Rather than a rational notion, this is based solely off of a subjective standard with Diana as the core. If something repulses her at an [i]a priori[/i] level, then to continue the analogy, the conductor will become the composer. It goes without saying that this repulsion cannot be stated in rational terms, as it is not something born of science, but of art.

[b]History[/b]: A prodigy born to the Evelson family. Inheriting the trace amounts of weapon blood from her father's side and the magical prowess of her mother's line, Diana was praised from birth as a genius who would be one day capable of reaching the absolute peak of power. In contrast to her has always been her older brother of four years, an eccentric by the name of Claudius. The two were not the most familiar of siblings, but still largely got along. In particular, during Diana's youth she was rather enraptured by the absurd monologues that Claudius would often go on, though in recent years she has been realizing more and more just how much of an oddity that Claudius was and is.

While she was given an offer letter to join the new Spartoi, a series of misunderstandings, parental insistences that she was too young, and the like led her brother to instead fill her slot in the group, while her parents have decided to have her continue her training for the time being.[/hider]