Like Bango, I intended to do something for this, but rather than forgetting, call my failure poor time management. Anyway, I will attempt to redeem myself by giving feedback for the one brave soul who did submit. Overall I liked the premise of the story, two lovers, one who can't remember the other but is torn by their residual emotions, on either side of a fantastical conflict. I particularly liked the bittersweet and unresolved ending, it would have come across as a bit to saccharine I think to have Thomas's amnesia so easily resolved. Where I think there is some room for improvement is the order perhaps in which we see elements of Thomas's memory resurface. In their first encounter we learn that he does have lingering emotional feelings, at the end we learn that he does have some specific memories (Cassie's signature spell). I think it could have been more impactful perhaps if you had flipped these two revelations. The discovery of Thomas's feelings is the more emotionally impactful of the two, and should therefore in my opinion be saved for the climax of the story. The fact that we know that Thomas already feels for Cassie also slightly undermines the tension of the end of the fight with the Hybrid. What if Cassie had somehow broken free, or doesn't see how the Hybrid is slain, all she see's is her lover standing over her, sword in hand. The moment of tension that would create and the thoughts it would send running both through Cassie's and the reader's heads (is he about to kill her, or save her, does he even remember), would have been an improvement as well I think. Other than that there a couple of minor points, I think you seemed to have missed a search and replace in the text? There was an anomalous in there. A bit of the dialog also verged on author exposition, particularly the section where Cassie explains what Resonators are to Erin. Erin is a resonator, surely she should already know all of this? However, more subtle exposition can be very difficult in the short story format, where you much more pressed for space, and especially when dealing with fantastical worlds and concepts.