[hider=Kevin][center][img]http://i.imgur.com/rGjgxrp.png[/img][hr][hr]
[img]http://i.imgur.com/UgvjUVo.png[/img]
[sup]6’ - 180 | Roughly Seven months in this position[/sup][/center]
[hr][hr]
[b]|[u]Birth Name     [/u]|[/b]
» Kevin Harrison

[b]|[u]Hails From     [/u]|[/b] 
» Los Angeles, California
» March 29th, 1991 (26)

[b]|[u]Job at AWE     [/u]|[/b]
» Head writer and chief of the creative division. In charge of building characters for everyone, booking shows where everyone looks good, and making sure that promos are sufficient.

[b]|[u]Skills     [/u]|[/b]
» He has a degree in screenwriting, and one in creative writing. He’s very good at making storyboards, and in his office he always brings whiteboards that he constantly draws things out on, to help him make sense of things and keep consistency in his stories. He’s a fan of long-term storytelling, consistency, and continuity, a laundry list of things that before his time were completely foreign to the company.

Because of these things, Kevin has secured not only the head writer position, but has earned the respect of Roddy and his peers — to the point that Kevin was allowed to handpick his creative team.

[b]|[u]Reason for being here     [/u]|[/b]
» Deep down, this is always where he wanted to be. Originally after his graduation from college, Kevin Harrison’s plan was to find a producer who would accept the screenplay he’d written for an original TV show, chasing the constant revenue stream and security a TV deal would provide him.

However, after about a year out of college searching for a job in Hollywood, he gave up and instead applied to AWE as a member of the writing team. Once there, he slaved away for over two years, before he got… well, he got [i]lucky[/i] and was given an opportunity: half the writing staff left, and Roddy’s only choice was to promote Kevin to lead.

He took this chance, and run with it. In the seven months since he took this position, the writing has been lauded critically, and every character seems to have a purpose and a place on screen. All of the different times the fans get REALLY into it? Kevin Harrison’s direction and ability to formulate stories for everyone on his roster is at the heart of it.

And he loves it! He’s never gonna leave, they’re gonna have to drag him out of his office with a damn crane.

[b]|[u]Looks & Style     [/u]|[/b]
» Homeboy look like a fucking geek, dude. He dresses in whatever’s comfy, often times just clothes he grabs from the merchandise truck, and almost always wearing a hoodie. He puts on a suit once every couple weeks for official meetings with the board of directors, but even when meeting directly with Roddy, Kevin will dress down. He’s a writer, not an executive.

[b]|[u]Personality Traits     [/u]|[/b]
» Kevin Harrison is undeniably good at what he does, but Roddy and the rest of the old guard would describe him as ‘unorthodox.’ The idea of storyboards… no the idea of consistent, real character development is insane to them. In their day, when Roddy did everything himself, before he’d learned to delegate, characters were developed once and rarely ever evolved, if Kevin continues to have his way, every member of the roster will evolve and change as they keep going.

He does his best to be approachable. For the most part, he’s firm in his booking decisions, but he is open to hearing things from the talent, especially if they have any ideas for repackaging. In his mind, everyone should be getting over to a certain extent. If the crowd is completely dead, something is completely wrong and it’s probably going to be completely his job to fix it.

Despite the fact that he’s engaged, Kevin considers himself married to his job, and he’s almost always working or thinking about it.

[b]|[u]Favorite wrestler    [/u]|[/b]
» Joy Ryder. Does she count? She should; she helps him get talent over and helps them build a bit of a character out there. Deserves a spot at the top of the list more than any of those spot monkeys...  

[b]|[u]Rep at AWE    [/u]|[/b]
» Very, very well liked. A lot of people owe their crowd reactions to Kevin, he’s helped them build their characters, and helped give them a place on the card. Before him, writing focused on a few key players, and the rest of the roster was just there as a build up to the main event, after him, even the undercard is well liked. It’s not an exaggeration to say his writing has saved a few jobs in AWE, keeping Roddy from releasing people who just weren’t getting over no matter what.

Kevin is also much more approachable than his predecessor, always leaving a note on the segment list saying that if there are any questions, come and see him in his office, and he’ll answer anything. He’s also much more open to suggestions, and if someone has a good idea for a tweak to their character, he’ll at least do them the courtesy of listening.

[b]|[u]Other     [/u]|[/b]
» [color=408c0b][b]408c0b[/b][/color] 
» Jeremy Sumpter[/hider]