[hider=Michael Angie]
[b]Name:[/b] Michael Angie
[b]Nicknames:[/b] Michelangelo 

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[center][img]https://data.whicdn.com/images/75608928/large.jpg[/img][/center]
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[b]Age:[/b] 16

[b]Grade:[/b] 2nd year, Vigilante from Mephisto's

[b]Biography:[/b]
Michael grew up in a poor family with a single mother, who barely made ends meet to put food on the table. It wasn't much, but it was enough for the two to be happy enough. At least, it was enough, until one day a bully began to make his life miserable. The bully in question had influential parents as well, making it difficult to punish him. As a result, Michael couldn't do much to lessen the abuse he was receiving. He tried asking for help from friends and teachers, but both chose to look the other way. Coincidentally, the bully's father was also Michael's mother's boss, who was also undergoing some troubles of her own at work. Michael was left alone, with nothing but his family and the occasional stray animal for support. He liked animals, even if he couldn't afford to keep a pet.

As time passed and everyone discovered their powers, the bullying only became worse. The bully had obtained a typical steel-skin super strength ability while Michael found himself with a paintbrush. Needless to say, it was torture. However, Michael was not helpless. While all this was happening, Michael did what he could to figure out how his power worked and how best to apply it. He worked hard, and it eventually paid off. Michael found himself being able to stand on equal ground against the bully, and eventually overpowered him. The bully's father attempted to get payback, but the company found evidence of the father's harassment, as well as embezzling of the company's money, and was promptly fired. Michael's mother was also promoted to a higher position, and the two were able to live more comfortably. With the bully out of sight and out of mind, things were looking up.

As Michael grew up, he'd been overhearing classmates say that they wanted to go to good schools and be heroes, some even aiming for St. Laurals. He couldn't help but think about his past, how easily they had turned away from someone who needed help, and then claim that [i]now[/i] they wanted to help people. If people were like that in St. Laurals, then what was the point of going there? He could no longer trust people who made claims like that, and eventually found himself not trusting heroes in general. There was no need to rely on someone else to save you; just find your own power and save yourself. That was his motto in life. So, instead of aiming for St. Laurals himself, he went for Mephisto's instead. His mother was understandably concerned, but Michael reassured her and managed to convince her to let him go. As a condition, though, he had to apply to be a Vigilante, which he figured he could live with. Sure, he spent most of his time there going after lost animals and doing community service, but that was fine.

[b]Powers:[/b] Artwork: This power manifests itself as a simple paintbrush. The brush is capable of changing form, ranging from ones used for calligraphy to those you'd typically see with paint cans. The brush uses ink that seems to drain his stamina the more he uses up. The ink seeps through clothing, allowing it to reach the skin easily, and cannot be removed by normal means once applied. As for his drawings, their effects range on what they are, as well as his intentions upon drawing them. The larger and more detailed the designs, as well as how strongly his intentions correspond with the symbols he draws, the stronger the effects, and vice versa.
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[*]Fast Hands: With his brush in hand, Michael paints at a higher rate than normal humans, using up less time to paint his symbols.
[*]Body Art: By drawing patterns and/or symbols, Michael can apply a series of buffs and/or debuffs, involving things such as increasing strength and speed as well as robbing limbs of movement. Given enough time and effort, even certain powers can be sealed or boosted, though this requires an extensive amount of ink to accomplish, typically involving full-body coverage. Inanimate objects are not immune from his ink, either, and can be weakened or strengthened accordingly. His Body Art will last for as long as Michael wants it to (or at least for as long as he's conscious), and can be dispelled by him at any time. 
[*]Trap Art: By drawing a circle filled with patterns and/or symbols, Michael creates a trap waiting to be sprung at his command. Different symbols with create different effects, but most involve restraining and/or disorienting targets. These can also be painted on virtually any solid surface, including peoples' bodies. Unfortunately, unlike Body Art, the effects of Trap Arts are temporary once they are sprung, with even some of the best lasting roughly an hour, while the worst last about a second. Of course, even that is assuming that the one affected isn't strong or skilled enough to break free from his Trap Arts.
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[b]Relationships:[/b]
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[*]Alto Ganze: Michael deems him a difficult challenge to overcome. His Light abilities will make him too slippery for Michael to restrain easily, and Michael would potentially get taken out before anything could be set up. He is still currently researching and experimenting with how to successfully win in this fight.
[*]Clara Deimos Edrigan: Michael finds her nerve wracking, and is unsure if a fight with her would even be a wise option. Nevertheless, he figures that if he can get to Clara's grimoire and seal it up, it would be a won fight. The only problem is actually getting to that step.
[*]King: Weird. Just..... weird. Oh, and DO NOT ENGAGE. Concede the fight and run. Michael is all about close combat, making King's ability to fly a complete counter. Fortunately, it seems that as long as he a Vigilate, that fight may not come to pass.
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