[b]RP INFO[/b].
⤹ i'll be online three to four times a week.
⤹ i can range from two paras (on average) to seven paras (or more).
⤹ i write from third person perspective. 
⤹ overly submissive/feminine characters are a no-no.


[hider=plots.]
one. muse a is a priest at the local church and muse b is the town’s troublemaker. one day, after muse b gets into a fight and has his face all busted up, muse a finds him and takes care of his wounds. they are polar opposites because muse a is a nice and gentle man and muse b is a hurricane-shaped person but they hit it off anyways. it can be a slow burn where they slowly fall for each other or it can be a whirlwind of feelings where that same night, muse b kisses muse a and he pushes him away but he can’t resist him. they end up hooking up and muse a feels so guilty of his sin while all muse b can think of is when does he gets to get into his pants again. they sneak around and fight a lot and muse a’s filled with internal conflict about it and maybe muse b makes his mission to show muse a all the good things about life that he thinks he’s missing. they go out to the cities near theirs and go to bars and get muse a drunk for the first time and they go to movies and muse b goes down on him inside the theater or something but just… two men discovering a world world together and falling in love.

two. gimme a plot about a typical all-american dude; who plays football, has a pretty girlfriend, is going to a good college because he’s such a good quarterback and drives around a rover because it’s safe (muse x) and then bam! here comes the bad boy, who wears black clothes and strolls around school like he owns it and has broken half of the school’s population’s hearts at least twice (muse y) and for some reason muse x is intrigued by him and muse y takes some kind of interest towards the other and then when he realizes he’s in love with muse y, he switches his safe range rover for an old mustang and is smoking in the parking lot with a bad boy on his lap and punching his judgmental friends and being suspended and he’s loving every part of it, because he’s free and he has him.

three. two male best friends and, like, they’ve been friends forever. muse a is dating this really nice girl who’s truly his perfect match. muse b sometimes fights with her and they argue a lot of the time they are together. at first glance, people think it’s because muse b likes the girl, but in reality, muse b is in love with his best friend. and he’s not fighting with her because he likes her, it’s because he’s jealous; seeing her with the person he loves just bothers him because he can’t have him. the whole time muse a doesn’t even realize muse b is in love with him, even when muse b is dropping all these hints. 

four. a plot based on the show 'world's strictest parents' where muse a is a bad boy and is sent to a strict home for a month where muse b, who is very good, lives. muse a is constantly teasing muse b, while muse b is annoyed with the constant teasing, but is told to be a good example. until one night, muse a sneaks into the other's room and jumps on top of them, causing muse b to wake up possibly embarrassed because of... frustration, if you know what i mean. at first, it’s just muse a trying to scare muse b - but perhaps things happen and they fall for each other but don't confess; because of their ridiculously big egos.

five. set in a prestigious private school, [muse a] is at the top of his game. he has everybody wrapped around his little finger; girls want to do him and guys want to be him, and that doesn’t exclude the teachers either. he’s been through everybody there is available to him three times over and naturally, he’s getting a little bored. however, when new boy [muse b] arrives on the first day back after christmas, it seems as though his prayers have been answered. he’s gorgeous, flirty and [muse a]’s new obsession. if only he knew that it’s nothing more than a facade. the reality of it is that [muse b] was king of the halls back in his old school and he’s just as good, if not better, at playing [muse a]’s game than he is. darling, he’s a nightmare dressed like a daydream.

six. muse a is a police officer who doesn’t exactly go by the book, in fact they probably spend more time cavorting with criminals than capturing them. when muse a finds themself romantically entangled with muse b, a criminal, it’s easy for them to turn a blind eye to muse b’s illicit activities (especially when muse b’s boss puts muse a on a special payroll for keeping their business off police radar). over time, muse a is welcomed into muse b’s crime family, so long as they leave their badge at home. 
this year, muse a is up for a promotion - it’s so close that they can taste it. if they can arrest a notorious boss, they’re certain that the promotion is theirs. no problem. muse a can simply hand over one of their lover’s enemies, right? as muse a is scheming, the police chief calls a meeting. the chief unveils the newest person-of-interest, expressing in no uncertain terms that this is the perpetrator they want brought down next. muse a is conflicted when they immediately recognize the person-of-interest as muse b’s relative/boss, someone whom they’ve sat across from at the dinner table on several occasions, someone very dear to their lover, someone who will go after everyone in muse a’s family if there’s even a suspicion of betrayal.
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