[b]Euna![/b] The takeout is greasier and more fried than 3V really should be eating. She will regret it later, she is aware, but food is about how it makes you feel right now— the crunch as you bite down, the warmth that floods your mouth, the sauces you can dunk the food in. She does make sure there’s a good spinach dish, though. She’ll slurp that down buttered fast as you can blink. And because she’s nothing if not annoyingly good at remembering weak points, she’s even got those dumplings you like. And she’s gone quiet. Dangerously quiet, even. Thinking. Rolling that thought around in her head. Who owns the land? Who owns the apple tree? It’s one thing, Locke, to get huffy about men deciding to put fences up around apple trees. There’s basically infinite space for apple trees down there on the blue marble. They grow without being asked, and drop their fruits easy. Up here, there’s nowhere else to run to. Up here, what we’ve got is what we’ve [i]got.[/i] On the one hand: the machine. Vast, undefeated, roaring. The feedback loop of being fed, which allows it to keep swallowing up apples. On the other: a dumb little gym for people who have needs that a chain won’t be able to meet. Should have figured it out from the beginning. Part of her agrees with Euna. There’s no way they win. When you see the machine coming, with all those teeth and all those hands and all those apples in its gut, what can you do? The only way to make it stop, to leave your little tree alone, to stop it from stamping down the fence and setting fire to your whole life, is to make it think the whole process will be too painful to bother with. And most of her thoughts about how to do that are “illegal” and “not how we do things” and “there’s no way you’ll make it to his office with the baseball bat 3V and the cops will shoot you even if you try to explain it’s just his kneecaps and you have chosen to let him live.” She bites into the crisp skin and stares a hole through a wall. “…who decides the leasing?” It’s not directed at Euna. It’s the only way out of the maze. Because machines are made of people, all linked together in a chain. [hr] [b]V3 The 3V[/b]: If I remember right, isn’t the story accusing [i]both[/i] groups of people? Because the ones who title drop from Omelas [i]still aren’t helping the kid.[/i] [b]V3 The 3V[/b]: The real answer is that you’re supposed to scoop the kid up and walk out of Omelas while the entire utopia crumbles around your ears, because walking away to cling to the knowledge that you’re a good person because you’re not benefiting from the suffering of the kid still means that you’re letting the kid keep suffering. [b]V3 The 3V[/b]: This gets trickier when you try to make it applicable in daily life, when there’s not just one kid or— [b]V3 The 3V[/b]: fuck, November (my staggeringly awesome and beautiful and so incredibly gay girlfriend) has a point too [b]V3 The 3V[/b]: what does the [i]kid[/i] think about the whole situation?