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6 mos ago
Current My source is I made it the fuck up.
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Bio

An absolute clown with a fascination for faceless men who punch criminals.

Guaranteed to flake out of RPs 100% of the time.

Most Recent Posts



Jesus, I don't think there's been this many people looking at a thread for one of these since UOU or the first season of Absolute lol.
C H A R A C T E R C O N C E P T P R O P O S A L
T H E Q U E S T I O N


V I C T O R S A G E J O U R N A L I S T H U B C I T Y , I L L I N O I S H U B C I T Y G A Z E T T E
C H A R A C T E R C O N C E P T:


"In the face of evil, what can one man do?"

Orphan. Street urchin. Thug. Reporter. Raging asshole. These are all words that have applied to Vic Sage at one point or another. His early life was rough, in and out of foster homes or on the streets, doing what he had to do to survive and developing a strong hatred for the crimes he took part in. Even with his rough childhood, he managed to pull through and make his way into college where he cleaned up his act somewhat; mostly due to the influence of one of his professors, Aristotle Rodor, who became something like the father he never had. Out of college, he got a job as a journalist for the Hub City Gazette, his hometown's oldest newspaper, first writing fluff pieces before rising in the ranks until he was solely responsible for the paper's coverage on crimes in the city.

The recent pandemic forced Victor to work from home. Hub City, already a simmering cesspool of crime just waiting to erupt, finally let itself loose during the quarantine. Through a window in his apartment, Victor watched rioting and looting in the streets, a hot rage burning through his blood. Someone needed to do something about it. One restless night, he took a drive down to Hupert Memorial Park and was jumped by a group of thugs. After a long, drawn-out fight, he found himself standing over the unconscious and battered bodies of the men. He knew what he had to do now.

From that day forward, Victor was a vigilante. He went to Rodor for help in this crusade, the two designing a mask for Victor using one of Rodor's failed inventions: a skin-like substance that hid covered Victor's face and made it seem like it was completely blank. For an alias, he picked the Question, inspired by his constant campaign as a reporter for the truth. With everything in order, Vic began his new life as a vigilante, reporting injustice by day and wiping scum off the streets by night.

C H A R A C T E R M O T I V A T I O N S & G O A L S:

I'm not gonna pussyfoot around it: every time that I've tried to play the Question in these games, it's flopped horrifically. Usually, the problem is that I have no direction to go or a story to tell beyond some basic premise and I just hope that my characterization can carry it. People have enjoyed my posts in the past but I've always felt unsure of where I wanted my runs on the character to go, usually resulting in me abandoning the character and game after a few posts because I wrote myself into a corner extremely quickly.

But this time, I know what I want to do. I have two major arcs in mind, one relatively planned out and a followup to it in a conceptual stage. Vic will be going up against a serial killer in Hub City in his first big case as the Question. Without spoiling anything, a generic thriller plot will ensue; after all, can't get too risky for the first arc. The followup will be a bit more unconventional so that I can test my mettle and prove that I have a solid take of the character on my hands. Hopefully, when all is said and done, I'll be proud of what I've done.

When going into a character in these sorts of games I usually have some sort of inspiration outside of the comics and this time is no different. My biggest inspirations are the 2005 video game Condemned: Criminal Origins and the 1995 film Seven. If you're familiar with either of those works, then you know this run will be pretty dark. I don't intend to go overly edgy and grimdark but the nature of the stories I want to tell might take me in that direction. However, just because I'm telling a dark story doesn't mean there won't be levity and light-hearted moments, and I hope to balance the dark psychological thriller storytelling with likeable characters and some humor.

Oh, and I'm keeping the synthwave soundtracks from my last run on the character because I felt it gave my posts a distinctive touch.

C H A R A C T E R N O T E S:



Vic's Mixtape

S A M P L E P O S T:


P O S T C A T A L O G:

ACT 1: MERCY
Enjoy long walks on the beach.
@Byrd Man The legend returns.
I have also added the sample post to my sheet.
I've been frantically smashing my fingers against the keyboard for about four hours to get this out quickly, and I think that I'm content with it now.

EDIT: Sample post now up.

Ink brought this to my attention out of the blue and drew me out of hiding. I've kinda been slacking on these sorts of games ever since UOU but I hope to change that this time.

Pitch 2 appeals to me the most because that's what I'm used to but I'd be down to give Pitch 3 a shot.
I am either going to deeply regret this or only slightly regret this.

I'm interested.
V I C S A G E


Location and Time: Hub City, Illinois - 6:02 PM
Issue #3: Rust

Interaction(s): None

Stepping out of WWNN and onto the frigid streets of Hub City, I reach into my pockets to pluck a smoke in between my lips. Sparking my lighter and igniting the cigarette, I take a long drag and exhale the smoke with a heaving sigh. Ever since the transfer my work has felt more and more pointless. I once envisioned a career as a respected journalist who blew the lid off mob activities and corporate corruption in Chicago and the surrounding area, but now I'm stuck in the ass end of Illinois. No one here cares about corruption. This place is a nightmare, something out of my darkest thoughts: a world where everyone is either in on evil or willingly ignorant of it. The thought makes me sick to my stomach.

I flick the cigarette onto the sidewalk and hop into my car. I need a drive to think things over. Roscoe hasn't gotten back to me in the last few days so I've got nothing to do. Maybe I could see about patrolling the city, finding crimes in progress and foiling them. The way Hub City is, though, that wouldn't be too hard to do; can't take two steps without some local undesirable trying to rob you or kill you or rape you. If you're lucky, he'll try to do all three.

It only takes a couple of minutes of driving around slowly before I spy a young man holding a middle aged guy at gunpoint at the mouth of an alleyway. I park my car a block away and get out, not bothering to put on my mask. This is too small for me to need it. As I near the alley I hear the two of them speaking. "It's your money or your life, old man! I don't wanna kill you but I will!" the robber yells.

The other man snorts. "Please. You don't have the balls to shoot me." I almost laugh hearing that. This guy's either stupid as hell or confident as hell. Let's hope it's the latter.

"What did you just say to me you stupid fuck?" the kid shouts. I round the corner now, and see him pressing the barrel of the gun against the middle aged man's face.

"Didn't you hear him?" I say. The middle aged man's eyes glide towards me while the robber turns his whole body to face me. "He said you haven't got the balls."

"Who the fuck are you?" He levels the gun at me and I stare down the barrel. "I'll kill you too, man! Don't fuck with me!"

I catch a look in the old man's eyes that tell me he's about to do something stupid. I decide to back his play. "Come on, you pansy. I haven't got all night. Make it fast." I step forward slowly...

The old man makes his move, grabbing the robber's gun arm and yanking it upwards. He fires the gun, the shot piercing the quiet evening and flying high up into the clouds. I run forward and leap into a dropkick that lands square on the robber's chest. He and I fall to the ground in sync as the older man lets go of the robber's gun arm. His pistol goes flying down the alley and under a dumpster.

I grunt as I pick myself up, dusting myself off. I rub my hip with a wince, taking that awful landing into account. Maybe I should forgo dropkicks in the future. "Shit, that hurts..."

"Not as much as it hurt him," the old man chuckles, glancing at his would-be mugger as he rolls around on the ground in pain. He turns to me and extends a hand. "Aristotle Rodor. Friends call me Tot. Thanks for the help there, mister, uh..."

I take his hand and shake it firmly. "Sage. Victor Sage. Not a problem."

He gives a hum in agreement. Looking down at the robber who's still writhing about and groaning in pain, Rodor gives him a quick kick to the ribs and then begins to walk away. "Nice meeting you Vic, but I really ought to get going. Got a long walk ahead of me."

"Where are you heading, Rodor? I could probably give you a lift."

He stops and considers it. As if figuring "what the hell" he shrugs and nods. "Sure, if you're willing. I live outside of town, near the rail yard."

"Can't imagine living down there being very good for your sleep. All the noise and whatnot," I remark, gesturing for Rodor to follow me to my car.

"You get used to it."

I get into the driver's seat of my VW as Rodor hops into the passenger's seat. I pull another smoke out from my pack and light it up, taking a long drag. Rodor winces and rolls down his window. "Not a fan of smoking?" I ask, rolling mine down as well.

"Of course not. It kills, you know."

"As I've been told many times in my life."

With a purr the engine comes to life and I begin driving Rodor home.
<Snipped quote by Inkarnate>

I mean, at that point just make a Wick-like story where Hawkeye or someone like that is part of the Assassin's Guild and wants out and goes on a rampage to do that


Bro I told you that in confidence don't go leaking my secret plans
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