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Tristan's most interested in finding Sir Hector. Their last conversation had to be cut short to attend to Constance's dress, but that work is done now. She said she was close to King Uther, and that she would be a worse teacher, and he regrets not having had the chance to follow up on either.

First thing's first. The feast that will come later means there are fresh maid-of-honors to be raided from the kitchens, and if he can't beggar two, it's the work of seconds to gaffle them while someone's back is turned. Whenever you seek to commune with a higher power, it's always important to bring a good offering.

She radiated jealousy before, obviously. But he'll need to make her comfortable if he's going to ask a question that feels like it should be just as obvious, but isn't - What makes her so jealous of Robena? Her importance to Britain, or her importance to Constance?
"I will take her plate." Tristan volunteers before anyone else can. It's exactly what he wants to be doing. A chance to see the party, and a dignified excuse to leave in a moment without snubbing anyone. And to not show up at all would be to insinuate that he is hiding, or has reason to, which would be unfair to anyone who would suspect themselves the reason. If he was assigned to making merry right now, then he would have to do it to the very best of his abilities. And he would! He would. But there is a yawning chasm of difference between being happy for others, and trying to bring happiness to others. The first is far more taxing.

Carrying a meal is a simple duty that he can do well and be satisfied with. And if Constance doesn't want to eat, then he will be content to not eat with her. Or, if she prefers to be alone, to take the chance to go for a walk and see if he can't find someone else unsuited to festive cheer in these circumstances, someone who feels lonely.

He wonders what it would mean if Sir Coilleghille will be one.
Tristan smiles, slumps, is exhausted at once. He's not failed yet. All up until the last he's had doubts of his ability to execute the concept, so perfect in his head, so hard to translate through hands. But no. This will do.

Then, a deep breath. A straightening of the shoulders, his back fixes itself straight again. He has not failed yet, and so he can - must - continue.

"I don't know what else I can do, now." Tristan admits. "I will take any suggestions. Privacy or escort, presence or absence, by your word."

Otherwise, he wants to rest. Tonight fragile things will be broken, it is only a question of which, and there will be work tomorrow in the consequences. Putting back together what needs mending, and discarding what needs to be left behind, and sorting which is which. He wants to be prepared to deal with it, and not chance being another thing that will need putting back together in the morning.
Tristan returns to the work in front of him while Constance acts. Not because he is apathetic, but because it cuts too deep to see the future he fears for himself. You'd have a better shot asking him to stare at the sun and not blink. He has not failed yet, has not needed forgiveness yet, and let Constance do this work that he cannot.
Lucien had always said that he’d go into the Heart until what was ahead of him was worse than what was behind him. But you know what? He just died. He got killed. He bit the big one. So there it was.

He had learned much, down here. But if he had learned anything, it was that his story was best told when it was told through his relationship with someone else.

Dwell on the legendary gambler he had shared a prison cell with, in his early thirties. The gambler’s own casino was a put that didn’t pay off, couldn’t be paid off. But the insurance on it?

He’d spoken to Lucien of his friends.

Sarah “Bulletin” Bullock, crime correspondent with a trigger finger as fast as her mouth. Broke the stories that’d break anyone else. He would talk about every headline she ever made.

Chiara Scuro, warlock hunter, paladin pedagogue. Silvered plate meticulously etched with Truth. Folk hero who found that schooling the peasantry got faster results than any lone wolf protector. He could teach Lucien everything that paladin had ever taught, and Lucien kicked himself nightly that he could only remember about a tenth of it.

Rowan Oake, the broad, kind, handsome adventurer who could shape lightning with his hands, and his best friend Nickel, playful prankster inventor, who would find the most clever things to do with it. They were madly in love, but too shy to admit it. They were never out of arm’s reach of each other, though, and still wished to be closer.

And, of course, his wife. His pregnant wife. The tequila songbird with the blood of swamp royalty, a touch of the true sight. A high note that could shatter any crystal glass but the ball she used for her séance. She picked it special. It was the gambler’s voice that broke, describing her.

Lucien had never met any of them, but he’d heard of them. The gambler would tell stories about them for hours, and hours, and hours. The most wonderful stories. As if they’d happened only yesterday. As if they were sitting just behind his shoulder, waiting to add what he missed.

He’d killed them. Cut them down in their prime.

Not on purpose. An accident had to occur, a meticulously planned one, that would engulf his mansion in flames. One last gamble. He would use the insurance to pay off his creditors and move to a cottage in the country, a modest one, where his family would be all he needed for his happiness. But for it to work he’d need witnesses, unimpeachable ones.

They were all meant to be on the lawn when the bombs went off. They were meant to watch the fireworks together. None of them had known- That had been the whole point. They couldn’t have known.

The gambler had been the only one who survived. The last of his bad luck. Tears leaked from eyes that had grown old enough for milky clouds of cataracts.

And the gambler had said: As long as I remember them, they’re still with me. As long as I remember them. But it’s been so long, and the memories…

Every time I forget them a little more, the gambler said, it is like I am killing them again. So I can never forget them. I have to remember that last day, again and again and again. Or else I let them go. Do you understand?

And Lucien had thought; That’s the trouble with friends like that. You’ll only lose them in the end.
And Lucien had thought; The best way to avoid this would be to only make plans that relied on yourself, and to be able to make reliable plans.
And Lucien had thought; What sense was there in the gambler moving on, if all his happiness was in his past? We live one good story, and we hope we do not outlive it.

He had been an idiot.

Lucien knew differently now. Was different, now.

He’d made friends like that. Coleman. The Engineer, Last Witness of Wormwood, The Unionist. And Jackdaw, The Jackdaw.

And… Ailee Sundish. The pawn who made it to queen. She always suspected he’d die without her. He always thought the same back. In the end they got each other killed. They’d danced together at Wormwood, just before it fell, and he asked her a question. She wouldn’t give him her answer then, so he had suggested his own at the Carnival, and it seems she wasn’t too proud to take it.

He thought of something else.

The gambler had told him that if he picked up a deck of cards, if he played again, he would forget everything. There was only him and the game again. All he needed to do was start playing and never stop, and he could forget everything. It had made him forget everything that had been important in his life before. It could do that for him again.

He was good at it. He would win. And as long as he could win he could live in an eternal present, without past and without future.

Even as stupid as he was then, Lucien had felt his heart break at that. He wasn’t ready to understand why. But, he thought, he understood exactly what the gambler felt. The Fool of the Sky Court came from that toxic place. Feeding on that manic addiction. Cutting so close to death that nothing else matters but surviving the next moment, and the thrill of pulling it off.

The gambler would burn his future and his past in the furnace of that long present. They both knew it. The question was why that wasn’t a happier ending, if both only brought him pain?

He was with that gambler for two weeks. Not once did Lucien take out the deck of cards that were in his jacket pocket. The weight of those fifty two pieces of cardboard became unbearable, even though each one had something important on them in invisible ink, something that could have got him out sooner.

He was ready to understand, now, it was not the burden of keeping them hidden. It was the secrets that had made them so heavy. Printed on playing cards, seeing them for what they were...

...

Lucien couldn’t return to the surface. Too many people were out for him, and he would escape them, because he was better than them. It would be fun. He would be a cat amongst the mice again, the shark amongst the shoals. There was a Game and he would play it again.

He would be the best again.

He wanted to be so much better than that, now.

He could only stay better if he stopped playing, and it was time to tell a better story.

And Lucien had learned his story was always told best through his relationships with others.

There are those who seek the Heart. Their reasons are as varied as their character. It is a dangerous journey, often lethal, and many will not find what they are looking for. From the Houses of Parliament to the Forest of Stone, the Blade Graveyard and the Fortress in Misted Chains. The Screaming Archives and the Flood and the Crystal Desert and the Mycological Labyrinth. Yet there are people who will journey through.

At the surface there is a spiralling tower of books, where a Professor raises goats and mules. He is who you must go to, if you want to inquire after the Tour Guide.

The wait may take months, the Professor will tell you, if he ever returns at all. It is a very dangerous job, after all, and a very long journey. But you’ll know him when you see him, he is sure.

Many will set off without waiting. Their journey is too urgent to wait.

Others are patient. He is, after all, the best.

And when he returns - and somehow, he always does - he picks a handful of his favourite likelies. His favourites are those that could never make it on their own, and know it. They’re going to try anyway.

A funny thing usually happens on the way down, with the Guide. By the end of their journey, they have become who they needed to be to have made it. And usually - but not always - they find what they needed was the journey and not their intended destination.

For the rest, the Guide never goes all the way to the end. There’s nothing at the end for him, and there never really was. Those last steps are always taken alone, because that is the only way they can be taken.

And every trip the Guide takes makes the next trip easier. Because with each trip, someone else finds their place in the Down There. They stick around, they make a home of it. And they’re always happy to help a friend.

And every new trip, the groups will linger. And they will ask him if he was really there to see the Jackdaw first take her name. And they will ask if he rode the last train out of Wormwood with Coleman of the Roundhouse. And they will not ask him about Ailee Sundish, because they know that is the one question you cannot ask.

And every trip the Guide takes makes the next trip more interesting. Because with each trip, there is someone new to check in on, and there are more friends to visit along the way. And he does love to catch up on old friends, doesn’t he?

And with every trip, the Guide adds a book to the Professor’s library, for the people who wait. It is filled with the stories of the ones that went before them. They serve as warnings as much as encouragement. The Heart is a dangerous and changing place. Sometimes even for the better.

It has been many trips, now. And Lucien has a collection of other people’s stories. Far more than that gambler, who could not imagine a future past the ending of his first story.

And it was more than the ending he would have given himself, if he had not been touched by the story of The Jackdaw.

Nobody lives just their one story. They play a role in the story of everyone they meet. And those stories will always be more special than the ones we could ever tell on our own.

It was an honour to tell this one with you, and for all of you to allow me to add to yours.
"Maybe that's what you're supposed to do." Tristan puts the stitch down. He lets the barb go unremarked upon. He's thinking too hard now. He's thinking again to what he could have lost, that night. "That's the pain of forgiveness. To understand how much you needed it only by getting it, and only by getting it being able to lose it again. To have to earn it only after being entrusted with it. I know she would work hard to win you back. But how much harder to not fail you again?"

"I live in the shadow of the failure I will make one day." Tristan can't meet Constance's eye. Or anyone else's. "And when that day comes, I suspect I will feel relief, because only when I drop my burdens will I no longer have to shoulder them. But I fear dropping them more than anything. I could never shoulder them again unless they were put upon me. But I will fear the next drop all the harder, because I will know the shame of the first, and the load will be heavier for carrying it. I will need someone else to trust me before I can believe I am deserving of trust. It might be the same with her." Or with you? He doesn't say, but wonders.

He shakes his head. Clears the thoughts like cobwebs. A queasy smile. "Give her forgiveness and she will need to deserve it, I think. Temptation can be a good thing, too. It can be the reason we endure suffering at all. And if you can't forgive her, how could Pellinore?"

Or yourself, he thinks, but again doesn't say. That would be to overstep his place. That he understands.
Tristan shrugs, a slow and liquid gesture like slipping off a heavy mantle cloak. Learn the skills, and do the work that is in front of you; This he understands. The rest? Not so much. Tristan has never been afraid of revealing his ignorance by asking questions.

"I am making you into temptation itself, I hope." Tristan explains. "I can't tell you how you'll feel, or how you should feel. But temptation is frightening, so you will be frightening to her. How does that make you feel? Will you enjoy having that power over her? The temptation is a yearning, and she will yearn for you. How does that make you feel? If she withstands temptation, will you be proud, or disappointed? If she gives in, will you say 'no', to renounce responsibility for her actions? Or will you say 'yes', believing you both deserving of forgiveness? Or will you say 'yes', wishing you could say 'no'?"

“If you ask me for my judgement? I think Sir Coilleghille needs to learn the pain of being forgiven."
Tristan understands the feeling well. The need to be doing, always. He is a troll hunter so obsessed with readiness that he has the skills to sew an elaborate dress, just in case. And here it is, the case for it.

"We do everything we can. This is what I can do, and so it is what I am useful doing." Tristan stabs his thumb with the pin, winces. The material makes it so hard to judge depth. "If you can think of something better, I'm with you. But being useful is not always feeling it, and feeling useful is not always being it."

Tristan raises his head a bit. "How about you, Sir Harold? Any suggestions for better efforts?" The question is earnest and devoid of sarcasm. Clearly he knows more than he's telling. But maybe he can suggest around what he's clearly not supposed to say directly.

If he has any, it best he speak before Tristan has to work with the sheers again. Cutting the fabric neatly has been a nightmare.
There is a difference between asking someone to not-be-dead, and asking them to live. The inertia that keeps you going can also keep you gone. The hard part's done with, and when the last thing you remember is being used as a flesh-mallet, it doesn't inspire soliloquies of rapture for the joy of living.

Lucien wanted to be dead, in a past tense that was still a present tense. Weren't all the soul and body scars too much a price to pay for birth?

It wasn't that he had wanted to die. It was just that he'd already lived. There was nothing in the Heart for him. He wasn't here for a purpose, a reason. He was here for an epilogue. And if, at the end of all this, he had found a good and final way to make himself useful to someone deserving of it, then that was more than he could ask for. It was easier than thinking about a what-came-next.

He had assumed he had lived what life was worth living, and this had all overstayed its welcome, ever since the bloody owls.

Which was fine! He was fine with that, he'd made peace with it. It had been wonderful fun. It's just - he'd earned his rest, hadn't he? He'd earned his triumphant finish, his final bow before being dragged off. Let the curtains fall with him He'd earned his rest. He was tired. He was so tired.

And Jackdaw had to go and ask for an encore performance. And worst of all, she deserved it. And, worse than that, he found himself wanting to give it.

The problem was, he'd smashed all his instruments on the stage for the grand finale. There was nothing left to play. Every instrument a shattered wreck on this stage or another before it. What was he coming back for?

Fried pickles? Really? Was that it?

A dead man couldn't think of a better reason than that.
...


Thank Goodness he'd done the philosophizing when he was still dead. Thinking got much harder when it was constricted by roiling meat and screaming nerves and warped chemistry and everything that agonizingly reminded him he was alive.

Lucien had died. That was the hell of it - it wasn't a near death experience, it was a profound undoing, a mortal recoiling.

Recoil is the word, indeed.

The pickles are grounding. They're overwhelmingly sharp to the senses and if pickle's brine's good for a hangover it stands to reason it's good for a hangman's do-over.

Don't question it, reason went out the window a long time ago. Extrapolate from incomplete data. Here's Jackdaw, and she's positively glowing. By any other name, just as sweet, but it seems like she's made peace with this one. She must have, to do all this - she'll have to fill him in on what this is.

Lucien pops another pickle slice in his mouth.

"You know," Lucien rolls his freshly burned tongue in his mouth, "dying was a very solid plan. I had the rest of my life figured out. Now? Now I have no clue what to do. Professor? You?"

Formerly Professor Pagliacci, Lucien supposes he's just the Professor now, stays lying on his back, staring at the cavern ceiling, a brilliant imitation of the statue he was.

"You know, I think you might be the first person alive to get over a fear of death from exposure therapy. There's a paper in that."

The Professor turns his head, creakingly, to give Lucien the most withering stare it is possible without moving a single facial muscle.

Lucien offers him a pickle. The Professor takes one. He puts it on his tongue. He has not yet learned to chew again. That's fine. You can just suck on these for a bit, as long as you clean your teeth after. Otherwise the taste might stick between them for the rest of your days, and who knows how many there'll be of them.

Who knows.

Lucien sits for a bit, chewing. He has no idea what to do. In fact, he'd explicitly come back without having a good reason to do anything at all.

"What now?"

The time for revelry is at an end. The reserves have been filled as much as they may, and now the siege. Now it is his job to shoulder what load he can without complaint.

Revelations 20:1 And I saw an angel coming down out of heaven, having the key to the Abyss and holding in his hand a great chain. 20:2 He seized the dragon, that ancient serpent, who is the devil, or Satan, and bound him for a thousand years.


If Constance is to be a serpent in a garden of purity, then it is important she be the right one. Tristan may not know the full significance of the symbol of a dragon to Sir Coilleghille, but if any were to inform him the full meaning of what he is doing, it would only be met with a grim and self-deprecating laugh. And then the work would continue.

Here is what Tristan understands: Constance is to be temptation. It is something you hate yourself for wanting. It is something that you would consider yourself weak for giving in to, and yet provokes the need to give in. To surrender is wonderful, to overcome is misery.

It is the choice between going to bed with a loneliness that aches, or a night with someone you truly love followed by a deceit that must be maintained for every day that follows. What consolation days without fear during the nights alone?

How to evoke the feeling of serpentine temptation in a dress? It is the shedding of layers of skin that gives Tristan his inspiration to use twelve layers of gossamer organza, the bottom layer being a form fitting dress which, regrettably, must be stitched firm. The only way to remove it now is to destroy it, by hand or by blade. Buttons and ties would ruin the effect. Besides, it suits the metaphor.

The subsequent layers have been prepared like bookbinding signatures, in sheets of three. A minimum amount of attachment at the shoulders, waist and knees to preserve the tightness of the form, with room to flex and twist along the body so that each layer might reveal its translucence best. The final shape suggests a wedding dress, though it is far too indecent for that purpose.

Light passes through the fringes of the dress freely, blending to opaque only at the last. With a source of light behind Constance, it evokes a radiant halo around her form. Each layer sings transparent and fragile. Each whispers how easy it must be to tear. It teases, too, at how wonderful it would be to be the one to tear it. It is so close to revealing, and yet, and yet, and yet. Each twist in that light assures you surely, surely this is the movement that reveals what lies beneath, but it will not.

To disperse the dress over so many layers also gives voice to that most dangerous of temptation's weapons: There is enough here that it would be possible to stop before things go too far. Just one, to sate the curiosity, and no further. A steady slope is more inviting than a sheer drop, though both lead to the same rock bottom.

There is a final touch to this. The neckline at the rear of the dress plunges deep down to the small of her back. The view of so much exposed skin is obstructed only by two short trains emerging from the shoulder blades. Some pinch pleating, and an upward inflection, is all that is necessary to give the effect of delicately curled wings. The promise of the skin beneath sings most sweetly behind the clearest reminder of serpentine nature.

It is not just for Sir Coilleghille's that Tristan sharpens this weapon of temptation. For Constance this will be armor, as impregnable as it is fragile. Let this be a citadel of self-confidence that will stand against any wave of doubt. Let her know that she is wanted, that she is desirable, and that she can be on the other end of heart break.

This is a monument of work. This is what Tristan does. So much tailoring frees him to talk to whoever would be interested, or interested in helping. But it leaves him little time for anything else.

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