Avatar of Count Numbers
  • Last Seen: 2 mos ago
  • Joined: 6 yrs ago
  • Posts: 422 (0.19 / day)
  • VMs: 0
  • Username history
    1. Count Numbers 6 yrs ago

Status

User has no status, yet

Bio

User has no bio, yet

Most Recent Posts

November:

The original plan to lift the hardware was done without full knowledge of just how serious the software behind it was. Ironically, this made the process even harder to know what to do with. If it was just a matter of doing a reset to factory defaults and then selling some graphics cards like they fell off the back of a van that was one thing, but the value here was in the tight integration between hardware and software. The difference between a corpse and a person

The problem then was: what target to aim such a device at? Commercial transactions were out for ethical reasons, and aiming it at a Megacorporation meant picking a fight with a Megacorporation while she had an active fight with the concept of law enforcement going. It was Red who suggested handing it to the Union as a way to help get ahead of the nightmare that was the Headpattr app. It was a hateful suggestion because it was so obviously correct that it only left room for lamenting rather than arguing.


There’s one strong advantage to this decision. Immediately after being given the tip, Muffi assigns Surge to the stakeout with you for the meetup with the hardware’s original owners.

Surge, the Maid Man, looks like a Hollywood idea of Achilles. Not seven feet tall, but it’s how you’d describe him if you met him in a dark alley. Outside of work, his favourite profile picture to use is him laughing while lifting the ninth Ardblair stone at a recreation of the Highland games.

You’ve never seen him out of uniform. An intricate French maid outfit, white lace latticework ending in a big silk bow at the collar. White bows on the tips of his high heels, too. The edges of the black cat ear headband are covered by the lace doily headpiece, and matching gloves. And the hemline’s so short on the skirt that you can know for sure those are only thigh high stockings. Minus the heels, it’s even what he was wearing for the Ardblair stone lift.

Like Muffi, he’s one of the few people hired by the Headpattr union directly. His thing started with an informal offer to check up on people who needed it in his off hours, and ended with a whip around to afford to have him on-call. If something bad’s already happened, Muffi can sort through the blacklisting. If something bad’s already happening, then cops are probably going to be faster. But what about clients who just seem sketchy? That give you a vague, indefinable feeling that something bad might happen? When you don’t feel safe to try to leave a situation on your own?

Nine times out of ten, he isn’t needed. His talent is in showing up anyway, working out the nine from the ten, and making sure you know you did the right thing if you’re one of the lucky nine. Rumour has it he’s so good at this because he used to be a cleaner of a very different kind. Don’t bother asking, he just laughs if you bring it up.

Sitting at a cafe with Black, it’s half an hour into the meet and they’re a no-show. Surge isn’t surprised. “Would you?” He asks, checking his phone. “They must have run that rig for years before Muffi got suspicious. Why take the risk for something already burned?” He pulls out a chair to leave. “Thanks for the good company, though. This was fun. I know Muffi’s dying to get this thing set up. She’s pretty sure Headpattr’s lying about the scoring algorithm, but hasn’t had a way to test it. If there’s any chance this gets it for her…” He rubs the back of his neck. “She needs the win, is all I mean. I’ve got to run. Lucy Bell just got locked in by a guy’s security system, and I have to make sure it was just an accident. She swears she didn’t do anything this time, but she’s scared nobody’s going to believe her. You know how it is. She’s scared somebody’s not going to believe she’s changed, and I don’t want to tell her I’m more worried the guy’s just a scumbag trying to make sure she can’t leave while she’s on the clock.”

Another plus to giving it to the union? You don’t have to worry about where you’re keeping this, keeping it safe. People who know it’s hot and can handle it appropriately. If something comes up, they know they can come to you about it then. Just like you can go to them.

Who ended up delivering it to Muffi? Did they stay to help set it back up?

Fiona messages Pink.

You’re not going to like Thrones very much. Just as a warning. My advice is treat it like you’re on safari, looking for inspiration. If it gets real bad, pretend you’re my spy on a mission. You can report everything back to me over cuddles and sandwiches, okay? Look after your sisters and make sure they look after you too.

Crystal messages White.

I’ve never been, but from what Fiona tells me, well… I hope she’s just being uncharitable. Be kind to yourself.

The ship to Thrones docks at Selene. Even here, a good fraction of an astronomical unit away, the affect of Thrones makes itself known. The flight’s business class only; a pretense that there is no class divide here. No matter what you are going to Thrones to do, to be, you have made it because you are the best. Talent buys you the ticket, and money can’t separate you.

Whether that’s an idea that survives the journey though? To be seen. Certainly it doesn’t seem to have come with much of a pay bump, just a promise of endless perks.

More people come off the ship than go on. More androids are heading out than in. The difference between the inbound and outbound is serious, too. Go in young, energetic, disruptive. Just as many corporate aspirants as caffeine addicted satanists and academic anarchists. They come back middle aged and in the middle of an anger management disorder, or with all the symptoms of having come out the other side of one. Some took to it with a militant air, right-angled strides and clenched-fist discipline, some took to it with coloured glasses, wild hair and the undeniable aura of experimental pharmacology.

But here you're mostly seeing the waste product, what Thrones has spit out. Just who leaves.

You're intimately familiar with the style of liner you're going out on, a metatitanium Ratha class with gleaming third-generation plasma engine. The hull is shaped like a flattened egg, sitting in the center of a single flowing wing like an astral stingray, the long tapered engine emerging like a tail-spine. Safe, solid, no cut corners. The passenger area takes up only a small fraction. Most of the body is cargo space, right now being filled with bulk containers of refridgerated produce. By comparison, the liner was empty when it shipped in. Two containers of specialist equipment, not suited for mass production.

It’s not zoned like an airplane, like a train. Passengers are allocated two areas, a personal compartment to sleep in, and a communal lounge. While the dimensions of a sleeping compartment give about as much space as a CD case gives a CD, the Ratha takes advantage of its width to seat passengers more like a restaurant than a dining car. Still, most gravitate to the area of seatbelted cinema-seats aimed at the polarized frontpiece of the hull, aimed outward at the stars.

This could be your first time seeing Aevum from the outside again, since a very long time. Do the recent thoughts on dysphoria make that easier or harder on you?

Elsewhere in the lounge, a woman will be using a Rough on this flight, that toolset that Sasha used to imagine renderings of cybernetics. Green already knows everything she’d need for you to be able to make your hands work with her software. Judging by the Pirate Political Party badge she’ll have on her computer bag, she’d have no problems sharing her copy.

I use future tense here, because you might not plan on leaving yet. Could be one of you came down here to scope the launch, check bags, make sure Muffi’s been good to her word, and you have other things you want to do before the flight out. But this will be your path to Dad.

Persephone:

Sleeping dreamlessly is one thing, but you wake up with the chemical hangover worthy of that Faustian bargain. Waking up will be hell; A thing of getting vitamins and minerals into you, changing bedsheets soaked with sweat (if you are so inclined to be bothered by this), some kind of stimulant to make up for the crash, or just knuckling through. A normally fifteen minute routine might take an hour, here. And it’s already 2pm by the time you wake up.

You’ve gotten a text from a missed call you slept through, not from a number you recognize. Straight through to voice mail, you do recognize the voice if you check it.

“Hey, not sure if you remember me, I’m the guy you caught that day in the park. Bigsby. You know the…” Beat. “I’m not asking you out or anything, I don’t know what that sketch thing was about? If that’s what you’re worried about. Just calling to uh- Actually, better if we meet up somewhere quiet. I’m free from five, today. Can you meet me at The Log Inn, up in von Bismarck?”

Catching the train you can make 6pm, sure. But it won’t give you time to check on anything else, not until you’re already moving. Why would you follow up on this, though?

There’s a missed call from FUCKING SKELATOR too, but no messages and no voice mail. Hard to tell if that makes it important or not. If you try to call him back, the line’s busy but the call doesn’t ring out. Nothing from Sasha.

3V:

About aglets? Who knows. Even at the best of times he’s not the most hinged, and becoming a conspiracy theorist is just an occupational hazard. If nobody believes you when you’re right, then it becomes impossible to believe when you’re wrong. I saw the best minds of my generation destroyed by madness…

About real-estate, though? Anecdotally, a few of your regulars actually do own their own places. Thinking of them tells the story, though. Reed’s got a big stack of hereditary wealth he uses to cruise through life as a professional patron of the arts, living off the interest and throwing money at whatever kickstarter takes his interest. You can’t think of a single example that wasn’t inherited.

Even the well-paid tech industry folk rent. It’s not just that house prices are high, it’s that nobody seems willing to sell. The station is underpopulated for its size, with plenty of space for new development.

Most people don’t question this. Aevum’s a closed system, finite space, and entirely made bespoke. The idea that somebody owns everything is intuitive enough to be thought-terminating. There’s nothing to really be curious about.

… is there? Because it’s also just assumed property is changing hands somewhere. Someone’s buying and selling, surely? Even if it’s just corporations and the ultra-rich between themselves. Because property is privatized on Aevum.

Why does that matter, though? Rent’s a fraction of what people would be paying on a mortgage. Even if it’s true, what would the story here even be? Why do you care?

Junta hisses in his sleep as he accidentally puts weight on the broken shoulder. It’s still not enough to wake him up. When he comes to, though, he’s going to be severely dry of whatever pain medication they’ve put him on.

A text from Luisa. Her mum just took a bad fall, she can’t work tomorrow. Have you got the store covered?
Earlier:

“I’ve never been to the end of the line before.” Marco looks out the train window as it runs express to the port, the churning airlock-city. The hundred meter thick carbon band linking Hermes to Selene is in view, now, rising up into the distance on all sides. The bottleneck begins there.

“Most people never need to.” The tweaker editor who’s just wrung him through the emotional wringer for the last six hours wipes his nose on the back of his hand. “We have, though. You’re going to be fine, mate.”

Marco draws his baggy hood tight, and touches his rounded ears self-consciously under them. “Are you sure I can’t go back? If it works? No more cops. It’d be safe then, right?”

“If this works,” the editor takes a swig from a flask that reeks of sugar in chemicals, “Every cop on Aevum will have nothing to lose, and know who to blame for it.” The editor takes some aluminium packs of pills from his pockets and passes them over. Motion sick remedies and headache pills for the trip down. He gives a side-eyed look to Eli, and Eli nods back.

Marco’s heart shivers in his chest, a little, but there are too many reasons for him to know why. That the answer is no. That he knows it’s going to be bad news. That Eli trusts him to hear it. That last one…

Eli. Pronounced like ‘lie’ if he’s feeling masc, or ‘lee’ if she’s feeling femme. ‘She’ right now. She’d managed to not get caught slipping his stolen battery packs to the news people on the way out, even though the editor thought she was an idiot for it. She wasn’t supposed to be taking the train right now, but she said she was going to, and that was that. She was kind.

The train hit the carbon band and began its slope. Marco gripped his chair, he felt like he was about to float out of it. The editor waited for him to get used to it.

“We sent someone with your credit card up to Gaia, and he got stomped by cops.” He holds a firm look, and Marco feels small under it. “That’s not on you. We all knew the risks. This is just how serious this is. If the cops even think someone has something to do with you, they’re going to get hurt. Our guy’s in the hospital right now.”

“I could write something, maybe? Say that he had my permission, say-” but the editor shook his head.

“We’ll take that for Persephone, sure. But our guy-”

“Junta.” Eli cut over him.

“Yeah, Junta. Story with him is he found it on the ground, was seeing if it hadn’t been reported stolen already, and was just going to hand it in. Just a bit of bad luck. Because if we pass on that you let him…” He trailed off.

Marco presses his head against the glass of the window and watches warehouses go by. Huge things covered in service line inputs and outputs in three dimensions. This close to the airlock, everything starts to look like those casts you take of ants nests, where you pour molten tin down the tunnels and dig them up. They’re close now.

There wasn’t one airlock, of course. Selene’s rim was filled with them, thousands in all different sizes. They were just treated as a collective entity, right up until the moment specifics mattered.

“I need to go.” Marco mutters. It’s still not real to him yet. He knew how much danger he was in, he’d known that for a long time. He’d just thought he could hide this out. He had just found people he could be close to, and that was the moment he was being ripped away from them. But every reason he wanted to stay was a reason he needed to go. “It’s not fair.”

“No, it’s not.” The editor said, and Eli squeezed him from behind in a tight hug. Marco sniffled, then wiped at his eyes. Sleeping had made everything worse, it made him feel everything again. Before he’d been too tired to even feel how tired he was.

Almost there. Just a few more minutes, now. Persephone hadn’t been able to get him anything, either. He was scared about that, about some of the stuff they’d have found in there. That… that at least made it a bit easier to run away. That was something to run from.

The editor misunderstood the flash of anxiety, what to reassure him about. “We’ll get your prescriptions down to you.” He cleared his throat, and Eli let go. “They’ll be watched, so it’ll be a good way to make it clear you’re out of reach. It might put you at a bit of risk but…”

“My friends will be safer.” Marco finished for him.

“Yeah. What you’ve been wanting from the start, right?”

Marco nodded as best as he could without taking his face off the glass.

This close to the airlock, everything was lighter. The narrower diameter made it easier to load and unload freight, and made it easy to tell who’d been working down here long term. They all moved with a distinctive hop-skip, like they were prancing around. As the train pulled into the station, a man in a parka with a tin whistle pranced along, eyeing the passengers. Marco flinched away from the window and pulled his hood tighter.

“It’s fine,” Eli took his hand and squeezed it. “They’re not cops. You’re safe from here. Okay?”

Marco nodded. Should he ask her if…? It didn’t matter. He was one foot out the door already, no need to make it hurt more than it already did.

The editor stood up, even though the train hadn’t stopped yet. “Come on. We’ve got one last person we’d like you to meet.”



Marco felt naked for his trip. No luggage to pack, not even his laptop. At least Eli had stolen a music player from a train station vending machine and spent most of the trip filling it with her playlists, which seemed to be… everything. A lifetime’s worth of genres to discover.

The headphones she had plundered for him, too, were helping a lot. Selene was loud, impossibly loud, the entire world’s freight and garbage infrastructure all crammed together into one spot. Sometimes he didn’t even keep the music on, just kept the headphones for their noise cancelling.

He stood in the shadow of the Selene station building, waiting for his contact. The editor and Eli had walked him to the train door, and waved goodbye. They’d gotten on the train at opposite ends, and decided it was better to not be seen leaving with him.

He looked up, and blinked. The woman approaching him was broad, with leathered skin. At all times she rested a hand on the pommel of the sword at her hip. She didn’t hop-skip like the other workers. Instead she swung one foot in front of the other, always making sure the front foot had stopped before raising the back foot. Where everybody else bounced and bounded, she was slow, solid and stable.

“I am Sobha.” She said. “Are you…?” She left the question hanging.

Marco nodded. He squeaked.

“Hmm. Not yet.” She reached out, and Marco froze. She was a tiger, and he was definitely still a mouse. She took his hood and loosened it, then pulled it back from his head. She nodded, but still seemed unsatisfied. “Please. Take it off.”

Marco wriggled out of the hoodie as fast as he could, folding it across his chest and tucking the bundle under his arm. And finally, Sobha cracked a smile, and squeezed her pommel tight.

“I will make sure that you can leave as you are.” She cupped a hand under his chin and lifted it. Marco had been staring at the floor for so long that looking above the horizon was almost too much for him. He swayed on his feet. “See? Lift your head. Stand proud. You are not running, scared. You are sacrificing to protect people. You are leaving as a hero. That’s how I want you to remember this.”

It was hard not to look down again. It was overwhelming. He needed to see less, to feel less, to- He closes his eyes and balls his fists at his side for a quiet moment. Then he lets out a breath.

“My name is Marco.” He says, and he holds on to how he felt explaining himself to Persephone. “And I am brave.”

Sobha nods, satisfied, then eyes one of the platform’s exits. “Good. Walk tall, with me. The Union has made your way for you.”

Everyone: Advance a level.

November:

Baba does not ask what you need the wheelbarrow for. Instead she takes the trip downstairs, sees the rest of November and their planned haul, and spits. Not suspicious, but inquisitive.

“Яку ж кашу він заварив… і для чого?!” Baba walks back up, and jams the elevator button. When it arrives she reaches into a pocket underneath her shawl and pulls out a set of keys. She jams them into the elevator and twists counter-clockwise. The elevator starts descending, and a steel panel slides open for it at the bottom. Baba shakes her head and climbs back up the stairs a second time. “I do not have patience for this. Why no button to basement? Life is too hard to make silly problems for others. Two at a time only. Wheelbarrow? Ridiculous. For such a thing?” Again she shakes her head, and thrusts her socket wrench into Red’s hands. “Wait.”

Baba 003 stomps to the railway node, and opens a storage shed. She stomps back with a motorized push-trolley. On it are four pairs of grip gloves.

“You twist left handle forward, left wheel goes forward. You twist it backward, it goes backward. Right handle for right wheel. I will be back for the key in twenty minutes. You will be done with it by then, and you will wait for me. Or I will find you.” These are not questions. This is not to be negotiated. She takes her socket wrench back without asking, and begins up the stairs.

You can do it much faster than twenty minutes, if you can keep organized. Four in the basement to load for the elevator, four left at the pod to unload and stack, and Red to push the ‘wheelbarrow’ and yell instructions at both ends.

Five trips. Four for the server boxes, the size of washing machines and the weight of safes, but five hands make light work. Another for the graphics card rig on its own. Twenty seconds for each elevator ride, two per trip, that’s five minutes in the elevator. Twelve seconds to load, six to unload - ninety seconds total.

Fixed time taken: Six and a half minutes, plus however long it takes for Red to snap November into action.

That just leaves the actual trip. This is a question for Red: Does she have experience using this kind of freight trolley, and if so, how much? Where does that experience come from?

If she is proficient: Set it to Hare, and make no mistakes. The trip can be made at jogging speed, and a round trip takes less than a minute. While the rest of November can scarper, Red will need to wait almost ten minutes for Baba.

If she is accustomed: Set it to Walk, and make no mistakes, or set it to Hare and decide on a mistake that requires help to correct. The trip can be safely made at walking speed, and a round trip takes two minutes. She’ll only have to wait a couple of minutes for Baba.

If she is a novice: This is a struggle. Set it to Turtle and a round trip takes five minutes with no mistakes, or set it to Walk and decide on a mistake that requires help to correct. In this case, Baba might need to wait for Red for a minute, and be placated.

A mistake might be bumping into a wall hard enough to leave a hole, taking a turn sloppy enough to roll a piece of equipment, or simply getting stuck when a three point turn becomes a thirty-three point turn, a delay long enough for another colour to come check on her.

Also, White just got a text from Crystal.

“Curious what you think. If you get stuck choosing what you like most, try explaining to yourself what you like least. Kisses.”

In it is a folder of images, scans of hand-drawn designs. A flurry of sketches drawn in an inspired lunchbreak.

Image One: Heights. She gives three options, the first almost twice as tall as the average person, huge, towering, imposing. The second is tall enough for most people to have to tilt their head to make eye contact, authoritative, dominating. The final is average, equal, eye-to-eye.

Image Two: Build. Here she sketches a variety of different outlines. Broad, powerful, muscular. Slender, narrow, graceful. Trim, athletic, solid. Hourglass, curvacious, sultry.

Image Three: This is just a slate of six arms, viewed at an oblique. Smooth scales, rough scales, thick scales, thin scales, lots of tiny scales, or a few large scales. Rounded or squared, reptilian or aquatic?

Images Four, Five, Six: Facial designs, spread about at seeming random. First she tried to do them holistically, as entire heads, but quickly gave up on that. Instead she does rows and lines and boxes for the individual features, build-your-own. Muzzles and snouts, teeth and lips, eyes and brows. Ears. Trailing off the bottom of the page; “Hair? Genitalia? You should ask Pink. Fiona suggested piercings?”

White doesn’t have to read the text as soon as she gets it, of course. But if she does, how does it affect her, and the mission?

Persephone:

Now it’s just down to dotting i’s and crossing t’s.

Organize a dead-drop for 3V to pick this stuff up from. Get home.

Marco’s off-station. Warnings have gone out. Cops know you’re involved in the leak, now.

You’re still getting evicted. You’ll still need to find a new place, eventually. Your friends might still be in danger.

But for now? For now the price must be paid on bad sleep and dark bargains made at dark hours in the morning.

Tell me about how you get home too tired to dodge those last straggler reporters, and accidentally give them one last, perfect epitaph for these days. Tell me about the things you manage to do to take care of yourself before you sleep, even through the sleep deprivation and stimulant crash. And tell me about the one last, unexpected conversation you have through text before your eyes finally shut on this day.

3V:

Junta looks at the can suspiciously. “I don’t like iced tea. Do I? I can’t remember.” He cracks the tab on it, and takes a sip. His eyes go wide, and then the can goes higher, higher, higher, empty. He crunches the empty shell in his hand. “I guess I like iced tea now. I just don’t think I’ve had it for a long time…” He looks at the can, morose. The thought never crosses his mind that he could ask for another one.

Of research projects? “I have a few.” An understatement. Research journalism too often means nobody to write for, no onus or expectation of deadlines. Just deep dives of personal interest. At a more traditional outlet, it’s tight leashes and constant reports. For an outlet like the Anthropozine, though? Ask a fiction writer about their works in progress. “I really liked your last one, about Sirius? Give a Dog a Bone? I wish I could write something like that. Ah. I should be working on something like that…”

Snap, snap, snap. Focus his attention on the ‘is’ and not the ‘should’. You’re familiar with this spiral, it fits you, just your size. Not helpful. “I have a few. There’s apparently a kink scene for chemical hypnosis fetishists, now. Tailor made drugs that target the free will part of the brain, but still leave you free to follow orders, that kind of thing. Really illegal, the non-consensual applications are pretty terrifying, but I hit a dead end on that. I’m at the part of the process where I’d need interviews to make any kind of story out of it, and I don’t know how to find people. Ah. The rest is really boring, honestly.” He almost shrugs, but thinks better of it at the exact last second. “Why domestic labour is still undervalued by design in an era of abundance, why Thrones got built with public resources and comparing it to all the other libertarian playgrounds they tried to make when we first got to space. You know compared to like, Chiarascuro.” Still a fun place for treasure hunters who can ignore a geiger counter reading. “Like, who thought it was in the public interest to do Versaille again.”

His eyes are closing. He’s as exhausted as he looks. “All the handsoap on the station is made by a single company, and their recipe is undisclosed. The four day work week was a combined response to zero hour contracts, the phone app casual labour market, and the collapse of the 2040s. The tips on the ends of shoelaces are called aglets, and their purpose is sinister. Do you know anyone - anyone? - on Aevum that owns their own home? Why is that?”

He’s asleep. Again. Probably not for long, but who knows with him?
NeonCzolgoz: knowing junta the idiot’s in a self-pity spiral about being dead weight
NeonCzolgoz: so i’m pushing his last piece now so he can suck it up and hack people telling him he does good work
NeonCzolgoz: even though he’s the dumbest boy alive for doubting it
NumbToNothing: you know this is the public channel right
NeonCzolgoz: yea
NumbToNothing: sick



Persephone:

DM
HartlyDworkin: If you had permission, and you can get the owner to attest? You should be fine. If anything, you have a good case for harassment if you wanted to pursue that.
HartlyDworkin: I wouldn’t, but it might be useful to say that you would?
HartlyDworkin: You should be fine, but just keep me in the loop if I’m wrong.

Easy.

That just leaves getting Junta’s stuff.

Fulfilment Centers™ were where Amazon™ warehoused employees in factories of nightmare logistics. By the 2030s the concept had engorged into a company town model, bringing in cheap service workers in subsidized housing and retail environments to supply a life of luxury anywhere in the world to the high-level tech workers it was trying to draw in, the real money makers behind its cloud and web services.

It was this company town model that would end up becoming Thrones, and goes a long way to explain how Aevum could be post-scarcity but not post-capitalism.

Amazon™ itself, though, went through a crisis of mismanagement. What’s interesting is that this mismanagement was the same policy and treatment of its staff that had made it such a grindingly efficient global power house. The wheel turns. In the words of a post-Yugoslavian game theorist: “The closest I have come to proof of a loving God is that I have done the equations, time and time again, and in every one, kindness is always optimal.”

Now Amazon™’s legacy is vertically integrated malls, its Gratification centers™. Obliterated is the logistics network on Earth that gave them their competitive edge, Aevum leveled that playing field. The thin shadow of the former supergiant is brick and mortar “everything” stores. Click and collect. I’d say they’re just another Walmart like they’d set out to ‘disrupt’, but Walmart shuttered in the late 2030s, dead as Sears before it.

Easy to tell why Junta would carve out a space here. Beyond the stores to graze there’s a swimming pool with showers, laundromats, and employees with zero job loyalty watching them.

Getting to Junta’s stuff is easy. There’s a bunch of ways you can get to the bottom of the elevator 3 shaft - Pull some doors open and climb down when nobody’s looking, climb out the fire escape of an elevator car when nobody’s in it, or you can come up with something a bit more creative. How’d you do it, and why was it even easier than you expected it to be?

It’s getting his stuff out that’s going to be the problem. A chunky government surplus laptop plugged into a maintenance outlet at the bottom, an improvised pantry of dried goods and spices, a minifridge, a years-old rice cooker, and a brand-new hotplate still with the store security tag on it. A camera bag with good kit in it, and a drying rack with a bunch of different coathangers on it from a bunch of different stores, keeping the few outfits he wears in rotation. A stacked couples-camping sleeping bag and double-thick insulation mat at the bottom of the shaft.

Including a branded high-vis vest that’s definitely too small for you, but still an idea for how he got all this down here.

You are definitely not supposed to be here. Nobody is. All this stuff made it down here one piece at a time, over at least a couple of weeks, trying to keep beneath notice.

You don’t have to take everything though. The more you take, the more trips you make, the harder it’s going to be to do this clean. But you can at least make some priorities on how you’re going to escape the mall.

Oh yeah. Figuring out what’s legit and what’s boosted is going to be important. That stolen hotplate never flags off, because it never left the mall. Make a [9] difficulty check to figure out and disarm that shit, + Clever and whatever you can justify. Fail and you don’t notice you missed something.

3V:

Sliding into your DMs:
HartlyDworkin: Putting your address on the discharge papers, he’s all yours
HartlyDworkin: He’ll be there soon, and I’ve told him to stay
HartlyDworkin: No matter how many times he apologizes for the inconvenience you are not to let him leave. He’s only got one arm. Tie him up if you have to.
HartlyDworkin: These charges won’t stick, but squatting could. And squatting would be a circumstantial charge that he
HartlyDworkin: Doesn’t matter.
HartlyDworkin: He should be there soon.

Junta looks even more himself than usual. The usual dark bags under his eyes could be used as a kitchen shelf, all sickly Victorian orphan child aesthetics notched to eleven. His arm’s in a sling under the torn-up mud-splattered suit jacket he’s wearing - Persephone musn’t have gotten his stuff to him yet. It hangs limp in front of him, like he’s shuffling around holding an invisible mug of tea. He’d probably like a real one.

“Sorry,” he mumbles like a kid being brought before the principal. “I can just work something else out. Not your problem.”

November:

Vehicle is fine for this one, the building sits right on a rail node. Book a freight ‘pod’ and it’s, like, fifty steps with a pushcart to unload the goods. Nodes aren’t stations, they’re basically designed for exactly this, logistics junctions where the rail veins become street capillaries. Just need to make sure you’re not hitting someone else’s timeslot for the node, but that’s no worries. Trivial to make the booking with a front, or else legitimate businesses would have a miserable time trying to get their packages delivered. The kind of pod you’d be wanting is also just the default way people move house, or office, whatever.

Who’s going on this mission?

[Here’s the scene:
Cybersecurity 10: Find and disarm the obvious tracers and trackers in the system before you move it.
Cybersecurity 16: Find and disarm the secret bonus real problem tracker and tracer, hiding behind that. If you can’t, how was this guy so good (or lucky) that he could give you something you’d miss? Fail by 5 or more, and November doesn’t notice the virus she picks up (for now).
Basic Tech 7: Disconnect the system without breaking anything. This should be trivial for you, but there’s always that Irish sod Murphy.
Strength 9: Figure out a way to get all those heavy parts up the stairs. The elevator doesn’t go down to that floor.
Cool 10: Ah. Fuck. Baba Uvsenski 003 is this building’s manager?! And she wants to make smalltalk on the ground floor. She’s not suspicious, but she is inquisitive. If Blue is on this mission, roll with Advantage - regardless of who actually has to talk to Baba.

After that, it’s just loading it all into a pod and getting out. Too trivial for a roll.]

Halfway through, Muffi messages you through the app:
Check your score. Another contractor won their appeal against Howie Mendelson, and all his scores are getting scrubbed. I believe he gave you a six? Congratulations. I’m putting through your papers for Thrones now. You’re cleared for the rest of the week. Things should be ready for you by tomorrow.
Everyone: Mark experience for 3V’s article.

Also:

Channel: The Anthropozine
HartlyDworkin: @everyone
HartlyDworkin: I have a situation with Junta

It’s going to be okay, but I’m going to need a residential address, and right now he doesn’t have one.
HartlyDworkin: I need someone to pretend he’s been living with them for a while. It needs to be someone who can host him for the next few weeks after this, as well. You’ll have a few days to prepare. He’s in the hospital right now.
HartlyDworkin: Like I said, he’s going to be okay, but he’s going to be in surgery for a while.
HartlyDworkin: He’ll need someone to get his belongings. He’s in a hospital in Zeus right now. I’ll give more information when I have it.
He messaged me that he’s been camped out in the third elevator elevator shaft of the Amazon™ Gratification Center™ in the Karl Marx district of Apollo. I don’t have better information than that, but I’m hoping that’s enough to go off. I think @Persephone might be best suited to that one?
HartlyDworkin: I hope you understand that I am very angry that I can’t tell you more right now. So please don’t ask me. We are working on it.

A few people start and stop typing, but the chat is quiet.

Persephone:

A burner phone isn’t actually possible to get on Aevum in the way you might hope. No pre-paid SIM-equivalent without a name, date of birth, all of that. Without that, there’s no way your messages aren’t being flagged as spam by the people you’re trying to reach out to, and they’ll never see the warnings. It’s still worth buying a clean phone, though, one that’s never been connected to the internet before. From there you might want to pass it on to November - she’ll have a way to get the chat apps you need onto it without picking up the morass of trackers and cookies you’re trying to avoid. That’s not something you have the expertise to do yourself.

Food’s always good, though.

There’s other options; You could show up at all these places in person, warn that way. You could message through an encrypted chat and hope for the best. You could message in coded language, and hope that gets understood. Or you could just give up on looking innocent - You are innocent. You had Marco’s permission to be there. That’s not your problem.

Don’t sweat what the cops can charge you with. Worry about everything they can do without having to charge you with anything. Same goes for the people you’re trying to warn.

Then there’s the message from Claire Beaufort to worry about.

White and Pink:

Your host is very enthusiastic about the enthusiasm. She has a lot to say about White’s questions, and Pink’s input to them. How to decide on things like length and texture (swatches), sensitivity (a conversation lost entirely to physical demonstration) and growth rate (regrowth to desired length should take between two and three months, and do not listen to anyone who tells you shedding is worth it).

Crystal also has some notes on when you are welcome (Always), when she considers too many questions a burden (Never), and to call ahead when you do visit (At least thirty minutes, but also please soon).

She can only put off her appointments so long.

Fiona would also love to see you again (Soon), she has questions (Too many, she needs to write them down) and hopes she can meet more of you (But only one two at a time, please, so she doesn’t get overwhelmed). She also wouldn’t complain if it was Pink again, though. (Or just Pink, actually? (Only if that’s okay, it’s just, she’s really cute, and White’s really more Crystal’s type, obviously, but Pink’s more- (It’s fine, it’s fine, don’t worry about it))).

She’s available more often than Crystal is, too.

Still - it seems like a meeting with the rest of yourself is long overdue. It might be time to set that up.

Brown and Red:

The physical operation is in the basement of a squat office building in Modern Apollo, below a dentist’s office and a family-business accountancy, among others. There’s no ‘down’ button for the elevator, just access to the basement from the fire stairs. Maintenance and machinery rooms don’t have to follow accessibility compliance rules, and it’s just another way to hide a rig like this by making it inconvenient to look for.

The fire stairs are heat insulated, but frost forms on the steel handle for the basement. It’s -8*c in the room, another reason to want to be in and out quick. The door isn’t even locked.

Some things don’t change with time. The plumbing and fuseboxes hugging the left wall ultimately look like they would have in the 2020s, because there’s only so much tweaking around the margins you can do for solved problems. Bars of LED lights shine on lines of black-painted pipes, running through cylindrical tanks and then straight back up into the ceiling. Two fuse boxes bolt into the wall, half-sunk into the rockwool insulation foam sprayed around them, titanium padlocks hang like clenched fists on their side-handles. This side of the room hums and grinds like a millstone.

The rest of the basement is dedicated to the hardware. This is new. By the 2020s, computer hardware was running into the physical limitations of its design. In the same way a water pipe must still look like a water pipe because it is addressing an unchanging physical problem, computer hardware had to become unrecognizable.

At the most alien, often the bulk core of recent supercomputers are just plasma chambers with powerful laser inputs and outputs. The lasers charge plasma into ephemeral optical components lasting nanoseconds, creating the circuits for other lasers to pass through, and calculate the next grid to generate. Such cores are immeasurably powerful, but their wattage requirements rarely make them worth it. The lasers that charge the plasma medium are intense enough that they would destroy anything else. Watching one of these cores think is like watching white-noise in three dimensions.

That’s just one solution, though, and it’s not a good one for most problems. At this level, the rig is made up of eight oven-sized cubes, sitting four long by two high. The modules slide out of standardized ports in each cube. In it are spaces for a neural chip (a coffee-mug sized cube filled with gelatinous semiconductor), a quantum chip (a wallet-sized stack of entangled holographic wafers) and an optical core (a shoebox-sized cpu filled with a crystal lattice) and a storage brick (about half the width of an optical core, otherwise too many different kinds of these to count). The motherboard of the whole thing is the bulk of the device, a piezoelectric crystal medium that can make such disparate pieces co-operate together.

Eight of these crystal ovens, then an oldschool rack at the end. It holds a stack for forty-eight GPU slots, linked to the stacked cubes by an inch-thick bundle of optical cabling. This part’s the custom job. Somebody had to know what they were doing to make this.

This entire rig is set-and-forget, otherwise. Someone distantly monitors the thing’s not throwing out errors and scrapes money off the top of it.

This is where the whole trail goes cold. There’s no official record that the basement is sub-let. It could be that the owner is being paid under the table or, just as likely, this was done without permission. In either case, an anonymous call telling the building manager this is here at all would be the end of it.

But that’s it. Set and forget. No amount of surveillance is going to find the owner touching this thing. If you take this down, your best case scenario is hoping that they don’t have the capital to try this again. And that this is the only rig they’ve bothered to set up.

That’s it, then. You could still just replace graphics card #19 and the storage brick in the cube on the bottom, second from the left, and you’re one day closer to seeing Dad, and keep access to the rig for a rainy day where you might need it. Otherwise you can end this part of a criminal operation, and hope that’s all there is of it.

What’s it going to be?
Everyone:

Mark 2 experience. One for Jasmine finishing her piece, and another for committing.
Actually write an article in-character and I’ll give experience for that, too.

White:

“Oh, sweetheart. You don’t get to keep any of the good thoughts for yourself?” A wistful look at Pink. “But then I suppose you do, if you’re both ‘yourself’.”

She stands up again, composes herself. “Well. I consider us introduced then, and I must admit a wonderful curiosity. I suppose you’re now in charge of her questions? Show me how this works.” Whatever Pink’s jarring entrance cost her seems to have been paid for tenfold by the emotional vulnerability it drew from White, still on her knees. “Suppose this one wishes to be to a dragon what I am to a unicorn. Has she surrendered that decision to you, or are just here to help with the execution?” A coy smile at her next choice of words, before she’s had a chance to say them. “Do I court your permission, or your taste?”

Definitely a double entendre. Her eyes are still clearly for White, here, but she’s interested in what Pink can bring out.

Blue:

Starlight takes the card without sitting back down. “I believe you. About my safety, anyway. And that you’re sorry.” She gives a Kuleshov smile to Wendy and Perez, letting both of them read what they want into it. “The food was excellent, and you lived up to the promise of being very interesting.”

Perez takes that one at face value, and Wendy doesn’t, and that was clearly exactly how Starlight wanted to play that.

Here is what she is not saying: You will not be invited back. I do not feel deceived by your sister, only overwhelmed. And finally: Having done nothing wrong is not the same as having done nothing wrong.

Perez is a clear win here, though, but Charlie Euler could be another important win to Orange. He’s revealed himself as a vulnerability.

Brown:

Opening the door of the faux tavern is a bounded white void. It looks like a solid wall, and it also looks like it goes on forever at every point. The optical illusions of empty textures. But there’s no collision box to it. You can walk right through, like a beaded curtain.

The trick is thinking to try to walk through.

Behind that’s a locked door, clipped into the white texture. A casual observer would think this was the white's collision box, never finding the angle that sees where the locked door clips into the faux-forever. It’s part of the security - put a locked door out in the open of the Verse and someone’s going to take it as a challenge. A missing texture for a shady app front, though? Ubiquitous as body odor at a tabletop tournament.

The lock is beneath your talents, and the white void masks your attempts at cracking it.

Inside is a data abattoir. Traffic is being skimmed and scraped, encryption is being sorted weak-to-strong, with the weakest being sent to brute force algorithms represented by pneumatic rams. They crush down on slabs of data. Floating strings of broken code swarm in shifting glyphs, pinning plaintext descriptions on the shattered parts that the ramheads manage to break - these assessment programs are performing vital functions, but nobody was so sentimental as to assign them so much as a .png.

The rams are identical, but the swarms of glyphs have different priorities. One of them is scraping phone numbers. One of them is scraping bank card details. One of them is figuring out what it can do with doxxing. All hands off.

Cryptorigs turned fucking vicious when cryptocurrencies crashed and burned. But the tools designed for industrial scale brute force decryption still found their uses. This is just what happens when a cryptographic mining rig goes mask off and the subtext becomes the text.

And you have its physical address.

Persephone:

You’re out, but you’re not clean. You’re pretty identifiable, and a cop just made you.

You’ve destroyed the proof you were there, and nobody’s going to take police testimony against you right now. What, that you were breaking into and vandalizing an apartment all the way out here? Not without someone trying to ask questions about the owner, anyway.

But you’ve connected yourself to Marco, now. The cops are going to know what it means that you were here.

Fortunately November already got the crew out of your apartment. But those reporters aren’t going to be protection enough anymore, not after this. Maybe they won’t go full frontal assault but…

There are going to be problems getting you in, and getting them out. More than just reporters this time.

What’s your biggest fear right now? Where are you most vulnerable? Something bad is about to happen, something you couldn't plan for.

Up in Gaia, a boot crushes Junta’s collarbone.

3V:

NeonCzolgoz: holy shit
NumbtoNothing: holy shit
ProvocativelyFickle: What? What??
NeonCzolgoz: 3V’s new piece is in the submissions folder, you seen it yet?
ProvocativelyFickle: I’m super far behind on everything, what did she do?
NeonCzolgoz: numb don’t spoil it
NumbtoNothing: shit okay okay fuck
NumbtoNothing: okay but please go read it like right now
ProvocativelyFickle: Okay??
ProvocativelyFickle: Give a Dog a Bone? That one?
NumbtoNothing: AHAHAHAHAHAHAHAHHA
NeonCzolgoz: yeah that one
ProvocativelyFickle: Okay??
ProvocativelyFickle: ??
NeonCzolgoz: wait for it
NeonCzolgoz: wait for it
ProvocativelyFickle: 3V! Oh my god!!!
NumbtoNothing: AHAHAHAHAHAHAHAHHA
NeonCzolgoz: and there it is
ProvocativelyFickle: You didn’t!! You can’t!! Oh my god
ProvocativelyFickle: I mean! Do it! You go girl!!!
ProvocativelyFickle: I just can’t believe you’re posting this
ProvocativelyFickle: I’m so proud of you
NumbtoNothing: It’s super hot right
NumbtoNothing: NGL though
NumbtoNothing: wolves?
NumbtoNothing: always knew you were super fucking basic
NumbtoNothing: no but tell me more 👀
NeonCzolgoz: You’re saving up to try for husky aren’t you?
NumbtoNothing: Y-yeah
NumbtoNothing: s-shut up?
NeonCzolgoz: lol lmao
NumbtoNothing: still working out whether to do the herm mod before or after
NumbtoNothing: way easier as a package deal and cheaper in the long run but it just means saving for longer
NumbtoNothing: still means i won’t be the most basic kind of bitch b-baka Neon-senpai
NeonCzolgoz: honestly though
NeonCzolgoz: for real?
NeonCzolgoz: this really helps some of the really heavy stuff we’re doing in the backend, drives the conversation in the right way
NeonCzolgoz: It’s the right kind of controversy, starts the right kind of fights, and puts us on the right side of history
NeonCzolgoz: Eddy-boy’s going to be so fucking mad lmao
ProvocativelyFickle: @3V Hey! Uh.
ProvocativelyFickle: If you wanted to go again sometime
ProvocativelyFickle: I’d love to do a followup piece to yours, if you wanted to take me?
NumbtoNothing: yes
NeonCzolgoz: oh shit
NeonCzolgoz: Yeah so
NeonCzolgoz: We really need to really go hard on this for a little while, honestly. Different authors and different angles would help a lot.
NeonCzolgoz: I really like this one though. The courage and commitment angle? It’s welcoming, it’s inviting.
NeonCzolgoz: but strong followups would add a lot
ProvocativelyFickle: I don’t know what I’d write
ProvocativelyFickle: Trying to work it out might be fun though?
NumbtoNothing: I’ve got other places to recc too if you want to try something else
NumbtoNothing: Sirius is just kind of the biggest
ProvocativelyFickle: Well *I* haven’t been yet so I want to do Sirius first
ProvocativelyFickle: You don’t have to go with me if you don’t want to though!

The article isn’t live yet, not yet. It’s still got to be edited, approved and fit into the upload schedule. This still puts you a day ahead of everyone else. A lot is going to happen while you shut yourself into your writing.

Gensoukyo will get more of its spotlight in time. Instead I want to ask; What was the first article you wrote for the Anthropozine? Which publisher rejected it first, and who’s still angry about what you wrote to this day? What made it worth it, anyway?
Gaia:

A bearded white cisguy in a suit keeps his pace to a powerwalk. He’s anxious about what his appearance signifies about him, but there’s only so much it’s safe to wear on his sleeve. Aevum might be better about those things than Earth was, but that says more about Earth. There’s a reason that English was the mandatory language, and those reasons carry forward and upward.

So yeah. Maybe he’s a little self conscious about what people think that a guy like him’s working so hard on The Anthropozine. But there’s a reason he’s the one that took the job to run a stolen credit card this far up the station. He gets to wear his appearance of privilege like armour, and he gets to be mad that it keeps fucking working.

Wear a suit and an apologetic smile and say you’re waiting on a train, and a bar will let you sleep in the back corner. The bouncer won’t just let you, they’ll make sure your shit doesn’t get stolen. Buy a single coffee and get four hours of free wifi without question. Show up to a protest and walk in front of the protestors, and watch the cops stop pepper spraying your friends because a citizen is body blocking them. Fit in with the establishment journalists. Get the interviews from people your colleagues would get bashed by. Keep the business cards and contacts and attend the academic conferences where people with doctorates show they care less about their fields than you do, but they had the real privilege where it mattered.

Because universities see past the suit to the empty bank account and the wrong kind of neurodivergence. He wears his class signifiers like a stolen ID badge.

After this he’s going back to churn through research backlog on his four year old laptop at the bottom of the elevator shaft he's holed up in and see what he can dig up about this. The name on the bank card isn’t much, but he’s done more with less.

So Junta’s not surprised when he sees the two cops. He’s walking to a police station, that’s the point. No hesitation, either, with the polite smile and nod of the head. Just keep walking. It’s broad daylight and meadow out here. The real agriculture is done in the super-massive sheds and warehouses all around, but the space all around the vat-factories and bacterial silos is kept like English countryside, to make sure the look of the place is right.

And sure, they’re walking right at him, but it’s just a glorified bike path. Not much space to walk around. The rail infrastructure is too comprehensive to bother building the narrow streets of other districts. This is a place for freight, not for people.

The cops don’t smile back, and it’s the first time Junta realizes his armor might not work here. But he knows they’re like dogs. Running will just cause the chase. Walk and don’t sweat. It’s fine if he thinks it’s fine. Don’t change course and don’t show doubt and worst they’ll do is tell him he’s going along for questions.

His heart falls when the first cop grabs him and does that pull-you-over-their-leg shit that he’d learned how to deal with from highschool, but he goes limp and lets it work to let them show their dominance. Just fucking eats it.

Junta’s still not surprised when he’s pinned to the ground with his arm twisted up against the small of his back. It’s more than he expected, but he just feels stupid for expecting less than this. He can’t say anything until he gets the air back into his lungs, but he’s thinking what won’t make the situation worse.

His mind goes black, rippling with constellations of searing white, as the steel reinforced boot grinds his right collarbone into powder. It hurts too much to scream.

He’s set the fingerprint lock on his phone to be activated by pure nonsense, but it’s still set up. The two cops keep trying fingers until the hard lock kicks in. In a few hours, he might feel enough to be proud of that.

White:

Pink has, of course, been let in by Fiona, who has taken the pineapple fritters off her, and is munching one with a big grin in the kitchen. They would have just gotten soggy in the shower. Of the two, Fiona was the one that went in having a clear idea of what to expect.

Crystal, meanwhile, is a little overwhelmed. “I knew there would be more of you,” she says to White, pressed back bit against her side of the shower. “But heavens, there certainly is more of you.” There’s obvious conflict there, some discomfort. She’s trying to work out what to say, but with soft eyes and a nervous smile that makes it clear she feels she should be sorry about this, not you. “I understand that you are her, but you also aren’t?” For that, she hesitates. “And I’m afraid I haven’t gotten to know you, yet.” For that, she is steady and sure.

She doesn’t ask for White to be let back up. Instead she kneels down to White’s level, and cups her cheek. “I know that she’s important, and you need her help. But just for the moment, I’m infatuated with this part of you. I would rather sharing intimacy not be taken for granted as, shall we say, a package deal.” And again, looking back up to Pink, “I hope no offense has been given, if none has been taken?”

[GM Note: The intent here isn’t Pink getting told off, and she’s still welcome in the scene. It’s White being reaffirmed as an individual and a new kind of relationship.]

Blue:

Wendy takes her card like it is something live and dangerous, but she takes it anyway. Perez takes his card like it’s a Christmas present. Starlight doesn’t touch her plate at all.

“Did you put my daughter in danger, by coming here tonight?” She is not angry, yet. But she needs reassurance.

Brown:

Boring in the Megaverse sticks out like a pistol in a waistband with a hoodie over it. You see the attempt to hide something, you see the attitude behind it.

The client’s setup isn’t boring. It’s a failed attempt at being interesting. It’s the digital equivalent of a “Live, Laugh, Love” embroidery and a photograph of Paris printed on canvas.

The client’s presence here looks like the office of a mobile games app that specializes in cheap clones of what’s trending, advertising clickables littering the path up to its copy-pasted medieval-inn style facade. Aggressive shit, too, the kind of signs set to magnetize to the closest person to try and get accidental clicks. The zweihander can close them without needing to find the red X, and you can hack your way up the front path like that.

The pieces you’ve got would fit right in, if that was the clients’ motives. A sophisticated enough content algorithm can find a popular game, rip assets from shareware pages like a 3D right-click thesaurus, and roughly match the gameplay loop. The storage bricks and gamer branded graphics cards you’ve been sent to install seem right with that. But that doesn’t feel right enough.

Visualize the traffic, and this place is a black hole. Just setting your view to net traffic, and this place has activity that’d match a fly-by-night adware operation. Actually filter the in/outs though, and all sorts of stuff comes in without coming back out. It should be the other way around. You can’t get a good idea of what it’s eating either - the only thing the input has in common is it’s all encrypted.

Whatever this place is, it thinks being a shady clone factory is a lesser evil. That’s as far as you can go without leaving footprints here, but it’s a start. Going further might have consequences for your easy ten.

3V:

How personal do you take this piece, how intimate? The ‘zine likes its content raw, gonzo, sincere to a fault. What’s the point, otherwise?

Mentioning the hookup would be a hell of a statement. A public statement at that. York isn’t going to let you hide behind an anonymous byline for this one; It legitimizes the awareness someone would want to distance themselves from the experiences you’re talking about. It acknowledges shame at a meta level.

That doesn’t mean you have to keep everything in. There’s plenty to talk about, if you talk around the wolf in the room. But you’d be doing a lot of good for a lot of people if you were open about how far things went: Conditional acceptance is temporary acceptance. It’s up to you to ask if it’s enough good to be worth the consequences.

And there’s always Black to talk to, about whatever decision you make.

Who at Gensoukyo reads your articles? Does that factor in your decision? Because that’s going to be a conversation.
Channel: MurineCorps
JuntaSThompson: Fuck me.
JuntaSThompson: Okay, here’s the situation:
Card worked. Started small to test it, but kept making big withdrawls all the way up to Gaia.
Bank should have flagged it and probably did, which means the cards burned and so am I.
Going to go find a police station to turn myself in, I’m getting tailed and they’re waiting for me to bring the money back to you. Fucking lol.
JuntaSThompson: I found the card dropped on the street, withdrew the money to do a story on bank vulnerability with the full intent on returning it to the owner, that’s my story and I’m sticking to it.
JuntaSThompson: Took a photo of all the cash and messaged Claire already, so no disappearing acts.
JuntaSThompson: If I message anywhere but here first, it’s not me, I’m a sockpuppet
JuntaSThompson: Good luck
JuntaSThompson: Can’t do worse to me ‘cause I’m homeless lmao

Claire Beaufort is the Anthropozine’s staff lawyer. Kind of. Her work for the site isn’t paid, just a tax writeoff. Fortunately her real employer, the one that pays her bills, is the shipbreaker’s union. There’s rarely a conflict of interest, and Sobha herself is one of the site’s biggest donors. She’s happy to let Claire bill the union for hours worked with the Anthropozine, if the work justifies it - Sobha’s happy to get paid back in favours from an indie-punk journalism outlet.

Claire can be reached @HartlyDworkin. She’s in the main chat, but not Murine Corps.

Persephone:

Apartment 14’s on the fourth floor over paving stones - 50% odds a fall from this height would kill you outright.

Don’t take your cybernetics for granted here. They were designed to handle a microgravity environment. They might give you more protection than legs, but they also add a lot more mass.

The window ledges are slanted brick, and probably just facade rather than structural given what you’ve seen of the apartment. You’re not going to find out until you put your weight on it, though, and it’s a tough ask. Likewise, fire escape is the internal staircase. The building planners probably worried about people breaking in the exact way you’re planning on getting out.

There is a balcony on the second storey below. It’s an added-later renovation, but it’d definitely hold your weight. Not too far to jump, and it’d break your fall into two two-storey jumps. Hard, but definitely survivable.

All that you can get at a glance, and a glance is all you’re going to get. There’s still a cop trying to arrest you. Make your move.

[This’ll be two difficulty 13 Parkour rolls. If you fail either roll, mark a minor injury. If you fail by 3 or more, mark Harm. If you fail the first roll, make the second at Disadvantage - or make a plan to get out through the building from there.]

Black and 3V:

Lupawn grins. Chemistry and its lack, sure, but also game recognizing game. “You have fun.” He says, meaning it. “I’m going back out to find someone else trying to throw themselves in the deep end. Make sure somebody doesn’t go home tonight kicking themselves, you know?” He starts to dip. Amie though? Amie’s right where she wants to be.

Still, look around. Sure, the dance floors are packed, but still folks wander around the edges, on the outside of those mist curtains looking in. This place is intense. More than that, the presence of all these dates, all these hookups, all the wild hormones? Some of those folk who can’t break through look incredibly lonely.

What must it mean, to be in a place that’s meant just for you and people like you, and you’re still too scared to act on it? If this is where you go to find your group, it must mean a lot are coming in without anyone.

And yeah. Kink is out in the open here. Part of what makes this place so intense. Some folk are more than just naked. Pay enough attention and you might find the some folk on the dance floor are doing more than a bump-and-grind. Bunny ears poking out from under the edge of a fox-girl’s table, down there too long to just be looking for cutlery. Over there’s a tigress whose tail lifts up the bottom of her microskirt, high enough to see the gleam of a pink-jeweled plug underneath.

It’s not everyone, obviously. But it’s more than no one. Nobody’s getting thrown out over it.

There’s discourse, sure. The furry identity is seen as inherently sexualized, and there’s two camps of response to it - Find that empowering, or disavow and distance from it. Sirius Drinks makes it clear which camp it favours from every atom of its being.

Might be worth asking someone about. Or maybe that’s enough for you to draw your own conclusions here, if you're done talking for the night.

White:

Fiona has shambled into the kitchen. She’s pouring soylent into a blender, but now it’s mixed with vanilla yoghurt, blueberries, bananas and maple syrup. She doesn’t get it to ignore her body anymore, she gets it because it’s a great smoothie base for when you need to cram every vitamin, mineral, and just fluids back into the body she’s learned to appreciate.

Crystal’s still in the ensuite shower. More than room enough for two, and she’d probably appreciate help with all the shampoo and conditioner.

Now’s your chance to get either of them alone. To talk to Fiona about being a public figure, about being someone worth admiring. About being known. Or to talk to Crystal about what it would mean to change your body, about cracking the egg, about next steps. About what it means to create a social category for yourself to step into.

You don’t have to wait if you want to talk to both, though. Take breakfast back to bed, open the bathroom door, and you’ve got an open conversation.

Or you could take your leave now, and try to run this through the other colors. I don’t expect Blue and Orange to stay overnight, and today’s tenner job doesn’t start for a while yet.

Fiona would probably love the chance to meet some of your sisters. How does that idea play against White’s newfound feelings of possessiveness?

Actually, today’s tenner is an interesting one. The details from the client are vague: Pick up an item from a P.O box, take it to a site, and follow the instructions you find there. Muffi’s added her own note to it: It’ll be a computer part - maybe a few parts - and the instructions will be for where it’ll be installed in a warehouse rig. The client is using Headpattr instead of skilled IT labor for a reason, and she doesn’t like not knowing what it is.

Just follow the instructions and it’s an easy ten. Figure out the client, and Muffi will owe a favour.

Who’s going on that one?

Blue:

It’s a good play. Charlie Euler even hesitates, looking longingly at the red bean buns, before he leaves without another word.

Wendy sits down, in a way that makes it clear she’s picking a side. Still, the tension is palpable.

Starlight takes Blue’s hand for a moment. “I’m so sorry about that. Nobody sees this as your fault. I have no idea what’s gotten into him.”

Perez hums. “I have a theory.”

“Really?” Wendy asks sarcastically, and Starlight shoots her a glare. Perez misses the sarcasm.

“He might be ashamed, or guilty.” He suggests. “He was a prosecutor for years before AI got rights. I don’t think he talks to any that old.” He hesitates, and looks to Blue. “Sorry, I hope that wasn’t rude? I couldn’t think of a better word.”

Wendy goes pale. “I… didn’t think of that.” She admits, and Perez looks very proud of that. “I just thought the surveillance thing was spooky.”

Starlight rolls her eyes. “Why, because she didn’t wear a badge doing it?”

“Yes.” Wendy is harsh, here. This isn’t the first time they’ve had this argument.

Perez ignores them, and beams at you. “The sorbet is still a bit cold for me, but I really like the… what did you call it? Dough-share-bow? They’re really good”
Persephone:

There was a way this could have gone. A game of cat and mouse, of tension. Of not knowing if you’re the only one in here, while trying to find your objectives. A hissing fuse with no obvious bomb it leads to.

Let’s just cut to the good part, then.

A plainclothes detective is out in the open now, ripping their grey gym hoodie off and tossing it on the floor carelessly - it ends up on the drying mineral oil, and that’s going to stain. Everything about them screamed ‘cop’ though, even before the reveal of the badge danging from a chain against their chest. They’re a bit shorter than you, but they keep their eyes level when looking at you. No tilt of the head that could be read as intimidation or respect. Even down to a skintight wifebeater, you can’t get a guess on preferred pronouns. The shaved head and completely waxed body doesn’t help either.

There’s probably a Jet Li build under there, underneath the padding from too much junk food on long stakeouts. They tug at the studded bracelet covering their right wrist, and the hand spins 360 degrees before clenching into a fist. The synthetic skin job is clean, but the join from forearm to bicep isn’t a perfect match. Looks like the elbow is partially replaced, but effort was made to keep those muscles attached and useful.

There isn’t a practical reason for it. If you’re doing that much of a high-grade replacement job, a full replacement up to the shoulder would give them a lot more power and control. But you’ve seen this before, too. They want to know that the punch is still ‘theirs’. Their training, their will, not their bank account. Or their department’s.

Maybe that tells you something about them you can take advantage of.

“Officer in need of assistance,” they press a finger to their ear. “Break and entry in progress, on my position. Just the one, but they’ve got me cornered while their crew escapes. Apprehending now.”





3V and Black:

Lupawn offers a paw to Black for a bump. “Are we bringing her back, or are you coming to get her?” His question’s playful, and he asks with a smile. Amie jumps up and ruffles his hair, in mock outrage of the question, and Lupawn lets his head stay ruffled in penance.

The thing about furries is that it’s a total commitment to a bit. They’re a bit cringe to most, sure, because everything saturated in sincerity always is. Nobody’s becoming a wolf because they want to do an ironic subversion of the archetype - maybe in a few years, as counter-culture becomes culture. Now, though, defining the archetypes is too much rebellion to rebel against.

Amie and Lupawn live their own performances. Not like highschool theater kids perform for their drama classes, like theater kids perform for their friends. Feed on their energy and they’ll never run out of it. The entire rest of their lives is built around moments like this, nights like these.

Stand clear of the wagging tails.

Amie’s muscle and musk, soft fur with coarse ends like a sheep dog’s. Her timberwolf patterning is broken up by barely a strip of unbuttoned denim and the billowing grey shreds of what might once have been a gym top. Just run your hand against her and it’s like brillo pad. But push deep, run your hand through, or push your face deep in, and be rewarded with soft fluff that squeezes you back. She wants you to press and be pressed. She wants to cuddle and squish. She wants to lift and throw and chase and catch.

She is the wolf-as-primal-playmate. Her place in the dom/sub spectrum is the space of yes/and. Just as ready to lead as she is to follow, she waits to see if she is about to snatch 3V off into the night, or be carried off with her. She’s good with either. She watches Black, now, eager and attentive, pressed into 3V’s back and resting her chin on the top of her head. Ready to drag her off to the bar, or be dragged off to the bar. As long as someone’s getting squeezed on the way.

Lupawn plays it a bit harder. You can see it comparing their legs - while Amie has settled on modified ankles to suggest the vulpine pose and posture, Lupawn’s committed to the full werewolf, high knees and heels that end halfway up where their calf would be. The effect is way more intense and animalistic.

He’s living off the energy 3V’s throwing out right now, but keeps it to a tight leash with the introduction of Black. He’s working out how much fun he’s allowed to have, here. Is this another player in the scene, or the boundary marker? He casts himself as the lead, and he wants to show off for his audience. But only if you want that too.

Neither Amie nor Lupawn made the assumption that 3V came to dance with the one that brought her, tonight. Not here. They just know however this goes, they're having fun.

Blue and Orange:

Charlie gets up abruptly. “Sorry, Star, I… Early start tomorrow. You understand.”

Starlight blinks. “Ah, yes. Of course, thank you for coming, Charlie.”

“All mine, do it again soon. Just-” He spares one last, fearful look at Blue. “Like I said. Early start. That’s all.”

‘Robocop’ Perez hums thoughtfully. “I’m glad that’s all it is. You were acting like her being Mrs Everest’s old assistant was scaring you.”

“Daniel!” Charlie hisses through clenched teeth. His open palms hit the table hard enough to rattle everyone’s cutlery. “Shut up.”

There should be an awkward silence, but ‘Robocop’ pushes on, clearly confused. “Why? We all know that androids were used like that for years, and why. It’s not her fault, is it?” A pause. “I’m enjoying her company, and I think you’re being very rude.”

Starlight is caught off guard when she smiles at that, and has no idea what to do about it once it’s there. She opts for ducking her head, out of the fight.

Wendy was halfway out of her chair, too, but has the decency to look shamed by Perez’s question. Charlie’s still standing, though, defensive.

White:

You’re not the only one with stack overflows.

Fiona taps your shoulder. “Careful. She had that specially made to be extra sensitive. That combined with everything you just said…” she coughs into a fist. “Give her a few seconds. Then try not to trip.”

Try not to trip?

Then Crystal has your hand by the wrist, firm, and is walking out of the bar with you in tow, keeping a pace only a half step below a jog. An amused Fiona shadows.

“No ropes, no props, no teaming up on Fiona tonight.” Crystal- well, she has the too-even tone of someone trying not to be angry. At least, the too-even tone of someone trying too hard to keep themselves in check. “We are going back to our place. We are going to make this very special. And you, dear, are going to keep talking.”

“Before you get too disappointed,” Fiona’s fingertips brush the back of your neck, and then down your free arm, ending in a warm squeeze of your hand. “There’s always next time.”

Here are some pertinent details of Apartment 7,118 Josephine Baker street, Robert Frost district of Modern Aphrodite.

  • The place is fastidiously clean and organized. Fiona apologizes for her mess, which is a laptop charging on a glass coffee table with two used mugs on coasters.
  • The kitchen is similarly shining, to the point where it’s difficult to tell how frequently it’s used. The bean grinders, roaster, steamer, infuser and cold brewer imply a daily use that the countertops don’t. On that note, Crystal is very confident about the countertop’s ability to hold your weight, no matter how hard you press against it.
  • The size of the bed could best be described as “ambitious”, but its owners are feeling inspired.
  • The walk-in wardrobe is three-fifths Crystal’s by volume, a fifth Fiona’s, and the rest is ‘for guests’. So don’t worry about not being able to find everything you came in with. Find anything you like?
  • The apartment is wall-to-wall with original artworks, each complete with gallery placards describing the pieces. Crystal makes a game of flipping up-and-coming talent, putting her money where her mouth is on who’s going to ‘make it’, but by her own admission her heart’s more in the buying than the selling. The placards are Fiona’s touch, naturally. A photo album on the coffee table, behind the charging laptop, remembers the come-and-gones.
  • Crystal had some things she was supposed to do in the morning but she can move them, they weren’t that important, actually.
White:

Crystal pulls out two business cards. Iridescent ink on charcoal cardstock. The back lists her email, phone number, and her title: Founder and CEO. “One’s for you to keep.” She winks. “I get more jealous than she does.”

“Please,” Fiona looks at you, here, “She wants to tie me up and see what you do with me.”

It would be wrong to say that Crystal’s mask slips. A mask implies a falseness, a concentrated effort. It would be more correct to say that even the most graceful and effortless figure skater will trip if you stick a foot out in front of them. “Dearest?” She says in a warning tone.

“I’d also like that, just so you know.” Fiona raises her hand to call the bartender over. She must be a regular here, a water buffalo in a waistcoat already knows what drink to put in front of her. He’s already pouring. “We’re both switches, but she only ever wins when she has help ganging up on me.”

Crystal clears her throat. She’s still off balance, unable to look White in the face anymore. The fur doesn’t entirely hide the flushed cheeks. “I’m not used to her being so bold.” This explanation comes with her trying to unball her hands from fists against her side. She’s getting some success.

“I’m not used to meeting my heroes. I only recognized you because I did a book about the aftermath of BlackSun. Nobody read it, but I think it was worth writing if it means I could know who you are, now.” She’s grinning. She takes a sip of her beer to compose herself. She’s a messy drinker, foam catches across her top lip and she doesn’t think to wipe it. “Everything you just said is a massive turn-on for both of us. I used to be completely body dysmorphic. I would dissociate really hard whenever I remembered my brain is attached to the rest of me. Used to drink a lot of meal replacers so I didn’t have to feel myself eating, that kind of thing. ” She sips her beer again, to watch White’s reaction. Not one note of embarrassment or regret in her voice. Still, she betrays something when she touches the polished chrome of the interfacing connection in the back of her neck. “I came here to find other people who hated their bodies, too. The pretty unicorn here gets off on helping with that. She’s pretty good at it, too”

“Listen,” Crystal’s hands clench at her side, she pouts and she stomps. “Learning and becoming my best self was such a rapturous experience for me, that I cannot help but appreciate the feeling of re-experiencing it through others. Is that such a crime?”

“Only if you’re so embarrassed to be called out on it you don’t tie me up and throw me to a fucking dragon, otherwise it’s really sweet.” Fiona sips her beer again. “Our place?”

Blue and Orange:

There is a shift. A pressure that has been building under the surface of the conversation, released with a shocking suddenness. Call it dinner plate tectonics.

Charlie Euler lets his own sandwich fall to the plate like it’s a serpent. Wendy Cummins takes a deeper, more thoughtful bite of hers. ‘Robocop’ Perez nods thoughtfully, and makes that humming noise again.

“How interesting.” His voice is flat, but unlikely to be sarcastic. “But the Florey’s Floozie case?”

“The forensic accountant learned that it wasn’t our division’s case any more, so it was pulled.” Starlight clears her throat, still taking curious glances back at Blue. Still, it’s something she feels safer to say, now.

“Right.” Perez nods. Stops. “I wasn’t told why.”

“No, it was…” Starlight trails off.

Perez’s eyes widen. He looks, for a moment, proud of himself. “Oh! I get it. It was a politicians horse, wasn’t it? Something like that. That makes sense.”

There’s a sound as Charlie’s knee kicks up against the table from how hard he jumps. Wendy’s face is in her hands, and she shakes her head into them. Starlight takes an uneasy breath out.

“Please, Daniel, some tact.”

“What?” He blinks, looking at Blue. “She knows how this works, doesn’t she?”

“She might. But I’m not sure you do.” Starlight scolds, but the frustration bleeds out of her voice. “Please. Drop it this time? For me?”

Perez blinks slowly, reading the room. He takes a slow bite of his sandwich. “I was enjoying that case, is all.” He mutters. “I wanted to explore my illegal twins theory.”

“Sorry,” Charlie cuts over, addressed to Blue, “You’re saying you knew Dr Urosaki? It sounds like you have a story, there. Did you… meet him through your work?”

The Everest name still demands fear and respect, it seems. He can’t ask what he actually wants to.

Persephone:

No traps on the door. Whoever was in here - is in here? - had different priorities.

The living room’s a hurricane site. Knife marks in the couches, the plastic fibres torn. Loose floorboards ripped up and holes put in the walls.

It’s hard to tell what the shape of the room was, before. You can tell the desk in the back right of the room used to be in the back left, though. A picture frame of a younger Marco in a graduation gown is shattered on the left side floor, the picture ripped from the frame. He’s the only one in it, no friends or parents. Surrounding it are programming books - thick, heavy, not searched through, just ripped from the desk’s shelf to make it lighter to move. The electrical outlet is ripped from the wall, there. The desk is foreign to its final location, pressed against an LED wall panel.

The smell’s stronger in here, but it’s mixing with other things you do recognize, now. A thick pool of congealed mineral oil cuts through, here, from where it leaks from a shattered aquarium and soaks into the textbooks on the floor around it. Removing the desktop from its liquid cooling rig was not done delicately.

Burglars haven’t been through yet. The stereo system’s still here, as is the electronic drum kit, and those headphones still plugged into them look like they cost a week’s wages. Might want to take those yourself, actually.

It demands a question of what you’re not seeing. Sometimes there’s context to know what’s missing. Two monitors, but no desktop, no router. An empty wall bracket mounting for a TV. Why the TV? And what’s missing that’s not obvious?

Kitchen around a blind turn to your left. Bathroom to your right, closed door. Bedroom is behind a half-open door in the back right of the room, pitch-black. Marco keeps his medication in the bathroom, and the laptop’s probably in the bedroom.

All the windows are to your left, but you’re too high up in the building for any of them to be viable to escape. Curtains all shut tight. Whoever controls access to the front door controls the only way out. Right now, that’s you. If someone is in here, you just cornered them.

[Three rolls here.
Quick + ACAB to do this in stealth, meet or beat 10. The best you can do is be silent. If you succeed, no problems. If you fail, was it because you were tired, sloppy, careless, made a mistake, or just really bad luck?
Clever + Thieves Tools + ACAB, meet or beat 8. If you succeed, I’ll tell you what you find, and you can tell me how you found it.
Clever to search the place. Hit 6 to find what you already know to look for, meet 9 to be more thorough. You can use ‘Astrodemolition’ as a bonus here if you work it into your answer in the post after this. Same deal. I’ll tell you what you find.

If you succeed at the stealth roll but fail at one of the searches, I’ll let “break stealth” be your “succeed, but with consequences”.

If something’s going to happen here, it’s going to be fast. Now’s your chance to get your bearings. Eye a weapon, assume risks and make an approach.]

3V:

Everything’s fine. Don’t worry about it.

You’ll probably be expected to write a story about this later, though. Might be worth remembering. Work out an angle. Or maybe that’s the last thing on your mind, right now.

Black:

You are under no obligation to help 3V actually do work. “Do what thou wilt” shall be the whole of the law.

Pink and Green:

Here’s what Pink can watch happen, out the window of the locked down apartment.

Numb’s busy the second their van arrives, a beach camper leaking acrid smoke. A tanned blonde mop-head that ends in frayed curls kicks out of it, shoulder to hip covered in black canvas bags. Stoned out of their senses. They stumble, sway and trip the entire way through the street to the front of the building, bumping into half the news crews you can see, before you lose sight of them.

The Numb that arrives at the secured apartment, though, is clear-eyed and solid. Through the door, and the bags are rapidly being unzipped, and batteries are getting pulled from every pocket of their cargo pants.

“Only thing I couldn’t get was time to charge, and I was doing a burlesque gig last night.” They explain. “I’ll give ‘em back if they’re still here later, don’t worry about it.”

“You do you.” York takes a hit of a vape and passes it. “I don’t sweat taking from vultures.”

“Yeah, well.” Numb’s got the chairs out, now, first camera on a tripod and checking the angles. “Only keep what you need. Where’s our guy?” Pause. “We got preferred title yet? Picking ‘guy’ over ‘man’ here.”

“Marco’s drying his fur in the bathroom. Waking himself up a bit. You’ll love him, you can ask when he gets out. I can sit for him if you’re doing framing. He’s about my size.”

“Yeah, thanks.” Numb agrees, fiddling with a camera while York moves to the chair. “Okay. How big is this?”

“By the time this is done, we’re going to get every cop on Aevum fired. And maybe we can get it to stick.” York cricks his neck. “Ready to get even, for every search, for all the stolen shit, for every beating?”

“I-” Numb stops. “Don’t say shit if you don’t mean it.”

York’s gives the camera a smile so toothsome it throws off the white balance. Even his bottom teeth are bared. “Too happy you’re here for this.”

There are no great speeches left to make here, unless you want to be the one to make it. No more great moments. No problems to solve. It’s a day of simple work. A day of someone else navigating a witness through explaining things you already know. A day spent in a place you and Persephone have both made sure is safe for this. This moment is inert until it has an audience for a reaction.

But it’s still history. One day, people will write books about this, and a paragraph will be about your place in this moment. The next few hours are not an interesting thing to experience, but people will be interested that you were here to experience it. Because they’ll know how this turned out in the end, because this will be how they learned what you already know.

As Marco towels himself dry in the bathroom, as Numb aligns their cameras for the payload, as York clears his throat and rehearses his questions. How do you leave your mark on this moment? Is there anything from the interview that you want to capture?
Everyone:

Channel: Main
NeonCzolgoz: @everyone All hands.
  • Anthropozine has been Locked. Only Admins may post.

NeonCzolgoz: We’re about to cover something dangerous, and I mean dangerous. I’m not fucking about here. This is going to make what Persephone just went through look like baby’s first steps.
NeonCzolgoz: This is war and I need Captains. I don’t want obedient soldiers. I need an officer corps.
NeonCzolgoz: I need people who I can trust to follow me to the gates of Hell, but not because I told you to. I need people who’ll keep going without me.
NeonCzolgoz: No conscripts.
NeonCzolgoz: That’s not what any of you signed up for.
NeonCzolgoz: No public sign ons. DMs only, and I’ll invite you to the sub-group. Peer pressure is bullshit. The site needs to keep running like normal through this, so if you don’t want to get dragged into this, there’s still plenty of work for you here. I know some of you literally can’t afford this, especially if you’ve got family. We’ll keep you out of it.
NeonCzolgoz: I mean it.
  • Anthropozine is Open

NumbToNothing: holy shit

Channel: Murine Corps.
  • Persephone has been added to group
  • November has been added to group

NeonCzolgoz: The few, the proud, the brave.
NeonCzolgoz: Hopefully not too few.

Pink:

“Top of my head, Junta’s a guarantee. Numb’s a crapshoot. Trust them to want to do the right thing, don’t think they can afford it. Errant would be too much to ask for. ProvFick’s anyone’s guess. She’ll want to, but she’s already spinning a lot of plates. Even if 3V tries to sign on, I’m keeping her out of this. She’s too high-profile. At least I’ve already got two of my top picks involved.” He checks his DMs but keeps the screen from your line of sight. “Shit. Eli wants in and I can’t afford to say no.”

Channel: Murine Corps.
  • NumbToNothing has been added to group
  • JuntaSThompson has been added to group

JuntaSThompson: Heading to Ares. I know you said Gaia, but Ares is more believable. If the charge goes through, I’ll make my way to Gaia from there and keep making small purchases.
JuntaSThompson: If.
NumbToNothing: What’s this about?
NeonCzolgoz: Numb, just the person I need.
NeonCzolgoz: everything for a between-two-ferns job, next two hours.
NumbToNothing: Got it. Where?
NeonCzolgoz: Persephones.
NumbToNothing: Are there still newsvans out there?
NeonCzolgoz: Not as many, why?
NumbToNothing: There all night?
NeonCzolgoz: oh lol yeah got it they’re all half asleep go mad

York looks back up from his phone. “I still don’t know all of what’s going on, so I need to prep with Marco. I need you to find a shooting space for me. Empty apartments, a spot in the basement we can block off, just somewhere less incriminating. Staying here’s safer than moving, and I don’t want to make any stops before Selene when we go. ”

[Pink! I’m giving you rolls here, to act as prompts rather than challenges. As such, use whatever bonuses you can justify, and failures are free to be fun. All challenges are difficulty 8:

  • Checking for empty apartments. On Success, she correctly finds one. On Failure, she’s wrong about it.
  • Checking other areas. On Success, she finds an appropriate, hidden part of the building that can be secured. On Failure, something or someone prevents it, be it the space not existing, maintenance workers, or a suspicious building manager.
  • Pink runs into some of Elodie’s neighbors. On Success, they’ll remember her positively. On Failure, they’ll just remember her.


The consequences of any failure may come now, or the consequences are deferred for later in the scene. You’re also free to reintroduce any relevant sisters to the scene who are free to join it.]

Persephone:

We are going to skip over a bit of time, here. A few things happened that are interesting enough to hear Elodie’s perspective on.

I would like to hear about who recognized you on the train, and what gave it away? Who were they, and did they talk to you? Did you talk to them?

Your kid messaged you, too. You regret something about how it went. What is it?

Finally, you ended up at the door of Apartment 14, 272 Bostrom street. The building's worse than yours, but the places are bigger. For people with more money and lower standards, or at least, reasons to want a lot more space even if it comes with black mould. Tell me how you made your approach that led you here, now, staring at a door loosely replaced after being forced open. It looks like a shimmy and a rush job, not like a boot, a shoulder or a ram. Someone cared about not being obvious about this, but they cared more about being fast. Impossible to tell how long ago.

They might even still be in there.

There is an indescribable smell in the air here. Not obviously pleasant or unpleasant yet, it's like hearing music from the house across a parking lot and working out if you like the song or not. That might mean it's truly unfamiliar, or it might only mean that you're not close enough.

Blue and Orange:

Things have been going well. The work friends are interesting, and more importantly, comfortable enough to forget themselves when they let details of work start to slip.

Starlight’s just moving the conversation on from the big fight over whose jurisdiction the CasanovAI problem was to prosecute. A medical ethicist designing a machine learning algorithm that could predict which therapists were most likely to be taken in front of the ethics committee before harm could happen. This wasn’t a problem until it was discovered that the ethicist had also added a protocol that would send the details of the most likely candidates to his personal phone, flagged as ‘dating pool’. For spurious reasons related to proprietary code, the hot potato had briefly landed on her desk.

“I’m shocked I’m not working on Yggrasil right now.” Starlight pokes at the food in front of her without paying attention to it. “They poached Orochi Group’s head geneticist this time, but before he could get results. They’ve been trying for weeks to find out if they can claim ‘knowing what fails’ as trade secrets. I thought they’d have something by now.”

“Mm. Unsurprised. Research methodology can’t be protected. Legal for a man to know what not to try. NDA ironclad, since he doesn’t suggest product paths he knows are failures, not stating successes. The races are keeping me busy.” The tall thin man, Daniel Perez, is nicknamed ‘Robocop’. All of the guests use it when referring to him, not all of the guests use it affectionately. “Yes.”

“At least they’re a bit interesting.” Sighs junior prosecutor Wendy Cummins, a medium-sized woman in a small-size dinner jacket, blonde hair in a tight bun with a plastic sheen. Even now, prepared for being ambushed by cameras looking for a bad angle and giving none. “Today I’m dealing with a contractor hosting the industry design standards for disability ramps, violating their license. Just an internally hosted document that someone else found and shared. Now we’ve got pirated ramps.” She snorts. “Ramps. Imagine looking at a wheelchair access and caring if its breeding papers are in order.”

“Do they even breed horses now?” The chubby man at the end of the table asks. He looks like bleached dough, white pants, white silk shirt, bright white hair and eyes pressed by his cheekbones into a smiling squint. Charlie Euler, apparently. “Decanting papers sounds a bit more lively. Always said it, back when were still fighting over whether the date of birth counts from the first synthesis of the genome or the first heartbeat or what have you.” That would be about forty years ago.

Starlight sighs.

“Hmm.” ‘Robcoop’ hums, and there’s quiet. He looks up from his plate. “What happened to the inquiry into Florey’s Floozie?” There’s an uncomfortable silence. “I was waiting for the forensic accountants to finish their work, but then it disappeared from my active cases. Did somebody else get it?”

And this, Blue and Orange, is when the other guests give you glances to remind themselves that they are not entirely among their inner circle tonight.

What have you been doing until now, and how do you play this? Where are you at this table? Also; What did you cook?

White:

Fiona looks up from her book again and puts it down for real. You officially appear to be more interesting - or at least, what you’ve asked is. She starts typing on her phone, instead, eyes darting up every few taps, to make sure she doesn’t miss anything.

Crystal, though. Crystal purrs at the touch. There is no resistance to the turns, to the touch - only encouraging twists to go further and see more. “Those aren’t the questions I expected,” she moves her head as she smiles, so your fingertips trace the curve of her lips as they move, “because I never expect anyone to ask the right questions.”

“We all start with realizing we are not who we want to be, and that always comes before we learn what we want.” She asks, as she makes the same observations of White. Her dress, her construction, her mannerisms. Crystal doesn’t need to direct like she’s being directed - in those actions, White is speaking as much as she is listening. “It was like being an artist, if you’ve ever had the chance? You take what you admire from others, and learn what you want from what you find worth taking. Then you find an absence that no-one else can fill. You experiment. You learn why nobody else has been able to fill it, and you do better.”

She takes a step back, creating distance, creating void. The tilt of her head, the mischief of her grin, the twinkle in her eyes. She expects you to fill that absence. She hopes for patience, first. She’s showing off. “Everything is intent. That is the hardest part. You can’t benefit from experimentation until you know what it is you want. Do you know?”

Fiona interrupts, looking up from her phone. “Excuse me if this is a rude question, but did you used to be a dragon?”

3V:

I apologize, you’re clearly in the middle of something, but I thought this might be a good time to ask about your store; Who’s your favourite employee, and who have you put in charge of the shop while you’re away? And if the answer isn’t the same person, why not?
© 2007-2026
BBCode Cheatsheet