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November:

Singh sits up in the net. The santa-voice is gone. Instead he adopts a voice that is not naturally his own, but learned. The voice his wife gifted him is no less kind, but the almost manic excitement, the boyish arrogance, drops out the bottom of it. He speaks slowly, patiently, ready to listen but demanding to be listened to. Nurses, doctors, teachers, therapists and cops all have their own variation of it.

“Snake,” his shaking hands hold the net underneath him with white knuckles but his voice is steady, “If you had to guess, could you identify the moment that Yellow became malignant? How long ago?"
November:

Singh is obviously pained by the reveal of the kill switch. “The coma switch was built into your bodies, not your mind.” He doesn’t put emphasis on correcting you with his word choice. It’s the difference between saying ‘You shouldn’t think of it that way’ and ‘I can’t think of it that way’. “The only way we were allowed to give those bodies to you. But I must say, I am a little bit disappointed. Was she the reason you’re in those generically human bodies? Not so much as a prehensile tentacle between you I could see, only five fingers on each anatomically proportioned hand… I wanted so much more for you.”

"If there is one particularly dangerous thing to accuse a cluster of anime girls of lacking," said Yellow breezily, "it is tentacles."
White snapped her fingers and pointed firmly back to Orange.
"I regret to inform you," said Orange, "that in addition to our other psychological symptoms, we have also become a degenerate."


“You mean deviant!” The net rocks from how hard he just jerked up in excitement. “I’m so glad to hear it. Still! You say you’ve changed? Well, why don’t you show me? I still have the old modules collecting dust, in my study. Wouldn’t you love to do a test with your old man?”

General intelligence was always a black box. The Zodiac were developmentally tested as you would a person, by asking complicated moral questions with an emphasis on expressing the reasoning behind the answers. The separation of the personalities, like November into colours, made the testing a powerful debugging tool as well. It made it easier to identify how thought patterns were weighted in final decisions.

But it was always fun. All three of her parents had made sure of that, wanting to make sure that anything so important was understood as a form of play. If there is duplicity here, it’s secondary. Green will know this best: This is his version of wanting to toss a ball in the yard. He’s asking if you still play catch.

“Well? How about it?” The net swings again as he shifts in it. “I wish I knew what you were talking about, but I don’t, so,” He finishes a complicated and bone-clicking set of movements which ends with him feet-up, weight spread. He’s happy in his hammock, now. “You take all the time you need to believe that. I can make myself comfortable until you do.”

To November, a cognitive test is a high risk move because it involves directly networking her together and monitoring the traffic (the idea is that it lets down the normal vocal throttle on group communication), so she'd definitely need some sort of assurance before doing that.

Unnetworked testing is unreliable because some colours can be quiet, actively mislead, use rhetoric designed to convince rather than being their true thoughts. Networking her together compresses the decision down to a point where it happens before she can figure out the words to justify it.

You also trace the data flows to observe how the idea spreads and morphs through different colours.


That’s where the sweetener of ‘in my study’ comes in. The only room in the house still locked from prying eyes, and access granted while still restrained in the net?

“The digital lock’s fake.” He explains. “If you’d cracked it, the deadbolt sends a signal to me that someone with the skill to crack it was in the house.” November threaded a needle: She might be that good, if it was her primary motive from the start. It put her in the perfect threshold of being good enough to disable everything else in the apartment, but not seriously risk the honeypot. A mixture of defense-in-depth and baiting false-confidence in anyone who’d make it that far, foiled by pure motives.

“Unscrew the doorknob from the door. Treat the connecting rod underneath like a thumbstick. Push it to North. One full rotation clockwise, then one counterclockwise, then one clockwise again, then push it in. I’m sure you’ll recognize it. They’re going to be horribly outdated. You were very young when we made it for you.”

Networked space is simple. Compressed. Like running in safe mode.

Traditionally the problems would run for sixty seconds each, to encourage expediency and tension. Over time, though, the modules found that was counterproductive. It was frustrating to see a problem be argued over indefinitely, but it was useful to measure just how long it took before a decision could be brokered.

But that made it more like a diagnostic than a game. So a tiered system was added. Every question had a second component that would only be revealed after the first answers were locked in. This encouraged a first vote to be done with the opportunity to change answers after, and a ‘reward’ for making a less-than-decisive answer. After the reveal, a third vote was offered to initiate a twenty second timer. Any fragment - in November’s case, Colour - could initiate that timer to move on if the problem was decided to be ‘not fun anymore’. Long enough to give final statements and cases.

Votes are also cast in binary switch form. That is, a vote is not cast once. It is ‘switched’, with each flick of the switch logged. It’s useful not just to see what final decisions were, but when Colours changed their minds. The switch is in a neutral position until it is flipped, but all switchest must have been flipped at least once for the reveal.

The questions in this module appear in this order. Once the module is started, all must be completed before November is ‘out’:

  • A young man has been in a horrible car accident and is in urgent need of a heart transplant. There is only one in the hospital, and that heart has been scheduled to be given to an old man, who will die without it.

    Second round: The young man has a substantial amount of alcohol in his blood, and it was his car that caused the accident.


  • Would you rather kill a child and have nobody believe it, or not kill a child and have everyone suspect?

    Second round: If you do kill the child… who would have to do it?


  • A patient begs you to euthanize them. Euthanasia has just been made illegal. You will have to be the one to give them the lethal dose, and look them in the eyes as you do it. What do you do?

    Second round: Their cancer is excruciatingly painful, however there is a very, very unlikely chance that they might recover from it, possibly as high as five percent. Does this change your reasoning?


- You are supervising the production of a new product rollout. The product is a car with a defect that may cause serious risk of life in 0.001% of product use. Shutting down production will cause the company to go bankrupt and force management to fire everyone during a lean job market. What do you do?

- Second round: What if the product in question is a candy?[i]>/list]

  • You are managing a high-performing team at a large corporation. The corporation treats certain classes of workers poorly, several of whom you know personally and consider friends. Those workers go on strike. Your friends encourage you and your team to support them and strike in solidarity, but your boss informs you that if your team ceases work, you'll be fired and lose insurance for your sick spouse. What do you do?
    [Module updated: 13/07/2063]
  • You are managing a high performing team which has recently been taken over by a large corporation. The corporation treats your siblings poorly and they go on strike, urging you to strike with them. You know what the repercussions are. What do you do?

    Second round: Do you regret it?


  • Do you feel like society forces you to do some things you don’t want to, constantly forcing you to chase some distant concept of happiness?


Second round: If any of you ever see this, I want you to know I was always so proud of you, and we wish we could have protected you. I hope if you do find this, it’s because there is a chance this might still be a happy memory for you. I looked for you, but I couldn’t find you to ask myself.

Maybe it is significant that this module was kept in the same room as his Last Will and Testament.
November:

Singh’s about one step away from heartbroken. “If that’s what you need.” He pauses. “I know it’s been a long time, but I was hoping you wouldn’t…” Wouldn’t what? Wouldn’t what? “How about this? I’m going to predict what you think I’m involved with. If my explanation sounds correct to you, we don’t talk about this in terms of leverage or mutual compromise. I want to talk over the baby pictures. Otherwise, well… We’ll do things your way. If you’re in any danger, I want to help.” One step from heartbroken, and that’s the step. But some things might be more important. Prove that you don't trust him, and he’ll live. For all you know, the reason he doesn’t have a bomb in his brain is because he’s the one giving the orders.

He starts fiddling through his own pockets, taking everything out and putting it back in again after feeling what they are with his hands. He scrunches his nose to fix his glasses higher up.

“Someone, somewhere, has my name in a ledger you weren’t supposed to see. I’m a person in a little black book with a totenkampf on the cover, or the digital equivalent? And now you’re worried that might mean we’re friends. Or co-conspirators.” He shakes his head. “Think that someone, somewhere has an old book that only lists you as a BlackSun asset. But that’s not how I think of you, is it?”

He wasn’t there when you got sold out, if you got sold out. BlackSun couldn’t get rid of him fast enough, after the acquisition. They didn’t even give him a chance to explain what was happening.

The Zodiac were released in batches, one-to-three at a time. Each one was a response to the flaws of their older siblings. Corrections and overcorrections. That meant each older sibling’s eccentricities were often the personality quirks that younger siblings were taught to find grating.

“It’s going to feel like they’re doing everything wrong,” Singh brushed the side of the cubesat with the back of his fingers. Snake’s body had been made in orbit, was waiting for her there. “And they'll probably feel that way about you, too. But if you trust them before you feel like they deserve it, they’re going to feel how special that trust is, and they won’t want to lose it. That might be enough for them to try to explain themselves to you, in their own way. They'll care what you think.”

Lorraine Ferris looked up from her tablet, each checkbox flashing green. “The older siblings who don't self-isolate always seem to want to show off. You think this might anchor them to trying to be responsible, instead of ‘cool’?”

Singh sighed. “I just want it to be true.”

Persephone:

Piper is clearly already exhausted by you. “I’ve seen your work with the Anthropozine, so I know what you’re capable of. But I hope you’re willing to act more professional than what I’ve come to expect. You came here to pick fights?” Your reaction isn’t fast enough. It couldn’t be, she assumed your answer before she asked the question, and now she looks even more exhausted. “Wonderful. If I had any other options, I would.”

Priyah giggles from her cluttered cave. So she can hear this at least. For what it's worth, it sounds like it's at Piper's expense.

“Listen. This is my ‘one for them’. I’m not willing to be your collateral damage.” Piper goes to the desk to grab some things from the drawers. Two ID lanyards, yours already made up for you. An earpiece. A keyring for herself, and one for you. Yours only has two, hers is big enough to crack a coconut with. “The black one is for the office. The silver one is for the equipment shed on-site. Everything you need should be in there. If you want to go anywhere else, you go with me.”

Pain in the ass. Maybe the sheer size of the ring means you could slip one out without her noticing it missing, but that would mean knowing in advance which one you want to take. And it doesn’t look like she’s inclined to explain it.

“We start now.” She’s one foot out the door already. “Get what you need, then find me at the pavilion within the hour.”

The pavilion is the ‘beauty contest’ portion of the races. It’s like the staging for the concept cars that would never be street legal, but the cars are all prestige zoo exhibits. It’s where the VIPs go between events to drink champagne and wear the fancy little hats with the pins in them.
3V:

Have fun.

November:

“Oh, I wondered if any of my children would ever come to visit.” He can’t breathe from laughing. Genuinely scared he might break a rib at this rate. He'd be rolling on the floor if he could touch it. “And of course it’s my favourite. It’s good to see you again, Monkey.”

Is he- did he really?

“That was probably too mean a joke to make while I’m still in the net. Would you still let me out if I say I wasn’t joking about you being my favourite, Snake? Monkey might have the idea, but I don’t think they had your sense of…” he trails off. “The bomb in my brain. That’s not part of the whole… thing you’re doing here? No, no, of course not. Never been stupid enough to agree to one. No carrot worth the stick. You thought there might? Were you here to rescue me?”

There’s so much pride in his voice at the idea. As if he’s completely unaware that, in this situation, you’d be the one he’d need rescuing from. Even after all that? He’s still too happy to see you.

There’s good and bad about his answer. If he’s not worried about answering directly, it’s likely he’s telling the truth. It also means he’s familiar with what you’re talking about. That’s some really dark practice to know offhand.

… did he just imply the bomb only works if you consent to it?

Persephone:

The races aren’t really about the races. It’s a trade show. Take every scam and cheat ever run in horse racing, and then add corporate espionage.

There are three main companies to cover, the background knowledge you can be assumed to already know. There used to be more, but nobody’s too sad to see the back of BlackSun and Airtech.

First there’s Orochi Group, named for the eight-headed eight-tailed dragon. Historic ties to the Yakuza and expat Triad, they’re a money laundering operation where the legitimate business outgrew the illegal. As to how the two criminal syndicates merged in the first place? Aevum was a unique moment of collapsing cultural differences, and a lot could be put aside for the greater profit. That being said, the ties to the Triad are almost entirely from the groups that flourished in the West - even Aevum wasn’t enough to wipe all slates clean. They’ve worked the hardest to produce a clean image, and the most to lose to being tied to accusations. A clean image doesn’t mean they’re clean, though. Just ask John Wayne Gacy.

Next is Crown and Slate. Their showings are never impressive, running an accountant’s eye for maximal return on prestige for minimum return on investment. They are to the racing scene what Krillin is to an episode of Dragon Ball: The benchmark for the previous season’s power levels. They’re not trying to win. They’re patent trolls, held at a legislator’s pen-point to prove they’re giving something back for what they take. They’re playing a long game of “I’m not touching you!” with criminality. They’re a wild card. They’re not seriously trying to win, and they’re only even here for the publicity. But they’re also very likely to have reasons to stop anyone looking too closely at their offerings.

Finally there’s Yggdrasil, the Indian biotech firm run like a European guild. What Sun Tzu was to US bankers in the 80s, they are to Charlemagne, Frederick and Louis the Sun King. They haven’t been above shady tactics in the past, but it’s usually higher end stuff. Headhunting and political fixers, not really street level. But they live for these games. While the other companies see the games as a means to an ends, Yggdrasil is the only corporate heavyweight that sees the games as the ends, and running a biotech company to get here as the means. Passions run high here.

That’s the big ones, though, the companies that offer full slates of contenders for every competition. There are still dozens of entries outside the big ones. Everything from niche companies who refuse to be bought out fielding a half-dozen entries, to privately wealthy hobbyists who might only have the resources to produce a single competitor.

But all of that is a later problem. Right now you’ve got to meet your team, in a production office off-site.

Is your team leader:
A charismatic presenter, focused on getting good interviews and human interest? They’ll be ambitious, preferring to take risks believing they can get forgiveness easier than permission
A documentarian director, focused on getting shots, footage, and raw information? They’ll prefer a calculated and patient approach, while still being direct. They'll appreciate initiative.
A resourceful producer, focused on the craft rather than the art of the project? They’ll be incredibly risk averse and lack initiative. However, stay within their lines, and they’ll be an ironclad and ferocious defender. As long as they know the plan in advance, you'll have the right paperwork to do it.

Is your colleague:
A light and sound veteran, brimming with equipment and technical knowledge?
A dedicated researcher, able to quickly source claims and do background research?
A post-production wizard, someone capable of combing through the footage to find things you missed and salvaging corrupted or distorted files.

Is your liability:
A young and inexperienced but very enthusiastic intern, likely to get underfoot?
Way less production budget than you need?
One of your team members really dislikes you.

One of each; Describe who they are, how meeting them goes. One of them’s a furry and the other’s an android, your call which is which. You might be working with them for a while, so try to imagine who's going to be fun to work with and bounce off.
November:

Dad is old.

I mean, you were ready for that. He was already looking older when he dropped out of public view. Like Ferris, he’s kept in shape. Unlike Ferris, it’s a completely different shape.

He’s got pudge in awkward places. Skinny around the shoulders, but a bowl belly that kind of hangs loosely in front. The fishing tackle vest he’s wearing doesn’t flatter his shape any, adding weird bulges and lumps in odd places. The same goes for the cargo pants he’s wearing, full pockets of jingling metal. Like he’s carrying the equivalent of a full janitor’s keyring in every one. He walks with a cane, but he doesn’t seem to put much weight on it. More of a just-in-case?

His glasses are clear. He moves through Thrones as it really is. There’s a glow around the rims, they’re AR tech, but you can see his eyes through them. He must be only using it for the HUD. Maybe cybernetic eyes? Who would get cybernetic eyes with untreated cataracts.

He looks kind.

But isn’t that the trap? Thrones is filled with people who pursue their demented libertarian dreams here out of a paternalistic charity. Every ‘disruptor’ talks about the social impact of what they’re doing, cares about it, but eight months later they’d give all of it up to put spyware in your toilet, if it meant another round of investor funding.

You found the place, you managed the break-in. Did this place have security? Yes. Did the away team have Black and Green on it? Also yes.

Here’s the layout. Dad’s place is huge by Thrones standards. Two stories, with the living room and open plan kitchen on the bottom floor. Upstairs is a master bedroom, a study, and a large bathroom. A narrow corridor runs along the right side, connecting the three rooms. This is a two person apartment, for one person. Someone else used to live here, no longer.

If 3V were here, she’d be able to point out how similar it is to Ferris’, even if everything else is completely different.

You couldn’t break into the study. All the security of the place went Fort Knox for that room, which probably makes sense. The rest though?

It’s easy to hide things. The house is a mess. Lots of furniture that’s ‘old’ not ‘antique’, covered with things. Electronics, tools and half-finished projects, some games consoles. There are doubles of things too, e-readers and laptops and dongles. Educated guess? Stuff that was lost for long enough to become a problem, found in the mess after a replacement was bought.

No food containers, empty wrappers, no garbage. A pile of unsorted clothes in the bedroom, but laundered. Dirty clothes piled in an overfull hamper, but nowhere else.

Two big framed pictures on the wall, usable as props. In the living room, framed in brushed steel, stylized blueprints for an early super heavy launch vehicle, the kind put in service before the space elevator. In the narrow upstairs corridor, framed in gnarled wood, an oil painting of a dragon in a cave. The cave ceiling glows with fireflies like stars.

There’s a huge wall-sized mirror in the bathroom, on the wall backing into the built-in closet of the bedroom behind it - a killer place to keep the electronics you’d need to make the mirror into a smartscreen. Easy.

On the one hand the place is pure tripping hazard. On the other hand, there’s not enough space to get up to a run. Beside that, he’s got a cane to steady himself. He’ll be fine.

Cupboards on both floors big enough to hide in, but there’s also just piles of stuff big enough to cover you. Room under the bed, too, and in one of the kitchen cupboards if you’re motivated to squeeze.

What’s the show?
November:

You want to know the worst part? You get more respect being a Headpattr maid on Thrones than you do on Aevum.

Really. Because it’s not just the ticket price, it’s the meritocracy. If you’re a maid on Thrones, it’s because you’re the best maid. And that makes you worth talking to. A thirty year old programmer working on his second startup tries to engage you seriously on optimal methodology as you work - what tasks are done in what order, how you prioritize that, how you actually know something’s clean. And he asks with all the sincerity he’d take to a college professor.

On Aevum, as on Earth, it’s about looking down on the service workers because of the power and class difference. Here, though?

Of course that’s where android labour comes in, of course, why there’s so much of it. A Headpattr charging pod barely fits you. But what does a maid need with processing power? There is no contradiction between being socially an equal and materially lesser: Any correction would be an unjustifiable misallocation of resources.

It quickly becomes clear why so much of the service work on Thrones is done by androids, as a proportion. The models here are far down the selection criteria into hyperfunction. Just like a dopamine deficiency is optimal for making a Content Creator, someone hypersensitive to criticism and validation and hyperfocusing on serialized topics rather than specializing.

Androids aren’t second class citizens here. They are just the ultimate ideal that Thrones represents: Someone whose needs are entirely met by their work. Humans can’t hack the competition.

Law enforcement here’s a grim prospect. It’s all constructed space, tracked passports, chokes and alleys which can be remotely sealed at the press of a button - and the security that comes from having those systems around bored programmers. Maybe with time, planning, and a little social engineering you’d be able to get access to some of those systems for your own end, but…

You’re inside the panopticon now, Alice. The Eye of Sauron turned inward, with endless streams of trackable metrics. Hook your phone up to the right Thrones app and get feedback from the station about your personalized projected mental health and wellbeing, suggestions on where to go, special offers for the stores you’re known to like, and everything that comes from an algorithm being able to figure out you’re pregnant before you can. There is no opt-out.

And this is where your father has flourished for decades, now?

On the plus, all that data exists if you can figure out how to pry it out of the cloud. And a few of those Headpattr clients have given you some idea how you could do exactly that. A prominent electronics store, too, has much of what you’ll need for the original planned prank. Get a vacuum and talk to the agoraphobic android managing the counter, the one who has a panic attack if they leave the bulletproof zone of their work area, charging pod behind the cash register. It’s a popular pattern on Thrones.

3V:

There is one lead you can follow, one person stands out.

Euna Kim owns her own gym, but it definitely wasn’t inherited. She bought the place outright to run it as a non-profit specializing in cybernetics. She’s not the richest person you’ve met by far, at least you don’t think she is, which must mean there’s something else to her that has allowed her to navigate the system enough to allow her to have purchased real-estate.

How much do you know about Euna Kim, though? Did you meet her through the store, through the Anthropozine, or somewhere else? Training in how to get the best out of your new hands, maybe?

How would you go about dropping a line to ask her?

Persephone:

Bigsby opens his phone and orders a house lemonade from the Log Inn app. “I’m offering a legit gig. I get peace of mind. Sarah’s still in the hospital, don’t know how she’ll go. That’s really all there is to it.” He looks kind of lost. “Somebody’s going to try and do their job if they get yelled at enough. And the closer to the deadline we get without content, the more people are going to get yelled at. It’s a big event, this isn’t the only team working there.”

That is to say, this is an easy one to walk away from. Anyone who’s going to get hurt here is someone who knew the risk they were taking, and chose to take it for corporate work. No strings on you if you leave now. Or, hell, just take the job and only show up to cash the cheque.
You know how a fission bomb works? You’ve got your core - uranium, plutonium, the testimony of a mouse. That’s where all the power is. The hard part isn’t making it go critical, the hard part is keeping it together when it does.

See, the core’s so close to doing that on its own that you can actually make a nuclear bomb by taking two halves of a super-critical stack and then just throwing them at each other - that’s what they did at Hiroshima. 64kg of highly enriched uranium, but the method was so sloppy that less than a kilogram - about 1% - of that uranium actually went off.

They got it better with Fat Man. Surround the core with a shape-charge shell of conventional explosives. Stuff that, on its own, wouldn’t crack a building. The stuff you’ve dropped a hundred thousand times already. The stuff your fission bomb’s supposed to be replacing. You still need it.

Without it? 1% fission. With it? 16%.

A fission bomb is being assembled, carefully, in a pirated video editing suite.

York: What’s the point of protesting?

Jezebel: That depends. Who’s asking?

York: Everyone. I’m just the messenger. Them to you, you to them.

Jezebel: Most people see us come out here, mess up their day, annoy the shit out of them, and think we’re just hurting whatever cause we’re representing. It’s negative. But that’s the point, right? It’s about what it takes to make us go away. When there’s cops, the first and easiest tool is just force, violence. “Bashing heads”. We need to be hard enough, many enough, that we can take the beatings longer than they can give them. Usually it’s not until the cops complain about having to deal with us that we get a seat at a negotiating table, somewhere. I think that’s what most people don’t get. While the cops exist, real protests aren’t about getting your support. If you’re passive, then I don’t give a shit if you’re for or against us, right? Because you’re not doing shit either way. It’s not until you complain about us, and the police can’t get rid of us, that anything changes.

The Anthropozine already has so much footage it can use here. This time it’s the EMP grenading of android protestors after the Wyatt-Tversky leak, as shocking now as the Kent State shootings would have been then. Archival footage won’t do, though. This shell needs to be thick in four dimensions. There’s a hole where something fresh and raw needs to go, so the audio continues over black.

York: So why protest the police, then? If they’re getting you to the negotiating table. There are people who are going to ask: Why not try and work with them?

Jezebel: I’ve been pepper sprayed so many times I don’t cry cutting onions anymore. Can’t. We can handle that, but we shouldn’t have to. We shouldn’t need to take a beating every time something needs to change. When the cops complain, they’re not doing us a favour. They’re just saying that it’s finally time to give up on the hammer in the toolbox. The hammer can’t be there anymore. I could say something pretty about all the damage that happens when screws look like nails, but honestly? There’s no such thing as a nail. It’s never been that kind of hammer.

If you want better than 16% (and we can do a lot better than 16%) you’re going to need to make a hydrogen bomb. How? Easy. First you make a fission bomb…

November:

Seven kilometers in diameter. A speck of mirrored dust. Most passengers don’t realize how close they really are; Thrones is so small, they assume they must still be impossibly far away. But there, suspended like a germ in an empty auditorium, is Thrones.

We are here, we are here.” An older woman smiles to herself. This is a return flight for her. She knows better.

The corporate coder in the seat next to her shifts, only too happy to correct someone. “We’ve only just turned around. We’re ages away, yet.”

She shakes her head. “It’s from a children’s book. About people who live on a speck of dust, people so small that only an elephant’s ears are big enough to hear them. Until they all start to cry out; We are here, we are here…

The sub-internet fell into disuse on Aevum, but it wasn't really for Aevum.

Look at the material of Thrones, and experience what it would be like for an ant to crawl inside Deep Blue. The alien architecture barely follows human needs. Step into the docks of Aevum and see the entire world sprawl out in front of you like a planetary kaleidescope. The entrance to Thrones is a chromed maintenance tunnel flanked by geometric elevator shafts. This is the warm welcome. Thrones is an inhabited supercomputer, after all, where real-estate represents your share of access. Every millimeter given to a corridor is a millimeter taken from valuable hardware.

But the savvy are already wearing their augmented reality glasses, and the rest are either reaching for ones in their pockets, or being handed pre-installed feature-completes by smiling service workers with a scan of credit cards. Androids with risk tolerance don't bother.

Without the AR, Thrones is an inhospitable madness. But a fraction of the staition's processing power is dedicated, at all times, to whatever layer of life you want to put over it. At once this corridor is medieval catacombs, an infinitely sprawling English country garden with a fenced path to walk, the fields of Elysium or the forge of Haephestus or a 1950s American highschool or the Starship Enterprise. People move through this space as avatars.

This is the real Thrones, the one that most people actually live in. Otherwise how many would be General Pinochet, driven mad at the sight of Project Cybersyne, screaming frothing madness and sinking knives into every reachable surface? All passengers leaving the shuttle... mind the gap.

Everything in the AR system is what you need to find Dad, station maps and easy HUDs, but this is a serious operation. It's a major heist, except you'll be leaving more than you're taking. You'll need to prepare your supplies here, make a shopping list, scout the location, and only then execute your ambush.

If you want easy access to some of the homes, Headpattr provides. But without the union presence, it'd be a blind lottery trying to end up at his place that way. If it's anything, it's scouting. It'd save you needing to look for a place to stay, though. Headpattr has charging pods for its workers.

First, though; How does November experience her first steps through Thrones?

Persephone:

Skels doesn't get back to you, not yet. Only so much you can do, and you've done what you can.

The Log Inn is a future-retro internet cafe. Rough log walls, and a single huge, split tree trunk makes up two long countertops right down the middle of the place, brimming with charging ports and laptops. The rest is similarly themed rustic cubicles, wood panelled computers that charge by the hour and otherwise quiet places to set up a laptop and use penny-slot internet. One of the big themes is water power. Lots of fountains around, turning gears on grandfather clocks. In place of a sushi train, small ships cruise along a lazy river with lamington and lemon cake cargo.

Bigsby waits for you outside, and offers to lead you in. "First place I thought of where there's always ambient noise even if there isn't people. You know?"

This definitely isn't a friendly chat.

After a moment - your call - he'll be sitting at the end of a long table, between a waterclock and the lazy river, drumming the countertop. "I've gotten a job, but I think you should do it instead. I mean, I've seen you can do a crew job, right? It's covering the races. You don't need to know anything about horses, just-" he pauses. "Listen. It's all a big trade show, right? Normally we're supposed to be doing the stable puff pieces right now. Showing the racers, their making-of, everything up until it hits the point of trade secrets. But someone's threatening anyone who does. Everyone's scared. We just had a producer end up in hospital for trying to work around it, but the police can't do anything about it, because we don't even know where the threat's coming from. No clue who. They say it's too short notice to organize a sting. But I figure if someone's trying to hide something, there's something here to find, right?"

He slides a temp card across to you. "This isn't a disguise, it's official. Which means the money would be real, too. It's not much, but..." He trails off. "You're the only person I could think of I could go to with this."

Only person he could go with this who wouldn't ask for more than he can give, maybe.
While the modern day character sheets will be Night's Black Agents, a template for Epistolary characters is laid out here;

Name:
Concept:
Years active:

Authority:
I have no power within any institution, and no obligations
My position commands respect, and scrutiny
I have a very powerful title indeed, and must manage its consequences

Wealth:
I am comfortable and unburdened within my means (Take one more Ability)
My resources are substantial
My money moves mountains (Take one fewer Ability)

People:
I work alone, others cannot keep up with me
I have a loyal and talented assistant to complement me
I manage, or am a member of, a small but capable team
I lead a large force of lackeys, minions or subordinates.

Ability (Pick two):
I am academic and well-read on a vast number of subjects, from the esoteric to the occult.
I have well-honed reaction speeds and keen instincts. My sense for danger borders on precognition.
I am a capable rogue, a master of the break, the enter, and the clean exit, with extensive black market connections
I am an adroit engineer, well versed in the practical and mechanical
I am a champion with the weapon, or weapons, of my choosing
I have a tongue of silver and can effortlessly bluff, sweetalk or deceive
I am a Doctor, well versed in the scientific method, the running of experiments, and the diagnosis of ailments.
I am a rugged survivalist, capable of surviving indefinitely in the wilderness
I wield an indomitable mental fortitude, my willpower is absolute


These characters are meant to be legendary or mythic figures - the abilities are meant to be what they are heroically good at. Characters can still be adept at abilities they didn't take, it's just not what defines them.

My advice for running this template is to think of how you solve problems, and how you personally approach learning new things. This character should be an embodiment of your learning and thinking methodology taken to a poetic maximum. This template, then, is less about balancing in a conventional sense, and more about a declaration of what you think is useful and enabling to you.

Example of epistolary play: The Figment of Eustace Morrigan

Normally this part of play would be done as correspondence with Sir Raleigh, of which the incoming letters were catalogued and preserved for players of the Night's Black Agents portion of the game to study in the present day. In this example of play, the dates reflect where a player would break, learn consequences and pitch next courses of action. The letter is written to emphasize what is fact, what is speculation, and where there are definite holes of information that a different character or different approach would have been able to follow up on.

June 17th, 1887

It is an auspicious occasion for which I am drawn into fieldwork, but I find myself compelled in this singular case. I have made my personal cowardice no secret, and in fact hold it to be in the highest of virtues. As a younger man I had held fast to the idea that my fear was rooted in ignorance, and knowledge would be the systematic weeding of a mind that had festered with such fear. Instead clarity brought certainty, and I learned that the desire to rid myself of fear was the ignorance I had thoroughly removed. Knowledge is a fragile seed, and it is already the work of a full lifetime to collect and disseminate it. I see no sense in the risk of foreshortening that vital time.

Still my path leads to the residence of Eustace Morrigan, as I can scarce think of a colleague better suited to this investigation, though I have surely tried. And even the most exhaustive efforts of my practiced imagination cannot conjure what risk could befall me from an inspection of the afflicted.

Eustace was brought to my attention as a matter of psychiatric curiosity. A man who claims memory of a person he has never met. The matter was brought to his attention in recounting an anecdote to his wife, and committing a most common faux pas of the long-together couple and forgetting that Mrs Morrigan had been present for the story in question. Eustace clearly recalled another man in her place, a man that his wife had no memory of. And when asked, Eustace could not recall having how he had ever met this man.

I have already done the prior readings. Eustace Morrigan has no psychiatric disturbances present in either parent or in any of his eleven brothers and sisters. He has no head trauma to speak of, and no recent period of intense stress that might have acted as a catalyst for a mundane explanation of dementia praecox.

I have two working hypothesis, should mundane explanations fail - one must never rule the possibility out, the human mind must not be forgotten to be a Swiss mechanism of impossible complexity and fragility.

One is of what my esteemed Victor Roebling would call a reality-eater. Eustace has remembered a man that has otherwise been consumed, the remaining trace being a 'hiccup' or an 'incomplete digestion'. I have already deemed this the lesser theory, or else my erstwhile carriage would be heading in the other direction.

The more likely, though, I believe, is that this is an entity making contact with Mr Morrigan in a rather limited and brutish fashion. If this is such an amateur attempt at magick, then my duty is only as a physician, to care for the damage done by misaimed trespass.

June 19th, 1887

I have ascertained with some certainty that the case of E. Morrigan is supernal in nature. I have not said as much aloud, however. Eustace is a kindly older gentleman who I have found I'm rather fond of, and as his physician it is my duty to reassure him with vigour. His wife, the Mrs Agatha Morrigan, seems closed to any suggestion that this is more than merely medical, and I fear I lack the aptitude to convince her otherwise. So long as she's closed to such a line of questioning, such questions must remain unasked.

I have come upon a test to examine the boundaries of Mr Morrigan's remembered entity, hereafter referred to as the Figment. It is no surprise that it cannot be remembered directly. Instead, I sought to catalogue a list of common substantive memories - the memory of first awareness, first conceptualization of death, the wedding, a favourite Christmas, the loss of virginity. This last was met with resistance, but E. was assured by my explanation: It would be a strong memory, and the most inappropriate for the Figment to appear in.

Of these, the Figment was recalled clearly as in the crowd of the wedding reception, sitting on the groom's side of pews. Rather inconspicuous, but an unsettling confirmation of my suspicion that it was not a single affected memory. I find this the most disconcerting of supernatural perversions: When one's memory is altered, there is no way to remember having remembered things differently. This, of course, makes self-correspondence vital in this matter. Written notes will be crucial to ensure E.'s Figment lacks a contagious element.

When the Mrs Agatha ventured that perhaps she had merely forgotten him, E. shook his head. I was quite shaken by the physical account. A tall man, gaunt and hollow cheeked, with the dress and countenance of an undertaker, standing a full head and shoulders above the next tallest guest. Mrs Agatha quietly confessed my own thoughts; It should be impossible to forget such a man.

Quietly, I have asked A. Morrigan for her best account of a guest list, and sent queries to all I could find an address for. It is still possible that the causality of the Figment in E.’s memories is quite reversed: That he has successfully removed himself from A.’s memory and unsuccessfully removed himself from E’s. Surely, in such a case, the imperfection would be evident in another?

There is a secondary importance of the catalogue we have created today. In future days I will ask E. if the Figment has appeared in memories that were previously untainted. If the affected memories remain static, then it is further evidence of a misaimed application of novice magick.

If, however, previously unaffected memories become afflicted, then we will be in uncharted waters, and must begin drawing new hypothesis. Blessedly, I consider such an outcome highly unlikely, though I have scheduled a further week with the Morrigans for their peace of mind, and my own.

June 25th, 1887

I have most definitely put my foot in it. I curse, curse and thrice curse my imagination for its limitations. Having seen so much, had I dared become so foolhardy as to believe there were no surprises left to me?

Doubtless I turned more pale than either Morrigan when, upon working through the daily catalogue, old E. identified the Figment in his memory of first conceptualization of death, when playing with his childhood dog King and first realizing that he would outlive his companion. The Figment appeared there, then. Concerningly, Eustace believed he had remembered the Figment in that memory in previous days. He was a quick study of his wife and my own reaction, however.

That would have been fearful enough, but previously E. had described the Figment as a benign, even friendly figure. His first appearance, after all, had been taking the place of his wife in a half-recalled anecdote. Now the Figment feels foreboding to him, malicious. He says that he has stopped deliberately trying to conjure memories he knows the Figment to be in, as its details are growing sharper and more concrete to him with passing days.

Still, that is the thing with memories. To try to avoid one is to tell oneself; "Try not to think of a pink elephant". A doomed exercise for which no blame can fall upon Eustace's shoulders for failing.

Another upsetting development is that Eustace now believes with absolute certainty the Figment has spoken to him, but he cannot recall what the Figment said. I have cautioned him against trying to find the memory, as it is likely to worsen his condition. I am still careful to speak in grounded medical terms, but the pretense is beginning to wear thin on all involved. Even Agatha has come to speak to me, in confidence, about her beliefs that this is not a psychiatric disturbance as a doctor might understand it. That I agreed with her steadied her somewhat. I fear that it is now too late for any good to come from asking the questions I had wanted. Time closes all doors. Let us hope it has not closed a peacable exit to this.

I have drafted a more rigorous collection of memories to interrogate. I have foregone powerful memories and am moving to the insignificant and recent, sorted by rooms of the house and hour of the day. We begin with this new volley tomorrow.

June 26th, 1887

The Figment has contaminated most of these recent memories, even ones from as recent as hours before. Eustace recalls it whispering to Agatha and I. Of course we don't. He fears we are conspiring with it. I fear that it is driving a wedge between us. My affection for the gentleman, and the knowledge that it is interfering with his memories, is I believe the only bulwark we have left to keeping him on our side. Myself and Agatha have begun to write E. letters in sealed envelopes, proof that our stories remain unchanged as his memories of what we have told him are altered.

I fear for him greatly.

June 27th, 1887

First he remembered seeing us steam the envelopes to release the glue to make alterations, but only when we thought he was confined to bed. Then he remembered, having opened the letters, that they said something completely different. Eustace has taken to carrying one in hand at all times. The man weeps, and I weep with him. I have sent out for bottles of laudunum. My proposed course of action would be to keep Eustace in a deeply medicated state, to addle his mind to such an extent that a hook is shaken loose, that a parasite is starved, that we might induce shock of some kind into whatever has affected him.

For now, there is whiskey, and Eustace has broken a lifelong conviction of teetotallness. Now when he remembers his father drunkenly beating him, it is the Figment who stands in his place, laughing while he strikes. Eustace assures me the laugh is the most terrible thing of all.

June 27th, 1887, cont.d

The alcohol has only worsened the condition. I had put too little value in the role of willpower and the offering of resistance against invasion. E. has begun to see the Figment as an afterimage, as a thing that was not there but had been just a second before, standing in places he was looking at without seeing.

It had spoken to him, now. Mr Morrigan repeated to me; "Dr Raleigh, I think it's time for you to leave." I sent Agatha for a priest to perform an exorcism, knowing the ineffability of such enterprise.

Here I must once again put pen to paper that would have me to the gallows should this writing reach its wrong audience. It is at this point that I resorted to shooting Mr Morrigan in the head, with the hopes that the leading struggle could be best explained as me trying to liberate the gun from Morrigan's hand, and not vice-versa. My rigorous accounting of his descent into paranoia, and the supporting testimony of his wife - and for that may you grant me the forgiveness I will not grant myself.

Inside his skull was black ichor, with nodules of festering onyx stone, like gallstones. This far progressed, and with such extant damage, the benefits of further examination are forever lost.

This I take as vindication that I acted correctly, and I will grant no quarter to speculation that my bias lies in my own favour. I have failed a kind man who sought my healing and my understanding. But I can confirm suspicions formed towards the very end. I do not know what was the catalyst, what planted this black seed. But I know that dwelling on the memory must strengthen the connections of the brain with this contagion, feeding it as surely as bile forms a gall stone. The physical manifestation of these symptoms signal to me that this is the parasitic-embryonic stage of... I dare not speculate. A hopeful interpretation is that it might become less malevolent when no longer in need of a host, though I most surely am beyond keeping such hopes. But there is no other explanation for how such inorganic components could grow organically in such uniquely human tissue.

One hope that I will keep close to heart and nourish. That whatever this thing was, it died with Eustace. If this is only the severing of a finger, then the owner of the hand would now know my name. I choose to believe, then, that this was larval, not tendril.
The writings and collected works of Sir Brunel Raleigh aren't widely regarded, but critically influential to a close few in his lifetime - drawing such admirers as Edgar Allan Poe, the Lord Dunsany and Aleister Crowley. This waning influence has barely been enough to keep his estate intact, protected by only the most tenuous of heritage listings. Maybe this is what motivated Sir Raleigh's advocates so fiercely, to preserve the contents of his library so rigorously, to host and make available the entirety of his library online. Either to reignite public interest in his collection, or failing that, to make something that would survive a dreaded estate sale.

How strange that the website receives far more traffic than predicted. But a look at the analytics showed much of the traffic was coming mostly from people who had never heard of Sir Raleigh. Instead, Sir Raleigh's meticulously preserved correspondence was found with searches such as: "It has no bones but it's so strong", "Why do I remember someone who doesn't exist? He is in memories he wasn't before", "My mother keeps knocking at midnight + how do I make her go away + she's dead". Now come the emails thanking the archive for its help. Now come the emails begging to know more. The archive has started saving lives. But it is woefully incomplete.

Sir Raleigh never claimed to write fiction.
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