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True love hates and will not bear delay.

- Seneca the Younger

*

"Re...da...na..."

The scarlet light flickers like your heartbeat. Water runs down on your head unsteadily from ruptured pipes, just as your blood runs unsteadily from ruptured veins. You're so tired and there's so, so, so much road left to go.

And above you stands the God of the Dead. The ceiling light casts him in a dusty blue halo - red bow tie like a bloodless slit across his neck, black and white waiter's dress making it seem as natural for him to take your coat as take your life. When you look at him all you can think of is how easily he would fold up; he gives the impression of a sheet of origami paper, so loosely tethered to this world all of those angular joints might bend and crease and sweep him away on crane's wings.

He has an expression as though you remind him of someone. Given your state this must be a very sad memory indeed.

The thunderbolt is still stuck in your shoulder. A weapon for a king. A weapon to kill an empress. King Jas'o... you know his name. Know his house. Know that you were given lessons about him as a potential political threat to your future reign... all those details run through your mind like wild horses. Why hadn't you paid more attention? What had been so important back when your tutor was telling you about what a crack shot with a bow he was? All of the world had been bent to the task of making you ready for a moment like this and it had been insufficient. And now you're here, at the end, with Hades before you.

"It was too heavy a burden I laid upon you," said Hades. "A quest to find Ancient Gaia? Some things are hubris, even for the gods."

He folds at the knees, then the waist, then the shoulders, elbows, wrist, and each finger in turn, one after another, like watching a slow moving river run up through his legs and down through his arms. He offers you his hand.

"Come. I will hold no grudge for your failure."

*

The red ruin of your work lies before you, Alexa. The dead and dying speak a hymn with their bodies, and its lyrics are you have performed your function.

"Their approach was exemplary," said Pallas Athena, carving the lines of a bloody map into the wall. Her spear is a brush and blood her palette. "Courageously venturing through a solid projectile barrage to land without exposing themselves to point defense fire. When the seal of the boarding shuttle lowered they were too hasty to disembark, rushing forth to try and from a phalanx without sending their skirmishers out in advance. You recognized the opportunity and got amongst them before they could react, and with the loss of the phalanx then the skirmishers were easy to clear..."

She is merely giving voice to your instincts. The second you'd seen the mistake then the battle proceeded with the crushing inevitability of a meteor strike. The completed diagram carved in crimson into the hull of the ship is just another page from the Masteries of Battle, played out exactly as the Warsage proposed it would. A clockwork war, a truth of geometry, biology and physics expressed in bloody lines on a map.

Pallas Athena salutes you with her crimson spear as though there was glory in this. She pays tribute to the machine for functioning as it should. As though any of participants in this battle could have altered its outcome.

*

There is a rainbow wail; seven screams from seven broken hearts. No sound could be more alien; no feeling could be more human.

In the depths of space ahead lies the Eater of Worlds.

The mind cannot comprehend it's vastness. Its shell has stone enough to bridge the distant heavens. Its beak has sharpness enough to break a planet, as an eagle snaps the delicate neck of an ibis. Its flippers have width enough to swim the rivers of space on a voyage between the stars.

And it is dead.

One hundred thousand blackened craters run across its shell, leaving frozen webs of fault lines. Its flesh is boiled and burned, in some places down to the bone itself. And, worst of all, in the centre of its brow in between its mighty eyes rests the Battleship Lupincas - the mighty flagship of the legendary warriors of Ceron, armoured prow rammed through the leviathan's skull and into the creature's brain. It is the greatest wreck of this place and that is no small boast for the butchered hulks of a thousand Imperial warships scatter the void around the Eater of Worlds. The star leviathan did not go quietly - it took the combined might of the entire Grand Armada to bring it down, and left this system a graveyard of broken ships.

This is the site of a legendary battle and the end of an unparalleled beast. And now the fleet that did this, the commander who did this - has come to kill you too.

And here is Poseidon Earthshaker upon the bridge of your ship, tearing the clothes from his breast as he mourns his monstrous child. Terrible light radiates from within him and space runs violet and blue and crimson in sympathy, nebulas of spectacular dust arising into what promises to be a terrible storm.

The ship shudders and pounds beneath your feet, Vasilia. Solid projectile shot after shot is impacting on the Plousios' starboard hull, causing great eruptions of smothering, toxic gases that conceal any hint of the Veterosk's location as they bombard you. But the guns are running quieter and less frequent now - a tell-tale sign that they have launched their grapnels and started sending their soldiers across to engage in a boarding action. A full crew compliment of an Imperial vessel of that size is somewhere around three hundred.

You are four.

*

The Eater of Worlds fills the view screen. That is not why everyone is staring at it. Every eye in this massive hall is fixed on the two out of focus starships burning in the middle distance. Was that the strike of a macrocannon? Was that the launch of a boarding cable? Every heart screams for information but all they see is the Iron Admiral and her greatest triumph.

Admiral Odoacer Hetrodus. It is no exaggeration to say, Bella, that you studied her in school. You know her right down to her favourite food (smoked salmon) and her childhood fears (stampeding cattle). This is not the first dinner party you've attended with her... and despite everything that makes this moment horrible it's not yet the worst.

As the Admiral of the Grand Armada, Odoacer represents the most clear and present threat to the Empress Nero in the galaxy - and by extension, to Redana. Her designs on the throne were never well concealed but have become increasingly blatant as time has gone on. She was a twenty year old NCO on the frontier at the time of Molech's fall but has been gradually weaving for herself a 'secret' backstory that she was the previous emperor's child and styling herself as his successor. She's even gone so far as to increasingly alter her own appearance to look more and more like him while advocating policies like the end of the Emergency Declaration and the violent subjugation of the entire galaxy.

You need to be very, very, very powerful in the Empire to voice an opinion like that, no matter how softly. But such is a privilege afforded to the Slayer of the World Eater - a tacit recognition that even the Empress cannot simply have her killed. On the other hand, for all the might of the Armada, the walls of Tellus are yet greater, so a stalemate exists between the Empress and her Admiral. You, Bella, are on the front line of that stalemate - Odoacer recognized from an early age that Redana was Nero's greatest weakness and has been seeking to leverage her to claim the throne ever since. She has attempted to have Redana kidnapped, poisoned, hypnotized - she even proposed marriage to her when she was eleven, and every year since then. You have fought her agents tooth and nail in the shadows of the palace. Such is the duty of the princess' companion.

And what is happening on that screen might be the realization of the Admiral's ambitions. Redana might be falling into her clutches right this instant. But the Admiral won't even do you the courtesy of focusing on it, instead forcing you to stare at the monument to her greatest triumph. It is a spiteful thing to do, and you are not the only one to think so. This room is filled with all of the greatest hunters, commanders, priests and kings of the Fleet. They were invited here just before Redana's ship was sighted and are now trapped in here while Odoacer's minion King Jas'o - a good warrior but a boot-licker to the core - boards Redana's ship to claim the prize the Admiral has craved for so long.

And she won't even let you watch.
Those encountered at the Grand Armada



Those encountered on Baradissar



Those encountered on Ridenki



Those encountered on Bitemark


By god, I'd rather slave on earth for another man—
some dirt-poor tenant farmer who scrapes to keep alive—
than rule down here over all the breathless dead.


- Achilles

It is the 250th year of the reign of Empress Nero IV Acontecimento Azurius. All of humanity is imprisoned upon the prison-ecumenopolis of Tellus. Here they shall be made to suffer until they come to recognize their suffering in others.

Axiom: Glory Flows From The Gods

This technological terror you have created is insignificant compared to the power of the Force.

All power, all glory, all success and failure, flows from the will of the Gods upon Olympus. This is not a metaphor or an exaggeration or cosmic injustice to rail against. It is a fact as eternal as gravity. An armada of ten thousand starships, armed with particle lances and electromagnetic flux weaponry will shatter if Athena denies her blessings. A child born of Zeus will arise as a champion and overthrow kings no matter what elite security services, facial recognition software, or legions of killbots are sent to check her rise. No general will raise her sword in anger until the augurs confirm that the gods approve. All the vast infrastructure and paraphernalia of a glorious science-fantasy future abounds in every direction but the wise never forget that the gods can burn even the most sophisticated empires to shadows and ash for crimes of hubris.

The gods are not threatened. The gods are not rivaled. Man will never and can never surpass them. Artificial intelligences will not take their place. There are no other pantheons. Nothing needs to be taken on faith alone. Worship of the gods is a practical consideration.

Axiom: Humanity Are The Precursors

In ancient times, men built wonders, laid claim to the stars and sought to better themselves for the good of all. But we are much wiser now.

It was humans who first took to the stars. It was humans who sowed life, built marvels, created ancient wonders and monuments. It was humans who created clades of servitor races - specialized biological or technological species purpose-built to perform servile functions. It was humans who tamed the stars, and humans who sent the stars to war. In the shattering catastrophes of the ages since much was lost - great civilizations were destroyed in wars, or annihilated by the gods for their sins. Across the galaxy, humanity has dwindled to a remnant - small villages and communities or even lone survivors standing amidst their servitor creations, wondering if they shall ever rise again.

At some times the works of humankind were transcendent, inspired, and soul-aching. At some times their works were base, financial or militaristic. With the veil of time, mystery and power it can be impossible to tell which is which.

Axiom: Technology Is Arcane and Brutal

And when at last he came upon the vehicle, he perceived the distress of the engine therein and forthwith struck the rune and it was good. Thereupon the engine ignited and was filled with strength...

The ELectromagnetic Flux (ELF) is a small weapon typically attached to the shoulder or mounted as a small nodule upon a ship. With a shimmering electrical arc of lightning it will overload and destroy virtually any electronic component, blow out lightbulbs, and cause such an explosion of signal distortions that renders radio communication impossible. A child could build one in a garage out of spare parts.

The abundance of ELF weaponry has done more than anything to shape the technology and aesthetics of this universe. Starship cannons are aimed by hand by teams of muscled deckhands. Gunnery calculations are done with slide rules and mechanical computers. The bridge is lit with candles and scattered with maps hand-drawn by scribes. Combat is done within the range of the human eye, and often hand to hand, with swords - possibly within the cockpit of an armoured mecha suit known as a Plover. There are no force fields so all battle is done to the sound of crashing metal and sundering armour.

But this is not to say that the future is primitive; there are some areas of design which are spellbindingly advanced. Materials science is indistinguishable from magic - paints that never run dry and change colour depending on how they are spoken to, armour that can absorb the impact of a railgun hit and dissipate all that energy harmlessly into the air, mechanical computers of such size and complexity that they can replicate human intelligence - albeit with a processor the size of a house. Bioscience and medicine are beyond sophisticated, giving every human the innate ability to breathe any atmosphere, reverse the flow of years, change their gender at a whim, regrow severed limbs and so on.

And, of course, glory flows from the gods - singular craftsmen are blessed to produce wonders for the ages, each one a masterpiece that must be studied as scientists of previous eras studied entire disciplines. Barring divine intervention, though, advanced technology is still bound by sweat and muscle and the mark 1 eyeball.

Praxis: Humanity Is Ruled

Lordship for many is no good thing. Let there be one ruler, one king.

Empress Nero, in the wake of the fall of Emperor Molech, decreed in her wisdom that the distance of the stars was perilous. Apart, humanity became strangers to each other. Too many people creating, evolving, changing, unknown to one another. When they met again they looked at each other and thought themselves alien. In such forgetfulness wars were born. So it was decreed: one planet, one home, one place where all the million forms of humans would be gathered and made to live as one once more. And so the Grand Armada scoured the galaxy, procuring every human they could find - destroying their civilizations if they had to - and bringing them all back to Tellus, a planet-city where they would be neighbors once again.

Tellus is a tyrannical regime, a prison world with the people packed in shoulder to shoulder enduring squalor and misery. Such is necessary, says the Empress, who could end their deprivation with a snap of her fingers - their shared misery shall build shared empathy. Her reign has endured two hundred and fifty years of absolute control and still she declares that humanity is unworthy of freedom.

Praxis: The Gods Are Immanent

Think not to match yourself against gods, for men that walk the earth cannot hold their own with the immortals.

There is no celestial realm where the gods gather on stormclouds and drink and revel, apart from the concerns of mortals. They are here. Now. Everywhere. Zeus will physically appear to witness an oath made in her name, and she will wield the lightning bolt that strikes down the liar with her own hands. In a battle you may find yourself face to face with Ares himself, who will engage you with sword and spear. When you are alone and weeping, it is Hera who will place her hand on your shoulder and whisper words of understanding. They come and go as their domains dictate but they are entirely within and a part of the world, never separate from it.

Though all gods are for all people as depending on their circumstances at the time, the gods do have their favorites. Each character will pick two gods who have a personal interest in their fate – perhaps they love you or hate you, but those two will be directly relevant to you always.

Praxis: Machine Intelligence is constrained

The whole of arithmetic now appeared within the grasp of mechanism.

Artificial Intelligences are not gods, nor do they ever resemble gods. Machine intelligences are not geists of quantum programming, they are the product of enormously complex mechanistic functions performed by elaborate Rube-Goldberg machines. The digital path of technology was a dead end – it turns out the Difference Engine and WW1 fire control computers were the future all along. Machine intelligences are enormously complex clockwork brains that run on levers, gears, and pistons. And as they scale poorly these mechanical constructions need to be large to rival human minds.

To obtain full, human intellect you need to fill a large room floor to ceiling with machinery. On the uppermost scale, you can reach the intelligence of a great sage with a machine the size of a house; such constructions tend to be built into starships that intend to forgo skilled navigators and celestial mechanics. Intelligence can be produced on smaller scales but have intellects akin to uncomplicated animals – go here, defend this, load this, and so on.

Praxis: Space is Cluttered

He wrongly accuses Poseidon who makes shipwreck a second time.

Space is not an empty void. It is full, as full as the Aegean. Everywhere you will find planets, everywhere you will find life. Look out into the void and you will not see black but greens, blues, swirls of colour, islands and ruins and wreckage and voidfaring life. Humanity has been long at work on this galaxy and even the empty places between contain miracles and monsters.

So too are storms. Poseidon is the god of the void between, and his storms are terrible and dark. Passage without his favour is suicide. His children are monsters and entire worlds vanish into the dark as the children of the Earth Shaker descend.

Leptomereia: Prayer is Meaningful

Some of the words you'll find within yourself. The rest some power will inspire you to say.

When praying, always use some variation of the following structure: "Zeus, if you will grant me victory in this battle I will shatter my spear in your honour." Who you're addressing, what you want, and what you are offering. This is important. A prayer is a bargain between you and your deity, a specific exchange that - if the god accepts - she will expect to be honoured. It is important to include all these elements because the gods are not mind readers! They are vast, cosmic forces and have a lot on their minds. An ambiguously phrased prayer - or worse, one where you ask something of a god without offering something in exchange - is more likely to draw a curse than anything else. Children's stories all throughout the galaxy are full of people who offend the gods through haphazard prayer. You may offer future promises, immediate sacrifices, or appeal to past offerings, but respect is due. I do, that you might do.

It is acceptable to speak informally to the gods when they appear. If Zeus is having a conversation with you no bowing or scraping is necessary - in fact, you have likely crossed paths with the gods dozens of times throughout your life to this point. However, no matter how casual the banter or how carelessly the gods bait you, never claim superiority over them. The gods regard hubris as an exceedingly severe crime and have destroyed galactic empires over it.

You may still make such mistakes - those stories have to come from somewhere, after all. You were, however, warned.

Cursing by the gods works in much the same way. “Hera damn your eyes” is the kind of thing Hera might decide to act upon, so be cautious when invoking them. Invoking a god’s name as a general exclamation of surprise is generally acceptable.

Leptomereia: Life has Value

"Hateful to me as the gates of Hades."

The Emergency Declaration has placed the preservation of life as the highest priority of the Imperium. War is to be muzzled. Hades is to be shunned. All shall be sustained regardless of their will. The bloody handed will be sought and punished. Human life is precious above all, but it is not the only thing which is precious. Moreover, the act of murder – unsanctioned, illegal death-dealing without performing the rituals of warfare or the hunt – renders one unclean before the gods.

It is not to say there is no death in this setting, simply that there exists a strong cultural force pushing against it, along with a formalized understanding of the rules of surrender. Even factions outside the Empire tend to pay at least lip service to the importance of life after several extremely public examples have been made by the Grand Armada. Slavery is a widespread institution.

But people die all the same.
"Oh, well that's lovely news," said Doctor Sylvanius, reaching up to pinch your cheek affectionately. "What a lovely young man you are." She goes ahead and dodders inside, sitting right at the back as the Kingbots continue their rampage, met with the combined energy of all those who fight for the smiles of others.

*

"Don't let her give you any shit," said JuneBird - having not quite finished chewing through her restraints but still having made it down the aisle to congratulate you as you pass.
Johnathan Jonestar had flexed magnificently but silently, tears running down his eyes, the ultimate sign of respect between warriors.
"This is amazing!" said Cinders, shaking smoke off the edge of her fists. For the past three years she's just been practicing with the augments she has. She has decided to at least graduate from university before she commits to the hero lifestyle - but from the grin she's giving you think that it might be for her after all. "Thank you for everything!"
*teleports behind u* "look after urself, kiddo," said Vault.

Surrounded by the cheers, tears and best wishes of all your friends and allies, it's a short walk down the aisle to the Assault Vehicle. The key turns in the ignition and the engine purrs like a lynx, and in its voice is the promise of anywhere.

THE END
It is not in any way that Hornet's pictures are bad - they're extraordinarily skilled, flowing lines and liquid curves that transcend their hasty origins. It's more that Adila is strength and motion and momentum like a broken dam containing a lake of fire and she cannot process what she is seeing in the slightest. Her mind is sparks and lightning and there's no way that she could do something as serene as contemplate art in this moment. So she stares at the picture for two eternal seconds before letting out a disoriented +hmm+ and whirling off to wrap a Garthim in ribbons of fire.

But this isn't like before where she'd just dismiss this as something irrelevant Hornet did, to be ignored amidst the drumming call of her heart. Instead she falls into step with Princess Dandy, the one mind calm enough to consider the abstract while slam-kicking overgrown crabs with hobnailed boots. For a moment they dance together, Adila casting aside her lines of fire like a cloak. It's not clear who is leading; perhaps they both are, and the rhythm of the moment is the flash-steam tension of burning haste and pacific calm cancelling each other out. Their minds touch as their lips do, a more direct link and line of secrets than what they've shared before.

And then Adila is away again, carrying that drop of white in the depths of the black. She looks at Princess Hornet to show that she understands, and then she flashes across the room as a storm to interpose herself between her friends and the vengeful Oberon. She will defend them; none of this will work if they're not together.

[Overcome: 2+2: 4]
She shivers for reasons entirely unrelated to cold as she's shown the pose, and does her best. She makes the motions exactly right. That's the most painful part of this. It's a pale imitation of what it should be and something is deeply off. But once she breaks the pose, it becomes not quite as stark. "I am afraid of those I can only dance, and I don't know what'd be at stake." She smiles. "So, ah, do you plan to stay in the area long? Or would you like to duel for answers to a question?"


"Oh! Oh!" Jasper jumps up in the air with the excitement of someone who's never had someone challenge her to a duel before. "You actually want to - Yes! Yes, anything you'd like! Oh my gosh, oh my gosh, you want to dance -" she holds up one finger, turns around, and there is the sound of muffled squealing into a shirt sleeve. Then she straightens up and turns around regally with a completely impassive expression. "I accept your challenge and your terms," said Jasper Inkra stiffly. "The victorious will have total command over the secrets of the defeated -" there is a lot of willpower going into keeping a giddy grin off her face. "And as is expected, the challenger may be the first to dance."

Jasper paused and looked around. "Where are your backup dancers?" she asked.
Princess Adila breathes in.

Little cloth bags on each of her wingtips are torn open. The glittering sand cascades down them surrounding her in a storm of jewels. She tosses her head back, wings up, and the tiniest spark passes from her lips - like a kiss on the breeze for the world she loves.

The sand ignites, coursing down her neck and bursting through the air in flames that for a moment seem like a mane as wild as her heart. She steps forwards, claws clacking sparks from the stone floor, causing lines of fire to run up her legs in spiral patterns. Her eyes are closed and this one step, this first step, feels so much like dancing. All along her body the black burns orange and the fire of her heart is visible for all to see.

Then she snaps her wings in close and pivots about in a single devastating motion, spreading that fire with her pirouette. The flaming sand expands out in all directions and then the flames finally catch the partially filled bags and there's a detonation like a bad day at Hobling Keep.

As the smoke clears Adila shines. The sudden burst of dragonfire-heat has melted the prismatic sand that had delicately coated her scales into glittering stained glass. For a moment she's radiant, shining black gloss that reflects Alina's light of gold - a dark and crystal moon around that radiant sun.

She's freed from pride and fear both. She fights by expressing herself, and she fights only to buy time for her friends to express themselves. She's not striving for victory, she's striving so that Dandy has time to cast her magic - all the magic of love and life - so that Hornet has time to realize whatever inspiration takes her, that Alina has time to properly kiss her wife. There's no strategy that can be higher than this; to live your best life and help all of your friends to live theirs too. There are more wonders in each heart she fights for than she could imagine in all her days of dreaming.
An AEGIS Modular Assault Vehicle crashes down the aisle. It runs over Dominus' motorcycle. She doesn't notice immediately because she's busy kissing Angel-IKA, but as she's swept off her feet by the blonde valkyrie and carried towards the door you catch the briefest glimpse of her seeing the ruin of her bike and a very complicated expression taking over her face before the AEGIS elites burst from the doors of the vehicles in all directions.

Amidst them all, the Shogun floats, alight with red demon fire, surrounded by levitating muskets. There's a deafening barrage as she begins firing shot after shot out through the open door, guns cycling in perfectly ordered drill. AEGIS troopers enhance the fusillade with their own weaponry. The door becomes clogged with fallen Kingbots but still they try to climb over their defeated comrades.

The Shogun turns to face you, Errant, and she tosses at your feet the very confused and disoriented celebrant. "We'll have to make this fast," she said, giving you a bright smile. "So - here. My gift to you." She tosses you the keys to the assault vehicle. Then her eyes snap back to the celebrant who gets off her butt in a hurry.

"D-dearly beloved, we are gathered here today to celebrate a -" a laser beam cuts through the wall and sets one of the curtains on fire. "- u-union of two beloved heroes um you can exchange vows now."

*

Brainstorm!

That's... that's her! Doctor Sylvanius! The King of Mars! She does not look at all like the pictures.

What you're seeing is a little old lady with Doctor Wiley hair and glasses thick enough to stop a bullet with an adorable little golden crown floating above her head, surrounded by a phalanx of golden-plated battle robots that are laying down a hellstorm of fire. She squints up at you with a face full of smiling wrinkles and a voice like chocolate chip cookies. "Oh hello there dearie. Could you please show me to my seat? I do hope I'm not too late."
Name, right, names are important, do not want to upset The Sun with no name or in fact anything else. "Ah, no. You are not in the Consuming Hells, and I am not a devil." Not technically a lie. "My name's Mila." Also not technically a lie, but we are not thinking about any other name we might have had no ma'am. "We're in Town, the outskirts by Lake. Not in Outside though. And... I know some courtly rituals but I don't know which are the right ones. I... I hope you're not offended?" Was that the right level of contrite? How do normal people react when they come face to face with Great Powers? Why didn't she study this?


"Oh!" said Jasper with a brilliant smile. "Of course that's fine, it's so much to remember - I'll teach you!" She walked over to Mila and stood behind her - her breath against your hair is so soft and warm you brain might melt away into the endless blue sky and dream of tropical islands. Forwardly, she pressed herself against your back, taking hold of both of your wrists - "You stand straighter, like this," murmured Jasper, remembering her own lessons. "This hand extended, this hand back here. Head high. You need to stand gloriously, as your most entire self, worthy of love. Believe in yourself!"

And then she swirled away in a burst of yellow fabric, walking backwards with a hand to her chin to inspect the results. "And of course if you wish to challenge me to a duel of swords, or dance, or weaving, or archery, that would be wonderful!" she said.
Ailee had been cupping her hands over her mouth in readiness to yell something over at the direction of Coleman and the trash god before Lucien begins begging for restraint. She looks back and forth between him at the sentient garbage with a look on her face that clearly communicates how little she appreciates being made to think about what she's going to say before she says it. Then she shrugs and starts tracing a finger through the air, leaving trails of fire in very readable cursive. It's neat and refined, the kind of handwriting that might be formalized into a font on a printing press for religious works.

The content of the writing is itself less elegant. It starts with LOOK JACKDAW! I HAVE UNCOVERED THE SECRET OF WHERE THE FISHMONGER'S SEWAGE OUTFLOW IS and it goes downhill from there.

Ailee looks at Lucien expectantly, hopefully, with wide eyes and an innocent little mousy smile upon her face.
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