YoshiSkittlez

♛ Yoshi's Stash ♛

~Leverett - The White Rabbit~

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Name: ?
Other Names: The Wizard
Real Name: ?
Age: ?
Occupation: The Wizard of Oz / King

Appearance - Thirteen Years Ago (Age ?):



Appearance - Today (Age ?):



Personality Traits:

Skills:

Biography (Before Earth):

Biography (Life On Earth):

Other:

♛ Yoshi's Stash ♛

~The Queen of Hearts~

Name: Rowan Scarlett
Other Names: The Queen of Hearts
Real Name: Rowan Scarlett
Age: 40
Occupation: Queen over half of Wonderland

Appearance - Thirteen Years Ago (Age 27):



Appearance - Today (Age 40):



Personality Traits:

Skills:

Biography (Before Earth):

Biography (Life On Earth):

Other:

♛ Yoshi's Stash ♛

~Chernabog~

Name: Chernabog
Other Names: Satan, The Devil, Lucifer
Real Name: Abaddon Chernabog | Ambrose Facilier
Age: Ageless
Occupation: Bringer of Sin

Appearance - Thirteen Years Ago (Ageless):



Appearance - Today (Ageless):



Personality Traits:
As the entire entity of sin, Churnabog is appropriately classified as Satanic and demonic, which stems from quite a few nicknames he has earned over the multitude of years. A naturally dark entity, both physically and personality wise, Churnabog has quite the sadistic twist about him that sets him apart from all the rest, growing in more power the more other people experience pain. He is the essence of nightmares, which makes his overall person quite mysterious as neither religion or science can pin-point exactly what he is. Hands down the most powerful being in all the realms combined, the word "powerful" doesn't even hold a torch to what Churnabog truly is - pure evil. He is extremely ritualistic, having branches of his practices all over the worlds which are now known as Voodoo, Dark Magic, Exorcism/Possession, and so on - all having quite defined ways of how the "magic" is used and performed.

Skills:
Being a rather renowned chthonic being, Churnabog has, by trade, unlimited power. Even in light, he has the power to bring forth darkness. His power to corrupt is unmatchable, simply just having to twist the minds of man to do his bidding, planting thoughts in their heads that drive them to do as he wishes. He is immortal, as light can not exist without darkness, so Churnabog can never truly be killed, only contained.

Though not considered magic, Churnabog's abilities render him able to control the "darker" elements such as fire and the entire idea of black magic itself. This enables him to do anything in the name of darkness, even granting him the ability to raise the dead, whether it be by his own essence to inhabit a body or a simple ritual to bring that person back from the Underworld and even Hell.

When taking a physical form, Churnabog has an incredible increase of strength, endurance and stamina than that of a normal human being and even a step or two above a God. Though to keep up appearances as a human in the body that he inhabits, he very rarely exercises these traits though it is not below him to use them when alone or making someone do something for him.

Biography (Before Earth):
In the beginning, there was light, but light knew it could not last forever lest it burn out quickly from being used constantly, as there was nothing to balance it. So darkness was created by evolution to help the light, creating a perfect harmony that then gave life to "day" and "night." As the universe continued to develop, in all instances, timelines and rifts, man was made, and light and darkness began to effect different people in different ways.

It was in the very early beginnings of man that darkness was given a name - Churnabog. It was believed that darkness was an entity all of its own, explainable - almost extra terrestrial. People were driven to do bad things without explanation, sin began to become more and more common. The name Churnabog was then split into many different names, but the entire premise of what it was, was vastly understood by any and all people. Darkness was bad, light was good, one could not survive without the other, but as time went on, the scales began to tip in darkness' favor, casting words into prolonged periods of ruin and destruction.

It is a very common thing for darkness to take over a certain persons body, most of the time while they are alive but there have been a few cases throughout history when people have sworn up and down that they witnessed a person raise from the dead. Churnabog uses the physical body as a parasite would use a host, except he takes over completely as though it were his own body and uses it to his content until he grows bored and ventures to his next victim, seeing just how much death and destruction he can bring at a time.

It came to a point where a group of powerful sorcerers had, had enough of Churnabog's destruction. At the rate he was going, words were dying and there would be nothing left. So constructing up a powerful artifact, the sorcerers tricked Churnabog into touching the artifact, binding his essence to it and entrapping him for what the sorcerers believed to be the rest of eternity.

Though exceptionally powerful, they were unable to keep Churnabog from vanishing from the world, completely. His influence of darkness still lingered to balance the light. Though now that Churnabog no longer had his own personal hand in things, words were able to start growing once more, and soon, the entity that was Churnabog that had been bound by magic was slowly forgotten.

Biography (Life On Earth):
Life on Earth is very much Churnabog's life in any other realm. Where there is life, there is light and darkness, and where there is darkness, Churnabog lurks, awaiting his next victim.

Other:
Churnabog has very distinct ties to the Voodoo Master, Doctor Armand Facilier, though it is unclear as to how specifically at this time.

♛ Yoshi's Stash ♛

~The Shadow Man – Armand Facilier~

Name: Dr. Facilier.
Other Names: The Shadow Man, Witch Doctor, Voodoo Man.
Real Name: Armand Facilier.
Age: 32.
Occupation: King of The Bayou - Voodoo Master.

Appearance - Thirteen Years Ago (Age Nineteen):



Appearance - Today (Age Thirty-Two):



As The Shadow Man -Makeup-



Personality Traits: Armand is a scheming bokor who has no friends but those on 'the other side." He oftentimes tricks his victims into making deals with him by reading their past, present and future with tarot cards. Oftentimes he over dramatizes the future reading and offers to help change their otherwise 'inescapable' future. He isn't exactly dishonest with his readings, he tends to embellish the bad and hide the good, but there is always a spark of truth in the cards he wields but has learned over the years that the human race is a greedy one and tends to overlook the good and strive only for what he can offer them. However the deals Armand makes usually backfire on the victim like telling someone that he sees 'green' in their future and though the victim automatically thinks 'money' is turned into a frog instead.

Armand is also very intelligent and is able to come up with a rather complicated plan in a relatively short period of time. He can be very patient despite how angry he can oftentimes be. He is a suave, smooth-talking man and is oftentimes charming, but on the other side his true colors reveal him to be cruel, remorseless and sadistic. He is a very charismatic performer, a smooth-talker of drama and showmanship. He's also quite the glutton for power. He's controlling and vindictive, doing whatever he can to get what he wants even if that means double crossing those he knows to be more powerful than him, but does so with a cool and collected head to keep from being exposed and will work with anyone who can promise him more power.

Armand does not underestimate the powers of nature either, and knows that animals can talk and have minds of their own just like humans do, and yet he has no problems squishing bugs or sacrificing baby animals for his own voodoo experiments. He has a complete lack of morals and has a treacherous nature, though his true intentions of what he is exactly about remain hidden to everyone but himself... and of course his friends on the other side.

Skills: A true boker with the exceptional talent for left-handed (Petro) Voodoo, he taps into the darker side of magic so very few are able to do genuinely. Both a conjurer and a sorcerer of sorts, he possesses powerful dark voodoo magic capable of accomplishing nearly anything. He can see into the past of a person and see what people desire the most. He is proficient in sleight of hand, effortlessly shuffling, twisting and manipulating his deck of tarot cards given to him by the spirits of the other side personally. Being a skilled conjurer as well, he is able to pull his staff and tarot deck (among other small things) out of nothing at all (though could arguably be tracked back to his ability of sleight of hand). The tarot cards themselves possess strange properties: the images on their face seem to change depending on the person who he is reading, reflecting the desires of Armand's victim's for a more visual effect. The images usually show his victims their future in a positive light, however they are unable to corrupt the truth entirely and usually include a clue as to the victims real fate.

Armand also has his use for a strange pink powder, the effects of this powder include (but are not limited to) reversing a curse he has cast upon a victim, making a man spontaneously grow a head of hair, producing puffs of smoke that display memories and desires. His Voodoo Emporium holds all sorts of strange objects, half of which he hasn't even tried, including (but not limited to) shrunken heads and voodoo dolls that can 'come to life, chant, and beat drums' to create a more unsettling mood for his 'clients.' The dolls also serve a practical application for the intended purpose of inflicting pain on the person the doll is modeled after.

Armand's abilities are primarily derived from his 'friends' on the other side. These 'friends' of his are in fact a multitude of dark spirits (also known as Loa) which appear to 'give life' to the otherwise inanimate objects in his Emporium like the voodoo dolls and shrunken heads. These shadow spirits come to his every call, forced to do his will as they are trapped between this world and the next, and through Armand, are able to come into our world by special means as more than just shadows. Vulnerable to light, these 'shadows' (and even his own shadow) they grow in power the darker the area is. Sometimes, in complete darkness, the shadows can pull themselves free of their confined walls or floors and become more 3-dimensional, whether it be an arm, a head, a leg, or their whole body for a short amount of time. These shadows are able to affect the real world in which we live, as they are in limbo in a place called 'The Shadow Land' where everything in our world is paralleled, but with shadows. If Armand commands one of his 'friends' to bring him back a physical stray dog, the shadows seek out the dog's shadow and bring it back to Armand, and the physical dog is affected accordingly.

Strangely enough, despite having this great power that is unlike anyone ever known, Armand can't conjure anything for himself. Instead, he must rely on trickery and guile to manipulate other people into doing what he wants. The nature of his power seems to stem around making deals; he only gains full access to his voodoo when fulfilling someone else's wishes (although he most often twists them to suit his own ends) or by tempting them. Lucking for Armand, he is a master of lies, deceit and cunning with hypnotic charismatic and vocal persuasion being second nature to him.

Biography (Before Earth):
Born in the backwater region of a remote land known as The Bayou, Armand Facilier learned what poverty truly meant ever since his birth. The family of which he was born into was not 'well-off' by any means, and in fact had no sense of bringing in a child into the world as they were not able to even care for the two of them most of the time. Armand's father, a fiscally struggling laborer named Ambrose, did whatever he could to provide for his small family, but his efforts were almost in vain as he hardly made enough to put up a decent meal on the table a few days out of the week, let alone being able to afford a nice house, clean clothes and toys for young Armand and a few years later his sister, Magnolia.

Things took a turn from bad to worse when Armand's father received a letter, drafting him into the army in a war that The Bayou had no purpose being in the first place, however as it was law, Ambrose had no choice but to leave his wife and two children. Armand's mother, pregnant with her third child, was forced to take up the mantle in getting a handful of different jobs to keep them from starving to death, though ultimately the small family ended up on the streets. It was at this point where the Facilier's couldn't have fallen lower, it seemed, and with Armand just old enough to know that things were bad... very bad in fact, life just wasn't quite finished with them yet. Nearly a year after Armand's father had left for the army, the family was delivered a letter from his station, alerting them that Ambrose had fallen in battle and would not be returning home. The pension for his services gave them very little, and was used up in the matter of a few short months putting them right back where they started, and father-less.

Overcome with stress, grief and foul thoughts, Armand's mother finally went into labor, only to have a still birth, and Armand would never get to know what was to be his second little sister. Having reached her limit after this point, Armand's mother placed both him and Magnolia under the care of her husbands mother, Armand's grandmother they called Mamma Odie, a seemingly senile old priestess who thought she could talk to animals and had a knack for 'natural remedies' for almost everything; but never seemed to work.
Still just a young boy, Armand was forced now to raise both his sister and grandmother (who Armand was even amazed to begin with that she was able to fend for herself and a home to begin with). He spent the next couple years of his life doing a variety of odd jobs where he could, oftentimes spending grueling hours on the streets of the Bayou, getting no real education and making very little in return, being forced to beg or steal just to keep himself and his even smaller family from starving.

The Facilier family's problems weren't over just yet, however. Magnolia, at the very young age of eight, mysteriously came down with debilitating symptoms, later examined by a traveling physician and diagnosed as the fatal blood disease, Ebola. Without proper treatment, Armand's sister would surely die within a few weeks, but the Facilier's just couldn't afford the treatment and so Armand was forced to watch as his sister grew worse and worse until ultimately, he found himself digging her grave and placing her lifeless body inside.

Now hardened and cynical, Armand became closed off to the world entirely, finding things like love, empathy and compassion to be a fool's waste; no longer worth his time or attention. Even for Mamma Odie, who desperately tried to reach out to him when he came back home at night was given the cold shoulder, as he wanted nothing to do with her or anyone else he had once cared for ever again and eventually left the safety of her little home to go out on his own. Still working hard each and every day, Armand, now nineteen years old, contracted a rare and life-threatening disease himself, later diagnosed as Babesiosis. Figuring that it was just his luck, as his entire family seemed to have some sort of 'bad blood' within them, Armand kept this revelation to himself entirely and waited for death's sweet kiss that would take him away from this horrid life and to reunite with his two sisters and father in a much, much happier place.

Somehow, Armand managed to hold on for another five years during the time in which he had refined his skills of thievery, lying, deception and sleight of hand, eventually opening up his own shop of Voodoo to give him something to pass the time by in which most (if not all) of his acts were faked; but faked convincingly. It was also during this time that word had spread like wildfire of Maleficent and her band of villains had otherwise taken over their entire world, leading it into darkness but Armand couldn't find it in himself to care; he was a dead man anyway. The Bayou, small as it was, went without notice and his land was otherwise left to the (comparingly) peaceful villains that of crocodiles and large snakes.

One fateful, stormy day as Armand was headed back to his Voodoo Emporium (which doubled as his home), he was finding each and every step to become more and more difficult. Finally, the moment in which he hadn't believed would ever come had arrived. He could feel his entire body shutting down, one organ after another, one limb at a time until he completely collapsed down in an alleyway of the small city. As he lay there, staring up at the rain coming down on his face, Armand could only smile weakly, for his time had finally come. Finally, finally he would be taken from his horrid life and placed into a much better place. Laying there, waiting, his vision was the last thing to go but before he managed to shut down completely, there was a hard pressure on his abdomen.

Weakly looking down at his stomach, he watched as a large black mamba slithered across his stomach, it's head coming straight at him. It's fangs were bared as it hissed threateningly at Armand, copious amounts of venom dripping from it's open mouth. Sighing in relief, knowing that death would come one way or another, Armand closed his deep brown eyes and waited. The Black Mamba struck, clenching it's powerful jaws on the juncture of his hand between his thumb and forefinger and filled Armand's toxic blood with it's own venom. The poison, however, was something else entirely. Armand's eyes flew open, now a soft lavender color; a striking difference from his soft browns. That wasn't the only thing that changed, however. Life was being pumped back into him, his body becoming more and more capable until there wasn't any pain or suffering left. His mind was severely affected, however. It was as if another being had entered into his head, battling with Armand for control over his body until the demon won out in the end, thus creating the link between himself and The Shadow Realm and with the new and proficiently learned skills of real voodoo. Getting up from the rain gutter, Armand dusted himself off and took his first few steps, no longer himself, but the new and improved Shadow Man.

Years later, after perfecting his craft and taking over the Bayou by his own means and even expanding the territory quite a considerable amount, Armand was found by no one other than Maleficent, who demanded his loyalty in exchange for her services; of which Armand took up almost too eagerly. Now working for Maleficent, there is very little that can get in the way of The Shadow Man, because no one, not even The Queen of the entire land could cross over to the other side like he could.

Biography (Life On Earth):
Armand never went to Earth, and has no idea the place even exists.

Other: Armand is one of the few 'reigning Kings' who was not given power by Maleficent, however this did not stop him from pledging his loyalty to her after she managed to track him down a handful of years after her dominating reign.

♛ Yoshi's Stash ♛

Ｓｃａｒ Ｌｉｏｎｈｅａｒｔ

_{“Ｔｈｒｏｗ ｍｅ ｔｏ ｔｈｅ ｌｉｏｎｓ．．． ａｎｄ Ｉ ｗｉｌｌ ｒｅｔｕｒｎ ｌｅａｄｉｎｇ ｔｈｅ ｐｒｉｄｅ．”}

_{🦁Ｎａｍｅ：}

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Ｓｃａｒ Ｌｉｏｎｈｅａｒｔ

_{🦁Ｏｔｈｅｒ Ｎａｍｅｓ：}

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Ｋｏｖｕ， Ｋｉｎｇ ｏｆ Ｔｈｅ Ｐｒｉｄｅ Ｌａｎｄｓ

_{🦁Ａｇｅ：}

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Ｔｈｉｒｔｙ Ｆｏｕｒ

_{🦁Ａｆｆｉｌｉａｔｉｏｎ：}

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Ｌａｗｆｕｌ Ｅｖｉｌ

Ａ ｌａｗｆｕｌ ｅｖｉｌ ｖｉｌｌａｉｎ ｍｅｔｈｏｄｉｃａｌｌｙ ｔａｋｅｓ ｗｈａｔ ｈｅ ｗａｎｔｓ ｗｉｔｈｉｎ ｔｈｅ ｌｉｍｉｔｓ ｏｆ ｈｉｓ ｃｏｄｅ ｏｆ ｃｏｎｄｕｃｔ ｗｉｔｈｏｕｔ ｒｅｇａｒｄ ｆｏｒ ｗｈｏｍ ｉｔ ｈｕｒｔｓ． Ｈｅ ｃａｒｅｓ ａｂｏｕｔ ｔｒａｄｉｔｉｏｎ， ｌｏｙａｌｔｙ， ａｎｄ ｏｒｄｅｒ ｂｕｔ ｎｏｔ ａｂｏｕｔ ｆｒｅｅｄｏｍ， ｄｉｇｎｉｔｙ， ｏｒ ｌｉｆｅ． Ｈｅ ｐｌａｙｓ ｂｙ ｔｈｅ ｒｕｌｅｓ ｂｕｔ ｗｉｔｈｏｕｔ ｍｅｒｃｙ ｏｒ ｃｏｍｐａｓｓｉｏｎ． Ｈｅ ｉｓ ｃｏｍｆｏｒｔａｂｌｅ ｉｎ ａ ｈｉｅｒａｒｃｈｙ ａｎｄ ｗｏｕｌｄ ｌｉｋｅ ｔｏ ｒｕｌｅ， ｂｕｔ ｉｓ ｗｉｌｌｉｎｇ ｔｏ ｓｅｒｖｅ． Ｈｅ ｃｏｎｄｅｍｎｓ ｏｔｈｅｒｓ ｎｏｔ ａｃｃｏｒｄｉｎｇ ｔｏ ｔｈｅｉｒ ａｃｔｉｏｎｓ ｂｕｔ ａｃｃｏｒｄｉｎｇ ｔｏ ｒａｃｅ， ｒｅｌｉｇｉｏｎ， ｈｏｍｅｌａｎｄ， ｏｒ ｓｏｃｉａｌ ｒａｎｋ． Ｈｅ ｉｓ ｌｏａｔｈ ｔｏ ｂｒｅａｋ ｌａｗｓ ｏｒ ｐｒｏｍｉｓｅｓ． Ｔｈｉｓ ｒｅｌｕｃｔａｎｃｅ ｃｏｍｅｓ ｐａｒｔｌｙ ｆｒｏｍ ｈｉｓ ｎａｔｕｒｅ ａｎｄ ｐａｒｔｌｙ ｂｅｃａｕｓｅ ｈｅ ｄｅｐｅｎｄｓ ｏｎ ｏｒｄｅｒ ｔｏ ｐｒｏｔｅｃｔ ｈｉｍｓｅｌｆ ｆｒｏｍ ｔｈｏｓｅ ｗｈｏ ｏｐｐｏｓｅ ｈｉｍ ｏｎ ｍｏｒａｌ ｇｒｏｕｎｄｓ． Ｓｏｍｅ ｌａｗｆｕｌ ｅｖｉｌ ｖｉｌｌａｉｎｓ ｈａｖｅ ｐａｒｔｉｃｕｌａｒ ｔａｂｏｏｓ， ｓｕｃｈ ａｓ ｎｏｔ ｋｉｌｌｉｎｇ ｉｎ ｃｏｌｄ ｂｌｏｏｄ （ｂｕｔ ｈａｖｉｎｇ ｕｎｄｅｒｌｉｎｇｓ ｄｏ ｉｔ） ｏｒ ｎｏｔ ｌｅｔｔｉｎｇ ｃｈｉｌｄｒｅｎ ｃｏｍｅ ｔｏ ｈａｒｍ （ｉｆ ｉｔ ｃａｎ ｂｅ ｈｅｌｐｅｄ）． Ｔｈｅｙ ｉｍａｇｉｎｅ ｔｈａｔ ｔｈｅｓｅ ｃｏｍｐｕｎｃｔｉｏｎｓ ｐｕｔ ｔｈｅｍ ａｂｏｖｅ ｕｎｐｒｉｎｃｉｐｌｅｄ ｖｉｌｌａｉｎｓ． Ｓｏｍｅ ｌａｗｆｕｌ ｅｖｉｌ ｐｅｏｐｌｅ ａｎｄ ｃｒｅａｔｕｒｅｓ ｃｏｍｍｉｔ ｔｈｅｍｓｅｌｖｅｓ ｔｏ ｅｖｉｌ ｗｉｔｈ ａ ｚｅａｌ ｌｉｋｅ ｔｈａｔ ｏｆ ａ ｃｒｕｓａｄｅｒ ｃｏｍｍｉｔｔｅｄ ｔｏ ｇｏｏｄ． Ｂｅｙｏｎｄ ｂｅｉｎｇ ｗｉｌｌｉｎｇ ｔｏ ｈｕｒｔ ｏｔｈｅｒｓ ｆｏｒ ｔｈｅｉｒ ｏｗｎ ｅｎｄｓ， ｔｈｅｙ ｔａｋｅ ｐｌｅａｓｕｒｅ ｉｎ ｓｐｒｅａｄｉｎｇ ｅｖｉｌ ａｓ ａｎ ｅｎｄ ｕｎｔｏ ｉｔｓｅｌｆ． Ｔｈｅｙ ｍａｙ ａｌｓｏ ｓｅｅ ｄｏｉｎｇ ｅｖｉｌ ａｓ ｐａｒｔ ｏｆ ａ ｄｕｔｙ ｔｏ ａｎ ｅｖｉｌ ｄｅｉｔｙ ｏｒ ｍａｓｔｅｒ． Ｌａｗｆｕｌ ｅｖｉｌ ｉｓ ｓｏｍｅｔｉｍｅｓ ｃａｌｌｅｄ ｄｉａｂｏｌｉｃａｌ， ｂｅｃａｕｓｅ ｄｅｖｉｌｓ ａｒｅ ｔｈｅ ｅｐｉｔｏｍｅ ｏｆ ｌａｗｆｕｌ ｅｖｉｌ． Ｌａｗｆｕｌ ｅｖｉｌ ｉｓ ｔｈｅ ｂｅｓｔ ａｌｉｇｎｍｅｎｔ ｙｏｕ ｃａｎ ｂｅ ｂｅｃａｕｓｅ ｉｔ ｃｏｍｂｉｎｅｓ ｈｏｎｏｒ ａｎｄ ｄｅｄｉｃａｔｅｄ ｓｅｌｆ－ｉｎｔｅｒｅｓｔ． Ｈｏｗｅｖｅｒ， ｌａｗｆｕｌ ｅｖｉｌ ｃａｎ ｂｅ ａ ｄａｎｇｅｒｏｕｓ ａｌｉｇｎｍｅｎｔ ｂｅｃａｕｓｅ ｉｔ ｒｅｐｒｅｓｅｎｔｓ ｍｅｔｈｏｄｉｃａｌ， ｉｎｔｅｎｔｉｏｎａｌ， ａｎｄ ｆｒｅｑｕｅｎｔｌｙ ｓｕｃｃｅｓｓｆｕｌ ｅｖｉｌ．

_{🦁Ｓｔａｔｕｓ ａｎｄ Ｊｏｂ：}

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Ｋｉｎｇ ｏｆ Ｔｈｅ Ｐｒｉｄｅ Ｌａｎｄｓ

_{🦁Ａｐｐｅａｒａｎｃｅ Ｔｈｉｒｔｅｅｎ Ｙｅａｒｓ Ａｇｏ （Ｔｗｅｎｔｙ Ｏｎｅ）：}

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_{🦁Ａｐｐｅａｒａｎｃｅ Ｔｏｄａｙ （Ｔｈｉｒｔｙ Ｆｏｕｒ）：}

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_{🦁Ａｐｐｅａｒａｎｃｅ （Ｃｕｒｓｅｄ Ｌｉｏｎ）：}

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_{🦁Ｍａｇｉｃ Ｃａｐａｂｉｌｉｔｉｅｓ：}

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Ｔｈｏｕｇｈ ｈａｖｉｎｇ ｎｏ ｍａｇｉｃａｌ ｃａｐａｂｉｌｉｔｉｅｓ ｈｉｍｓｅｌｆ， Ｓｃａｒ＇ｓ ｂｏｄｙ ｕｎｄｅｒｔａｋｅｓ ａ ｍａｇｉｃａｌ ｔｒａｎｓｆｏｒｍａｔｉｏｎ ａｎｙ ｔｉｍｅ ｈｉｓ ａｎｇｅｒ ｇｅｔｓ ｔｈｅ ｂｅｓｔ ｏｆ ｈｉｍ． Ｗｈｅｎ ａ ｂｅａｓｔ， ｈｅ ｉｓ ｕｎａｂｌｅ ｔｏ ｃｏｎｔｒｏｌ ｈｉｍｓｅｌｆ － ｕｎｐｒｅｄｉｃｔａｂｌｅ ｂｕｔ ｍｏｓｔ ｏｆｔｅｎ ｔｉｍｅｓ ｂｌｏｏｄ ｔｈｉｒｓｔｙ． Ｔｈｅｒｅ ｈａｓｎ＇ｔ ｙｅｔ ｂｅｅｎ ａｎｙｔｈｉｎｇ ｔｈａｔ ｃａｎ ｓｔｏｐ ｈｉｍ ｉｎｃｌｕｄｉｎｇ ｍａｇｉｃ， ｂｕｔ ｈｉｓ ａｎｉｍａｌ ｆｏｒｍ ｄｒａｉｎｓ ｈｉｓ ｅｎｅｒｇｙ ｑｕｉｃｋｌｙ ａｎｄ ｉｓ ｐｒｏｎｅ ｔｏ ｌｏｓｉｎｇ ｃｏｎｓｃｉｏｕｓｎｅｓｓ ａｎｄ ｗａｋｉｎｇ ｕｐ ｈｕｍａｎ ａｇａｉｎ．

_{🦁Ｗｅａｐｏｎｓ：}

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Ｔｈｏｕｇｈ ｔｒａｉｎｅｄ ｉｎ ｎｅａｒｌｙ ｅｖｅｒｙ ｗｅａｐｏｎ ｅｖｅｒ ｃｒｅａｔｅｄ， Ｓｃａｒ ｈａｓ ａ ｆｅｗ ｓｅｌｅｃｔ ｓｗｏｒｄｓ ｈｅ ｆａｖｏｒｓ ａｂｏｖｅ ａｌｌ ｏｔｈｅｒｓ．

Ｆｉｒｓｔｌｙ， ａ ｒａｔｈｅｒ ｓｉｍｐｌｅ ｂｌａｄｅ ｇｉｖｅｎ ｔｏ ｈｉｍ ｂｙ Ｍａｌｅｆｉｃｅｎｔ ｔｈａｔ ｉｓ ｒａｔｈｅｒ ｓｅｎｔｉｍｅｎｔａｌ ｔｏ Ｓｃａｒ ａｓ ｉｔ ｓｔｉｌｌ ｉｓ ｓｔａｉｎｅｄ ｗｉｔｈ ｔｈｅ ｂｌｏｏｄ ｏｆ ｈｉｓ ｂｒｏｔｈｅｒ． Ｉｔ ｉｓ ｕｓｅｄ ｍｏｒｅ ｆｏｒ ｄｅｃｏｒａｔｉｏｎａｌ ｐｕｒｐｏｓｅｓ， ｈｏｗｅｖｅｒ．

Ｓｅｃｏｎｄｌｙ， ｈｉｓ ｐｒｉｍａｒｙ ｗｅａｐｏｎ ｏｆ ｃｈｏｉｃｅ ｉｓ ａ ｓｌｉｇｈｔｌｙ heavier blade ｔｈａｔ ｈａｄ ｂｅｅｎ ｌｏｓｔ ｔｏ ｈｉｍ ｆｏｒ ａ ｇｒｅａｔ ａｍｏｕｎｔ ｏｆ ｔｉｍｅ， ｂｕｔ ｒｅｃｌａｉｍｅｄ ａｆｔｅｒ ｔａｋｉｎｇ ｔｈｅ ｔｈｒｏｎｅ ｆｒｏｍ Ｍｕｆａｓａ．

_{🦁Ｓｔｒｅｎｇｔｈｓ：}

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Ｅｖｅｎ ａｓ ａｎ ａｄｏｌｅｓｃｅｎｔ， Ｓｃａｒ ｐｒｏｖｅｄ ｈｉｍｓｅｌｆ ｔｏ ｂｅ ｈｉｇｈｌｙ ｉｎｔｅｌｌｉｇｅｎｔ ａｎｄ ｅｘｃｅｐｔｉｏｎａｌｌｙ ｍａｎｉｐｕｌａｔｉｖｅ． Ｈｅ ｉｓ ｓｌｙ， ｃｕｎｎｉｎｇ， ａｎｄ ｄｅｃｉｅｔｆｕｌ， ａｂｌｅ ｔｏ ｐｕｌｌ ｏｆ ｈｅｉｎｏｕｓ ａｃｔｓ ｗｉｔｈ ｌｉｔｔｌｅ ｔｏ ｎｏ ｓｕｓｐｉｃｉｏｎ ｆｒｏｍ ｈｉｓ ｐｅｅｒｓ． Ｄｅｓｐｉｔｅ ｈｉｓ ｉｎｎｅｒ ｉｎｓｅｃｕｒｉｔｉｅｓ， Ｓｃａｒ ｉｓ ａ ｎａｔｕｒａｌ ｏｒａｔｏｒ ｗｉｔｈ ａ ｃｈａｒｉｓｍａｔｉｃ ｃｈａｒｍ， ａｂｌｅ ｔｏ ｒａｌｌｙ ｈｉｓ ｆｏｌｌｏｗｅｒｓ ｔｏ ｈｉｓ ｃａｕｓｅ ａｎｄ ｇａｉｎ ｔｈｅ ｆａｎａｔｉｃａｌ ｌｏｙａｌｔｙ ｏｆ ｏｔｈｅｒ ｖｉｌｌａｉｎｓ． Ｗｈｅｎ ｆｏｒｃｅｄ ｉｎｔｏ ａ ｆｉｇｈｔ， ｈｅ ｃａｎ ｈｏｌｄ ｈｉｓ ｏｗｎ ａｂｏｖｅ ｔｈｅ ｒｅｓｔ， ａｓ ｈｉｓ ｂｏｄｙ ｉｓ ｉｎ ｐｉｑｕｅ ｐｈｙｓｉｃａｌ ｃｏｎｄｉｔｉｏｎ ａｎｄ ｉｓ ｎｏｔ ａｂｏｖｅ ｃｈｅａｔｉｎｇ． Ｔｈｏｕｇｈ ｃｕｒｓｅｄ， ｔｈｅ ａｎｉｍａｌｉｓｔｉｃ ａｂｉｌｉｔｉｅｓ ｔｈａｔ ｃｏｍｅ ｔｏ Ｓｃａｒ ｉｎ ｈｉｓ ｈｕｍａｎ ｆｏｒｍ ｈａｖｅ ｈｅｉｇｈｔｅｎｅｄ ｈｉｓ ｓｅｎｓｅｓ ａｓ ｗｅｌｌ ａｓ ｇｉｖｉｎｇ ｈｉｍ ａｍｐｌｉｆｉｅｄ ｓｔｒｅｎｇｔｈ ａｎｄ ｓｔａｍｉｎａ ｗｈｉｃｈ ｇｉｖｅ ｈｉｍ ｔｈｅ ｅｄｇｅ ｉｎ ａｎｙ ｓｏｒｔ ｏｆ ｐｈｙｓｉｃａｌ ｂｒａｗｌ． Ｓｃａｒ ｉｓ ａｌｓｏ ｉｍｐｅｃａｂｌｙ ｔｒａｉｎｅｄ ｉｎ ｔｈｅ ａｒｔ ｏｆ ｗａｒ， ｃｏｍｂａｔ， ａｎｄ ｗｅａｐｏｎｓ， ｈａｖｉｎｇ ｂｅｅｎ ｆａｍｉｌｉａｒｉｚｅｄ ｗｉｔｈ ａ ｓｗｏｒｄ ｅｖｅｎ ａｔ ｔｈｅ ｙｏｕｎｇ ａｇｅ ｏｆ ｓｉｘ ａｎｄ ｏｎｌｙ ｇｒｏｗｉｎｇ ｓｔｒｏｎｇｅｒ ｆｒｏｍ ｔｈｅｒｅ ａｓ ｈｅ ｗａｓ ｅｎｌｉｓｔｅｄ ｉｎｔｏ ｔｈｅ ａｒｍｙ ａｔ ｓｅｖｅｎ， ｒｉｓｉｎｇ ｔｏ ｂｅｃｏｍｅ ｔｈｅ ａｒｍｙ＇ｓ ｇｅｎｅｒａｌ． Ｈｉｇｈｌｙ ｉｎｔｅｌｌｉｇｅｎｔ ａｎｄ ａｂｌｅ ｔｏ ｃｏｍｅ ｕｐ ｗｉｔｈ ｍａｓｔｅｒｆｕｌ ｐｌａｎｓ ｗｉｔｈ ｊｕｓｔ ａ ｆｅｗ ｍｉｎｕｔｅｓ， Ｓｃａｒ ｉｓ ａｂｌｅ ｔｏ ｒｅｔａｉｎ ａｌｍｏｓｔ ｅｖｅｒｙｔｈｉｎｇ ｈｅ ｓｅｅｓ ａｎｄ ｓｔｏｒｅ ｉｔ ｉｎ ｔｈｅ ｂａｃｋ ｏｆ ｈｉｓ ｍｉｎｄ ｔｏ ｕｓｅ ａｔ ａ ｌａｔｅｒ ｔｉｍｅ． Ｈｉｓ ｃｈａｒｉｓｍａｔｉｃ ｃｈａｒｍ ｏｆｔｅｎ ｔｉｍｅｓ ｌｅａｄｓ ｔｈｏｓｅ ｉｎｔｏ ｆｏｌｌｏｗｉｎｇ ｈｉｍ ｂｌｉｎｄｌｙ． Ｂｕｔ ｈｅ ｉｓｎ＇ｔ ａｌｌ ｂｒａｉｎｓ． Ｈａｖｉｎｇ ｇｒｏｗｎ ｕｐ ｉｎ ｈｉｓ ｆａｔｈｅｒ＇ｓ ａｒｍｙ ｔｏ ｕｌｔｉｍａｔｅｌｙ ｂｅｃｏｍｅ ｔｈｅｉｒ ｌｅａｄｅｒ， Ｓｃａｒ ｉｓ ｖｅｒｙ ｐｒｏｆｉｃｉｅｎｔ ｗｉｔｈ ａ ｂｌａｄｅ ａｎｄ ｓｈｉｅｌｄ， ｂｕｔ ｅｖｅｎ ｂｅｔｔｅｒ ｗｉｔｈ ｉｍｐｒｏｖｉｓａｔｉｏｎ ｗｈｅｎ ｗｅａｐｏｎｓ ａｒｅ ｕｎａｖａｉｌａｂｌｅ． Ｈｅ ｉｓ ａｌｓｏ ａ ｈｉｇｈ ｐｈｙｓｉｃａｌ ｔｈｒｅａｔ ａｓ ｈｅ ｉｓ ａ ｍａｓｔｅｒ ｏｆ ｈａｎｄ－ｔｏ－ｈａｎｄ ｃｏｍｂａｔ．

_{🦁Ｗｅａｋｎｅｓｓｅｓ：}

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Ｓｃａｒ ｉｓ ｍｏｔｉｖａｔｅｄ ｂｙ ｊｅａｌｏｕｓｙ． Ｈｉｓ ｔｉｅｓ ｔｏ ｆａｍｉｌｙ ｏｎｌｙ ｇｏ ｓｏ ｆａｒ ｗｈｅｎ ｈｉｓ ｏｗｎ ｇｏａｌｓ ａｒｅ ｉｎ ｍｉｎｄ， ａｎｄ ｓａｗ ｎｏ ｐｒｏｂｌｅｍ ｉｎ ｅｎｄａｎｇｅｒｉｎｇ ｈｉｓ ｂｒｏｔｈｅｒ＇ｓ ｌｉｆｅ ｉｎ ｏｒｄｅｒ ｔｏ ｇｅｔ ｔｈｅ ａｔｔｅｎｔｉｏｎ ｈｅ ｓｏ ｄｅｓｉｒｅｄ． Ｈｅ ｔａｋｅｓ ｌｉｔｔｌｅ ｉｎｔｅｒｅｓｔ ｉｎ ｔｈｅ ｗｅｌｌ ｂｅｉｎｇ ｏｆ ｈｉｓ ｆｏｌｌｏｗｅｒｓ， ｗｉｌｌｉｎｇ ｔｏ ｂｅｎｄ ｔｈｅ ｒｕｌｅｓ ａｎｄ ｐｕｔ ｈｉｓ ｏｗｎ ｉｎｔｅｒｅｓｔｓ ａｂｏｖｅ ａｌｌ ｏｔｈｅｒｓ． Ｈｅ ｔａｋｅｓ ｔｏ ｐｌｏｔｔｉｎｇ ａｎｄ ｈｉｓ ｐｅｒｃｅｐｔｕａｌ ｆｅａｔｕｒｅｓ ａｒｅ ｎｏｎｃｈａｌａｎｃｅ， ｓｅｒｉｏｕｓｎｅｓｓ ａｎｄ ａｌｍｏｓｔ ｃｏｍｉｃａｌ ｓａｒｃａｓｍ． Ｉｔ＇ｓ ｈａｒｄ ｆｏｒ ｈｉｍ ｔｏ ｆｉｎｄ ａｌｌｉｅｓ ａｍｏｎｇｓｔ ｔｈｅ ｒｏｙａｌｓ ｓｏ ｈｅ ｉｓ ｆｏｒｃｅｄ ｔｏ ｄｅｖｅｌｏｐ ｒｅｌａｔｉｏｎｓｈｉｐｓ ｗｉｔｈ ｏｔｈｅｒ ｏｕｔｃａｓｔｓ ｓｕｃｈ ａｓ ｔｈｅ Ｈｙｅｎａｓ． Ｈｅ ｈａｓ ａｎ ｕｒｇｅ ｆｏｒ ａ ｄｒａｍａｔｉｃ ｐｒｅｓｅｎｔａｔｉｏｎ ａｎｄ ｗｉｌｌ ｅｖｅｎ ｓａｃｒｉｆｉｃｅ ｏｔｈｅｒｓ＇ ｌｉｖｅｓ ｉｎ ｏｒｄｅｒ ｔｏ ｇｅｔ ａ ｄｒａｍａｔｉｃ ａｔｍｏｓｐｈｅｒｅ． Ｓｔｉｌｌ ｊｅａｌｏｕｓ ａｎｄ ｂｏｇｇｅｄ ｄｏｗｎ ｂｙ ｆｅｅｌｉｎｇｓ ｏｆ ｉｎｆｅｒｉｏｒｉｔｙ， Ｓｃａｒ ｉｓ ｐｓｙｃｈｏｐａｔｈｉｃ ａｎｄ ｅｖｅｎ ｌｅｓｓ ｒｅｌｉａｎｔ ｏｎ ｈｉｓ ｆａｍｉｌｙ， ｗｉｌｌｉｎｇ ｔｏ ｆｒａｍｅ ａｎｄ ｍｕｒｄｅｒ ｔｈｅ ｏｎｌｙ ｆａｍｉｌｙ ｍｅｍｂｅｒｓ ｈｅ ｈａｓ ｌｅｆｔ ｉｎ ｏｒｄｅｒ ｔｏ ｓｔｅａｌ ｔｈｅ ｔｈｒｏｎｅ． Ｈｅ ｉｓ ｓｔｉｌｌ ｓｅｎｓｉｔｉｖｅ ｔｏ ｔｈｅ ｍｅｎｔｉｏｎ ｏｆ ｈｉｓ ｂｒｏｔｈｅｒ， ｋｎｏｗｉｎｇ ｆｕｌｌ ｗｅｌｌ ｔｈａｔ ｈｅ ｃａｎ ｎｅｖｅｒ ｂｅ ｔｈｅ ｋｉｎｇ ｔｈａｔ Ｍｕｆａｓａ ｗａｓ ｉｎ ｒｅｇａｒｄｓ ｔｏ ｔｈｅ ｐｅｏｐｌｅ ｌｏｖｉｎｇ ｈｉｍ． Ｈｅ ｓｕｆｆｅｒｓ ｆｒｏｍ ａ ｌａｃｋ ｏｆ ｓｅｌｆ－ｅｓｔｅｅｍ ａｎｄ ｔｏ ｃｏｖｅｒ ｔｈａｔ ｕｐ ｈｅ ｔｈｒｉｖｅｓ ｉｎ ｔｏｒｔｕｒｉｎｇ ｔｈｅ ｈｅｌｐｌｅｓｓ． Ｅｖｅｎ ｉｎ ａ ｐｏｓｉｔｉｏｎ ｏｆ ｐｏｗｅｒ， ｈｅ ｒｅｍａｉｎｓ ｖｕｌｎｅｒａｂｌｅ ｔｏ ｂｏｕｔｓ ｏｆ ｉｎｄｅｃｉｓｉｏｎ ａｎｄ ｉｎｓｅｃｕｒｉｔｙ， ｕｎａｂｌｅ ｔｏ ａｃｃｅｐｔ ｃｒｉｔｉｃｉｓｍ ａｎｄ ｔｏｏ ｓｔｕｂｂｏｒｎ ｔｏ ｔａｋｅ ｔｈｅ ａｄｖｉｃｅ ｏｆ ｈｉｓ ａｄｖｉｓｅｒｓ． Ｈｉｓ ｓｍｏｏｔｈ ｔａｌｋｉｎｇ ｉｓ ｎｏｔ ｅａｓｉｌｙ ｏｖｅｒｌｏｏｋｅｄ， ｂｕｔ ｗｈｅｎ ｈｉｓ ｗａｌｌｓ ａｒｅ ｂｒｏｋｅｎ ｄｏｗｎ， Ｓｃａｒ ｉｓ ｒｅｖｅａｌｅｄ ｔｏ ｂｅ ａ ｃｏｗａｒｄ ｗｈｏ ｗｏｕｌｄ ｍｕｃｈ ｍｏｒｅ ｌｉｋｅｌｙ ｒｕｎ ｆｒｏｍ ａ ｃｏｎｆｌｉｃｔ ｔｈａｎ ｔｕｒｎ ｔｏ ｆａｃｅ ｉｔ． Ｈｉｓ ｎａｔｕｒａｌ ｃｈａｒｉｓｍａ ｈｉｄｅｓ ａ ｃｏｗａｒｄｌｙ ｎａｔｕｒｅ ｔｈａｔ ｒｅｆｕｓｅｓ ｔｏ ａｃｃｅｐｔ ｂｌａｍｅ ａｎｄ ｔａｋｅｓ ｎｏ ｓｈａｍｅ ｉｎ ｓｈｏｖｉｎｇ ｐｒｏｂｌｅｍｓ ａｎｄ ｔｒｏｕｂｌｅｓ ｏｎ ｏｔｈｅｒ ｉｎｄｉｖｉｄｕａｌｓ．

_{🦁Ｒｅｌａｔｉｏｎｓｈｉｐｓ：}

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🦁Ｒｅｌａｔｉｏｎｓｈｉｐ Ｓｔａｔｕｓ： Ｓｉｎｇｌｅ
🦁Ｓｅｘｕａｌｉｔｙ： Ｈｅｔｅｒｏｓｅｘｕａｌ
🦁（Ｅｘ）Ｐａｒｔｎｅｒ： Ｋｉａｒａ Ｋｉｂｕｒｉ
🦁Ｆａｔｈｅｒ： Ａｈａｄｉ ｏｆ Ｔｈｅ Ｐｒｉｄｅ Ｌａｎｄｓ （Ｄｅｃｅａｓｅｄ）
🦁Ｍｏｔｈｅｒ： Ｕｒｕ ｏｆ Ｔｈｅ Ｐｒｉｄｅ Ｌａｎｄｓ （Ｄｅｃｅａｓｅｄ）
🦁Ｓｉｂｌｉｎｇｓ： Ｍｕｆａｓａ （Ｏｌｄｅｒ Ｂｒｏｔｈｅｒ － Ｄｅｃｅａｓｅｄ）
🦁Ｐｅｔ／ｓ： Ｐｒｉｄｅ Ｒｏｃｋ ｈｏｕｓｅｓ ｍａｎｙ ｄｉｆｆｅｒｅｎｔ ｌｉｏｎｓ ｗｉｔｈｉｎ ａｎ ｕｎｄｅｒｇｒｏｕｎｄ ｈｏｌｄｉｎｇ ｃｅｌｌ ｆｏｒ ｔｈｅ ｇａｍｅｓ ｔｈａｔ ａｌｌ ｓｅｅ Ｓｃａｒ ａｓ ｔｈｅｉｒ ａｌｐｈａ． Ｏｎ ｔｏｐ ｏｆ ｔｈｉｓ， Ｓｃａｒ ｃａｎ ｍｏｓｔ ｔｉｍｅｓ ｂｅ ｓｅｅｎ ｗｉｔｈ ａ ｌｉｏｎ ｏｒ ｔｗｏ ａｔ ｈｉｓ ｓｉｄｅ ｗｈｅｒｅｖｅｒ ｈｅ ｇｏｅｓ． Ｈｅ ｇｉｖｅｓ ｔｈｅｍ ｎｏ ｎａｍｅｓ ａｎｄ ｔｒｅａｔｓ ｔｈｅｍ ｍｏｒｅ ａｓ ｔｏｏｌｓ ｔｈａｎ ａｓ ｐｅｔｓ， ｈｏｗｅｖｅｒ．
🦁Ｏｔｈｅｒ： Ｓｃａｒ ｂｅｌｉｅｖｅｓ ｈｉｓ ｆｉａｎｃｅ ｔｏ ｂｅ ｄｅａｄ， ａｓ ｗｅｌｌ ａｓ ｈｉｓ ｎｅｐｈｅｗ， Ｓｉｍｂａ． Ｈｅ ｋｅｅｐｓ ｈｉｓ ｂｒｏｔｈｅｒ＇ｓ ｗｉｆｅ， Ｓａｒａｂｉ， ａｓ ａ ｔｒｏｐｈｙ ａｎｄ ｂｅｄｓ ｈｅｒ ｏｆｔｅｎ ａｓ ｗｅｌｌ ａｓ ｋｅｅｐｉｎｇ ｈｅｒ ｈｉｓ ｓｌａｖｅ． Ｓａｒａｂｉ＇ｓ ｂｒｏｔｈｅｒ， Ｃａｓｓｉｍ， ｈａｓ ｎｏｔ ｂｅｅｎ ｓｅｅｎ ｆｏｒ ｍａｎｙ ｙｅａｒｓ

ｃｏｍｉｎｇ ｓｏｏｎ

Ｃｏｍｉｎｇ ｓｏｏｎ

_{🦁Ｂｉｏｇｒａｐｈｙ：}

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Ｂｏｒｎ ｔｈｅ ｓｅｃｏｎｄ ｏｆ ｔｗｏ ｂｒｏｔｈｅｒｓ ｔｏ ａ Ｋｉｎｇ， Ｓｃａｒ ｗａｓ ｂｒｏｕｇｈｔ ｉｎｔｏ ｔｈｅ ｗｏｒｌｄ ｗｉｔｈ ｈａｔｒｅｄ． Ｈｉｓ ｍｏｔｈｅｒ ｄｉｅｄ ｇｉｖｉｎｇ ｂｉｒｔｈ ｔｏ ｈｉｍ， ｌｅａｖｉｎｇ Ｋｉｎｇ Ａｈａｄｉ ｏｕｔｒａｇｅｄ ａｎｄ ｂｌａｍｉｎｇ Ｓｃａｒ ｆｏｒ ｈｅｒ ｄｅａｔｈ， ｔｈｕｓｌｙ ｇｉｖｉｎｇ ｈｉｍ ｔｈｅ ｎａｍｅ ｈｅ ｓｏ ｄｅｓｅｒｖｅｄ － Ｇａｒｂａｇｅ． Ｈｉｓ ｏｌｄｅｒ ｂｒｏｔｈｅｒ Ｍｕｆａｓａ， ｗａｓ ｔｈｅ ｈｅｉｒ ｔｏ ｔｈｅ ｔｈｒｏｎｅ ｌｅａｖｉｎｇ Ｔａｋａ "ｓｅｃｏｎｄ ｂｅｓｔ" ｆｏｒ ｔｈｅ ｒｅｓｔ ｏｆ ｈｉｓ ｙｏｕｔｈ．

Ｔｈｅ ｂｏｙｓ ｎｅｖｅｒ ｇｏｔ ａｌｏｎｇ － ａｌｗａｙｓ ｆｉｇｈｔｉｎｇ ｗｉｔｈ ｏｎｅ ａｎｏｔｈｅｒ ａｎｄ ｃａｕｓｉｎｇ ｍｉｓｃｈｉｅｆ ｂｕｔ Ｔａｋａ＇ｓ "ｒｏｕｇｈ ｈｏｕｓｉｎｇ" ｂｅｃａｍｅ ｍｏｒｅ ａｎｄ ｍｏｒｅ ｄａｎｇｅｒｏｕｓ ａｓ ｔｈｅ ｙｅａｒｓ ｗｅｎｔ ｏｎ． Ｅｖｅｎ ａｔ ｔｈｅ ａｇｅ ｏｆ ｓｉｘ， ｗｈｅｎ ｔｈｅ ｎｏｂｌｅ ｈｏｕｓｅ ｏｆ Ｋｉｂｕｒｉ ｇａｖｅ ｂｉｒｔｈ ｔｏ ａ ｃｈｉｌｄ ｄｅｓｔｉｎｅｄ ｔｏ ｂｅ ｂｅｔｒｏｔｈｅｄ ｔｏ Ｔａｋａ， ｈｉｓ ｉｎｔｅｒｅｓｔ ｄｉｄ ｎｏｔ ｗａｉｖｅｒ． Ｗｈｅｎ Ｔａｋａ ｗａｓ ａｂｌｅ ｔｏ ｃｏｍｐｒｅｈｅｎｄ ｗｈａｔ ｊｅａｌｏｕｓｙ ｗａｓ， ｈｅ ｋｎｅｗ ｆｏｒ ｃｅｒｔａｉｎ ｔｈａｔ ｈｅ ｗａｎｔｅｄ ｔｏ ｂｅ Ｋｉｎｇ， ｇｉｖｉｎｇ ｎｏ ｉｎｔｅｒｅｓｔ ｉｎ ｗｈａｔ ｗａｓ ｓｕｐｐｏｓｅｄ ｔｏ ｂｅ ｈｉｓ ｆｕｔｕｒｅ － ｏｎｌｙ ｗｈａｔ ｈｅ ｗａｎｔｅｄ ｉｔ ｔｏ ｂｅ． Ｄｅｓｐｉｔｅ ｈｉｓ ｃｏｎｓｔａｎｔ ｐｌｅａｓ ｔｏ ｈｉｓ ｆａｔｈｅｒ， ｔｈｅ ｏｎｌｙ ｗａｙ Ｔａｋａ ｗｏｕｌｄ ｂｅｃｏｍｅ ｔｈｅ ｔｒｕｅ Ｋｉｎｇ ｉｓ ｉｆ Ｍｕｆａｓａ ｄｉｅｄ． Ｓｏ ｔｈａｔ＇ｓ ｗｈａｔ Ｔａｋａ ａｉｍｅｄ ｆｏｒ．

Ｎｏｗ ｔｅｅｎａｇｅ ｂｏｙｓ， ｂｏｔｈ ｂｅｉｎｇ ｔｒａｉｎｅｄ ｐｒｏｆｕｓｅｌｙ ｉｎ ｔｈｅｉｒ ｆａｔｈｅｒ＇ｓ ａｒｍｙ， ｔｈｅｙ ｍａｎａｇｅｄ ｔｏ ｓｌｉｐ ａｗａｙ ｆｒｏｍ ｔｈｅｉｒ ｄｕｔｉｅｓ ａｎｄ ｗｅｎｔ ｏｕｔ ｔｏ ｐｌａｙ． Ｔａｋａ ｐｕｒｐｏｓｅｆｕｌｌｙ ｌｅａｄ ｈｉｓ ｂｒｏｔｈｅｒ ｉｎｔｏ ａ ｔｒａｐ ｔｏ "ｐｌａｙ ａ ｇａｍｅ．" Ｌｅａｖｉｎｇ Ｍｕｆａｓａ ｆｏｒ ｊｕｓｔ ａ ｍｏｍｅｎｔ， Ｔａｋａ ｗｅｎｔ ｔｏ ｆｉｎｄ ａｎ ａｎｔｅｌｏｐｅ ｈｅｒｄ ａｎｄ ｓｔａｒｔｅｄ ｔｏ ｔｈｒｏｗ ｒｏｃｋｓ ａｔ ｔｈｅｍ， ｈｅｒｄｉｎｇ ｔｈｅｍ ｉｎｔｏ ｓｔａｍｐｅｄｉｎｇ ｔｏｗａｒｄｓ ｈｉｓ ｂｒｏｔｈｅｒ ｈｏｗｅｖｅｒ ｉｎ ａｎ ｕｎｅｘｐｅｃｔｅｄ ｔｕｒｎ ｏｆ ｅｖｅｎｔｓ， Ｔａｋａ ｂｅｃａｍｅ ｔｒａｐｐｅｄ ａｎｄ ｇｏｔ ｍｉｘｅｄ ｉｎ ｗｉｔｈ ｔｈｅ ｈｅｒｄ， ｇｅｔｔｉｎｇ ｓｅｒｉｏｕｓｌｙ ｉｎｊｕｒｅｄ ａｎｄ ｇｉｖｉｎｇ ｈｉｍ ａ ｄｅｅｐ ｓｃａｒ ａｃｒｏｓｓ ｈｉｓ ｅｙｅ．

Ｗｉｔｈ ｍｏｒｅ ｔｈａｎ ｊｕｓｔ ｈｉｓ ｐｒｉｄｅ ｗｏｕｎｄｅｄ， Ｔａｋａ ｔｈｅｎ ｔｏｏｋ ｕｐ ｔｈｅ ｎａｍｅ Ｓｃａｒ ａｓ ａ ｃｏｎｓｔａｎｔ ｒｅｍｉｎｄｅｒ ｔｈａｔ ｈｅ ｎｅｅｄｅｄ ｔｏ ｐｌａｎ ｍｏｒｅ ａｃｃｏｒｄｉｎｇｌｙ ｒａｔｈｅｒ ｔｈａｎ ｔｏ ｊｕｓｔ ｉｍｐｒｏｖｉｓｅ．．． ａ ｍｉｓｔａｋｅ ｈｅ ｎｅｖｅｒ ｍａｄｅ ａｇａｉｎ． Ｔｈｅ ｙｅａｒｓ ｗｅｎｔ ｏｎ ａｎｄ ｔｈｅ ｂｏｙｓ ｇｒｅｗ ｉｎｔｏ ｍｅｎ． Ｓｃａｒ＇ｓ ｂｅｔｒｏｔｈｅｄ， ｎｏｗ ａ ｗｏｍａｎ， ｗａｓ ｈｉｓ ｏｗｎ ｓｍａｌｌ ｅｆｆｏｒｔ ｔｏ ｔａｋｅ ａｗａｙ ｈｉｓ ｏｂｓｅｓｓｉｖｅ ｔｈｏｕｇｈｔｓ ｏｆ ｍｕｒｄｅｒｉｎｇ ｈｉｓ ｂｒｏｔｈｅｒ ａｎｄ ｗａｓ ｄｉｓｔｒａｃｔｅｄ ｂｙ ｔｈｅ ｔａｓｋ ｏｆ ｔｒｙｉｎｇ ｔｏ ｃｒｅａｔｅ ａ ｆａｍｉｌｙ． Ｈｏｗｅｖｅｒ， ｗｈｅｎ Ｍｕｆａｓａ ｂｅｃｏｍｅ Ｋｉｎｇ ａｔ ｔｈｅ ｙｏｕｎｇ ａｇｅ ｏｆ ｔｗｅｎｔｙ－ｆｉｖｅ （Ｓｃａｒ ｎｏｗ ｔｗｅｎｔｙ） ｄｕｅ ｔｏ ａｎ "ｕｎｆｏｒｅｓｅｅａｂｌｅ ｄｅａｔｈ" ｉｎ ｔｈｅ ｆａｍｉｌｙ， ｔｈｅ ｊｅａｌｏｕｓｙ ｒｅｔｕｒｎｅｄ ｔｏ Ｓｃａｒ ａｓ ｈｅ ｂｉｔｔｅｒｌｙ ｒｏｓｅ ｔｏ ｂｅｃｏｍｅ Ｍｕｆａｓａ＇ｓ ｗａｒ ｇｅｎｅｒａｌ ａｎｄ ｎｏｔ ｔｏ ｔａｋｅ ｈｉｓ ｆａｔｈｅｒ＇ｓ ｐｌａｃｅ ａｓ Ｋｉｎｇ．

Ｉｔ ｗａｓ ｏｎｌｙ ｏｎｅ ｙｅａｒ ｌａｔｅｒ ｗｈｅｎ Ｓｃａｒ ｄｅｃｉｄｅｄ ｔｈａｔ ｈｅ ｈａｄ， ｈａｄ ｅｎｏｕｇｈ ａｎｄ ｗｅｎｔ ｒｏｇｕｅ ｗｉｔｈ ｈｉｓ ｂｒｏｔｈｅｒ＇ｓ ｓｏｌｄｉｅｒｓ， ｕｓｉｎｇ ｈｉｓ ｑｕｉｃｋ ｗｉｔ ａｎｄ ｍａｎｉｐｕｌａｔｉｏｎ ｓｋｉｌｌｓ ｔｏ ｔｕｒｎ ｔｈｅｍ ａｇａｉｎｓｔ ｔｈｅｉｒ Ｋｉｎｇ． Ｔｈｅｒｅ ｗａｓ ｏｎｅ ａｍｏｎｇ ｔｈｅｍ， ｈｏｗｅｖｅｒ， ｔｈａｔ ｄｉｄｎ＇ｔ ｔａｋｅ ｔｏ Ｓｃａｒ＇ｓ ｍａｎｉｐｕｌａｔｉｏｎ． Ａ ｙｏｕｎｇ ｍａｎ ｎａｍｅｄ Ｓｉｍｂａ － Ｍｕｆａｓａ＇ｓ ｓｅｖｅｎ－ｙｅａｒ－ｏｌｄ ｓｏｎ． Ｓｏ ｏｎ ｔｈｅ ｎｉｇｈｔ ｏｆ ｔｈｅ ｒｅｂｅｌｌｉｏｎ， Ｓｉｍｂａ ｓｌｉｐｐｅｄ ａｗａｙ ｉｎ ｔｉｍｅ ｔｏ ｗａｒｎ ｈｉｓ ｆａｔｈｅｒ． Ｗｉｔｈ ｔｈｅ ｐｌａｎ ｔｈｗａｒｔｅｄ， Ｓｃａｒ ｗａｓ ｕｌｔｉｍａｔｅｌｙ ｃａｕｇｈｔ ａｎｄ ｗａｓ ｔｈｒｏｗｎ ｉｎｔｏ ｐｒｉｓｏｎ． Ｈｅ ｗａｓ ｃｏｍｐｌｅｔｅｌｙ ｃｕｔ ｏｆｆ ｆｒｏｍ ｔｈｅ ｗｏｒｌｄ， ｆｏｒｃｅｄ ｔｏ ｓｐｅｎｄ ｍｏｎｔｈｓ ｔｏ ｈｉｍｓｅｌｆ ｉｎ ｍａｄｎｅｓｓ ｕｎｔｉｌ ｈｉｓ ｅｘｅｃｕｔｉｏｎ ｄａｙ．

Ｂｒｏｕｇｈｔ ｂｅｆｏｒｅ ｔｈｅ ｂｌｏｃｋ ａｔ ｔｈｅ ｙｏｕｎｇ ａｇｅ ｏｆ ｔｗｅｎｔｙ－ｔｗｏ， Ｓｃａｒ ｗａｓ ｓｈｏｗｎ ｍｅｒｃｙ ｂｙ ｈｉｓ ｂｒｏｔｈｅｒ ａｎｄ ｗａｓ ｉｎｓｔｅａｄ ｅｘｉｌｅｄ ｆｒｏｍ ｔｈｅ ｌａｎｄ． Ｒｉｐｐｅｄ ｆｒｏｍ ｈｉｓ ｆｉａｎｃｅ （ａｓ ｔｈｅｙ ｎｅｖｅｒ ｇｏｔ ｔｈｅ ｃｈａｎｃｅ ｔｏ ｍａｒｒｙ）， Ｓｃａｒ ｗａｓ ｆｏｒｃｅｄ ｔｏ ｌｅａｖｅ ｈｉｓ ｏｎｌｙ ｈｏｍｅ． Ｏｎｃｅ ｅｘｉｌｅｄ， Ｓｃａｒ ｗａｓ ｄｅｓｐｅｒａｔｅ ｔｏ ｆｉｎｄ ｐｏｗｅｒ ｗｈｅｒｅｖｅｒ ｈｅ ｃｏｕｌｄ ｇｅｔ ｉｔ ｔｏ ｒｅｔｕｒｎ ｈｏｍｅ ａｎｄ ｓｔｕｍｂｌｅｄ ｕｐｏｎ ａ ｓｏｒｃｅｒｅｒ ｂｙ ｔｈｅ ｎａｍｅ ｏｆ Ｒｏｔｈｂａｒｔ． Ｐｒａｃｔｉｃａｌｌｙ ｄｅｍａｎｄｉｎｇ ｐｏｗｅｒ， Ｓｃａｒ＇ｓ ｑｕｉｃｋ ｔｅｍｐｅｒ ａｎｄ ｉｌｌ ｔｏｎｇｕｅ ｇｏｔ ｈｉｍ ｉｎｔｏ ｔｒｏｕｂｌｅ ａｎｄ ｈａｄ ａ ｃｕｒｓｅ ｐｕｔ ｕｐｏｎ ｈｉｍ ｉｎｓｔｅａｄ， ｐｕｌｌｉｎｇ ｏｕｔ ｔｈｅ ｂｅａｓｔ ｉｎｓｉｄｅ ｏｆ Ｓｃａｒ ｏｆ ｔｈｅ ｔｒｕｅ ｍｏｎｓｔｅｒ ｈｅ ｗａｓ ｉｎｓｉｄｅ． Ｒｏｔｈｂａｒｔ ｅｖｅｎｔｕａｌｌｙ ｃｈａｎｇｅｄ ｈｉｍ ｂａｃｋ， ｌｅｔｔｉｎｇ ｈｉｍ ｋｎｏｗ ｔｈｅｎ ａｎｄ ｔｈｅｒｅ ｔｈａｔ ｓｏ ｌｏｎｇ ａｓ ｈｅ ｈａｓ ｈａｔｒｅｄ ｉｎ ｈｉｓ ｈｅａｒｔ， ｔｈｅ ｂｅａｓｔ ｉｎｓｉｄｅ ｗｏｕｌｄ ｒｅｍａｉｎ． Ｆｕｒｉｏｕｓ， Ｓｃａｒ ｗａｓ ｆｏｒｃｅｄ ｂａｃｋ ｔｏ ｈｉｓ ｄｅｓｏｌａｔｅ ｈｏｍｅ ｔｏ ｔｈｉｎｋ ｕｐｏｎ Ｒｏｔｈｂａｒｔ＇ｓ ｗｏｒｄｓ， ｔｒｙｉｎｇ ｔｏ ｄｅｖｉｓｅ ａ ｗａｙ ｔｏ ｂｒｅａｋ ｔｈｅ ｃｕｒｓｅ ｓｅｔ ｕｐｏｎ ｈｉｍ．

Ｈｅ ｂｅｇａｎ ｔｏ ｓｅｎｄ ｌｅｔｔｅｒｓ； ａｎｙｔｈｉｎｇ ａｎｄ ｅｖｅｒｙｔｈｉｎｇ ｈｅ ｃｏｕｌｄ ｄｏ ｔｏ ｃｏｎｔａｃｔ ｈｉｓ ｆｉａｎｃｅ． Ｆｉｎａｌｌｙ， ａｆｔｅｒ ｍｏｎｔｈｓ ｏｆ ｗａｉｔｉｎｇ， Ｓｃａｒ ｇｏｔ ａ ｒｅｐｌｙ． Ｔｈｏｕｇｈ ｉｔ ｗａｓｎ＇ｔ ｆｒｏｍ ｈｉｓ ｆｉａｎｃｅ， Ｋｉａｒａ， ｂｕｔ ｈｅｒ ｓｉｓｔｅｒ， Ｚｉｒａ． Ｚｉｒａ ｒｅｐｌｉｅｄ ｉｎ ｈｅｒ ｌｅｔｔｅｒ ｔｈａｔ ｓｈｅ ｗａｓ ｗｉｌｌｉｎｇ ｔｏ ｍｅｅｔ ｗｉｔｈ Ｓｃａｒ ｔｈｏｕｇｈ ｗｉｔｈ ｕｎｄｅｒｓｔａｎｄｉｎｇ ｔｈａｔ ｉｔ ｈａｄ ｔｏ ｂｅ ｏｕｔｓｉｄｅ ｔｈｅ Ｋｉｎｇｄｏｍ ｏｆ Ｔｈｅ Ｐｒｉｄｅ Ｌａｎｄｓ． Ａ ｆｅｗ ｍｏｒｅ ｌｅｔｔｅｒｓ ｂａｃｋ ａｎｄ ｆｏｒｔｈ ａｎｄ ａ ｆｅｗ ｍｏｎｔｈｓ ｌａｔｅｒ， Ｓｃａｒ ｓｅｔ ｏｕｔ ｔｏ ｔｈｅｉｒ ｄｅｓｉｇｎａｔｅｄ ｍｅｅｔｉｎｇ ｐｌａｃｅ ｗｈｅｒｅ ｈｅ ｃｏｕｌｄ ｆｉｎａｌｌｙ ｇｅｔ ｓｏｍｅ ａｎｓｗｅｒｓ．

Ｗｈｅｎ Ｚｉｒａ ａｎｄ Ｓｃａｒ ｆｉｎａｌｌｙ ｍｅｔ ｉｎ ｓｅｃｒｅｔ， Ｚｉｒａ ｔｏｌｄ Ｓｃａｒ ｔｈｅ ｕｎｆｏｒｔｕｎａｔｅ ｎｅｗｓ ｔｈａｔ ａｆｔｅｒ ｈｅ ｈａｄ ｂｅｅｎ ｅｘｉｌｅｄ， Ｋｉａｒａ ｔｒｉｅｄ ｇｏｉｎｇ ａｆｔｅｒ ｈｉｍ － ｏｎｌｙ ｔｏ ｈａｖｅ ｔｈｅ Ｗｉｌｄｅｓ ｔａｋｅ ｈｅｒ ｌｉｆｅ ｓｈｏｒｔｌｙ ａｆｔｅｒ ａｓ ｓｈｅ ｗａｓ ｎｏｔ ｐｒｅｐａｒｅｄ． Ｄｅｖａｓｔａｔｅｄ， ａｎｄ ｄｒｉｖｅｎ ｂｙ ａｎ ａｎｉｍａｌｉｓｔｉｃ ｒａｇｅ ｈｅ ｈａｄ ｙｅｔ ｔｏ ｔａｍｅ ｗｉｔｈｉｎ ｈｉｍｓｅｌｆ， Ｓｃａｒ ｌｏｓｔ ａｌｌ ｓｅｎｓｅ ｏｆ ｗｈｏ ｈｅ ｗａｓ ａｎｄ ｓｎａｐｐｅｄ Ｚｉｒａ＇ｓ ｎｅｃｋ ｊｕｓｔ ｂｅｆｏｒｅ ｔｕｒｎｉｎｇ ｉｎｔｏ ｔｈｅ ｂｅａｓｔ Ｒｏｔｈｂａｒｔ ｈａｄ ｃｕｒｓｅｄ ｈｉｍ ｉｎｔｏ． Ｗｈｅｎ Ｓｃａｒ ｗｏｋｅ ｕｐ ｔｈｅ ｎｅｘｔ ｍｏｒｎｉｎｇ ｗｉｔｈｏｕｔ ｅｖｅｎ ｓｏ ｍｕｃｈ ａｓ ａ ｍｅｍｏｒｙ ｔｏ ｗｈａｔ ｈｅ ｈａｄ ｄｏｎｅ， ｓｕｒｒｏｕｎｄｅｄ ｂｙ ｄｉｓｅｍｂｏｄｉｅｄ ｌｉｍｂｓ ａｎｄ ｃｏｖｅｒｅｄ ｉｎ ｔｈｅ ｂｌｏｏｄ ｏｆ ｈｉｓ ｆｉａｎｃｅ＇ｓ ｓｉｓｔｅｒ ａｎｄ ｓｍａｌｌ ｈａｎｄｆｕｌ ｏｆ ｇｕａｒｄｓ， Ｓｃａｒ ｗｅｐｔ． Ｈｅ ｋｎｅｗ ｈｉｓ ｏｎｌｙ ｃｈａｎｃｅ ｆｏｒ ｒｅｄｅｍｐｔｉｏｎ ｗａｓ ｔｏ ｍａｋｅ ａｍｅｎｄｓ ｗｉｔｈ ｈｉｓ ｂｒｏｔｈｅｒ ａｓ Ｒｏｔｈｂａｒｔ ｈａｄ ｔｏｌｄ ｈｉｍ． Ｗｉｔｈ ｈｉｓ ｆｉａｎｃｅ ｄｅａｄ， ａｎｄ ｈｅｒ ｓｉｓｔｅｒ＇ｓ ｂｌｏｏｄ ｏｎ ｈｉｓ ｈａｎｄｓ， ｈｅ ｈａｄ ｎｏｔｈｉｎｇ ｍｏｒｅ ｔｏ ｌｏｓｅ． Ｈｅ ｈａｄ ｎｏ ｏｎｅ ｅｌｓｅ ｔｏ ｌｏｖｅ．

Ｐｉｃｋｉｎｇ ｈｉｍｓｅｌｆ ｂａｃｋ ｕｐ， Ｓｃａｒ ｗａｓｈｅｄ ｈｉｍｓｅｌｆ ｆｒｏｍ ａｎｙ ｌｉｆｅ ｈｅ ｈａｄ ｅｖｅｒ ｈａｄ ｈｏｐｅｓ ｏｆ ｈａｖｉｎｇ ａｎｄ ｒｅｔｕｒｎｅｄ ｈｏｍｅ ｔｏ Ｐｒｉｄｅ Ｒｏｃｋ ａｎｄ ｗｉｔｈ ａ ｌｉｔｔｌｅ ｂｉｔ ｏｆ ａｉｄ ｆｒｏｍ Ｍａｌｅｆｉｃｅｎｔ， Ｋｉｌｌｅｄ ｈｉｓ ｂｒｏｔｈｅｒ， ｂｕｔ ｎｏｔ ｂｅｆｏｒｅ Ｓｉｍｂａ ｓｌｉｐｐｅｄ ａｗａｙ ｔｏ ｓｕｒｅｌｙ ｂｅ ｋｉｌｌｅｄ ｗｉｔｈｉｎ ｔｈｅ Ｗｉｌｄｅｓ．

Ｓｃａｒ ｈａｓ ｂｅｅｎ Ｋｉｎｇ ｎｏｗ ｆｏｒ ｏｖｅｒ ｔｈｉｒｔｅｅｎ ｙｅａｒｓ， ｒｕｌｉｎｇ ｗｉｔｈ ａｎ ｉｒｏｎ ｆｉｓｔ ａｎｄ ｔｈｅ ｓｔｒｏｎｇｅｓｔ ａｒｍｙ ｗｉｔｈｉｎ ｔｈｅ ｅｎｔｉｒｅ ｗｏｒｌｄ． Ｈｅ ｂｅｄｓ ｍａｎｙ ｗｏｍｅｎ ｉｎｃｌｕｄｉｎｇ ｈｉｓ ｂｒｏｔｈｅｒ＇ｓ ｗｉｆｅ， ｂｕｔ ｈａｓ ｙｅｔ ｔｏ ｓｈｏｗ ａｎｙ ｉｎｔｅｒｅｓｔ ｉｎ ｍａｒｒｙｉｎｇ ａｎｙ ｏｆ ｔｈｅｍ － ａｓ ｔｈｏｕｇｈ ｔｈｅ ｔｈｏｕｇｈｔ ｈａｄ ｂｅｅｎ ｓｔｒｉｐｐｅｄ ａｗａｙ ｆｒｏｍ ｈｉｍ ｃｏｍｐｌｅｔｅｌｙ ｔｈｅ ｍｏｍｅｎｔ ｈｅ ｈｅａｒｄ ｔｈａｔ Ｋｉａｒａ ｗａｓ ｄｅａｄ．

_{🦁Ｔｈｅｍｅ Ｓｏｎｇ：}

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♛ Yoshi's Stash ♛

Jäḟäṛ Ṡḧöḷëḧ

_{“Ġïṿë ä ṁäṅ ẗḧë ṗṛöṗëṛ ṁöẗïṿäẗïöṅ ẗḧëṛë'ṡ ṅö ẗëḷḷïṅġ ẅḧäẗ ḧë ṁïġḧẗ ḋö.”}

_{🐍Ṅäṁë}

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Jäḟäṛ Ṡḧöḷëḧ

_{🐍Öẗḧëṛ Ṅäṁëṡ}

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Ṫḧë Ṡëṛṗëṅẗ Ḳïṅġ, Ṫḧë Ṡüḷẗäṅ öḟ Äġṛäḅäḧ

_🐍Äġë

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Ḟöṛẗÿ Öṅë

_{🐍Äḟḟïḷïäẗïöṅ}

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Ċḧäöẗïċ Ёṿïḷ

Ä ċḧäöẗïċ ëṿïḷ ċḧäṛäċẗëṛ ḋöëṡ ẅḧäẗëṿëṛ ḧïṡ ġṛëëḋ, ḧäẗṛëḋ, äṅḋ ḷüṡẗ ḟöṛ ḋëṡẗṛüċẗïöṅ ḋṛïṿë ḧïṁ ẗö ḋö. Ḧë ïṡ ḧöẗ⸚ẗëṁṗëṛëḋ, ṿïċïöüṡ, äṛḅïẗṛäṛïḷÿ ṿïöḷëṅẗ, äṅḋ üṅṗṛëḋïċẗäḅḷë. Їḟ ḧë ïṡ ṡïṁṗḷÿ öüẗ ḟöṛ ẅḧäẗëṿëṛ ḧë ċäṅ ġëẗ, ḧë ïṡ ṛüẗḧḷëṡṡ äṅḋ ḅṛüẗäḷ. Їḟ ḧë ïṡ ċöṁṁïẗẗëḋ ẗö ẗḧë ṡṗṛëäḋ öḟ ëṿïḷ äṅḋ ċḧäöṡ, ḧë ïṡ ëṿëṅ ẅöṛṡë. Ṫḧäṅḳḟüḷḷÿ, ḧïṡ ṗḷäṅṡ äṛë ḧäṗḧäżäṛḋ, äṅḋ äṅÿ ġṛöüṗṡ ḧë jöïṅṡ öṛ ḟöṛṁṡ äṛë ṗööṛḷÿ öṛġäṅïżëḋ. Ṫÿṗïċäḷḷÿ, ċḧäöẗïċ ëṿïḷ ṗëöṗḷë ċäṅ ḅë ṁäḋë ẗö ẅöṛḳ ẗöġëẗḧëṛ öṅḷÿ ḅÿ ḟöṛċë, äṅḋ ẗḧëïṛ ḷëäḋëṛ ḷäṡẗṡ öṅḷÿ äṡ ḷöṅġ äṡ ḧë ċäṅ ẗḧẅäṛẗ äẗẗëṁṗẗṡ ẗö ẗöṗṗḷë öṛ äṡṡäṡṡïṅäẗë ḧïṁ. Ċḧäöẗïċ ëṿïḷ ïṡ ṡöṁëẗïṁëṡ ċäḷḷëḋ ḋëṁöṅïċ ḅëċäüṡë ḋëṁöṅṡ äṛë ẗḧë ëṗïẗöṁë öḟ ċḧäöẗïċ ëṿïḷ. Ċḧäöẗïċ ëṿïḷ ïṡ ẗḧë ḅëṡẗ äḷïġṅṁëṅẗ ÿöü ċäṅ ḅë ḅëċäüṡë ċöṁḅïṅëṡ ṡëḷḟ⸚ïṅẗëṛëṡẗ äṅḋ ṗüṛë ḟṛëëḋöṁ. Ḧöẅëṿëṛ, ċḧäöẗïċ ëṿïḷ ċäṅ ḅë ä ḋäṅġëṛöüṡ äḷïġṅṁëṅẗ ḅëċäüṡë ïẗ ṛëṗṛëṡëṅẗṡ ẗḧë ḋëṡẗṛüċẗïöṅ ṅöẗ öṅḷÿ öḟ ḅëäüẗÿ äṅḋ ḷïḟë ḅüẗ äḷṡö öḟ ẗḧë öṛḋëṛ öṅ ẅḧïċḧ ḅëäüẗÿ äṅḋ ḷïḟë ḋëṗëṅḋ.

_{🐍Ṡẗäẗüṡ äṅḋ Jöḅ}

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Ṡüḷẗäṅ öḟ Äġṛäḅäḧ / Ḋäṛḳ Ṡöṛċëṛëṛ.

_{🐍Äṗṗëäṛäṅċë Ṫḧïṛẗëëṅ Ÿëäṛṡ Äġö (Ṫẅëṅẗÿ Ёïġḧẗ)：}

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_{🐍Äṗṗëäṛäṅċë Ṫöḋäÿ (Ḟöṛẗÿ Öṅë)}

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_{🐍Ṁäġïċ Ċäṗäḅïḷïẗïëṡ}

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Jäḟäṛ ḧäṡ äṅ ëẍẗëṅṡïṿë ḳṅöẅḷëḋġë öṅ äṛċäṅë ḷöṛë äṅḋ ïṡ ä ṗṛäċẗïċëḋ äḷċḧëṁïṡẗ, üṡïṅġ ä ẅïḋë ṿäṛïëẗÿ öḟ ïṅġṛëḋïëṅẗṡ ḋëṡṗïẗë ḧöẅ ḧäṛḋ ẗö ċöṁë ḅÿ ẗḧëÿ äṛë, öṛ ḧöẅ üṅëẗḧïċäḷ. Ḧïṡ ṡöṛċëṛëṛ äḅïḷïẗïëṡ äṛë ḷïṁïẗëḋ ẗö ẅḧäẗ ṁäġïċ ḧïṡ ġöḷḋ ṡẗäḟḟ ċäṅ ḧöḷḋ, äṅḋ ẅïẗḧ ïẗ, ẗḧë ṗöẅëṛ öḟ ä Ḋjïṅṅ, ḅüẗ ẅïẗḧ ïẗ ïṅ ḧïṡ ṗöṡṡëṡṡïöṅ ḧë ċäṅ ëäṡïḷÿ ḧÿṗṅöẗïżë öẗḧëṛṡ ïṅẗö ḋöïṅġ ḧïṡ ẅïḷḷ. Ṡöṁëẗḧïṅġ ḧë ṡẗïḷḷ ṅëëḋṡ ṗṛäċẗïċë ẅïẗḧ ïṡ ẗḧë äḅïḷïẗÿ ẗö üṡë ḧïṡ ṡẗäḟḟ ẗö ṡëë ä ṡṁäḷḷ ḋïṡẗäṅċë ïṅẗö ẗḧë ḟüẗüṛë. Їẗ ċäḷḷṡ ḟöṛ ä ḧïġḧ äṁöüṅẗ öḟ ṁëṅẗäḷ ṡẗṛëṅġẗḧ äṅḋ ẅïḷḷṗöẅëṛ ẗḧäẗ ṡëëṁṡ ẗö ḅë jüṡẗ ḅëÿöṅḋ ḧïṡ ṛëäċḧ. Ḧë'ṡ äḷṡö ëẍċëṗẗïöṅäḷ ẅïẗḧ ẗḧë äṛẗ öḟ ḋïṡġüïṡë, üṡïṅġ ḧïṡ ṁäġïċ ẗö ċḷöäḳ ḧïṁṡëḷḟ ïṅ "äṅöẗḧëṛ ṗëṛṡöṅ'ṡ ṡḳïṅ" ṡö ẗö ṡṗëäḳ. Ḧë ïṡ ëẍċëṗẗïöṅäḷḷÿ ġööḋ äẗ ṁäṅïṗüḷäẗïṅġ öẗḧëṛṡ ïṅẗö ṡëëïṅġ ẗḧïṅġṡ ḧïṡ ẅäÿ äṅḋ ḟïṅḋïṅġ ḷööṗḧöḷëṡ. Öṅ ẗöṗ öḟ äḷḷ öḟ ẗḧïṡ, Jäḟäṛ ïṡ äḷṡö äḅḷë ẗö ḷëṿïẗäẗë öḅjëċẗṡ, ḅṛëäẗḧë ḟïṛë, ṡüṁṁöṅ öḅjëċẗṡ, äṅḋ ẗṛäṅṡḟöṛṁ ḧïṁṡëḷḟ äṅḋ öẗḧëṛṡ. Їṅ äḋḋïẗïöṅ, ḧë ïṡ äḷṡö ïṁṁüṅë ẗö ẗḧë ëḟḟëċẗṡ öḟ ḟïṛë äṅḋ ẅḧëṅ ẗṛäṅṡḟöṛṁïṅġ ḧïṁṡëḷḟ, ẗëṅḋṡ ẗö ẗäḳë öṅ ẗḧë ġüïṡë öḟ ä ġïġäṅẗïċ ċöḅṛä.

_{🐍Ẅëäṗöṅṡ}

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Ṛëḷÿïṅġ üṗöṅ ḧïṡ ṁäġïċ äṅḋ ġëṅïüṡ ïṅẗëḷḷëċẗ äṡ ẅëäṗöṅṡ, Jäḟäṛ ċäṅ ḅë ṡëëṅ ḟṛöṁ ẗïṁë ẗö ẗïṁë üṡïṅġ ḧïṡ ċöḅṛä⸚ḧëäḋëḋ ṡẗäḟḟ äṡ ä ḅḷüṅẗ⸚ḟöṛċë öḅjëċẗ äṅḋ ëṿëṅ ḧäṡ ṁïṅöṛ ṡḳïḷḷ ïṅ ẅïëḷḋïṅġ ä ṡẅöṛḋ ẅïẗḧöüẗ ẗḧë üṡë öḟ ṁäġïċ. Ḋäġġëṛṡ äṛë äḷṡö ẅëäṗöṅṡ öḟ ċḧöïċë ẅḧëṅ ṁäġïċ ïṡ üṅäṿäïḷäḅḷë ẗö ḧïṁ öṛ ïḟ ä ṡïẗüäẗïöṅ ṛëqüïṛëṡ ä ṡṗëċïäḷ ẗöüċḧ.

_{🐍Ṡẗṛëṅġẗḧṡ}

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Jäḟäṛ'ṡ ċöṛë öḟ ïṅṅëṛ ṡẗṛëṅġẗḧ ċöṁëṡ ḟöṛ ḧïṡ ḷüṡẗ ḟöṛ ṁöṛë ṗöẅëṛ. Ḧäṿïṅġ ẗäṡẗëḋ ẅḧäẗ ẗṛüë, ṛäẅ ṗöẅëṛ ẅäṡ ḷïḳë ä ḟëẅ ẗïṁëṡ ẅïẗḧïṅ ḧïṡ ḷïḟë, ḧë ḧäṡ ṁäḋë ïẗ ḧïṡ üḷẗïṁäẗë ġöäḷ ẗö ḅëċöṁë ẗḧë ṁöṡẗ ṗöẅëṛḟüḷ ṡöṛċëṛëṛ ïṅ äḷḷ ẗḧë ẅöṛḷḋṡ. Ḧë ïṡ äṅ äṁöṛäḷ ṗṡÿċḧöṗäẗḧ ẅḧö ẅöṅ'ẗ ḧëṡïẗäẗë ẗö ḋëṡẗṛöÿ äṅÿöṅë ḧë ṗëṛċëïṿëṡ äṡ ä ẗḧṛëäẗ ẗö ḧïṡ öẅṅ ṡïṅïṡẗëṛ ḋëṡïġṅṡ. Ḧë ḧäṡ ṁäṡẗëṛëḋ ḅëïṅġ äḅḷë ẗö ẅëäṛ ä ṁëẗäṗḧöṛïċäḷ ṁäṡḳ öḟ ṅöṛṁäḷċÿ, ëṡẗäḅḷïṡḧïṅġ ḧïṁṡëḷḟ äṡ ä ċööḷ⸚ḧëäḋëḋ ṡċḧëṁëṛ äṅḋ ġäïṅïṅġ ẗḧë ẗṛüṡẗ öḟ ẗḧöṡë äṛöüṅḋ ḧïṁ. Ḧë ḧäṡ ä ẗöẗäḷ ḷäċḳ öḟ äṗäẗḧÿ ẅḧëṅ ïẗ ċöṁëṡ ẗö ḋëäẗḧ, ṡḧöẅïṅġ ṅö ṛëṁöṛṡë ẅḧëṅ ḋëäḷïṅġ ẅïẗḧ ẗḧöṡë ḧë üḷẗïṁäẗëḷÿ ḳïḷḷṡ ẅḧïċḧ ḳëëṗṡ ḧïṁ ḟṛöṁ ġëẗẗïṅġ ḋïṡẗṛäċẗëḋ öṛ ḋëċïëṿëḋ. Jäḟäṛ ïṡ äḷṡö äṅ ëṁöẗïöṅäḷ ṡäḋïṡẗ, ġëẗẗïṅġ ä ḷäüġḧ öüẗ öḟ ṡëëïṅġ "äṅöẗḧëṛ ḟëḷḷöẅ'ṡ ḋṛëäṁṡ ẗüṛṅ ïṅẗö ṅïġḧẗṁäṛëṡ öṅë ḅÿ öṅë", ḧäḋ ḧë ẗḧë ċḧöïċë, ḧë ẅöüḷḋ ẗöṛẗüṛë ä ṿïċẗïṁ ẗö ẗḧëïṛ ḅṛëäḳïṅġ ṗöïṅẗ öṿëṛ äṅḋ öṿëṛ ïṅṡẗëäḋ öḟ ëṅḋïṅġ ẗḧëïṛ ḷïḟë.

_{🐍Ẅëäḳṅëṡṡëṡ}

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Ёṿëṅ ẅïẗḧ ḧïṡ "ṁäṡḳ", ċëṛẗäïṅ ẗḧïṅġṡ äṛë äḅḷë ẗö ċṛäċḳ äẅäÿ äẗ ïẗ, ṛëṿëäḷïṅġ ḧïṡ ṗṡÿċḧöṗäẗḧïċ ẗëṅḋëṅċïëṡ ïṅ ṡṁäḷḷ ḟṛäċẗïöṅṡ. Jäḟäṛ ḧäṡ ṡöṁë ṅäṛċïṡṡïṡẗïċ ẗëṅäṅċïëṡ ⸚ ṁöṡẗ ċöṁṁöṅḷÿ ḧïṡ öḅṡëṡṡïṿë ḋëṡïṛë ḟöṛ ṗöẅëṛ äṅḋ ṡëṅṡë öḟ ëṅẗïẗḷëṁëṅẗ äṡ ẅëḷḷ äṡ ṁäṅïṗüḷäẗïṅġ öẗḧëṛṡ ïṅẗö äċḧïëṿïṅġ ḧïṡ ġöäḷṡ. Ẅḧëṅ öṅ ä ṗäṛẗïċüḷäṛ "ḧïġḧ" ḟṛöṁ ṗöẅëṛ, ḧë ḅëċöṁëṡ äṛṛöġäṅẗ äṅḋ ṡḧöṛẗ⸚ẗëṁṗëṛëḋ, ẅḧïċḧ öḟẗëṅ öṗëṅṡ ḧïṁ üṗ ẗö ṁïṡẗäḳëṡ. Ḧë ḧäṡ ä ṛäẗḧëṛ ḋṛÿ ṡëṅṡë öḟ ḧüṁöṛ äṅḋ ẗëṅḋṡ ẗö ḷëäṅ ẗöẅäṛḋṡ üṡïṅġ ṗüṅṡ ẅḧïċḧ ṁäḳëṡ öẗḧëṛṡ ẗëṅḋ ẗö ṅöẗ ẗäḳë ḧïṁ ṡëṛïöüṡḷÿ üṅẗïḷ ïẗ ïṡ ẗöö ḷäẗë ḟöṛ ẗḧëṁ ẗö ḋïṡċöṿëṛ ḧöẅ ṁüċḧ öḟ ä ẗḧṛëäẗ ḧë ïṡ. Ṫḧöṡë ẅḧö ḅëċöṁë ċḷöṡë ẗö ḧïṁ ḧë äḅüṡëṡ ẅïẗḧöüẗ ä ṡïṅġḷë ṛëġäṛḋ, ḧäṿïṅġ ṗṛöḅḷëṁṡ ẅïẗḧ ḷëẗẗïṅġ ṗëöṗḷë ġëẗ ẗöö ċḷöṡë. Ḧöẅëṿëṛ, ḧë ḧäṡ ä ṡöṛẗ öḟ ẅëäḳ ṡṗöẗ ḟöṛ ëẍċëṗẗïöṅäḷḷÿ ḅëäüẗïḟüḷ ẅöṁëṅ, ẗḧöüġḧ ṿïëẅṡ ẗḧëṁ ṁöṛë äṡ öḅjëċẗṡ ïṅ ẗḧë ḅëḋṛööṁ ṛäẗḧëṛ ẗḧäṅ ṗëöṗḷë ẗḧëṁṡëḷṿëṡ ṁäḳïṅġ ḧïṁ ëẍċëṗẗïöṅäḷḷÿ ṡëẍïṡẗ. Ḧöẅëṿëṛ, öṅë ïṅḋïṿïḋüäḷ ẅöṁäṅ ḧäṡ ṁäṅäġëḋ ẗö ẅöṛṁ ḧëṛ ẅäÿ ïṅẗö ḧïṡ ḧëäṛẗ ḅÿ ṗḷäÿïṅġ öṅ ḧïṡ ḷüṡẗ ḟöṛ ṗöẅëṛ. Ṁäḷëḟïċëṅẗ, ïḟ äṅÿ, ïṡ ẗḧë öṅḷÿ ṗëṛṡöṅ äḷïṿë ẅḧö ċäṅ ëẍṗḷöïẗ Jäḟäṛ'ṡ ẅëäḳṅëṡṡëṡ ḟöṛ ẅḧäẗ ẗḧëÿ äṛë. Їṅ äḋḋïẗïöṅ, äṅÿ ṁëṅẗïöṅ öḟ ḧïṡ ḷäẗë ẅïḟë äṅḋ ċḧïḷḋ ṡẗṛïḳëṡ äṅ ëẍċëṗẗïöṅäḷḷÿ ṛäẅ ṅëṛṿë ẅïẗḧïṅ ẗḧë ṡöṛċëṛëṛ, ṁäḳïṅġ ḧïṁ ḋṛäṡẗïċäḷḷÿ ïṛäẗë öṛ üṅṗṛëḋïċẗäḅḷë.

_{🐍Ṛëḷäẗïöṅṡḧïṗṡ}

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🐍Ṛëḷäẗïöṅṡḧïṗ Ṡẗäẗüṡ: Ṡṗöḳëṅ Ḟöṛ
🐍Ṡëẍüäḷïẗÿ: Ḧëẗëṛöṡëẍüäḷ
🐍Ṗäṛẗṅëṛ: Ḟṛëÿä Ẅḧïẗẗṁöṛë
🐍Ḟäẗḧëṛ: Ḅäḅäḳ Äṡḧä, öḟ Äġṛäḅäḧ (ḋëċëäṡëḋ)
🐍Ṁöẗḧëṛ: Üḷïṁä Ṡḧöḷëḧ (ḋëċëäṡëḋ)
🐍Ṡïḅḷïṅġṡ: Ṅäṡïṛä (Ṫẅïṅ Ṡïṡẗëṛ)
🐍Ṗëẗ/ṡ: Ä ṛäṛë⸚ċöḷöṛëḋ Ṁäċäẅ ṅäṁëḋ Їäġö.
🐍Öẗḧëṛ: Jäḟäṛ'ṡ ḷäẗë ẅïḟë ẅäṡ ṅäṁëḋ Ṡḧëṛṛëżäḋë, äṅḋ ḧïṡ ḷäẗë ċḧïḷḋ üṅṅäṁëḋ.

ċöṁïṅġ ṡööṅ

Ċöṁïṅġ ṡööṅ

_{🐍Ḅïöġṛäṗḧÿ}

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Ḅöṛṅ ẗḧë ṡöṅ öḟ ẗḧë äṡṡïṡẗäṅẗ Ṿïżïëṛ öḟ Äġṛäḅäḧ, Jäḟäṛ ḷïṿëḋ ä ḟäïṛḷÿ ṗṛöṡṗëṛöüṡ ḷïḟë ïṅ ẗḧë Ṡüḷẗäṅ'ṡ Ṗäḷäċë. Ṫḧöüġḧ ṅöẗ ṗëṛṁïẗẗëḋ ẗö ṿëṅẗüṛë ẗö ṁöṡẗ ṗḷäċëṡ ẅïẗḧïṅ ẗḧë Ṗäḷäċë, Jäḟäṛ ẅäṡ ä ġööḋ ḅöÿ äṅḋ ṁïṅḋëḋ ẗḧë ḅöüṅḋäṛïëṡ ṡëẗ ẗö ḧïṁ, ṁöṡẗ öḟẗëṅ ẗïṁëṡ ṗṛëḟëṛṛïṅġ ẗö ṡẗäÿ ẅïẗḧïṅ ẗḧë ẅäḷḷṡ öḟ ẗḧë ḷïḅṛäṛÿ äṅḋ ṛëäḋ äṅÿẗḧïṅġ ḧë ċöüḷḋ ġëẗ ḧïṡ ḧäṅḋṡ öṅ ṗëṛẗäïṅïṅġ ẗö ṡċïëṅċë äṅḋ ḧïṡẗöṛÿ,ṿëṛÿ ṁüċḧ üṅḷïḳë ḧïṡ ẗẅïṅ ṡïṡẗëṛ. Ḧë ġṛëẅ üṗ ḟäṡẗ äṅḋ ẅḧëṅ Jäḟäṛ'ṡ ḟäẗḧëṛ ẅäṡ äṗṗöïṅẗëḋ ẗḧë Ġṛäṅḋ Ṿïżïëṛ, Jäḟäṛ äẗ ẗḧë ÿöüṅġ äġë öḟ ṡïẍẗëëṅ ẗööḳ ḧïṡ ḟäẗḧëṛ'ṡ ṗḷäċë äṡ äṡṡïṡẗäṅẗ Ṿäżïëṛ'ṡ äṅḋ ẅöṛḳëḋ ḋïḷïġëṅẗḷÿ ḅÿ ḧïṡ ḟäẗḧëṛ'ṡ ṡïḋë.

Ÿëäṛṡ ḷäẗëṛ, Jäḟäṛ ṡẗüṁḅḷëḋ ïṅẗö ä ṗäṛẗïċüḷäṛ ṁëëẗïṅġ ḷëḋ ḅÿ ḧïṡ ḟäẗḧëṛ äṅḋ ẅäṡ ċöṁṗḷëẗëḷÿ ṡḧöċḳëḋ ẗö ḟïṅḋ ẗḧäẗ ẗḧë ëṅẗïṛë ṡÿṡẗëṁ ẅäṡ ċöṛṛüṗẗ, öṅḷÿ ċäṛïṅġ äḅöüẗ ṁöṅëÿ äṅḋ ṿëṛÿ ḷïẗẗḷë äḅöüẗ ẗḧë ṗëöṗḷë ẅḧö ẗḧëÿ ẅëṛë ṡẅöṛṅ ẗö ṡëṛṿë. Ḅëḟöṛë ḧïṡ ḟäẗḧëṛ ḧäḋ ä ċḧäṅċë ẗö ëẍṗḷäïṅ ẗḧïṅġṡ ẗö ḧïṁ, Jäḟäṛ ṛäṅ ḟṛöṁ ẗḧë ċäṡẗḷë, ḟḷëëïṅġ ïṅẗö ẗḧë ṡẗṛëëẗṡ ẗö ḟïṅḋ ä ṗḷäċë ẅḧëṛë ḧë ċöüḷḋ ḅë ḅÿ ḧïṁṡëḷḟ äṅḋ jüṡẗ ẗḧïṅḳ ḅüẗ äċċïḋëṅẗäḷḷÿ ṛäṅ ïṅẗö ẗḧë ẗöẅṅ'ṡ ṡẗöṛÿẗëḷḷëṛ ïṅ ẗḧë ṗṛöċëṡṡ. Äṗöḷöġïżïṅġ ḟöṛ ḧïṡ ṛüḋë ḅëḧäṿïöṛ, ẗḧë ṡẗöṛÿẗëḷḷëṛ, Ṡḧëṛṛëżäḋë äṡḳëḋ ḧïṁ ẗö ḧëḷṗ ḧëṛ ẅïẗḧ ḧëṛ ġṛöċëṛïëṡ ḧë ḧäḋ ḳṅöċḳëḋ öṿëṛ ïṅ ẗḧëïṛ äḅṛüṗẗ ṁëëẗïṅġ, äṅḋ ẗäḳë ẗḧëṁ ïṅṡïḋë, ṗṛöṁïṡïṅġ ẗö ḟëëḋ ḧïṁ äṅḋ ẗëḷḷ ḧïṁ ä ḟïṅë ẗäḷë. Äġṛëëïṅġ, Jäḟäṛ ḧëḷṗëḋ ẗḧë ÿöüṅġ ẅöṁäṅ ïṅṡïḋë äṅḋ ṡäẗ äẗ ḧëṛ ẗäḅḷë, ẗḧöüġḧ ẅäṡṅ'ẗ äḅḷë ẗö ḅṛïṅġ ḧïṁṡëḷḟ ẗö ëäẗ jüṡẗ ÿëẗ.

Ṡḧëṛṛëżäḋë ḅëġäṅ ḧëṛ ṡẗöṛÿ, ẗëḷḷïṅġ Jäḟäṛ öḟ ẗḧë Ṫïġëṛ Ḧëäḋ Ċäṿë äṅḋ ṡḧöẅëḋ Jäḟäṛ ḧëṛ ḧäḷḟ öḟ ä ġöḷḋëṅ ṡċäṛäḅ ṅëċḳḷäċë, ẅḧïċḧ ẅḧëṅ ċöṁḅïṅëḋ ẅïẗḧ ẗḧë öẗḧëṛ ḧäḷḟ ẅöüḷḋ ṛëṿëäḷ ẗḧë ḷöċäẗïöṅ öḟ ẗḧë ḧïḋḋëṅ Ṫïġëṛ Ḧëäḋ Ċäṿë. Ṫḧöüġḧ Jäḟäṛ ẅäṡ ä ṁäṅ öḟ ḟäċẗṡ äṅḋ ṡċïëṅċë, ḧë ẅäṡ ċḧäṛṁëḋ ḅÿ Ṡḧëṛṛëżäḋë'ṡ ẅïṡḋöṁ äṅḋ ḅëäüẗÿ. Ḧë ċöṅẗïṅüëḋ ẗö ṡëë Ṡḧëṛṛëżäḋë äḟẗëṛ ẗḧäẗ, ḟïṅḋïṅġ ẗïṁë äẗ ḷëäṡẗ öṅċë ä ẅëëḳ ẗö ġö ẗö ḧëṛ äṅḋ ḷïṡẗëṅ ẗö ḧëṛ ṡẗöṛïëṡ. Äṡ Jäḟäṛ äṅḋ Ṡḧëṛṛëżäḋë ġöẗ ẗö ḳṅöẅ ëäċḧ öẗḧëṛ öṿëṛ ẗḧë ṗäṡṡïṅġ ÿëäṛ, ẗḧëÿ ḟëḷḷ ïṅ ḷöṿë äṅḋ ġöẗ ṁäṛṛïëḋ äḟẗëṛ Jäḟäṛ ẗüṛṅëḋ ëïġḧẗëëṅ.

Ṡëṿëṛäḷ ÿëäṛṡ ḷäẗëṛ äṅḋ ṅöẅ ẗḧë Ġṛäṅḋ Ṿïżïëṛ, Jäḟäṛ ċöṅẗïṅüëḋ ẗö ṡẗṛüġġḷë äġäïṅṡẗ ẗḧë ċöṛṛüṗẗïöṅ äṅḋ ïṅċöṁṗëẗëṅċë öḟ ẗḧë ṗäḷäċë ḅëḟöṛë Ṡḧëṛṛëżäḋë äṅṅöüṅċëḋ ẗḧäẗ ṡḧë ẅäṡ ṗṛëġṅäṅẗ. Jäḟäṛ ẅäṡ öṿëṛjöÿëḋ, ëṡṗëċïäḷḷÿ ṡïṅċë ẗḧë ċöüṗḷë ḧäḋ ḅëëṅ ẗṛÿïṅġ ḟöṛ ä ḷöṅġ ẗïṁë ẗö ċöṅċëïṿë. Ṡüḋḋëṅḷÿ, ä ġüäṛḋ ïṅḟöṛṁëḋ Jäḟäṛ ẗḧäẗ ḧïṡ ṛëqüëṡẗ ẗö ṁëëẗ ẅïẗḧ ẗḧë Ṡüḷẗäṅ ḧäḋ ḅëëṅ ġṛäṅẗëḋ äṅḋ ḧë ẅäṡ ẗö ṛëṗöṛẗ ẗö ẗḧë ṗäḷäċë ïṁṁëḋïäẗëḷÿ.

Ẅḧëṅ Jäḟäṛ ẗööḳ Ṡḧëṛṛëżäḋë ẅïẗḧ ḧïṁ ẗö ḧïṡ ṁëëẗïṅġ ẅïẗḧ ẗḧë Ṡüḷẗäṅ, ẗḧë Ṡüḷẗäṅ ḟëḷḷ ïṅ ḷöṿë ẅïẗḧ Ṡḧëṛṛëżäḋë'ṡ ḅëäüẗÿ äṅḋ ċḷäïṁëḋ ḧëṛ äṡ ḧïṡ ẅïḟë. Jäḟäṛ ṛëḟüṡëḋ, äṅḋ ẅäṡ ḅëäẗëṅ ḅÿ ẗḧë ġüäṛḋṡ ḟöṛ ẗṛÿïṅġ ẗö ïṅẗëṛḟëṛë. Ṡḧëṛṛëżäḋë ṛëṁïṅḋëḋ Jäḟäṛ ẗḧäẗ ḧë ẅïḷḷ ḅë ä ġṛëäẗ ṁäṅ ṡöṁëḋäÿ äṅḋ ẗö ṅëṿëṛ ṡẗöṗ ḅëḷïëṿïṅġ. Ṡḧë ġäṿë ḧïṁ ḧëṛ ṡċäṛäḅ ṅëċḳḷäċë äṅḋ ṿöẅëḋ ẗḧäẗ ẗḧëÿ ẅöüḷḋ ḅë ṛëüṅïẗëḋ öṅċë ṁöṛë ḅëḟöṛë ṡḧë ẅäṡ ẗäḳëṅ äẅäÿ ẗö ẗḧë Ṡüḷẗäṅ'ṡ ḧäṛëṁ ẅḧëṛë ḧë ḷöṡẗ ḧëṛ ẗö ẗḧë Ṡüḷẗäṅ äṅḋ ẗḧëṅ üḷẗïṁäẗëḷÿ ḷöṡẗ ḧëṛ ẗö ḋëäẗḧ ïṅ ċḧïḷḋḅïṛẗḧ.

Ṡṗëṅḋïṅġ ÿëäṛṡ ṡëäṛċḧïṅġ ḟöṛ ẗḧë öẗḧëṛ ḧäḷḟ öḟ ẗḧë ṡċäṛäḅ, Jäḟäṛ ḟïṅäḷḷÿ ḋïṡċöṿëṛëḋ ẗḧë ḷöċäẗïöṅ öḟ Ṫḧë Ṫïġëṛ Ḧëäḋ Ċäṿë äṅḋ ṿëṅẗüṛëḋ ïṅṡïḋë, ḋëẗëṛṁïṅëḋ ẗö ḟṛëë ẗḧë ḷëġëṅḋäṛÿ Ḋjïṅṅ ḟṛöṁ ïṅṡïḋë ẗö ċḧäṅġë ḧïṡ ḟäẗë äṅḋ ḅṛïṅġ ḅäċḳ ḧïṡ ẅïḟë äṅḋ ċḧïḷḋ. Ṫḧë Ḋjïṅṅ, ḧöẅëṿëṛ, ẅäṡ üṅäḅḷë ẗö ḅṛïṅġ ḧëṛ ḅäċḳ ḟṛöṁ ẗḧë ḋëäḋ äṅḋ ïṅ ä ṁöṁëṅẗ öḟ ṛäġë, Jäḟäṛ ḳïḷḷëḋ ẗḧë Ḋjïṅṅ. Ṁäġïċ ṛïṗṗḷëḋ äṛöüṅḋ ẗḧë ċäṿë äṡ ẗḧë Ḋjïṅṅ ṡüċċüṁḅëḋ ẗö ḋëäẗḧ, ṗäṡṡïṅġ öṅ ḧïṡ ṗöẅëṛṡ ẗö Jäḟäṛ ẗḧṛöüġḧ ṁëäṅṡ öḟ ä ġöḷḋëṅ ċöḅṛä ḧëäḋ ṡẗäḟḟ ẅïẗḧ ẗḧë ṗṛöṁïṡë ẗḧäẗ ẗḧë ṗöẅëṛ ẅöüḷḋ ċöṛṛüṗẗ ḧïṡ ṁïṅḋ äṅḋ ṡöüḷ. Jäḟäṛ ḋïḋṅ'ẗ ċäṛë äṅÿṁöṛë. Ḧë ḧäḋ ċöṁë ẗö äċċëṗẗ ẗḧäẗ ḧë ṅëëḋëḋ ẗö ẗäḳë ẗḧë ẗẅïṡẗëḋ ṗäẗḧ öḟ ḷïḟë, ẗö ḋö ẗḧë ṛïġḧẗ ẗḧïṅġ ëṿëṅ ïḟ ïẗ ṁëäṅṡ ḅëïṅġ ṛëṁëṁḅëṛëḋ äṡ ä ṿïḷḷäïṅ. Äṅḋ ẗḧë ṛïġḧẗ ẗḧïṅġ ẅäṡ ẗö ḋëṡẗṛöÿ ẗḧë Ṡüḷẗäṅ äṅḋ ẗḧë ṗäḷäċë ḟṛöṁ ẗḧë ïṅṡïḋë öüẗ.

Ḧïṡ Ḋjïṅṅ ṗöẅëṛṡ ẅëṛë ċöṅḟüṡïṅġ, äṅḋ ḧäṛḋ ẗö ċöṅẗṛöḷ. Üṅṡüṛë ḧöẅ ḧë ẅäṡ ġöïṅġ ẗö ḅë äḅḷë ẗö ẗäḳë öṿëṛ ẗḧë ṗäḷäċë, ẗḧë Ṡöṛċëṛëṡṡ, Ṁäḷëḟïċëṅẗ, äṗṗëäṛëḋ ẗö ḧïṁ, äṅḋ ḅëṡẗöẅëḋ üṗöṅ ḧïṁ ẗḧë ġïḟẗ öḟ üṅḋëṛṡẗäṅḋïṅġ ḧïṡ ṗöẅëṛṡ ḅÿ ṁëäṅṡ öḟ ä ḳïṡṡ. Jäḟäṛ, ïṅ ẗüṛṅ, öṅḷÿ ḧäḋ ẗö ṗḷëḋġë ḧïṡ üṅḋÿïṅġ ḷöÿäḷẗÿ ẗö ḧëṛ äṡ ṡḧë ẗööḳ öṿëṛ äḷḷ ḳïṅġḋöṁṡ ṡṗṛëäḋ äċṛöṡṡ ẗḧë ḷäṅḋ. Ḧöẅëṿëṛ, ẅḧäẗ ḅëġäṅ ṡḷöẅḷÿ äṡ ä ḅüṡïṅëṡṡ⸚ḷïḳë ṛëḷäẗïöṅṡḧïṗ (ẅïẗḧ äḋüḷẗëṛäẗïṅġ ṗḷëäṡüṛëṡ öṅ ẗḧë ṡïḋë), ḅëġäṅ ẗö ṡẗëëṗ ïṅẗö öṅë öḟ üṅḅṛïḋḷëḋ ṗäṡṡïöṅ äṅḋ ḷüṡẗ ḟöṛ ṗöẅëṛ. Jäḟäṛ äṅḋ Ṁäḷëḟïċëṅẗ, öṿëṛ ẗḧë ċöüṛṡë öḟ ẗḧṛëë ÿëäṛṡ, ḅëġäṅ ẗö äḋḋṛëṡṡ ẗḧëṁṡëḷṿëṡ äṡ ẗöġëẗḧëṛ, äṅḋ ḅëċäṁë ẗḧë ẅöṛḷḋṡ ṁöṡẗ ḋëäḋḷÿ ṗöẅëṛ⸚ċöüṗḷë.

_{🐍Ṫḧëṁë Ṡöṅġ}

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♛ Yoshi's Stash ♛

☾ Fairy Tale Characters II ☽

☠ The Villains ☠

Jafar Sholeh | The Serpent King
Scar Lionheart | The Lion King
Armand Facilier | The Shadow Man
Chernabog
Rowan Scarlett | The Queen of Hearts
Leverett Hoppes | The White Rabbit
Precilla Grimhilde | The Evil Queen
Cassim Panya | The King of Thieves
Lord Hades | God of the Underworld
John Ratcliffe | King John of England

♛ Yoshi's Stash ♛

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♛ Yoshi's Stash ♛

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♛ Yoshi's Stash ♛

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