This interest check is closed for now. Thank you for all those that inquired.
As the title states, I'm looking for something adult. Smut to plot ratio of 70/30; the plot will mostly focus around smut like an adult film with a plot line (because even though I am looking for smut, I can't in good conscious just have smut for smut's sake.) I am willing to listen to arguments for more of a 50/50 split.
I will only RP this via PM on this site. Non-negotiable.
You must be 18+ to apply, please and thank you; it's illegal for me to accept anyone younger. Also non-negotiable.
You must be 18+ to apply, please and thank you; it's illegal for me to accept anyone younger. Also non-negotiable.
With that precursor out of the way, here's some things about me and my rules:
- I'm comfortable playing male or female characters, as well as dominant or submissive characters. I understand some people prefer one way or the other. Please state if you are comfortable with such as well, or if you lean one way or the other. And be understanding if I turn you away because I've already accepted enough requests in which I am the one playing the dominant character, or male characters. Although I'm okay with playing either, I don't want to only play those types of characters.
- I am in -0500 time zone (East Coast for those that don't understand UTC), have a family, and work a full time job. I can guarantee a post once a week, but hope for more. Be okay with this, and understand I can't respond every day, and that I haven't lost interest just because I haven't responded in a couple of days.
- I am comfortable going into full detail with graphic content (gore, violence, smut.) Because the point is adult themed, although you don't have to be comfortable going into full detail - we have to at least gloss over what's happening. No fading to black. If you cannot do that, do not apply. If you would like an explanation, please ask in a PM; I will not give examples of such on an open forum to keep within site guidelines.
Due to the amount of receiving the requests for not having this particular kink come up, I have decided to include this edited announcement.
Do not come to me if you want to involve scat in our RP. I am in no way interested in such a thing, and will automatically drop any RP that it comes up in. Other kinks can be discussed if need be. - I typically am an advanced level RPer, able to post an upwards of 10 paragraphs for a single character. I ask that you at least be able to post two paragraphs minimum. I will not tolerate any one liners; any one liners received will receive a request for more to be put in. If you get into the character's mindset, you should be able to give at least a paragraph *not including speech.* I will do my best to match your length rather than potentially intimidate someone that can only give two paragraphs by giving them ten.
- PM me if you're interested, and tell me a little about yourself. I don't require you provide a writing sample, but just don't send me a message like 'Hey, saw your ad. Wanna RP?' because I will respond just as simply with 'no.'
- I prefer heterosexual pairings. If you would prefer to do a homosexual pairing, please let me know in your introduction.
Half Baked Plots!
A is a striper; not because she needs the money, but because it makes her feel good. A enjoys the way men react to her, and she isn't shy about that fact. Maybe that's why B is so drawn to her, or maybe it's because she isn't just unashamed of her feelings about her job, but comfortable in her skin and exudes confidence. Whatever it is, B can't help it; he keeps going back to that club just to watch her, to get private dances from her. B has been there so often that he figured out her usual schedule enough to only attend when she's there.
So one night when B is out at a bar, and he's approached by a beautiful woman, he's shocked to find it's A. Maybe it's a lie, maybe it's the truth, but A tells him she thinks about him, that he's her favorite. A tells B all the things he needs to hear to make him putty in her hands, then invites him home. That confidence and domineering persona at the club isn't just an act; A tells B just what she wants and how she wants it and won't tolerate things not being her way. Now that B has had his wildest dream made a reality as far as A goes, can he handle just going back to being just a customer or does he try for more? Can he handle her continuing what makes her so happy?
So one night when B is out at a bar, and he's approached by a beautiful woman, he's shocked to find it's A. Maybe it's a lie, maybe it's the truth, but A tells him she thinks about him, that he's her favorite. A tells B all the things he needs to hear to make him putty in her hands, then invites him home. That confidence and domineering persona at the club isn't just an act; A tells B just what she wants and how she wants it and won't tolerate things not being her way. Now that B has had his wildest dream made a reality as far as A goes, can he handle just going back to being just a customer or does he try for more? Can he handle her continuing what makes her so happy?
A is the master of a large estate, and with intense needs to which he expects his staff to satisfy whatever they may be. His staff live in the estate with him, some given better provisions than others, just for this purpose. The ones better tended are the ones with the more demanding roles...the ones broken in to be willing for these roles. Not only is it well known amongst the staff themselves, but many in the city know this as well.
B is new to the city, and not only needs a place to stay but work as well. She answers an ad, looking for a new housemaid willing to attend to whatever the master of the estate needs, which provides both plus necessities taken care of. Sure, it sounded too good to be true, but B was desperate; she couldn't go home.
None of the others explain what's going on, and B is rather shocked to find such luxurious accommodations when the head of staff ends off the tour with her room. Then, B meets A and gets a quick lesson in what is expected of the person who answered the ad. At first, he starts out gentle with his demands on her, but with each new time, his demands and desires grow more fierce.
Will A break B and get her to be everything he desires? Will B be able to handle A's desires, his demands, or will she decide the benefits are not worth the job?
B is new to the city, and not only needs a place to stay but work as well. She answers an ad, looking for a new housemaid willing to attend to whatever the master of the estate needs, which provides both plus necessities taken care of. Sure, it sounded too good to be true, but B was desperate; she couldn't go home.
None of the others explain what's going on, and B is rather shocked to find such luxurious accommodations when the head of staff ends off the tour with her room. Then, B meets A and gets a quick lesson in what is expected of the person who answered the ad. At first, he starts out gentle with his demands on her, but with each new time, his demands and desires grow more fierce.
Will A break B and get her to be everything he desires? Will B be able to handle A's desires, his demands, or will she decide the benefits are not worth the job?
It was the typical 'one night stand' scenario. Eyes meet across the bar/club/party. The two move in, and move on quickly from cursory conversation to give into their cardinal heat. A night of passion that leaves more than just the sensory memory on one. Character A wakes to not only find Character B has left, but the bruise left on A's neck looks strangely like two puncture wounds that have healed up. A can't get the passion out of their head, even while at school/work. It intensifies later that night when A sees B in much the same way. There's no precursor this time. They just immediately leave to get entangled in their passionate thralls.
And so it continues, a vicious cycle of incredible nights and longing during the days until A ends up out with friends instead of their usual place, and B is there. A can't continue with the cycle. A wants to know more, more about B and if they might become more, and how B seems to know where A is going to be even if A doesn't go to their usual meet up location. B's explanation is simple - B's a vampire. How A reacts to that alone will determine how everything else proceeds.
And so it continues, a vicious cycle of incredible nights and longing during the days until A ends up out with friends instead of their usual place, and B is there. A can't continue with the cycle. A wants to know more, more about B and if they might become more, and how B seems to know where A is going to be even if A doesn't go to their usual meet up location. B's explanation is simple - B's a vampire. How A reacts to that alone will determine how everything else proceeds.
Vampires aren't just real, they have a society secretly interwoven with humans. It's unusual for humans to want to be with a vampire, but that doesn't stop people from doing it. There are establishments actually dedicated to such things, which is exactly what a club called The Donor Center.
Whatever caused A to first come to The Donor Center, they got more than just a glimpse at what people did in these clubs; A agreed to donate for a vampire, and another while the intoxication of the first donation still remained in A's system - a dangerous pattern for a new clubber, one that vampires occasionally take advantage of.
B's a regular at the club, and sees what's occurring when a third gets to feed. Despite the fact humans that come to the club are supposed to know better, that they're supposed to be with a partner, B knows there's always the stupid person that wanders in by mistake, gets entranced, and can't tell when enough is enough. There's always the junkie that would rather die being drained than live in the real world. B knows the difference between the two, and knows A has fallen into the first trap.
B intervenes and takes A out of there - to the address on A's identification. It was just supposed to be innocent, bring A home and make sure A survives the night. It doesn't work out to be such, as A is extremely 'bite drunk' (as they call the intoxication from and what should have just been dropping A off in bed turns into them both being in it. It was a mistake, B acknowledges it when they finish. B leaves after being reassured A isn't going to die after all is said and done.
A wakes, remembering bits and pieces of the club and large portions of what happened afterward up until another bite. It almost seems like a dream, but the note that included a list proper 'post donating' instructions signed with just a letter. A follows the instructions, sure, but that single letter is the only hint at who B was; that and the fact that B was at the club was all that A knew about B.
So A visits again, but doesn't remember what B looks like. Rinse and repeat of the night before, except B intervenes after the second. B, again, takes A home; B, again, allows a mistake to be made. In the morning, A wakes to find another note stuck to the fridge, attached to the one from before. The new note is simple: If you come back to the club again, ask for me. signed with a name.
A returns - a glutton for punishment? Maybe, but there's only one way to find B. A does try looking for B, but the first vampire A asks doesn't want to help - they have a different idea in mind. This time, B is right there, and stakes claim on A.
How the night proceeds from there is up to how A feels about how B handles the situation.
Whatever caused A to first come to The Donor Center, they got more than just a glimpse at what people did in these clubs; A agreed to donate for a vampire, and another while the intoxication of the first donation still remained in A's system - a dangerous pattern for a new clubber, one that vampires occasionally take advantage of.
B's a regular at the club, and sees what's occurring when a third gets to feed. Despite the fact humans that come to the club are supposed to know better, that they're supposed to be with a partner, B knows there's always the stupid person that wanders in by mistake, gets entranced, and can't tell when enough is enough. There's always the junkie that would rather die being drained than live in the real world. B knows the difference between the two, and knows A has fallen into the first trap.
B intervenes and takes A out of there - to the address on A's identification. It was just supposed to be innocent, bring A home and make sure A survives the night. It doesn't work out to be such, as A is extremely 'bite drunk' (as they call the intoxication from and what should have just been dropping A off in bed turns into them both being in it. It was a mistake, B acknowledges it when they finish. B leaves after being reassured A isn't going to die after all is said and done.
A wakes, remembering bits and pieces of the club and large portions of what happened afterward up until another bite. It almost seems like a dream, but the note that included a list proper 'post donating' instructions signed with just a letter. A follows the instructions, sure, but that single letter is the only hint at who B was; that and the fact that B was at the club was all that A knew about B.
So A visits again, but doesn't remember what B looks like. Rinse and repeat of the night before, except B intervenes after the second. B, again, takes A home; B, again, allows a mistake to be made. In the morning, A wakes to find another note stuck to the fridge, attached to the one from before. The new note is simple: If you come back to the club again, ask for me. signed with a name.
A returns - a glutton for punishment? Maybe, but there's only one way to find B. A does try looking for B, but the first vampire A asks doesn't want to help - they have a different idea in mind. This time, B is right there, and stakes claim on A.
How the night proceeds from there is up to how A feels about how B handles the situation.
So, yeah...just because the plots seem fleshed out doesn't mean there isn't room to discuss, change things, and whatnot. I'm flexible; those are basically outlines for inspiration.
PM me if you're interested.
'Kay?
Bye!
PM me if you're interested.
'Kay?
Bye!