The Hideout at Dalawakz
Cold and dry are the desertified plains of Dalawakz, which rise on a vast plateau overlooking to the northwest the Great Inland Sea below. It is an empty place. Yet by night the sky awakens, vivid and lit with auroras and cinder-bright starseeds threading alien beauty into the crisp, thin atmosphere in hues of sacroline, amaranth, sapphire, and jade. By day, the east tropaean wind claws at the terrain unabated, churning up grit and stripping vegetation of bud and leaf. Grass grows in sparse, tall clumps—thorny and bitter. Quake-sand and snow-shard frost cling to the profusion of exposed stones, their shimmering patches the ideal alchemy for mirages and phantoms. It is not safe in Dalawakz, and Oblins roam, territorial and aggressive: beings of aberrant evolution alike only in their defiance of natural symmetry. It is not a good place, except perhaps for a clear, pure view of the stars — or to hide and scheme.
In a long, nameless ravine south of the Gaze of Gofn—a mirror-still crater lake held sacred by the region’s animal tribes—are remnants of an ancient, abandoned city. Crudely hewn in haste and vertically set in the cliff face, the tall, slanting edifices dissemble their true nature—mere facades. Behind sand-etched pillars and hollow portals, the stone lair opens into caves that descend into stygian tunnels penetrating perilous cavities and the marrow of an unknowable world. Wending through in disorienting irregularity the paths double back, intersect, and unmoor those critical percepts of time and place. Impasses are frequent, calamitous. Throughout resounds the incessant tapping of vermin claws, the gnawing of bones.
Only by a particular well-trod path does the dark journey finally culminate in a destination. A slit bores through the overhead rock, scattering light across the mica and bathing in warm illumination a flat, smooth surface. Thereon a star is engraved, dominant, both motif and inscrutable enigma. From it flames whip and writhe down upon a host of travailing figures. A keen eye traces the serpentine rays and sees them for what they are: tongues of fire that set the laborers below it ablaze.
Traces haunt the engraving’s recesses and are likewise scattered on the ground: scraps of wool, and hemp, and other incendiary fiber; broken splinters of flint; scorch marks in the rough notches of the timeless stone eyes, wide in perpetual fiery torment. Within them burned and smoldered those impious offerings, and thus secured passage through and beyond the barrier.
Inside, a vault extends into shadows; austere, brutal, partially lit by two centralized half-moon halogen lamps descending midway from a lofty ceiling. The lines of the space are smooth and linear. Amethyst salt crystals set with spinels and purple topaz gird the perimeter, exotic sculptures of souls performing acts of unremitting labor. While quiet, the air is not still. Its current flows gently, warmly. Beneath the half-moons, a conversation pit sprawls around a large, flat oval of opaque eru-glass inset with a copper lattice.
Nearby, a woman stands beside an elongated decanter half-full of viscous, amber fluid. Her lavish gown cascades from her crown, intertwining with her long, black tresses while obscuring her features. Ornate, the titanium triangular-link pattern glints among flecks of crystal and copper shards, loose upon her face and throat, but tight against her hips. It serves its purpose well, masking the wearer’s identity while her vision roams unimpeded. Yet with each stride and gesture, it chimes, undeniably proclaiming on her presence.
“Port Solt lies in ruins, yet in the millet fields of Celwezc the workers marshal their courage,” she speaks with measured finality, her statement hanging.