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Tuujaimaa The Saint of Splendour

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Name: Inori, Reihai
Nickname(s): Reihai has gone by many nicknames in the past, but has grown to prefer "Karyūkai" over the years. Now, "Karyūkai" is as much of a name to Reihai as her name itself.
Age: Looks to be around 22-24. Reihai looks a lot younger than she is, however, after many years of taking care of her body.
Sex: Female
Sexual Preference: Heterosexual - Married
Species: Shinigami
Affiliation/Position:7th Division; Captain
Personality: Describing Inori, Reihai simply is difficult. In fact, describing Reihai at all is difficult. Reihai is a woman of two halves that coexist in perfect juxtaposition, a woman of two extremes that have somehow chosen to lay side by side without blurring or attempting to overcome one another. On the first hand, Reihai is incredibly graceful. She exists in a state of constant grace and poise, holding herself with an incredible level of dignity and independence that one cannot help but admire. Looking at Reihai makes it clear that she is incredibly strong-willed and stubborn, but not so stubborn as to be petulant. She is firm and unbending, but manages to be so calmly and respectfully. Her incredible temperance and grace have, over the years, earned her the friendships of almost everyone she has met. There is something so alluring about Reihai that compels people to respect her, even if they do not like her. Reihai is a woman of principle, who adheres to a set of tenets religiously. She does not impose these on others, but makes it quite clear that she enjoys people who exhibit these qualities and asks that people respect her tenets whenever around her. This, however, is only one side of Inori, Reihai. Beneath the incredible grace is a fury that cannot be explained, a fury so consuming that were it not tempered with her sheer willpower it would consume her and those around her. Reihai loves battle. This desire to battle manifests as her immeasurable fury, and it can be seen as a controlled force whenever she fights. She lives for the thrill of combat and the adrenaline flowing through her veins as she takes her blades into her hands to do battle. She cannot explain the joy her fury brings her as she does not quite comprehend it herself, but she embraces this side of her personality as much as she embraces her gracefulness. It is the odd combination and juxtaposition of her incredible fury and grace that define her, and she is completely rigid and unbending when it comes to these two traits of her. Reihai is an altruistic person, often offering to help those who she is able to empathise with her vast resources and experience, but she is not capable of fully understanding the spectrum of emotion. She sees black, and she sees white, but fails to see the grey in between the two - any mixture of two opposite is completely foreign to her, and try as she might she simply cannot fathom how such a pairing can exist. Reihai remains polite and calm when she tells people that she does not understand them and therefore has no time for them as her experience cannot aid them, but can come off as distant and cold without intending to. Reihai is completely stuck in her ways and would never change for anybody: A woman such as Reihai would expect you to change for her.

Equipment:

Yanagi no Seiyaku [Willow Branch Restraints] - Thin bangles of Sekki-Seki stone wrapped in either black or white silk. The bangles are worn on Reihai's person, and she has a total of ten: four on each arm, and one on each ankle. These bangles suppress her reiatsu by a large amount, giving her the equivalent reiatsu of a fifth seat officer when all of them are worn. She has trained with these for hundreds of years, having obtained them from a fantastic inventor hundreds of years ago, and has grown so accustomed to them that her current strength is but a fraction of her true strength, and she is able to compete with captains somewhat easily.

Abilities:Reihai, being a captain, is expected to be at least proficient in all four of the basic shinigami arts. This is not the case. Reihai has honed her natural talents to a state of near-perfection, but at the cost of lacking in any other skill. It could be stated that she is better at her favoured proficiencies than most of the masters, but lacks severely - less proficient than even seated officers - in areas they also have competency in. However, it should be noted that her chosen skill has sufficed for her long, long years as a captain and she is most definitely not to be upset.

Zanjutsu Legend [S+ Rank]:Reihai's skill with the sword is nigh unmatchable (she has found one person capable of doing so), and her unorthodox style forms the basis of this skill. Reihai's swordplay is incredibly swift, incredibly graceful, and overall, unbelievably strong. Her ability to fluidly outmaneuveur and retaliate to up to 10 opponents has been demonstrated - frequently - and she does it without breaking a sweat. A few captains have lasted more than a few minutes sparring with her, but they have all noted that the longer the fight goes on, the more unbearable it becomes. Eventually, Reihai can overpower any opponent's swordplay. Every other member of the Gotei 13 knows of her incredible prowess with the sword, and it has often been used as a threat to be put to her sword.

Hakuda Combatant [E Rank]:Reihai has no knowledge of Hakuda in the slightest. She is unskilled in it herself (though this is not an indication that she is unfit - she is one of the most physically fit captains as her role and job demand it) and has no ability to defend herself from the onslaught of an opponent if stripped of her swords.

Kidō Combatant [E Rank]:Reihai understands the principles of Kidō, but is almost completely unable to use them herself. She has never tried to learn simply because Kidō do not interest her.

Hohō Combatant [E Rank]:Reihai's ability to perform the basic Shunpō is limited at best. She is able to move short distances somewhat easily, but no further.

Master Calligraphist

Zanpakutō Name: Inori no Tasogare [Prayers to Dusk]

Zanpakutō Appearance:In its sealed state, Inori no Tasogare takes on two individual blades. The first, affectionately nicknamed "Yanagi", is a katana with a completely black decor. The hilt of the katana is a smooth, charcoal-black wood with a thin silk string wrapping, woven around the hilt of the blade in intricate patterns. This silk is particularly smooth, and makes the blade considerably more difficult to grip than other blades. The Tsuba is not metal at all, but is in fact made of sheer obsidian, carved into a rectangular slab and hollowed out somewhat, leaving a thick, rectangular rim of the stone around the edges of the tsuba. The tsuba, aside from this, is completely unpatterened and completely smooth. The blade of this katana is a sharp contrast to the completely black tsuba and guard, however, being sheer white. This blade is, aside from its dazzling array of colour, completely ordinary. The blades of Inori no Tasogare, even when sealed, are fantastically sharp. The very edge of the blade looks almost menacing when light glints from it, seemingly "cutting the light in two". This is untrue, of course, but illusion seems quite real to those who do not know of how Yanagi works.

In a strong juxtaposition, the second katana of Inori no Tasogare - affectionately nicknamed "Hanatoki" - is precisely the same as Yanagi, except both colours are completely reversed. This gives the blades beautiful contrast, one that is reflected in Reihai's appearance.

Zanpakutō Spirit:The spirits of Inori no Tasogare are a pair of twins who look identical, except one is completely dressed in white, and the other completely dressed in black. They both have the appearance of a typical Geisha and each wield their respective sword, Hanatoki or Yanagi. The spirits do not speak to those they do not trust, and could even be described as unsettling given that all they do is stare at anybody except Reihai herself. The spirits have revealed much of themselves to Reihai, and as such she is in harmony with her Zanpakutō. In fact, the trio are so harmonic that Reihai mastered her Zanpakutō long before any of her classmates did. The Inner World of these spirits is a monochrome circular platform, with black and white buildings in various states of ruin littering it. The "edge" of the platform (the buildings can be seen stretching into infinity) is an ornate cage depicting a scene of flower petals being carried in the wind over a pristine lake, surrounded by willow trees. Amidst the ruins there are spirits of those from lost times who have died in wars, or are reliving their experiences in their wars. These spirits cannot be interacted with at all, and will completely ignore anybody trying to communicate with them. The entire world is eerily silent at all times, and aside from the two spirits stood on a white dais in the center of the main platform, no life seems to exist either.

Shikai Appearance:"Cascade into Twilight, Inori no Tasogare."

Upon speaking the release command, Reihai places the hilts of her two katana together and twists each of them ninety degrees. Her grey reiatsu flares for a brief second, and she pulls the blades apart, bringing an addition to the blades out with them: Half of the original hilt remains, but the remainder of it has stretched outwards into a "tuning-fork"-like blade, approximately as long as the blade itself. From this blade, the appropriately coloured silk spills forth as the blade moves.

Shikai Abilities:

Sekai no Kiri [Mist between Worlds] - Reihai perpetuates the rumour that she draws her power from a hidden world, pulling it through the mist between her world and ours in the form of silk. Yanagi, the White Blade, leaves a trail of Black Silk from its hilt. The Black Silk embodies the willows of the hidden world with its subtlety and grace, and dips into it [The Dangai]. This gives the Black Silk the property of being a barrier between worlds, and as such, when it is wrapped around an object or person, they cease to exist in this world and enter the hidden world briefly, while the outside world ceases to exist for them. There is, in theory, no limit to the time this can be held, but it is typically around sixty seconds before the barrier is drawn back into the mists and Reihai must draw it once more. Hanatoki, the Black Blade, leaves a trail of White Silk from its hilt. The White Silk embodies the flowers of the hidden world, vibrant but fleeting, and dips into the hidden world in a unique way. The White Silk could be seen as being unnaturally sharp. While this is true, it is actually not the case: The White Silk's edge cleaves the mist from whence it came, allowing it to separate the barrier effortlessly upon its edge. This allows it to cut almost anything bar Zanpakuto with perfect precision, and as such it is extremely deadly.

Tenraku-Kiji [Tumbling Silk]: An extremely potent zanjutsu technique founded on ancient principles. Reihai, in a burst of sudden speed, cleaves both blades in a circle around her. As well as slicing anything hit by the swords, several layers of white silk are summoned that funnel outwards and spread into a sphere, slicing through anything [almost literally] that it encounters. The technique's execution is almost blindingly fast, and only Reihai's sudden change in stance is noticeable to opponents not familiar with her speed.

Yūkei Kare [Withering Tangibility] - The extentions to Yanagi and Hanatoki are tangible, but are unable to physically come into contact with sapient beings: They pass through Reihai as if she does not exist, and though her opponents or allies as if they do not exist. This does not prevent their effects from being applied to individuals - they can still be cut by the white silk and transported by the black silk. She is unable to weave silk inside people.

Shōten Ikari [Tempered Fury] - Reihai's lust for battle is incredibly strong, but never strong enough to overcome her incredible temperance and grace. The longer she remains in combat, the more powerful and focused her strikes become, until such a point where her strikes are so strong and so precise that even fellow legends have great difficulty in stopping her attacks. In addition to this, Reihai is able to draw upon her reserves of incredible fury, ignoring a large amount of all pain inflicted upon her.

Shiroi-Kiri no Megumi [Grace of the White Mist] - Reihai is able to manipulate the white silk effortlessly so long as Yanagi or Hanatoki are touching it. This allows her to attack rapidly from a distance, or to defend herself against most attacks while subjecting herself to the least potential harm possible. This ability is blindingly fast in execution, and she has been known to be able to kill several foes at once in the time it has taken her to perform a sidestep, simply by cutting them with her white silk.

Hanadai [Flower Fees] - As the time that the silk remains in this world increases, so does its strength. The longer the black silk remains before it is used increases the duration of how long its ability can be used, and the longer the white silk remains in this world, the sharper it gets.

Tenmaru Kanzen [Perfect Heaven Circle] - By composing herself with a surge of Reiatsu, Reihai is able to enter into a pseudo-meditative state of extreme awareness. By forfeiting all sensory input outside of a thirty foot radius circle around her, with her as the centre point, she gains a vast increase in her senses within this circle. In this state, Reihai is able to move at speeds equal to a true master’s Shunpo. She is, however, unable to take more than two steps in any given direction without breaking the technique, and she can only use the technique on a flat surface.

Jigokumaru Kanzen [Perfect Hell Circle] - Similar in theory to the Tenmaru Kanzen, the Jigokumaru Kanzen focuses the area in which Reihai retains control of her senses into an even smaller area, and taps into her immense battle fury. By restricting her senses to a 5 foot circle around her, she sharpens her senses to levels otherwise unheard of, seeing the world - and most importantly combat - in such perfect clarity that most combatants would be unable to take it. By adding her immense fury to this sharpening of her senses, Reihai becomes a killing machine devoid of emotion for a brief period. The area in which the Jigokumaru Kanzen is to be used must be marked with a circle of white silk. Then, as the technique is activated, Reihai begins weaving silk with speed greater than all but the most absolutely powerful Shinigami can keep up with, and then controls it fluidly, essentially reducing anything within her small area to dust. This technique is extremely addictive as it taps into Reihai's fury and focuses her battle intent to inhuman levels, so it is unwise to use frequently. This technique shares the same restrictions as the Tenmaru Kanzen.

Bankai Name: Inori no Tasogare:Kōkai no Ryōiki [Prayers to Dusk: Realm of the Penitent]

Bankai Appearance:In order to release to Bankai, Reihai must stab both of her Katana into the ground (or the air should she be mid-air, unlikely as it is). Then, after a brief second, one line of black energy shoots from the white blade, and one line of white energy shoots from the black blade. These lines of energy then stretch out into a circle, moving symmetrically with each other, and as soon as the circle is completed the energies form a black and white sphere (black on top, white on the bottom) that encompasses Reihai and her opponent(s). Then, the sphere dissipates and all trapped inside of it vanish, to reappear in the Realm of the Penitent. The Realm of the Penitent looks exactly like the inner world.

Upon entering the Kōkai no Ryōiki, Reihai presses the edges of her two katana together, and they both merge to become a single katana, each "half" owning the appearance of the blade that made it. Red Silk spills forth from the blade of Inori no Tasogare while in this form.

Bankai Abilities:

Shisu Keiryū [Mortal Tether] - While inside the world of Kōkai no Ryōiki, nothing outside of the world exists, and you do not exist to the outside world. The only way to be released from the Kōkai no Ryōiki is to kill Reihai. Reihai herself, however, is not bound by this restriction. She is able to, for a second at a time, slip out of the Kōkai no Ryōiki once every five minutes. This does not return her to the real world, however, she is "in between" the two worlds.

Kōkai [Penitence] - While in the Kōkai no Ryōiki, certain laws apply that do not apply in the real world.

1: Upon entering, all objects are made devoid of colour, and all abilities not native to the world become devoid of colour while within the world. Coloured items are more powerful in the Kōkai no Ryōiki, and are exempt from the traditional rules.

2: Attacking your opponent while in the Kōkai no Ryōiki conflicts with the rules of the world, causing the attacker's blade to become weaker and more brittle, while simultaneously attacking their reiatsu. The more one attacks in the world, the more pronounced the effect becomes. Retaliation does not cause this effect. Should the user attack with their Zanpakutō's abilities, Hakuda or Kidō, they will instead suffer the full brunt of the world's retaliation, attacking their reiatsu and weakening them more than if the attack also affected their blade.

3: The longer one goes without attacking, the more powerful their next attack is. This stacks indefinitely, but as the laws effectively prohibit all initiations of attack only retaliatory strikes gain this bonus.

Kōkai no Ken [Sword of the Penitent] - Reihai's red silk and retaliatory slashes do not leave cuts on the opponent. Instead, a hilt and tsuba identical to hers are left on the hit area. As Kōkai's effect becomes more pronounced on the victim, a blade builds up from the hilt, eventually impaling the opponent. The blades cannot be removed, but with enough reiatsu the hilts can be.


Hidden 8 yrs ago Post by Tuujaimaa
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Tuujaimaa The Saint of Splendour

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Character Theme - Daylight's End
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Full Name
Tsuminaki, Shisai
Alias
Scorn of the Moon
Gender
Female
Age and Age Appearance
Shisai is approximately 2800 years old, but appears to be approximately 30 years old.
Sexuality
Shisai is Bisexual.
Division
2nd Division
Rank
Captain; Leader of the Onmitsukidō
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Personality
Shisai is a rebel at her very heart, and absolutely refuses to take orders from anybody she does not respect. It is this rebellious nature that makes Shisai who she is, and while one would expect Shisai to be very lively and very feisty, this is often not the case. Shisai tends to remain solemn throughout most affairs, but does so with a fire in her eyes, a flame that burns throughout her very being, and this is leaves her in the curious position of being very somber, but also very direct and determined, and she is often extremely witty and sarcastic to boot. Shisai is one of those people whose respect is immensely difficult to earn, but those who do earn it will have it until they betray her trust. Shisai has always hated tradition with a passion, and she is extremely wary of people with power who seek to adhere strictly to tradition, as she knows the pain that that can bring. She believes firmly in allowing everybody an equal chance, regardless of any circumstances that make them different from other people. She tolerates and embraces all people openly, but does not truly respect or open up to those that take the gruelling road of learning how she works.

Shisai is very often disliked by those who see her for who she makes herself out to be, because she seems to be overly angry and demanding, but it is clear when one understands Shisai that this is merely the darker interpretation of her, and those who enjoy her company can see how she has been burned by not being careful before, and how she refuses to bow to the flame ever again.

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History
Shisai's life began in a fairly normal family in rural Japan. Shisai was the middle child of a family of five, and worked the rice paddies with her brothers and sisters from a young age, quickly becoming used to what was essentially poverty quickly. Comfortable poverty, perhaps, but poverty nonetheless - such was the life of someone living in the countryside. As she reached adolescence, Shisai began learning from her mother the values of the traditional Japanese housewife. The lessons, while useful, did not really ring true with the rebellious Shisai, and she begun to question the dogma that the age had developed. Shisai, due to the physical labour she endured, was easily as strong as her elder brothers, and with finesse would easily be as strong as her father - so why should she be relegated to cooking and cleaning for the circumstances of her birth? While she never openly expressed these abilities, they remained as ideas deep inside her mind. She took her mother's lessons well, and produced good harvests of rice, so the family ate as well as could be expected. Her father taught her the art of brewing Sake, not out of love or respect - the woman's duty was to the man of the house, after all - but so that he might spend his time better, rather than brewing his own drinks.

It was quickly discovered that Shisai had quite the talent for brewing Sake, and with how well she cultivated the Rice Fields, Shisai spent half of her days brewing, and the other half farming, leaving her younger sister to cook and clean. It was a freedom that she embraced wholly, her very being loving the idea that she could do a man's job better than the men that were supposedly the pinnacle of skill. She, of course, expressed only a humble subservience as she was taught, but inwardly she was ablaze with the spark of independence. After years of this simple lifestyle, Shisai changed her family's life forever. A group of travelling Samurai - to whom the family had the highest respect - stopped at their household and asked for rest on their journey back to Kyoto. The Tsuminaki family were, naturally, overjoyed at the privilege of being able to aid the Samurai, and by virtue their masters and the Daimyō himself. The Samurai ate well, at the expense of Shisai and her siblings eating at all, and they sampled the fine Sake that Shisai had created. Of course, it was attributed to her father - a woman making Sake at a rural home was unthinkable - and the Samurai remarked upon its high quality.

The Samurai were offered beds, Shisai's and her sister's, and the Samurai laid with the beds' respective owners as tribute to their service. At 18, Shisai had lost her virginity. While she was not overly attracted to the Samurai (though she was by no means repulsed, and by no means unwilling), she did enjoy the more material pleasures of the world, and the pair spent the remainder of the night talking. It was at this stage that the Samurai remarked upon Shisai's incredible inner flame, and asked her a question that started her true journey in life: "Did you make that Sake?". Shisai's mind whirred at that point - she should have been humble, and given the credit to her father, but she simply could not resist the siren song of her pride, and she admitted that she had made the Sake. The Samurai made an offer - Shisai would come with him to be educated, to be trained in a life of service to the Daimyō, and she could finally be free of the shackles of tradition that bound her so tightly. She accepted without further thought.

On the next day, she left for Kyoto, and quickly became romantically involved with her saviour. She arrived at Kyoto, and was immediately taken to her lover's master. She was taken on as a Samurai, controversial as it was, the very second that he tasted Shisai's prized Sake. Over the next decade, she became an incredibly potent Samurai, better than any of the men under her master, and she married happily to her then-boyfriend, partially as debt for what he did for her, and partially out of love. Shisai had turned her life from dull, monotonous, and steeped in tradition into a life that pushed the dogma that governed Japan. Unfortunately, many did not like her success, and she was brutally murdered for daring to overstep her place. Skilled as she was, she was no match for the numbers that befell her, and she died by her husband's side, also put to death for his wife's crimes. Her crime had been having talent, and seeking encouragement for it. That could not be allowed, for such was the way of the world, and of tradition, at that point.

It was then that Shisai crossed over to the Seireitei, where her existing skills as a Samurai would lend her great credit. She had an immense amount of spiritual power, and was sent to the then newly founded Shin'ō Academy after a few years in the Rukongai, and she graduated extremely quickly, having a natural aptitude for the ways of the Shinigami. Her nature conflicted tradition, however, and the result of this was her downfall. Her husband, Yukishiro, Ryouhei, was the Captain of the First Division, and his higher status, and her more lowly status, prevented their being together. Though she would reach the level of Captain after a few short years (12 exactly), and achieve her status as the leader of the Onmitsukidō not long after, the gap in time had been enough that she and her ex-husband, now totally different people, had drifted apart. And so, while the pair remained very amicable towards each other, and sometimes even romantic, they knew that they simply were not meant to be together, not in their previous life, or this life.

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Equipment
Akari no Wa [Starlight Ring]: Shisai keeps this plain golden ring on a necklace around her neck. Two things distinguish the ring from an average ring - the first being the engravings on the ring, which begin at the topmost point (where the necklace meets the ring), circle around the ring clockwise, then progress to the inside of the ring and curve around anti-clockwise. The engravings read: "Lost to time is the art of trapping starlight within a ring of purest gold.". The second distinguishing feature, is that there is what seems to be the image of a small cosmos within the center of the ring, constantly emanating light. This is, in truth, a mere fragment of Shisai's bankai - She moves even the stars with her power and trapped a fragment of one in the ring as a memento of the terrible power she wields. Upon being subjected to her, or whomever wears the ring's reiatsu, they will almost instantly disappear from sight for as long as they pour their reiatsu into the ring. Should the ring be removed and thrown, it creates an explosion of Reiatsu vast enough and powerful enough to incinerate lieutenant level Shinigami effortlessly, and badly wound Captain-level Shinigami. Should Shisai die, the ring will automatically trigger this explosion, completely incinerating her body. Shisai claims that the ring was "given to me by a friend who knows me too well". Only she knows that she created the ring, and will defend her explanation of how it came into existence to the death.

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Zankensoki, Reiatsu and other Talents
Incredible Reiatsu: Shisai's Reiatsu is exceptionally vast, even for a captain of her apparent age. While her Reiatsu is perhaps not as blunt or overwhelming as most, it radiates a subtle power that inspires a quiet reverence rather than outright awe. Shisai's presence in the human world has been known to instantly kill any human unfortunate enough to encounter her, and likewise her fellow Shinigami are subject to injury if they are not of sufficient power. While her Reiatsu's presence is not exceptionally striking, it possesses an incredible longevity that allows Shisai to continue fighting for longer than most Shinigami can bear to. Shisai's spiritual pressure does not cause "fear" per se, but rather creates an anxiety within those subject to it that steadily grows over time. It culminates in eventual terror akin to the likes of Yamamoto's spiritual pressure, but this takes a very long time to occur.

Zanjutsu Grandmaster: Shisai's skill in Zanjutsu is her second best, and she has practiced the art of swordplay considerably in order to perform her duties as necessary. She is able to trade blows excellently, but favours a more defensive style in this fashion. She does not use her blade as her main form of "offence" per se, as the Zanjutsu techniques she has mastered are those related to the art of assassination, not of trading blows with the intention to kill. While Shisai is able to kill an opponent exceedingly quickly with her Zanjutsu, in an extended fight against somebody of equal skill she would never be able to land an offensive blow unless the opponent made a mistake or were caught off guard by her speed - the consequence of which is likely death.

Hakuda Combatant: The leader of the Onmitsukidō is expected to be able to perform adequately in the art of Hakuda. In Shisai's case, this is not true. She is at the very basest level a Captain is expected to have, but is incapable of anything else. She has shown herself to be a master assassin without the use of Hakuda, and is easily able to perform her duties without the skill.

Kidō Combatant: While the flow of spiritual energy and its uses are known and often executed by Shisai, she is relatively poor at the art of Kidō. She is able to use mid 40's ranked techniques without an incantation, as is expected of a Captain, but she is unable to use the higher level Kidō without both incantation and great difficulty.

Hohō Grandmaster: As the leader of the Onmitsukidō, Shisai is expectedly brilliant at the art of Shunpō, able to perform the most complex and difficult of techniques with ease as if they were second nature to her. She is able to outspeed most, if not all, of her fellow captains and has been rumoured to be the new "Shunshin [Goddess of Flash]", but this is a title she refuses to take, knowing that it is hardly likely she would be able to live up to it.

Dessert Making Legend: Shisai, by virtue of being married to Nigella Lawson in the human world, is one of the best Dessert Makers the world has ever seen. Her Desserts are truly indulgent, truly delicious, and absolutely addictive.

Brewery Grandmaster: Shisai is one of the most knowledgeable people in the art of brewery that Soul Society has ever seen. She has her own private brewery, for herself, and a commercialised brewery that provides most of the liquor that the Soul Society consumes.
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Zanpakutō
Zanpakutō Name: Tsuki Yorikō [Twisted Moonlight]

Sealed Zanpakutō Appearance: While sealed, Tsuki Yorikō looks like it does in Shisai's image. This is the direct result of Shisai having too much power to truly seal away, and so her blade always looks to be unsealed in some form.

Shikai

Release Command: "Eclipse the Cosmos, Tsuki Yorikō."

Shikai Appearance: Tsuki Yorikō, when released, changes its form particularly intensively. The blade initially becomes a normal Katana, which then shortens slightly, by 3 inches, and flattens off to make the blade completely rectangular. Both sides become sharp in this form, and aside from this change there is little else to be observed except for the excess of moonlight spilling forth from the blade in all directions. The blade is tinted in colour not because the blade itself undergoes a change, but more because the moonlight is constantly visible which alters the perception of its colour. Its "colour" is a darker blue, not quite black and not quite navy, but definitely a darker blue than a shade lighter than Navy. In this state, the light flows as if it were liquid, but keeps the light-like qualities it is supposed to have. The Tsuba vanishes in this blade, and instead a ring of moonlight made solid replaces it, very slightly thicker than the blade. With the moonlight flowing forth it is difficult to tell that this exists, however, and Tsuki Yorikō overall looks like the vague form of a blade almost "dripping" with light.

Shikai Abilities:

Taiintō [Lunar Light]: Upon release, Tsuki Yorikō's blade emits a pale cascade of blue light constantly. By her will alone, or by movement of the blade, she is able to cause the light to arc out in order to provide pathways for her abilities. Being hit with the light directly is extremely painful, and also enables the use of several of Shisai's other abilities. While in Shikai, the power of these arcs of light is slightly less than a Getsuga Tenshou, but upon her entering Bankai the light is easily more powerful. The Taiintō also has the peculiar effect of revealing hidden presences, as its light clearly reveals their location to Shisai.

Gimantsuki [Moonlight Deception] Shisai bends the light reflecting from her Zanpakutō and the light reflecting from her opponent to distort when given people see specific actions she takes. She is able to slash people with her blade several times and distort the light of these actions in order to delay when her opponent/allies see the actions take place. She is able to use Shunpō during this time and keep the light in place for long enough to land several strikes before her opponents see her actions taking place. While her opponents' sight is disabled, they are easily able to sense her actions using other senses (if applicable). The maximum amount of time Shisai can delay this light is three seconds, and only one second while using Shunpō.

Chisō o Yaburu [Break the Strata]: Wherever the Taiintō flows, tiny specks of it break off and remain as miniature stars should Shisai will it. In addition to revealing things in the nearby area, the "stars" soon collapse in a thin, blade-like stream of energy that is easily as sharp as her blade. Hundreds upon thousands of these specks of light are given off with extensive movement of Tsuki Yorikō, as well as whenever the Taiintō flows. The blades are able to collapse whenever Shisai wills it, but will automatically do so after two seconds if she has not willed it by that time.

Shōmei no Shin [True Illumination]: The light given off by Taiintō is ethereal by nature, and passes through all physical obstructions. Whenever Chisō o Yaburu is used, this ability becomes inactive for 10 seconds. In addition to this, Shisai herself radiates the light of the Taiintō, rendering it impossible for anything to hide within close distance of her.

Mikotonori Taiintō [Imperial Moonlight Decree]: Shisai either causes a circular arc of moonlight to surround her or swings her blade in a circle, and then places her blade perpendicular to it in the center of the circle. Immediately afterwards, a large sphere of moonlight erupts from Shisai's location that remains for up to sixty seconds. Shisai and her Allies are hidden from plain sight while in the Mikotonori Taiintō, and all enemies are revealed. Attacking will briefly reveal those rendered invisible by this technique. While in the boundaries of the Mikotonori Taiintō, Shisai is unable to utilise any technique except her Taiintō.

Bankai

Bankai Name: Tsuki Yorikō: Saigo no Shoku [Twisted Moonlight: Final Eclipse]

"The Promised Day approaches."

Bankai Appearance: The change from Shikai to Bankai is usually very dramatic, and Shisai stays true to this tradition. Upon releasing to Bankai, it is almost as if a thick blanket of damp reiatsu falls over the area she is in, and light itself struggles to rise above the density of the power at Shisai's command. Her blade shifts from blue with moonlight to pitch black with darkness, and hundreds of tiny stars seem to speckle to life within the black void that is her Bankai. Overall, however, there is a very specific cluster of stars that stand out from the rest, a large constellation of Gemini almost forming the backbone of her blade itself, which seems to be the only real indication that the blade is solid, for the remainder of the thick, black reiatsu that encompasses the blade is like pitch in consistency, but drips of it frequently fall to the floor. Overall, the blade is very menacing to look at.

Bankai Abilities:

Nisshoku [Solar Eclipse]: Upon being released, such power is released from Tsuki Yorikō: Saigo no Shoku that the cosmos themselves adjust to its will. A solar eclipse immediately forms, and the shadow caused by it marks a ring on the ground, with Shisai at its center. The Ring consists of extremely powerful and turbulent reiatsu, and no beings can enter or leave the confines of the ring under any circumstances.

Akari no Suimin [Sleeping Starlight]: In Bankai, not only does Shisai's Taiintō become vastly more powerful, but wherever it travels it leaves behind an invisible trail of miniature stars. These stars radiate reiatsu, and can be felt, but are almost impossible to simply see. When an enemy's reiatsu comes into contact with the Akari no Suimin, they become visible. Visible Akari no Suimin will slowly but indefinitely travel towards the source of the Reiatsu that awakened them, and upon contact with them, will explode. Shisai's Akari no Wa contains a large cluster of these stars, hinting at the immense power they contain in numbers.

Sōdai Shūsoku [Grand Convergence]: Whenever the Taiintō comes into contact with an opponent, all Akari no Suimin will converge upon whomever was hit by them, regardless of their visibility. This process takes a few seconds, and as the Akari no Suimin are slow, they can be stalled by clever use of Shunpō.

Tenno Ame [Celestial Rain]: Shisai marks an area with a helix of Taiintō, and after three seconds a massive ray of energy similar in appearance and power to the Hiryugekizoku Shintenraihou is called down from the heavens, dealing massive damage to the area in which it hits. The Tenno Ame will also detonate all Akari no Suimin in its general area, potentially adding to the immense destructive power that Shisai commands.

Uchū o Idō [Move the Cosmos]: Shisai stabs her blade into the air, and it literally sinks deep into the air, becoming invisible as it does so. Then, Shisai marks a target area with a bright light (not her Taiintō). For as long as the blade does not move (Shisai herself can leave the location, and can still use the remainder of her abilities), massive streaks of thick, black Reiatsu speckled with hundreds of tiny stars, will slice through the targeted location from any direction at set intervals of three seconds. Shisai may change the target area by twisting the blade, but doing so delays the time the next streak of Reiatsu will occur by 3 seconds.

Irogoto ni Tentō [Every Colour Illuminate]: Shisai focuses the sun's light in the circle created by Nisshoku, creating a dazzling array of white light. She then splits the light into its individual colours with the force of her Reiatsu. The resultant array of light then focuses intensely on certain areas (that Shisai wills), creating seven pillars that deal immense damage to all beings within them. The pillars remain until Shisai dispels her Bankai.

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Tuujaimaa The Saint of Splendour

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Name: Heiwa, Senkō (née Kagayaki) [Peace in a Flash of Light]

Nickname(s): Hikari no Hikari [Light of Lights]

Age: 2,493 / 934 [Looks to be approximately 32]

Sex: Female

Sexual Preference: Heterosexual

Species: Shinigami

Alliance: C.O.R.E (Central Operations Realms Elite) - Wife of the Shidō

Appearance: Senkō is well known for being a beautiful woman. While not born of her Husband's line, she shares a trait of his family in that her hair is a glorious auburn in colour, a mix between bright orange and sunset red so vivid that her long, flowing hair melts into the sunset sky whenever she walks beneath it. Her hair is almost always forged into angel curls, tempered with the heat of a sun to truly allow the hairstyle to remain both fluid and rigid simultaneously, and to cement her locks in a state of permanent beauty. Her hair reaches down to just below her shoulderblades in length, at its apex, and will often spill forwards past her shoulders to frame her ample bosom and her soft facial features. Even upon looking at only her hair, Senkō can easily be distinguished as an extremely beautiful woman. Her facial features are common for one with her hair colour (which is completely natural), in the sense that her skin is extremely pale. It has held onto the almost pallid look it obtained upon her death, and is almost milky-white, though it does not carry any of the unhealthiness it had upon her death. Her skin is suffused with a beautiful light that seems to emanate from within her very core, and lights up her entire body as if she had been set aflame. She has high cheekbones and thin, shaped eyebrows - though these are less auburn and slightly more blonde - as well as a small, petite nose. These are complimented by a full, but not overly so, set of lips. Senkō's lips have a perfectly well-defined cupid's bow, so much so that her lips are an instantly striking part of her face. Her lips are often coated in a thin layer of red lip-stain, though little is needed due to her natural colour, and it is often worn simply out of habit. Senkō's eyelashes are longer than the average woman's, with this length being augmented by a coating of deep black mascara. Her irises are both a brilliant turquoise, offering an awe-inspiring juxtaposition of softness among her harsh and lively hair.

Senkō's body is not one to be ashamed of. She has the correct balance of muscle and fat, enough to fill her out but not enough to skew the natural proportions of her body. This makes her slightly more weighty than the average woman, but she holds her weight well. Her bosom is ample, but not restricting or overly in-the-way, and is well complimented by the outfits she can traditionally be seen wearing. Her entire body is free of blemishes, something she claims to have obtained from being burned alive, as she puts it: "Fire has a way of purging all of your sins and imperfections - worldly or otherwise.". This lack of flaws in her skin allows her to wear more revealing outfits than most would, and she enjoys doing so frequently. Her favourite dress is the colour of her husband's Zanpakutō while in Shikai, reveals a small amount of cleavage and ends almost abruptly at halfway down her thighs, affording her a chance to show off her slender legs and arms, while leaving some aspects to the imagination. This is, mostly, for the benefit of her husband - but she takes other onlookers' lurid gazes as a compliment (though what her husband has to say about this is strictly between those that would lust after her and his blade).

Personality: "I did not volunteer for the flame."

Senkō is a woman with conviction. She is entirely focused on one thing at a time, and cannot bring herself to rest until she has finished what she has started. This has led to many sleepless nights, to the disdain of Kokoro, and often causes her to be narrow-minded in her endeavours. She frequently fixates upon goals, and dedicates every fibre of her being to their completion. This has lead to an "absurd" list of priorities, one that can change at a moment's notice should Senkō set her considerable willpower into completing a task. She has, somehow, managed to maintain a number one priority even among her mess of priorities, and that is her husband, Kokoro. It could be said that being married defines Senkō, as she has been known to impulsively drop anything she is doing to attend to the needs of the man she married - be they real or imagined. Frequently will Senkō suddenly stop, and vanish - only to return moments later and act as if she had never left, suddenly realising that she has something higher on her list of priorities than what she was presently doing. This, much to the ire of most people, happens more frequently than she would like to admit. While this is still somewhat rare, it happens enough that several people do not keep their hopes up when it comes to finishing a conversation with Senkō.

Senkō's personality was born much of the flame that consumed her while she was alive. She is spontaneous, lively, and almost fierce in her compassion. She knows care only for her husband, and is significantly less attached to everyone and anyone else in the world. This does not make her cold - by no means is she cold - but she does not put nearly as much stock in anyone as she has Kokoro. Several people - especially those who have not known her for very long - may well consider her to be both irritating and blase about things she does care about. This spontaneity and sudden dropping of things she was doing have also led several people to believe she is less intelligent than she is. Nothing could be further from the truth: Senkō is vastly intelligent, but often lacks the concentration to correctly use it in the way genuises do. Her vast intellect requires much upkeep, and does not flow naturally from her like from some - Kokan, Nejire being the prime example - and some people have chosen to look down on her for this. This has not affected her in any way, shape or form however, and she continues to work as hard as she always has to acheive. Only a fool is completely sure of themselves, however, and Senkō knows she has room to improve. She understands that she could be more empathic, disciplined and focused but simply does not prioritise this improvement over most other things, leaving her little time to concentrate on herself. Her almost literal "burning desire" to help others leaves her with little room for herself, which she does not mind. It should be noted that Senkō is extremely protective and overbearing to those beneath her while they are near the top of her list of priorities.

In addition to her other traits, Senkō enjoys almost nothing more than playing the traditional housewife. She has frequently stopped fighting people to check on a roast in the stove or pour tea, and allows trivial things such as this to cloud over everything else in her mind. There are those that appreciate this, however, and their completion brings a sense of satisfaction Senkō could not obtain anywhere else. She has learned that there is joy even in self-sacrifice, and chooses to make her own joy from the joy of others.

Equipment:

Kōshitsu no Kekkon Yubiwa [Imperial Wedding Ring]: The ring signifying Senkō's marriage to Kokoro. It is a simple golden band, with an inlaid "plait" of diamonds stretching across the entire outside of the band. Inside is an engraving, stating: "Sunset.", in reference to the time when the pair met. This wedding ring, while a constant reminder of Senkō's undying loyalty to her husband, also serves as a suppressor for her Reiatsu, which lights up an appropriate number of diamonds based on the amount of her reiatsu she is suppressing. When all the diamonds in her ring glow (the same colour as her hair), her reiatsu is completely unnoticeable, and she can pass off as having none (though finer sensors would perhaps detect her has having the slightest amount). Normally, Senkō keeps approximately half of her reiatsu sealed within the ring, which leaves her with reiatsu comparable to that of the average captain.

Abilities:

Hohō Expert: Senkō is speedy enough to be classed as a captain, but, it is far from her strongest ability. She can keep up with one not specialised in speed, but is not nearly speedy enough to keep up with the captains who have devoted themselves to being speedy. A lieutenant, however, would be unable to keep up with Senkō simply for the difference in power.

Zanjutsu Master: After having rigorous training with her husband - one of the greatest swordsmen to ever have lived - Senkō is understandably brilliant at the art. She is a true master of swordsmanship, and is easily able to outpace captains with her technique. She could quite easily overwhelm several opponents of captain level, striking fluidly and with a power that someone of her stature should not have.

Kidō Master: Senkō is easily as skilled as the more potent Kidō users in Seireitei, having mastered the art to enough of an extent to be considered worthy

Hakuda Expert: While not her forté, Senkō is somewhat skilled at Hakuda. She could, if needs be, deflect the average captain's Hakuda blows, but would be unable to strike back with enough force to actually cause damage to her opponents. She could, however, easily best a lieutenant in the art of physical combat.

Vast Reiatsu: Senkō's reiatsu is exceptionally large, even for a captain. She commands an extreme presence because of this when she is not suppressing her Reiatsu, and is normally easily noticeable over vast distances if only for the sheer amount of energy her existence gives off. This makes her rather powerful on the battlefield, as one might imagine, and she is most definitely a force to be reckoned with when she is not tending to her duties as a wife.

Master Cook: Senkō's skill within the kitchen, as a housewife, is second to (almost) none. She has been cooking for years upon years, and has gained a vast culinary expertise so expansive that she can cook, almost literally, anything. She is a master of the culinary arts, all in all, and will challenge those who would attempt to claim her title as the best chef.

Malevolent Force of Opening Windows: Senkō's ability to open windows defies all logic and understanding. Whenever she is in a house, be it her own or someone else's, or barracks, or anywhere with windows, by the time she leaves all windows will inexplicably have been opened. Even windows that were thought to be sealed are somehow mysteriously open, as testament to Senkō's incredible skill as a housewife.

Zanpakutō Name: Gekkeiju no Kōyu (月桂樹の香油, Balm of Laurels)

Zanpakutō Appearance: In its sealed state, Gekkeiju no Kōyu is a Nodachi. The blade of the Nodachi is exactly 5 feet long, and while the edge is extremely sharp, the actual "metal" of the blade is extremely dull, so much so that it absorbs light into its being as if it were black. This is not true, of course, but the illusion it gives off is fairly convincing. The Tsuba is made of a single, enlarged laurel leaf - exactly thirteen centimeters in length, and four in width at its widest points. This leaf is, despite what its nature may imply, extremely strong, enough that by hooking a single finger beneath it Senkō could draw it from its sheath. The leaf is completely free of creases, and is formed to be the epitomy of a perfect laurel leaf, in shape and in nature. The hilt is a simple metal, the same colour as the blade, but has lovingly been wrapped in both laurel leaves and the individual fibres of laurel leaves, tied together to make a "twine" of sorts that is criss-crossed across the hilt to keep the leaves in place and form a more comfortable grip. Thusly, the hilt of the unsealed blade is both comfortable and practical, allowing Senkō the maximum amount of grip and comfort.

The sheath of the blade is also quite interesting: While, from a distance, it could look like a standard sheath, this is largely untrue. The sheath is made of hundreds upon hundreds of laurel leaves, each tied together with the same "twine" as on the hilt, to form a protective layer around the Zanpakutō itself. These leaves have been thoroughly infused with Senkō's reiatsu, and are able to disperse into the wind to effectively "draw" the blade at her will, even when in its sealed state. There is also a long string that ties the Tsuba to the end of the sheath, one that enables Senkō to carry the sword on her back as it traditionally is.

Zanpakutō Spirit: The inner world of Gekkeiju no Kōyu is a stunning sight: Kept in a perpetual sunset at Autumn by the spirit that resides in the world. The sun hangs low in the sky at all times, its rays shining into valley upon valley of laurel trees, and the leaves that hang from the trees flouresce with an auburn radiance at all times, almost glittering with a flame that does not exist. The laurel leaves are constantly burning with an ethereal flame, the flame being the reflections of light through the reiatsu-infused smoke that is flowing throughout the entire world. While there are valleys upon valleys of laurel trees that constantly "burn", these are all fashioned in a circle that surrounds a giant bonfire. The wood that the bonfire burns from is unclear, though, it is constantly charred beyond recognition. The flames of the bonfire are not the traditional hues of orange and red that one might expect from flames. Instead, the flames are a mix between a shimmering gold and the colour of Senkō's hair, much richer than any normal flame could ever hope to be. The flames dance around the wood, catching leaves in the air and adding them to the pyre as they do so, and form intricate shapes, intricate forms that can never be truly understood or deciphered. All points, regardless of where they are, are equidistant to this bonfire while one is within the world of Gekkeiju no Kōyu. At any time, you will find yourself just as far away from the bonfire as you were ten steps ago, and the mischeivous spirit very much enjoys confusing those who enter its world with this fact. The bonfire is the physical incarnation of the spirit that guards the world, its dancing forms extentions of its unknowable will. The spirit is much like Senkō herself, but has been disciplined by many years and has honed everything about herself to a razor-fine point. While not in the bonfire, Gekkeiju no Kōyu manifests as a being of pure flame - the same colour as her bonfire - and takes a roughly humanoid figure. Where her eyes would be the flames lighten, but there is no mouth. Instead, her speech comes from every leaf in the entire valley, from each particle of smoke. Her voice reverberates throughout the entire world, gently shaking it but not disturbing it, as gentle as the breeze but as harsh and as suffocating as the smoke that it embodies. The paths on the ground are, literally, fire. The pure golden flames are cool to the touch, and seem to form wherever one walks in the world. The flames will, over time, begin to crawl up one's body - first to the legs, then to the chest, down the arms and finally over the face. As soon as the body is fully engulfed in flames - a thoroughly disorienting experience - they simply rescind into the ground once more. The smoke that permeates the air is both acrid and somehow not, breathing it in is to breathe in the very essence of flame, but not to be scorched by it. It smells strongly of a unique fusion of bay leaves, sandalwood and jasmine, and is as much the wind as the wind itself is. Burning leaves can be seen being carries along the currents of the smoke, highlighted by the rays of the sunset, to create glittering trails wherever the eyes can follow. Like all things in Gekkeiju no Kōyu's inner world, the smoke is ephemeral. Sometimes it will flow past you, clinging to you and caressing your every sense, and at other times it will simply be gone - and its very presence will seem as if it were fleeting. The entire world exists within a single moment, and each moment experienced in the world of Gekkeiju no Kōyu is unique; oddly beautiful and awe-inspiring.

Shikai Appearance: Reject Death, Gekkeiju no Kōyu. [死拒否, 月桂樹の香油 Shi Kyohi, Gekkeiju no Kōyu.]

Upon uttering the release command, the leaves that make up the sheath of Gekkeiju no Kōyu scatter into the wind, and Senkō must swing the Nodachi in a complete and uninterrupted circle around herself: Something easily possible with her swordsmanship skills. The blade glows, for a brief second, with her auburn reiatsu. This is the key to her Zanpakutō being released, and as she continues the fluid swing around herself laurel leaves appear within the nodachi's form and suddenly float into the wind, kept in orbit around Senkō while she continues to move. Very quickly, almost the entire blade is reduced down to an oblong exactly one leaf thick, and four feet long. The hilt shrinks to accomodate the smaller blade, as does the Tsuba, and a flurry of laurel leaves are left around Senkō's form.

While in Shikai, the nodachi that is the sealed form ceases to be, becoming a blade exactly one leaf thick, and made of the laurel leaves that give Senkō's Zanpakutō its namesake. This blade is extremely sharp, and boasts one of the highest cutting powers in Seireitei if only for its form. The true beauty of her Shikai, however, is the fact that the "paper-thin blade" she boasts is constantly alight in the auburn flames that the leaves are coated in in her inner world.

Shikai Abilities: Upon releasing her Shikai, Senkō's reiatsu is (obviously) increased, and her spiritual pressure becomes more intense than it normally is, almost to the point of causing lieutenants to simply choke if they are too close to her. When Gekkeiju no Kōyu is released, the majority of Senkō's reiatsu is converted into laurel leaves, except for the reiatsu in her ring, and she becomes surrounded by a seemingly infinite flurry of laurel leaves. These leaves are physically unable to move within one foot of Senkō at any given point without her direct consent, and will be repelled by her unless she wills it so. These leaves are somewhat sharp, but cannot be used to the extent that Senbonzakura could be. They lack the offensive capabilities of Senbonzakura, but are very powerful defensively, allowing Senkō to essentially shrug off most Hakuda and Kidō attacks that she can keep up with by shielding herself with the leaves. Rather than be the normal shade of green laurel leaves are, these leaves are the same colour as those of her blade and in her inner world, but do not glitter with the auburn flame like the blade does. Releasing her Shikai does not convert any reiatsu stored within the Kōshitsu no Kekkon Yubiwa to laurel leaves, however, releasing reiatsu from it while in Shikai will create more leaves.

Hankō [Defiance]: Normally the conversion of one's reiatsu into another form would lessen the user's spiritual pressure. This is the opposite case for Senkō: The more laurel leaves that are touching an opponent, the greater her Spiritual Pressure becomes, and none of it fades from her conversion of her reiatsu into leaves. She can choose who to affect with her almost monstrous spiritual pressure, and can choose whether or not a victim feels the pressure at an increased level if her leaves are present upon their body.

Hi o Senjō [Cleansing Flame]: The nature of Gekkeiju no Kōyu is not inherently harmful. The leaves that the blade creates are intended to heal, not harm, and their presence alone is enough to soothe wounds. By "burning" leaves that are attached to an opponent, the reiatsu from the leaves is gradually consumed and heals whomever Senkō wishes, at a rate appropriate to the number of leaves burning on the being. These leaves burn with a silver flame while healing an opponent, with the flame becoming more and more golden as the victim's wounds decrease.

Shizukana Hi no Gishiki [Rite of Tranquil Flame]: Senkō is able to burn the laurel leaves with an azure flame, creating a protective barrier around an area where the burning leaves are physically touching. This barrier expends almost no reiatsu over time, but will suffer losses when it takes damage. As an added effect, all Kidō within this barrier (if it is spherical or hemispherical) are strengthened by its presence: especially healing Kidō.

Iyashi Hai [Soothing Ashes]: When any of Senkō's leaves burn, they leave behind an auburn ash. This ash has powerful curative properties, acting as a powerful painkiller, antibiotic and antidote if inhaled, or aiding the recovery of wounds that it is rubbed into. However, these ashes have purpose twofold, and are able to augment Kidō when they are present at their casting. This is especially powerful for fire kidō, but does consume the ashes like their ingestion would.

Kenshin-En [Selfless Flame]: Whenever the leaves are exposed to foreign reiatsu, Senkō may have them burn with a black flame, consuming both the victim's reiatsu and the reiatsu of the leaf burning it. This obviously consumes the leaf, but affords Senkō some leeway in the event of attacks reaching her.

Gekkeiju no Todoku [Reach of the Laurels]: Senkō is able to form any shape from the laurel leaves that surround her, usually simple blades, by making a grabbing motion near laurel leaves. These "blades" are easily as hard as her Zanpakutō blades, and can be dispersed and reformed at will. This gives her already potent Zanjutsu skill an extra edge, something that truly crowns her as a true master of swordsmanship.

Junkyō no Tsumi [Sins of the Martyr]: Senkō causes the leaves on an opponent to burn with a dark red flame. This causes an effect quite opposite to the norm of Gekkeiju no Kōyu - every wound that the victim has ever suffered gradually reopens, every sensation of pain is violently relived as the flames continue to burn. The longer these flames burn upon an opponent, the more the effect compounds. These leaves do leave behind Iyashi Hai, but the ash will only aggravate wounds and dampen the victim's reiatsu.

Bankai Name: Gekkeiju no Kōyu: Uchimitsu [月桂樹の香油:内光, Balm of Laurels: Light from Within]

Bankai Appearance: To enter Bankai, Senkō must flock her remaining laurel leaves to the blade of her Zanpakutō. Upon meeting the blade, each leaf will be surrounded by the same flame that consumes the Zanpakutō in Shikai, and the blade will reform as a much larger sword, still one leaf thick, albeit made of laurel leaves set alight with an auburn, glittering fire. This blade is extremely powerful, and boasts one of the highest "cutting powers" in Seireitei while in Bankai. Upon the blade being formed, Senkō must swing it in a complete circle around herself, leaving a trail of the flames, which then fully releases the bankai. In a flash of auburn, Senkō's reiatsu is all but gone to all but the very best of sensors and a much, much larger mass of the leaves are created. Senkō's appearance changes somewhat while in Bankai, and one can see a glow the colour of the flames behind her eyes and, should one look at her from a distance, throughout her entire being.

Bankai Abilities: In Bankai, Senkō gains even more leaves than she did in Shikai, at least quadrupling the original amount that she had, and repleneshing any that were consumed. Her physical strength is increased while in Bankai, as is her ability to use Kidō.

Honō ni Hankō [Defy the Flame]: While Senkō's spiritual pressure is already extremely powerful while in Shikai, in Bankai her spiritual pressure becomes so monstrously powerful that even captains are hit by its sheer weight. While it does not choke them like it would a lieutenant, it is certainly a very noticeable effect. While any of Senkō's abilities are active - that involve her leaves burning - this spiritual pressure is amplified should she focus it onto a person proportionately to the amount of burning leaves. Should but a few leaves be burning, with intense concentration Senkō can immobilise Shinigami of even Captain rank, and with many more burning she could completely halt someone of equivalent power to herself.

Tsuranuki-Kō [The Light that Pierces]: Whenever Senkō's leaves are physically on a Shinigami, be it clothing, their body or otherwise, their reiatsu is increased to 1.2x its normal level. This scales upwards, with the second leaf giving them a total of 1.4x their normal reiatsu, a third 1.6x and so on and so forth. For each leaf on an opponent, the same glow that Senkō has in her eyes will appear and grow on whomever the leaves are touching. Whenever a Shinigami has five times their total reiatsu by this effect, their reiatsu becomes too high for their body to handle, and the glow becomes so intense that the victim literally disintegrates themselves from the force of the reiatsu within them, instantly killing them.

Hikari Eien [Light Everlasting]: Every strike of her blade that hits a Shinigami, or whenever the Iyashi Hai is applied to a Shinigami, leaves a sheer white glow that effuses throughout the Shinigami's very being. The more strikes they suffer, or the more the Iyashi Hai is applied, the stronger the light becomes. This light, while Senkō maintains her Bankai, will never leave, and based on the amount of light effused within the Shinigami, Senkō's abilities are more powerful against them. This applies both harmfully and beneficially.

Akegata no Hikari [The Light of Dawn]: Instead of burning her leaves, Senkō may instead add to the glow that the Hikari Eien effuses within a being. This leaves behind a special kind of Iyashi Hai, one that is silver instead of auburn, and causes vastly more healing depending on how strong the Hikari Eien is within the recipient.

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Hyakune, Kyoko


[center]



Full Name
Hyakune su Jikangai, Kyoko

Alias
The Genjutsu Mistress; Kyoko, Architect of Thought

Occupation
Kyoko is currently standing in for the Mizukage.

Gender
Female

Age
36

Sexuality
Bisexual; Prefers Women



Birth Country
Kyoko was born outside of any village, in the Hyakune Clan Compound.

Current Village
Kirigakure

Affiliation

Kyoko’s interests are her own, but she has connections to Jikangai, Kinjiro and the Immortal Scions, as well as the Hyakune Elders.

Shinobi Rank
Kage-level Ninja (S)



Personality
Kyoko is a difficult character to explain as her personality adapts to situations and individuals rather than remaining static. As an extremely talented manipulator whose talents lie almost exclusively in her ability to change the perceptions of her allies, friends, and enemies Kyoko is capable of acting the part for any role that she is called upon to play. She can be cold and unfeeling, or she can be warm and empathetic, she can be insightful and wise or naive and ignorant - all of these acts are tools, and she makes liberal use of them depending on how she wishes to be seen. A woman of many disguises is prone to losing track of the constants of her own personality, but Kyoko has certain traits that define who she is and what she does on such a fundamental and inherently necessary level that she will always retain some level of individuality.

Kyoko is a deeply loving person, and the majority of this love is focused upon her sister. Her self-imposed exile is all that keeps her sister intact, and though it pains her greatly to be away from the person she is closest to in this world she knows that it is a necessary evil and feels both the overwhelming sorrow of her loss and incredible ecstasy that her sister is alive and well for as long as Kyoko does not interact with her. Kyoko's love for her sister is indeed so strong that she has no room for love of another in her heart, and though she makes genuine friends she will never take a lover who could replace or intrude upon her sister's place in her heart. Another of Kyoko's inherent traits is her almost legendary intellect - she carries with her the spark of true genius that can never truly be repressed, even if she can fool most people, true genius is impossible to ever truly hide from another. With great intellect comes a great perception of things other people cannot understand, and being separated from her sister has left Kyoko with nobody to share these burdens with. Kyoko is occasionally driven towards a deep melancholy, but always sees the light and returns to normalcy with time.

Despite her great love for her sister, Kyoko is still a Hyakune and still has morals and values that are typically viewed as unsavoury by most. Her self-worth is a constant, but her value of others is largely determined by the power they wield and how they wield it - those with the most power and least inclination to use it earn her ire, as do those with little power and fewer aspirations - but her ire is likely something they will never see for as long as they can be useful, and the last thing they see when they have outlived their usefulness. Kyoko believes firmly in power and knowledge, and while she is very accepting of those who consign themselves to a life of mediocrity as circumstances dictate or simply for a lack of ability to succeed she is the opposite for those who can but do not.

Kyoko seeks knowledge at all cost, especially that which is forbidden, not only to save her sister but also to ensure that the power of eld is never lost and never abused. She will have multiple agendas at any given point, and she will betray and backstab all who get in her way, but she sees these things as small prices to pay for the greater good that she can bring to the world with the knowledge and power that she accrues. It is often said that those who do evil things do not believe that they are evil - Kyoko is no exception to this, and genuinely believes that she is the best person to wield forgotten powers in order to preserve them and protect the greater good. While Kyoko may not agree on the definition of "greater good" with many individuals, she is a fundamentally good person at heart who legitimately believes that the end justifies the means, and she is willing to pay the price that most are not to further herself and keep the world safe.




History

[I]The Hyakune clan have, for ages, been the stewards not of a single style, but of many. In fact, their name, Hyakune [百根; One Hundred Roots], was made in homage of the core principle of the clan - Each member would be unique, each would take one of the many roots available to it and grow outwards, away from any of its brethren, but still connected at their very core. Before the clan were even introduced to the concept of Ninjutsu, or chakra at all, they trained themselves in as many arts as they knew how, each member of the clan becoming an authority on their chosen style. This left the clan in an odd state of simultaneous weakness and strength; while the clan members were too focused as individuals to cover their glaring weaknesses, when the clan moved as a cohesive group they were nigh unstoppable simply because they, together, knew so much more than any other clan when it came to the scope of technique. Such was the way of the clan, as its founder Sōgyō-sha had dictated.

Sōgyō-sha had believed - firmly - that weakness should be purged from his sons and daughters at as young an age as was possible, and in his wisdom (and cruelty) he developed a system for which the clan would be raised by, and a system for which the clan would be governed. By nurturing the child's journey from childhood to adulthood with the intention of purging them of weakness, and then foisting them directly into a position of power beyond the scope of their experience, he brought much heartbreak and suffering into the world, and not all of his children survived the rigorous training... But those who did emerged as stronger beings than their lesser brethren, leading the Hyakune clan to heights that others could only dare to reach out to. Children were raised as if in a collectivist society, in which they would all grow up together with no separate households, but largely without the traditional maternal and paternal influence that was expected of such a society. Instead, the mothers and the fathers of the children would train them in the various arts that they had found themselves attracted to, and children would practice everything they could until they found something they had an affinity for - or better - made a new style of their own. To make a new style of one's own was considered to be a sign of future greatness, and such children were lifted from the terrible conditions in which they lived before into greatness, to nurture their talents and to ensure that the Hyakune would always expand, and always grow.

The children, once they reached the age of eight, would quickly become devoid of typical maternal and paternal influences, and were also deprived of guaranteed resources. There was plenty of food in the clan compound's pantries, but the children were forbidden to simply walk in and take what they wanted. The children had to steal, without being caught, and would eat only what they could earn - those who learned to adapt to their harsh conditions were empowered, but some children died from starvation. Pity was not something bred into the members of the clan, after all. The children of the Hyakune believed in one core mantra throughout their childhood, one truth that empowered them: "The crime is not in taking whatever actions you must, but in being caught doing so.". After training for 14 hours a day, every day, for 6 years, the children that had not found their unique talents in the clan were resigned simply to follow what was established and had appealed to them most. They were not disrespected, per se, but they were rank and file. They were unimportant.

Those who forged a new path, who contributed to the growth of the clan, were thrust into positions of power that they had no experience in - they were made an elder of the clan. The clan's "legal" system, as it were, involved a circle of elders who had marked themselves as great individuals that made requests and then voted on their implementation, not unlike the jury at a court. The eldest male and eldest female were collectively the judge of the clan, and had ultimate power should such a need arise. Life on the Council of Elders was a tough one, as every action and non-action had consequences that the rest of the clan would have to face. The once-children who had been born for greatness had power beyond their stations forced onto them, and they either learned quickly or were killed by people who loathed their inability to take action (or their tendency to take the incorrect action.)

Children who survived all of this, who survived every trial put before them, would emerge as the pinnacle of the human world, they would emerge capable leaders with immense, and unique, fighting skills that would put them far above mere mortals, and they could do anything in the world that they so chose... Until the dawn of the Rikudo Sennin. The advent of Ninjutsu, and of Kekkei Genkai, changed the Hyakune clan immensely, for the secrets of their blood were unlocked, and its members found even more avenues to specialise into. With other ninjas rising, and clans coming to fruition, the Hyakune clan were forced to train even more than usual in order to keep up with the flood of Ninjutsu that echoed throughout the world. They belonged to no major village, but their services were offered freely to all as mercenaries, and it is said that each Kage of each village has called upon at least one member of the Hyakune clan in their time of need once. Whether or not such is true is a point of contention, but one thing was certain: The Hyakune clan were walking on thin ice, and in order to persevere, they would have to become the best at an art in which they had no particular advantage.

That was, until, the Hyakune clan realised the extent of their bloodline. Unlike most clans, the Hyakune's bloodline was not singular, it was not one static ability that each of its members possessed. Even their blood, it seemed, followed the clan's founder's vision. Their bloodline, the Tōsei no Eien [Eternal Control], manifested itself as an exceptional level of control over the user's chakra, which often manifested in the form of an aura around the user, an extension of their chakra systems outside of their body. Each member expressed it differently, due to their own personal DNA affecting the bloodline (as the Tōsei no Eien was not on a single chromosome - how the other chromosomes were formed had differing effects on the actual expression of the bloodline, but due to the relative positions of the genes (which remained constant) the bloodline kept its basis). Unfortunately, this meant that each member had to learn their bloodline alone, with no aid from members who expressed a similar bloodline, and the Hyakune's attention was divided as its members struggled to subjugate their new power, as well as practice in the arts of Ninjutsu and Genjutsu. The clan was already markedly proficient at Taijutsu and Kenjutsu, but in a world where Ninjutsu existed, such was not enough to succeed.

Time passed, and as the Rikudo Sennin died and his legacy was divided, the Hyakune took their training further, as a new generation had had time to be born with Jutsu and their Kekkei Genkai. This new generation was quick to subjugate the power that flowed through them, and the Hyakune clan was raised once more to among the top clans of the ninja world. They tentatively allied themselves with Konohagakure, building a new compound there for their older members, and became productive members of the village, providing it with protection in its times of need, and able workers who were much more efficient than the peons that they would have used otherwise. Their assistance came at a steep cost: The Hyakune would be above the law of the village, preferring to keep to their own council of elders, and these terms were agreed to. The newer members of the Hyakune clan remained at their old compound, around 15 miles from Konohagakure, training as they always had for the dawn of a war that nobody could see coming.

Hyakune, Kyoko began her life unlike many of the Hyakune. Most come into this world alone, brave it alone, and die alone with naught but scribbles in books and fleeting memories to acknowledge that they had ever existed in the first place - but Kyoko came into this world with another, with her twin sister Kagami, and the bond of birth was strong enough to overcome the crippling loneliness instilled in most members of the Hyakune to condition them towards a life of combat and treachery. Until the age of eight, many members of the Hyakune live a life good by many standards - they are loved and nurtured by their parents, fed well, and build strong relationships with one another.

At the age of eight, this changes, and the fledgling Hyakune are ripped from the world they know to undergo training to become a member of the Hyakune proper. Most siblings cease thinking of one another as intimately familial, instead considering them to be simply another clan member, but Kyoko and Kagami could not be separated despite the best efforts of their trainers. Such corner cases were rare in the Hyakune, and the Elders decreed that breaking the bond was significantly more difficult than strengthening it in service to the clan. Kyoko's talents lay within her fantastic mind, her ability to manipulate the knowledge she gleaned far beyond most of her lesser brethren (and even more so than some of the Elders, even at a young age) - but she could not work chakra in the same way that the other Hyakune could. Kagami's talents were precisely the opposite of Kyoko's, her talent for manipulating her aura and chakra as a whole was far beyond anything her cousins could have ever hoped to achieve.

Normally, Kyoko's lack of prowess in the field of Ninjutsu would have sentenced her to domesticity or death - but Kagami took her place in many of the tests that required a manipulation of chakra and she was spared the wrath of the Elders for a time. As she came into her own, Kyoko realised that her ability to manipulate people was more than it seemed, and she learned that the path of Genjutsu was her destiny. It did not take Kyoko long to apply her studies of chakra control to her natural aptitude for Genjutsu, and she unlocked the true power of her Kekkei Genkai - a trait that most Hyakune did not achieve until adulthood. It was not mere coincidence that Kagami also unlocked her true power that same day.

The Elders decreed that the two would undergo a dangerous mission to prove their loyalty to the clan, and that if they returned they would be allowed to join them not as fledglings, nor as rank and file Hyakune, but as Elders. Such a prospect was treated with much suspicion by Kyoko - she wondered what precisely could possess the Elders to offer such an illustrious position to two as young as they, and what the mission they were about to undertake would entail. Kagami was all for the mission, and Kyoko could only think that her sister saw the glory and not the trap offered by the Elders - but to refuse them was certain death, so they accepted and were sent to Kusagakure to meet with an emissary that wished to trade with the clan. Kagami and Kyoko travelled to the destination and came face to face with none other than the leader of the Immortal Scions, Jikangai, Kinjiro.

Kinjiro explained that the Hyakune had offered their best and brightest to her in exchange for thrice their weight in gold - for the burgeoning clan, this would give them a considerable head start - and that Kagami and Kyoko were to be the toll that the clan paid. She explained who she was, what she did, and gave them a history of her clan and even of the conception of chakra (questions that had always burned deep within Kyoko's mind), and offered them the chance to willingly join her as equals rather than as slaves. For the first time, Kyoko and Kagami were of differing opinions. Kagami was enraged by the elders' willingness to sell the twins, and demanded that they pay due reparations for their misdeeds, whereas Kyoko believed that Kinjiro could offer a far brighter future than the Hyakune could ever have offered either of them. Kyoko was quick to point out that the clan had tried to separate them, and had only ever allowed them to be together under terms befitting the capricious nature of the Elders - that with Kinjiro, they could be free of those shackles and live as equals with more power than the Hyakune Elders could ever have known.

Kagami agreed, but beneath it all her heart longed for the vengeance and justice denied to her. The pair accepted Kinjiro's offer, and were introduced to the world of the Immortal Scions. After receiving the Gift of Immortality, the pair were set to work using their unique chakra auras to research chakra on a level that their Jikangai colleagues had been unable to beforehand. It was later revealed that Kyoko's Kekkei Genkai afforded her a natural inclination towards the potent sealing techniques of the Jikangai, and she quickly became a favourite among the group. Kagami's talents were useful, but as she had no talent for fuuinjutsu she was not nearly as prized as her sister. Kagami quickly became jealous, and sought other secrets to keep level with her sister as she always had. Years and years passed, and though Kagami grew as powerful as Kyoko did under the tutelage of the Jikangai, she was not favoured nearly so much and largely spent her time with Kinjiro, who offered training that the other Immortal Scions could not offer.

Kyoko knew little of Kagami's activities in the light of the overwhelming amount of research she conducted, and though she tried to connect with her twin, she found that Kagami slipped further and further away each day. Rangether than bring these concerns to the now-distant Kagami, Kyoko asked Kinjiro if she had any explanations for Kagami's behaviour. Kinjiro was remarkably forthcoming, telling Kyoko of the progress that she had made and the bonds that she had been able to create that her sister could not - and her sister had increasingly sought new sources of power to keep up with her as the pair had always tried to be equals. Kyoko attempted to reconcile with Kagami, only to find her missing from her quarters and from the laboratory as a whole. Kinjiro had not sent Kagami away, and both became increasingly concerned with the disappearance of by all rights an extraordinarily powerful ninja.

It was discovered, after several weeks of searching, that Kagami had breached Kinjiro's inner sanctum and stolen from her an artifact of great power - something that had been locked away for good reason. Kyoko expected Kinjiro to be furious, to excommunicate Kagami and herself both, but to her surprise the serpentine woman offered sympathy and a chance for redemption. She would help Kyoko find Kagami and return her to the path of the Immortal Scions - after all, the two were extraordinarily powerful and had fit in remarkably well despite Kyoko's higher popularity taking most of the attention. Kinjiro desired that power to be under her command, and Kyoko desired to save her sister from whatever force was consuming her.

For many years Kyoko searched, using her ability to manipulate and deceive people in order to extract information as to the whereabouts of her sister before every lead was exhausted and she turned to the last people that could possibly have known where Kagami had found herself: The Hyakune Elders. Kyoko's return was met with much mistrust, and she was granted an audience only after incapacitating every able member of the Hyakune who could have stopped her. Each Elder was offered a chance to co-operate, and each refused, before Kyoko extracted all information from their minds and left them none the wiser that she had ever visited. The Elders knew nothing of her current whereabouts, but offered the information that several of the extant Hyakune scouts had failed to report back and had likely been murdered. It was unlikely that the locals had killed them as Hyakune scouts were notably difficult to find and more difficult to kill, so Kagami's intervention (as she was the only rogue Hyakune to Kyoko and the Elder's knowledge) was the most promising lead she had, all things considered.

Some weeks later, Kyoko found herself stalking the trail of her twin sister. The scouts had been murdered in a way that suggested Kagami's distinct glass-based style and it looked like the murders were conflicted - Kagami's style had always been brutal, yes, but it was efficient and quick. Her kills were swift and painless, not the tattered mess of blood and glass and bone that Kyoko had discovered. Had Kagami gone mad? Had she snapped at whatever it was in Kinjiro's lab that she had found? Questions upon questions raced within Kyoko's mind, and the trail had been haphazard, hard to follow - it was mostly subtle memories of stolen glances, a hooded figure in the periphery, and the details were hazy. Still, it was a track to follow, and it was better than nothing.

Kyoko found Kagami weeks later, about to murder another Hyakune scout in the area. Though it was easy to distract her enough for the scout to escape, Kagami soon turned her full attention to her sister - and what Kyoko discovered unsettled her greatly. There was no look of love, of guilt, of sorrow - her eyes were empty, vacant, as if the body was simply a shell stripped of what had made it Kagami, of what had made her sister. A fight ensued, and though Kyoko was gravely injured she managed to subdue Kagami with potent sealing techniques given to her by Kinjiro. After summoning Kinjiro to the location and being healed, Kinjiro offered an explanation after confirming for herself what had happened.

Kagami had stolen a scroll that sealed an extradimensional entity called the "Kyōmen no Oni", the Mirrors' Surface Demon and taken its power into herself, which had complimented her own glass-based style of combat remarkably well. The demon wrestled with Kagami, struggling to take control of her body, and though she had largely resisted and kept her individuality for the time being, it was only a matter of time before the demon won and Kagami was lost forever. The demon could not be resealed without killing Kagami, and though Kinjiro was willing to pay the price, Kyoko could not desert her sister. She worked with Kinjiro to seal the demon deep within Kagami, to allow her to live her own life, but she was they key to that seal - for Kagami to live, she would never be able to meet Kyoko again. With the scroll returned (and thus its power free of the plague of the demon it contained) Kinjiro offered refuge to either Kagami or Kyoko - Kyoko chose to leave, to keep her sister safe, and would operate on the surface world. Though she did not fully trust Kinjiro, she had been remarkably kind to her and the time they had together was something she cherished. Kyoko left Kagami in her hands, and though she was bound by no covenant she offered her services in exchange for knowledge and power - a deal that Kinjiro was all too happy to accept.

Now, Kyoko roams the surface world searching for lost knowledge in the hopes of driving back whatever possessed her sister, or finding something to allow her to wrestle the demon within and subjugate it that she may reclaim her body. In order to gain access to the level of information required, however, Kyoko had to develop a keen interest in world affairs. She discovered a potential lead within Kirigakure, but after the murder of the Mizukage Kyoko stayed to try to keep the village stable in the advent of its civil war.



Chakra Nature(s)
Kyoko has no natural affinity for a chakra nature due to being completely unable to use Ninjutsu of any variety. As a true Genjutsu prodigy, she has a strong affinity for Yin chakra.

Abilities and Special Traits
Kyoko is among the most proficient genjutsu users alive, easily able to put her foes under genjutsu to control and manipulate their mind. She is able to use these genjutsu in combat to err her foes’ judgement proficiently.

Kyoko has savant-level intelligence, and her IQ is easily 180+. She is one of the most powerful minds of her generation, able to process complex tactics easily as well as discern the strengths and limits of techniques she sees due to her vast knowledge of techniques as a whole. Kyoko is perceptive to the extreme, able to see things lesser people would miss and make bridges of logic to discern reasoning where none seems to exist.

Kyoko is possibly the most skilled manipulator in the world, able to use her natural charm and wit, as well as her body to coerce almost anybody into trusting her, where she is then able to bend them to her desire.

Kyoko is, after her extended training with the Jikangai, quite proficient at Taijutsu. She is easily able to stand toe-to-toe with experts and could fend off masters, though she would have extreme difficulty in combatting raw strength and superior technique. She has learned the Wing-Chun style, and with her incredible mind mastered it within the 6 years she has been practicing. The training given to all Hyakune clan members has also refined Kyoko’s taijutsu skills and her general fitness.

Kyoko is able to create Jikangai Primer Seals in order to utilise their sealing techniques, but cannot create new Jikangai-based seals.


Weapons, Tools and Equipment

Name of Weapon or Item: Kuroi Kamen [The Black Veil]
Location: On Kyoko’s head at all times.
Owner: Kyoko Hyakune su Jikangai
Rank: A

Description: The Kuroi Kamen is a black veil that is comprised of two bolts of cloth. Each of these bolts are sealed to allow no passage of chakra into them, but to allow chakra out, and are surprisingly difficult to cut through [they resist most swords easily]. In addition to this aspect of the veil, it is also a mask that covers Kyoko’s ears, mouth, nose and eyes. This mask is covered in seals that filter out any harmful substances that would enter Kyoko’s body, in addition to dampening any particularly loud sounds or sounds designed to have an adverse effect on the body.

Kyoko carries with her, at all times:

- 25 Kunai, each marked with a Kyōsei Keiyaku Kuchiyose no Jutsu seal

- 100 senbon, standard size, in a canister attached to a belt on her waist on her left side. These senbon are coated in a paralytic venom of Jikangai, Kinjiro’s creation (the venom has no known antidote, but one could be synthesised by a medical ninja of sufficient prowess). The venom lasts for 24 hours and only interferes with the somatic nervous system.

- A scroll containing a Kyōsei Keiyaku Kuchiyose no Jutsu that, when she places both of her hands upon it, immediately reverse summons her to her home. [Cannot be used in combat]

- A scroll containing a large volume of books with various sealing formulae and lists of techniques she has encountered in the past.

- A scroll containing several bottles of ink, several quills, and a stack of loose parchment imbued with chakra.




【Kekkei Genkai】

Tōsei no Eien; Tenchi Gensō

Name of the Kekkei Genkai: Tōsei no Eien; Tenchi Gensō [Eternal Control; Heaven and Earth Illusion]
Type of Kekkei Genkai: Chakra Augmentation and Genjutsu/Fūinjutsu

Clan: Hyakune

Rank: A

Description: The Tōsei no Eien is a potent Kekkei Genkai that manifests differently in each of its bearers. Throughout the entire Hyakune clan, however, some effects are universal: All members of the Hyakune clan have gained an "aura" of chakra, usually spanning approximately 20 feet in radius. Their chakra system has been "extended" outside of their body, and the aura is of extremely weak chakra but the fact it exists is enough for the members of the clan. In addition to this aura, the user gains chakra control almost to the pinnacle of chakra control with training. This aura allows the user to exert their almost complete control over their chakra onto foreign [loose, not inside a body] chakra that enters it. It can be dampened to reduce its effectiveness, or it can be bolstered by the user's chakra to increase its effectiveness. The user's aura essentially makes the area in which it spans a "network" in which they may move their chakra, and thus entire jutsu, with ease, allowing them to start the jutsu at any part within the aura. Some techniques, such as genjutsu, can be forced upon victims if they are simply in range of the aura.

Tenchi Gensō

The Tenchi Gensō is a potent evolution of the Tōsei no Eien, one which holds sway over the realm of Illusion and Seals. Through the Tenchi Gensō, the user is easily able to lull people into genjutsu as long as they are within the chakra aura, and minor [B-Ranked or less] genjutsu can be forced onto an opponent simply by pointing at them. The true strengths of the technique lie in its subtle abilities to manipulate illusions, as well as blur the boundary in the mind that separates illusion from reality. Some genjutsu are simply too "fake" for the mind to accept as real. When this natural reservation, this natural barrier is breached, the victim of a genjutsu will believe it to be real regardless of initial apprehension. This does not make the illusions infallible, it merely removes initial apprehensions as to the genjutsu being false. Logic and reasoning can eventually overcome the breaching of the natural barrier, but this undoubtedly makes the genjutsu many more times more potent. This aspect of the Kekkei Genkai is: 地 [Chi; Earth], the mortal coil.

The second aspect is 天 [Ten; Heaven], the aspect transcending the mortal plane. With Ten, two things happen: Kyoko transcends the traditional plane in terms of genjutsu, and can no longer become subject to any genjutsu bar her own under any circumstances. Much as a two dimensional shape cannot interact with a three dimensional shape, the primitive genjutsu of the mortal coil are unable to interact with Kyoko. The second aspect of "Ten" is that she becomes able to influence genjutsu on the mortal plane, as well as her own, as long as they are within her aura. She is not able to hugely alter them, mind, she is only able to change subtle aspects and mould them to her will within their natural progression - she could, for example, choose between whichever torture methods she so chose within a genjutsu designed to torture, but could never alter a genjutsu that lulled the opponent to sleep to them burning alive.

Weakness: However, this aura comes at a steep cost: As the Kekkei Genkai manifests and the user gains their unique version, they are locked into that "version"'s jutsu style and become unable to utilise their chakra for anything outside of it. Kyoko's Tenchi Gensō has locked her in to the fields of Genjutsu and Fūinjutsu, and she is unable to use her chakra for any purpose outside of this bloodline, genjutsu or fuuinjutsu.

Canon Jutsu

Kyoko is proficient in all canon genjutsu not tied to a kekkei genkai.

Custom Jutsu

Name of Technique: Saimin Suimin [Hypnotic Sleep]
Type of Jutsu: Genjutsu; Fūinjutsu
Rank: A
Range: Touch; Eyesight; Tōsei no Eien
Nature Type: N/A
Handseals: N/A

Description: A potent delayed Genjutsu that will activate upon Kyoko willing it. Kyoko manifests a seal on her opponent that they cannot perceive by any means until it is brought to their attention (this can only be done through touch). At Kyoko’s command, the seal activates, and the Genjutsu begins to activate.

Targets affected by the Saimin Suimin are lulled towards a state of half-sleep, immediately separating their somatic nervous system from their control as they fall asleep over the course of thirty seconds. Unlike most Genjutsu, Saimin Suimin does not require any additional input from the user after its effects have taken hold, and the user is able to take other actions for its duration.

The Genjutsu is naturally removed after the target falls asleep, and the lingering effects of the seal prevent the target from being awoken for an hour after the genjutsu has taken hold, after which time the seal naturally dissipates. If the seal is removed prematurely, the target will wake up. Kyoko cannot attack sleeping targets with this seal.

Weakness: Something something dark side.

Name of Technique: Ome Itetsuku [Vision Freeze]
Type of Jutsu: Genjutsu
Rank: D
Range: Touch; Eyesight; Tōsei no Eien
Nature Type: N/A
Handseals: N/A

Description: Ome Itetsuku causes the target’s vision to become locked into the instance it was viewing as the genjutsu was used. If the target was looking at Kyoko against a white background, for example, the target would only see that single image until the genjutsu was dispelled. Ome Itetsuku can be applied if the target is looking at Kyoko from any distance, including up to an additional twenty feet outside of the Tōsei no Eien due to its simplicity.

Weakness: N/A

Name of Technique: Shūhen Kagizaki [Peripheral Tear]
Type of Jutsu: Genjutsu
Rank: D
Range: Touch; Eyesight; Tōsei no Eien
Nature Type: N/A
Handseals: N/A

Description: The Shūhen Kagizaki creates a tear in the victim’s peripheral vision, meaning that they can never truly focus on the tear due to it being in the peripheral vision, but it will always be just out of sight. The tear manifests itself as an appearance of cracked glass, and is highly disorienting – even the most adept sensor nin will not be able to glean any information from their peripheral vision.

Weakness: N/A

Name of Technique: Tsu no Hikari de Ni [By the Light of the Sun]
Type of Jutsu: Genjutsu
Rank: C
Range: Touch; Eyesight; Tōsei no Eien
Nature Type: N/A
Handseals: N/A

Description: Tsu no Hikari de Ni causes the opponent to no longer be able to see by the light of the sun. Any light provided by the sun will become absolute dark to the victim, and they will be forced to use artificial light to be able to see through the absolute darkness.

Weakness: N/A

Name of Technique: Zenkei Ome Itetsuku [Panoramic Vision Freeze]
Type of Jutsu: Genjutsu
Rank: C
Range: Touch; Eyesight; Tōsei no Eien
Nature Type: N/A
Handseals: N/A

Description: Much like the normal Ome Itetsuku, however, the Zenkei Ome Itetsuku causes the entire landscape around a user to be frozen in place rather than the sole image they were concentrating on at the time.

Weakness: N/A

Name of Technique: Gensoku Jikan [Slowed Time]
Type of Jutsu: Genjutsu
Rank: Z
Range: Touch; Eyesight; Tōsei no Eien
Nature Type: N/A
Handseals: N/A

Description: The Gensoku Jikan is a peculiar genjutsu allowing Kyoko to control an opponent’s sense of time. She is quite proficient with this genjutsu, able to distort the victim’s sense of time so much that one second becomes fifteen minutes - their mind is overloaded with sensory information but the body cannot keep up, effectively slowing them to a crawl and leaving them virtually unable to act. This also causes every one second of genjutsu Kyoko, or any opponent, uses on the victim to be amplified in terms of time, making them more powerful. Kyoko and her target are both immobilised for the duration of the genjutsu unless an Eien no Inkan maintains the Gensoku Jikan. Kyoko cannot attack targets under the effect of Gensoku Jikan, except with Genjutsu and Fūinjutsu.

Weakness: N/A

Name of Technique: Shosai no Kogeru [Burning the Libraries]
Type of Jutsu: Genjutsu
Rank: B
Range: Touch; Eyesight; Tōsei no Eien
Nature Type: N/A
Handseals: N/A

Description: This genjutsu, simply enough, allows the user to erase memories so long as they know the memory they wish to erase. In addition, the user may create mental blocks that prevent the user from accessing specific memories.

Memories erased by Shosai no Kogeru cannot be recovered by any means, as the memories are completely forgotten and their chemical traces removed by natural means.

Weakness: The blocks can be overcome with great concentration [not pragmatic in a battle situation].

Name of Technique: Rei Yakedo [Spirit Burn]
Type of Jutsu: Genjutsu
Rank: A
Range: Touch; Eyesight; Tōsei no Eien
Nature Type: N/A
Handseals: N/A

Description: Rei Yakedo causes the target to feel an exceptionally intense burning pain throughout their entire chakra system (and thus entire body) whenever they expend chakra, but does not otherwise affect the opponent. If the target comes within 20 feet of Kyoko, she can instead cause the genjutsu to create the sensation of pain continuously for up to one minute. All but the most hardened of ninja will pass out from the pain caused by Rei Yakedo if it is allowed to cause pain a number of times in rapid succession. Rei Yakedo lasts for up to one minute, excluding any time in which it is activated within 20 feet of Kyoko.

Weakness: The genjutsu can only be placed once every five minutes.

Name of Technique: Hakujitsumu [Waking Dream]
Type of Jutsu: Genfuuinjutsu
Rank: C
Range: Touch; Eyesight; Tōsei no Eien
Nature Type: N/A
Handseals: N/A

Description: Kyoko brands her target with a seal that vanishes upon application, lying dormant deep within them until it is activated (from anywhere) by Kyoko creating a primer seal treated with the target’s blood.

When Hakujitsumu is activated, Kyoko takes control of their body and her own body is disabled, and Kyoko is able to control them for as long as she does not enter combat. She is unable to force the target to harm themselves, to put themselves into harm’s way or to harm another. The target shows no signs of being controlled outwardly, but sensor nin can detect the activation of their chakra and the presence of the seal. Kyoko retains all information gained from using this technique through the seals linking the target and Kyoko together.

For the duration of Kyoko controlling the target, they are trapped in a genjutsu that gives them pleasant dreams, and when the technique ends they awaken with no recollection of what happened during the technique’s duration.

Weakness: The target is able to break free from the genjutsu and end the effect prematurely if control is taken at a moment where they are alert, removing the seal completely. Other people are able to remove the genjutsu effect from the target (and Kyoko cannot stop them as she cannot enter combat while using the technique).

Name of Technique: Ishiki Zansuru [Sensory Banish]
Type of Jutsu: Genfuuinjutsu
Rank: A
Range: Touch; Eyesight; Tōsei no Eien
Nature Type: N/A
Handseals: N/A

Description: Kyoko manifests a complex seal on her target while simultaneously placing them under a genjutsu that completely eliminates their sense of Sight, Sound, Touch, Taste, or Smell. The Fūinjutsu is not visible to the target for as long as the Genjutsu is intact, and the Genjutsu cannot be removed by the target while the Fūinjutsu remains intact.

Weakness: N/A

Name of Technique: Gōmon [Torture]
Type of Jutsu: Genjutsu
Rank: A
Range: Touch; Eyesight; Tōsei no Eien
Nature Type: N/A
Handseals: N/A

Description: A versatile technique that places its target in an isolated room with a host of torture tools. Kyoko can use these tools in any way she likes, and pain cannot remove the genjutsu from the victim by any means. The only effective way to be released from the technique is externally, but those with an incredibly high pain tolerance are able to Kai out of the technique.

Weakness: Can be resisted if the victim is particularly strong-willed, but not while Saimin Suimin is active.

Name of Technique: Kyōzō [Mirror Image]
Type of Jutsu: Genjutsu
Rank: A
Range: Touch; Eyesight; Tōsei no Eien
Nature Type: N/A
Handseals: N/A

Description: A genjutsu that allows Kyoko to completely evade any sensory perception available to its target by creating a clone of Kyoko that they can track. For as long as the clone is alive within the genjutsu it will last, and the genjutsu is undetectable to the individual in question. The genjutsu can be brought to their attention by an external party, but due to its subtlety it is difficult to detect except by the most potent of sensory ninja.

Weakness: N/A

Name of Technique: In Somnis Veritas [In Dreams There Are Truth]
Type of Jutsu: Genjutsu
Rank: A
Range: Touch; Eyesight; Tōsei no Eien
Nature Type: N/A
Handseals: N/A

Description: In Somnis Veritas is a powerful interrogation Genjutsu, allowing Kyoko to directly access the target’s subconscious mind and memories with no interference from their waking mind. This prevents any resistance that is not completely automatic, and automatic resistances will be assaulted until they are broken. The only information that In Somnis Veritas cannot force a victim to reveal is information that they do not know. False information is effective against In Somnis Veritas.

Weakness: Requires the victim be asleep. The jutsu will end abruptly if the victim is forced out of sleep, and heavy mental resistances will delay the jutsu’s effectiveness - But if the target is asleep indefinitely or by unnatural means, this does not apply.

Name of Technique: Setsuri no Hametsu [Providence’s Bane]
Type of Jutsu: Genjutsu
Rank: B
Range: Touch; Eyesight; Tōsei no Eien
Nature Type: N/A
Handseals: N/A

Description: Kyoko crafts a genjutsu of unparalleled intricacy based on her chosen target’s thought processes and general tendencies. As soon as the victim is affected by Setsuri no Hametsu, events will unfold precisely at the target predicts they would. The target will act according to their plans in the genjutsu - which is visible to Kyoko - but will not move in the physical world as events unfold. As soon as Setsuri no Hametsu ends (At Kyoko’s discretion), the target has no recollection of having been within the genjutsu unless Kyoko specifically wills it. Additionally, Kyoko is also able to force the target’s body to move according to the plan while the genjutsu is in place should she desire.

Weakness: Interpret it yourself.

Name of Technique: Zensekai Gensō [Total World Illusion]
Type of Jutsu: Genjutsu
Rank: S+
Range: Within the Tenkan no Inkan.
Nature Type: N/A
Handseals: N/A

Description: The Zensekai Gensō is Kyoko’s most powerful genjutsu, allowing her to completely and utterly take control of an opponent’s senses and mould everything they can possibly sense as she sees fit. The illusion is completely infallible, and no doujutsu or illusion removal technique can pierce it while the victim is within the boundaries of the Tenkan no Inkan. The range is, as aforementioned, within the four Tenkan no Inkan, which Kyoko must place around someone, or as a “trap” for them to walk into. Should the victim be released from the illusion, while they are in the four seals they are immediately returned exactly where the illusion was and will suffer no recollection of being out of it. Kyoko also controls time within this illusion, to such an extent that she may extend the illusion’s time for years. This jutsu is so finely created and maintained that Kyoko can control the entire world of each person within it, up to four people, with one for each of the Tenkan no Inkan. This genjutsu is so powerful that it fools all sapient beings regardless of “immunity” or extenuating circumstances. In addition, Kyoko is able to manipulate the memories and past experiences of people within the genjutsu, causing subtle lasting changes in the victim.

Weakness: Devastating chakra loss; bound to a very specific area.

Name of Technique: Eien no Inkan [Seal of Eternity]
Type of Jutsu: Fūinjutsu
Rank: A
Range: Personal
Nature Type: N/A
Handseals: N/A

Description: A seal that can be imbued with immense amounts of chakra and applied as an addition to an existing seal or laid out in a circle in an area. Natural effects cannot expire while under the effect of the Eien no Inkan, as the seals will use their chakra to fuel whatever effect it is they are prolonging. Kyoko can use this seal in conjunction with a Genjutsu to prevent her opponents from releasing themselves from it, as the seal will reapply the Genjutsu should they be removed from it. Additionally, the victim of the Genjutsu will not remember having released themselves from it for as long as the Eien no Inkan persists.

Weakness: N/A

Name of Technique: Shiketsutai no Inkan [Seal of the Tourniquet]
Type of Jutsu: Fūinjutsu
Rank: A
Range: Personal
Nature Type: N/A
Handseals: N/A

Description: Kyoko creates a seal that bars the passage of chakra through it under any circumstances, instead using the chakra to fuel the existence of the seal. The seal will prevent all sensory techniques reliant on chakra from sensing past them, prevent the passage of any ninjutsu or genjutsu through its bounds, and if applied to the body prevents chakra from reaching any parts cut off by it. This will cause necrosis and kill the body part off as if it were suffering from a complete lack of oxygenated blood.

The seal is a temporary construct unless inscribed in ink, and will dissipate after ten minutes unless it is placed on the body, where it will last until removed or there is no more chakra to sustain its existence.

Weakness: The seal will only last for ten minutes unless placed on the body, where it will last for up to 48 hours.

Name of Technique: Jiryoku no Fū [Seal of Attraction]
Type of Jutsu: Fūinjutsu
Rank: A
Range: Touch
Nature Type: N/A
Handseals: N/A

Description: Kyoko has tattooed this seal onto her left palm. When she focuses her chakra into it, it glows with a faint blue colour and the next object Kyoko touches with her left hand will be attracted to the seal on her palm. It is also able to attract chakra, but not Kyoko’s chakra or chakra in another person’s body. She is able to leave an imprint of this seal on anything she touches with her left palm. The imprint will be attracted to the Sekiryoku no Fū.

Weakness: N/A

Name of Technique: Sekiryoku no Fū [Seal of Repulsion]
Type of Jutsu: Fūinjutsu
Rank: A
Range: Touch
Nature Type: N/A
Handseals: N/A

Description: Kyoko has tattooed this seal onto her right palm. When she focuses her chakra into it, it glows with a faint red colour and the next object Kyoko touches with her right hand will be repelled by the seal on her right hand. It is also able to repel chakra, but not Kyoko’s chakra or the chakra in another person’s body. She is able to leave an imprint of this seal on anything she touches with her right palm. The imprint will be attracted to the Jiryoku no Fū.

Weakness: N/A

Name of Technique: Idōsō no Fū [Never Move Seal]
Type of Jutsu: Fūinjutsu
Rank: B
Range: Personal
Nature Type: N/A
Handseals: N/A

Description: A complex seal that must be drawn onto a solid surface before it can be used [Takes sixty seconds to write]. Upon touching a person, the seal activates after a delay of one second and the opponent’s muscles in their somatic nervous system forcibly contract, leaving them completely unable to move. Additional applications of the seal do not work.

Weakness: Long preparation, requires them physically touch the seal, has a delay, lasts for sixty seconds. Additional applications of the seal do not work for 24 hours.

Name of Technique: Chigoku Inkan: Kami no Sakura [Verbatim Sealing: Divine Blossom]
Type of Jutsu: Fūinjutsu
Rank: C
Range: N/A
Nature Type: N/A
Handseals: N/A

Description: A simple seal that stores another completed jutsu inside it. When activated at the user’s will, the technique is immediately released from the seal. There is a delay of approximately two seconds before the technique is released, during which the seal glows brightly.

Weakness: N/A

Name of Technique: Kyōsei Keiyaku Kuchiyose no Jutsu [Forced Contract Summoning Technique]
Type of Jutsu: Fūinjutsu
Rank: C
Range: Potentially Infinite
Nature Type: N/A
Handseals: Standard handsigns for Kuchiyose no Jutsu

Description: The Kyōsei Keiyaku Kuchiyose no Jutsu is a Fūinjutsu-based derivative of the original contracts designed to facilitate the summoning process. The seal is inherently incomplete until the addition of blood and a primer seal created by the Chigoku Inkan. The primer seal can be written and given to non-Jikangai members, but is consumed in the process. When the blood of an individual, or a primer seal created from trace chakra of an individual, meets the incomplete seal (and the user’s blood is added in the latter case) a temporary summoning contract is formed that lasts for a single summon. The user can summon the target to themselves, or themselves to the target.

The Kyōsei Keiyaku Kuchiyose no Jutsu has unique limitations determined by the primer seal, restricting the use of the technique if any damage would come to individuals affected by the technique as a result of their being displaced or if they would be displaced upon arrival, resulting in the technique being guaranteed to be safe.

Weakness: Interpret it yourself.

Name of Technique: Saiketsu Fū [Blood Drawing Seal]
Type of Jutsu: Fūinjutsu
Rank: D
Range: Personal
Nature Type: N/A
Handseals: N/A

Description: A simple seal that is connected to the user’s bloodstream. Activation of the seal allows for enough blood for a summoning to be performed without causing a break in the skin.

Weakness: N/A [/center]
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