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To Generale d'armata Leopoldo Altieri and Generale d'armata Caronte Vita.

Vigentino salutes you for your success in reaching the city of Julia, and the Pope has expressed his wish to thank you both personally once you return.

Now that the Julian forces have been broken at the Battle of Zilorno, your orders are to take the city of Julia, and apprehend Zach Nato and the ruling class of Julia. Preferably alive.

We trust your judgement in how best to go about the matter, but from our reports, both from section of your own forces, and our own intelligence branch, the city itself is defended by only a skeleton garrison. We would prefer to avoid a long drawn out siege, but in this matter we defer to your judgements, due to your closer proximity to the issue.

Good luck, and may the angel watch over you both.

-Vigentian High Command


(+1 to all July Orders)
Extracts taken from the personal journal of Capitano Salvi Callocci, officer of the 14th Infantry Regiment, of the 5th Imperial Guard Infantry Division.

31st of May, 1905

It has been weeks since this god-awful battle began. I’ve heard that it’s been dubbed the ‘Battle of Zilorno’, although we’re miles from the town itself. I can still remember the slaughter of when we first encountered the Julian’s. We hadn’t been expecting heavy resistance, all our reports had been telling us that the Viscount of Julia had ordered all his men to remain within his precious city, so we were surprised when our forward scouts reported enemy movements ahead.

At the time it had only been the 5th, supported by the 4th Artillery, but our spirits were high, and Generale Crimi ordered us to charge them. We knew that the Julian’s were a step or two ahead of us with their guns, but by the angel did we not know how far ahead they were.

It was the 13th Regiment that was sent in first, with us and the 15th staying back in support. That meant we were just watching as the men of the 13th were cut down. Wasn’t long before Crimi ordered the fall back, but not before over a thousand Imperial Guardsman were dead, the regiment all but crippled.

After that, we dug in, rolling out the guns, just as they did the same. That was three weeks ago, and still the infernal bombardment continues. The 10th Infantry and the 3rd Artillery have moved to support us, even old Generale Altieri has arrived, taking full command over the Battle, but neither side has wanted to make the opening move. Instead these damned guns just keep firing, day and night. By my count, I’ve lost eighty four men from my company alone, with seventeen more needing attention from the Medical Squadron. I’ve needed stitches myself on a gash in my leg, caused by a shrapnel shell that caught us unawares late at night some two weeks ago, and it still aches.

The air is hot and thick, and the smoke from the artillery hangs like an eerie mist over the churned up mud, but there are rumours among the men that a major offensive is planned in June, to end this battle at whatever cost. Even as I write this, the night air seems to him in anticipation.





1st of June, 1905

In the early hours of the morning, the 12th and the 14th Infantry arrived, and by the angel were they a welcome sight. My brother, Maffeo, is an officer in the 12th, and I almost wept with joy when we found each other in the officers mess tent. But the celebrations did not last long. The Julian’s had obviously been preparing to make a move of their own, and the guns started to roar even louder than before.

It was well-known amongst the officers that the Julian artillery was superior to our own, their guns, called ‘Thambers’, had better range over our Puccio’s, but we had the greater number, and eventually that won out. After nearly five hours of near constant fires, at times the individual shots merging into a never-ending roar, the guns finally fell silent, the Artillery crews cheering and singing as the last of the Julian guns was put to rest.

Half an hour had passed before the trumpets sounded to bring us back to the front lines, warning of a full scale assault. We all ran to our posts, and as I looked out over the no-mans-land, I almost couldn’t believe my eyes.

There were just short of 40,000 soldiers of the Imperial Guard holding the line, but there couldn’t have been more than 3,000 Julians towards our lines. I almost felt sorry for them. I knew that they were men, just like us, with families, and memories, and hopes, but they had been ordered to death, and I had no choice but to give the order for my company to fire, just as the rest of the First Army did, and watch the Julian’s get slaughtered like cattle. Only fifteen minutes later, we were given the order to cease fire, and then a regiment from the 10th Division to the left of my possession, and two regiments from the 14th Division to the right of my position, engaged in a counter-offensive.

The straggling Julian’s that still held the line found bravely, but we could see that their spirit was broken, and it was only a matter of hours before their left flank was broken by the 14th, quickly followed by the rest of their line.

The 5th Division has been ordered to advance and consolidate the position, so I write this from a foxhole, the hot evening sun beating down on us in a brief moment of respite, before we continue to hunt down the Julian stragglers. I hope for their sake that this war is over soon.




One certified monster-hunter. Any feedback or critique is welcome!
Your friendly neighbourhood WIP



Just to give people an idea of what I'm working on, to stop any potential crossed wires. Let me know of any issues as they appear!
@Crimson Raven Good thing I had two ideas! I'm happy to step aside and let you have the character idea, to save from saturating the party too much.
That was quick! The character that first sprang to mind was either a young Roshad academic who'd taken to adventuring to feed his curiosity, of a grizzled, disgraced kestaphos who's taken to hunting the monsters that killed his family. Don't think either of them particularly step on anyone else's toes?
Still room to get on board this?
“Salvio!”

The word was like a roar, and it dragged Salvio from his sleep with a sudden start. His back was stiff from the uncomfortable sleep, but his hand was already clasping the handle of one of his hammers as his eyes wildly scanned the clearing. The voice sounded again, like a bark.

“Riders! And more men in the trees!”

Salvio was already clambering to his feet as he caught sight of movement out of the corner of his eyes. A man that he vaguely remembered seeing arrive during the night, although sleep had already been dragging him under. He had the look of a bandit, and even as Salvio watched, he loosed an arrow across the clearing. Following it’s flight, Salvio saw the riders for the first time. Ten of them, armoured and carrying spears, they were quickly bearing down upon the group. Glancing around, Salvio cursed under his breath. The rest of the group was only just beginning to stir, there would be no time to organise a proper defence. He himself was only clad in only his chainmail tunic, his heavier plate armour lying against the makeshift bed of rubble. But he had his two hammers, and even as his mind raced, he could feel the amulet around his neck begin to grow warm.

Hearing a strange crack in the air, Salvio turned to see that the bandit was gone. In his place stood one of the riders, noticeably dazed, but still heavily armed and in the very heart of the vulnerable camp. Salvio moved quickly to cover the ground, but the rider was quick to regain his senses, snarling as he turned to face the charging priest, and drawing back his spear for a heavy thrust.

“Stop!”

Salvio channelled his voice into a weapon, and it collided with the rider like a punch. The man’s arm went limp, the spear tip dipping to the ground as confusion and panic crossed the rider’s face. He only had an instant to wonder, as Salvio’s hammer slammed into the side of his head. The chainmail hood offered no protection against the force of the blow, and the air was filled with a sickening crunch. Bone and blood sprayed across the clearing, and the rider slowly slumped to the floor, dead before he hit the floor, his skull crumpled.
Glancing back to the other onrushing riders, Salvio saw confusion spreading through their ranks from the right, and he could have sworn he caught a glimpse of the bandit, before he was gone, only to appear somewhere else. But Salvio had no time to question it, as four more of the horses were quickly bearing down on the camp, spears levelled.

“Salvio, there are some gathered here who are not warriors.”

Turning back to the group for an instant, Salvio could see the others were still groggily rising to their feet, and Salvio he bellowed out an order as he turned back to the approaching enemies.

“Those who cannot fight, find cover in the ruins. Those who can, hold these bastards back!”

The sound of pounding hooves was a deafening roar, echoing through the shattered remains of Silverwick, but Salvio kept a clear head. He could feel his guiding angel flowing through him, and while he stood, he would fight. The front rider was only a few paces away, so close that Salvio could make out the grin etched across the man’s face. With a wordless roar, the priest slammed both of his hammers into the ground at his feet. The sound was like a thunderclap, and the ground shattered.

The earth beneath the rider’s horse fell away, sending both man and horse tumbling to the ground. From his screams, Salvio could tell the rider’s body had been shattered by the fall even as he slammed one of his hammers through the man’s chest, the ribs snapping like dry twigs and the cries of pain resorting to a gurgle of blood and vomit.

“Salvio!”

He only had an instant to react, and as he turned he was able to knock the wickedly sharp tip of the spear to one side, but he had no time to avoid the charging warhorse. He braced himself, but the impact still knocked him to the ground and drove the air from his lungs. The hard stone paving came up to meet him like a punch, and Salvio’s vision was glaringly bright for a moment as he struggled to breathe, his ribs screaming in pain. One of the hammers lay a few feet to his right, but he somehow still gripped the other in his left. As he caught his breath, his vision came rushing back and he looked up in time to another of the riders baring down on him. With a grunt of effort, he threw himself to the side in time to avoid the pounding hooves.

Rising to his feet with a sudden burst of effort, ignoring the pain in his chest, Salvio was prepared for the final rider as he came charging towards the camp. Stepping smarty to the side, the holy man grasped the hilt of the spear, and held it tight, the rider’s own momentum pulling him from his horse and sending him crashing to the floor, his horse continuing its wild rush. The rider had half risen, grabbing at the hilt of the dagger at his belt, when Salvio brought the hammer down onto his head. The man’s skull cracked like an egg, sickening pulp and a river of blood spilling onto the cold stone as the lifeless corpse fell down, twitching for a few seconds before lying still.

With the three bodies around him, the stench was almost unbearable, the acrid smell of blood and the stink of death all around Salvio. But he barely noticed it as he collected his other hammer from where it lay. Gritting his teeth, the amulet around his neck hot now, almost burning his skin, Salvio squared himself, eyes darting as the footmen quickly closed in. He trusted that his companions would be able to handle the two riders that had slipped by him, but for now, he would lie down his life to purge the filth that he saw before him.
(+1 to all June Orders)

Cogoli is a city of fours. Four hills rise up above the crowded streets, four bridges cross the River Vigent from which the nation takes its name, and four districts divide the city.

The four hills of Cogoli are the great figures of nature around which the city flows, and atop each of them is a building that represents the culmination of one of the cities most important founding ideas. The dream of Cogoli was first created at the foot of the Santo Hill, and it is upon the peak of that hill that the High Cathedral, the beating heart of the Holy Empire, rises above the city on the Western Bank of the River Vigent. Across the river, the Difesa Hill rises from the Eastern Bank, with the Castello dell’ Angelo on it’s crest. The two imposing buildings, representing the two columns of Vigentino, stand like silent sentinels flanking the river as it flows through the city. The third hill of the city, the Governo Hill, stands on the Western Bank, several miles downhill from the Santo Hill but just as much the heart of the Empire as it is upon the Governo Hill that the Chamber of the Senato is built. The Arti Hill, the fourth hill of the city, is the last one to have been consumed by the ever growing mass of the city, and it crowned by the Grand Theatre, the cultural jewel in the Empire’s crown.

The River Vigent is the lifeblood of Cogoli, more than two hundred metres wide at it’s widest point and just under one hundred at it’s narrowest as it flows through, and the source of much of the commerce and goods that the city must devour in order to survive. The oldest bridge that crosses the waters is almost as old as the city itself, while the newest has been built as recently as the last couple of decades. Almost two millennium old. although it has been renovated and repaired through the centuries, the Ponte Impero links the Eastern and Western Banks in the shadow of Santo and Difesa Hill. Although it’s age and structure prevents its use as a heavy goods crossing, it is still a central image of the city, often used in processions and ceremonies as a means of linking the two oldest districts of the city.

The Pento Valle is some two centuries years old, and it crosses the River Vigent less than a mile from where the Grand Theatre stands. It has fallen out of favour as a means of transporting goods over the river due to the construction of the two newer bridges, but it is still steadily used by those wanting to avoid the heavily congested main streets. The Pento Ferroviaria allows the railways to expand between the two banks, and was only built sixty years in the past, just before Pope Carlo Bocci came into power. It is almost constantly in use, but despite this, the iron structure carefully maintained and showing no sign of wear or warping. The newest bridge across the River Vigent is by far the largest and most impressive. The Pento Industria is a combined bascule and suspension bridge that is barely twenty years old, it’s construction ordered as the needs of the city grew. An imposing and iconic sight within the city, the bridge is the site of much of the commerce crossing the river, due to it’s location close to both the docks of the city on the Eastern Bank, and the rapidly expanding factories and industry on the Western Bank.

The four districts that divide Cogoli all possess their own unique culture and feel, despite all existing within the walls of the same city. The two oldest districts face each other across the River Vigent, founded together to form one city. The Bright District, formed around Santo Hill, serves as the location for the majority of the religious buildings of the city, including the High Cathedral, and two of the other five cathedrals that exist within the city walls, Cathedral Di Saint Sorio and Cathedral Di Saint Larcius. It also houses the residence of the Pope, and the other Cardinals of the city, as well as countless other places of worship in the older regions of the city, with stunningly beautiful marble architecture commonplace. On the other side of the river, focussed around the Castello dell’ Angelo and the Difesa Hill that it stands upon, the Old District takes up all of the Eastern Bank of the city. Once making up the main bulk of the city, due to the beliefs that only the chosen of the angel should set foot in the Bright District, as the centuries have passed the strict rules have relaxed, but the Old District is still a sprawling spider web of narrow and winding alleys and wide, busy streets.

The Grey District earns its name from the thick smoke that pours from it’s many factories, whether it is day or night. As well as being the industrial heart of the city, it is also the government one, with the District containing Governo Hill, and the Chamber of the Senato on its heights. It is from this District that both the Pento Ferroviaria and the Pento Industria spans the River Vigent, but it is also home to the region known as The Shades, where only the most foolhardy would choose to visit in the hours of darkness, lest they meet an unfortunate end. The final, and the newest, district of Cogoli is the Gold District. Housing many of the upper-class members of Cogoli, and Vigentino, society, the district is suitably grand. As well as the Grand Theatre, the Gold District also serves as the host of countless other theatres, galleries and museums, and there is a popular saying that “Anything that can be considered art, can be found in the Gold District”. Wide squares, luscious gardens and impressive villas are all common features in this district of the city.


'An Evening in the Gold District', painted by Vieri Bascio, 1903
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