Tatterdemalion

Sunshards

rosepetal. rosepetal rosepetal rosepetal.

That’s not a name for a warrior monk. That’s not a name for an ancient monster, capable of shattering mountains. That’s the name for Rose. Simple, pretty, and diminutive. rosepetal. Rose’s body is a flurry of lightning from head to toes, flashing up and down her body as her future fills with Chen. And that’s not all that’s full of Chen: her head is full of Chen and that playful, youthful energy, that quality of princesses she found so disagreeable because of how enticing it always was; her eyes are full of Chen, that feline smile, that beautiful round face, those dark bangs, that adorable frilly dress; her mouth is full of the taste of Chen’s breath, her lips, her desire to keep Rose close.

Here, then, Rose fails, as so many monks before her have: seduced away from the highest good by a sublime and private love. Here, then, the Way is once again thwarted by the power of the heart. Here, Rose from the River, who wraps her power right around her and gives the universe her leash, is finally defeated by a princess, and what’s a name but a sign of the heart?

The HUNTER-Class 猎犬.

First of the Radiants.

The Briar Pilgrim.

Dòu-zhànshèng-fó.

Rose from the River.

rosepetal.

Rose.

Rose’s fingers are nimble, and she is still strong; she pulls Cyanis across the grass, works at the knots. But, ah, it’s not that easy, is it? Not with Chen on top of her, touching where she pleases, pinching, kneading, stealing kisses; the fingers fumble as Rose groans and tries to wrap her thighs around Chen, who pushes them aside like two halves of a tree’s trunk. And, ah, here is Chen murmuring into Rose’s neck that Rose must be taking her time on purpose, that she’s got such clever fingers and why isn’t Cyanis untied yet? But every time she says something, the task gets longer and more complex as poor Rose finds things to think about that very much are not the net trapping Cyanis.

But only an ingrate and a very silly fox indeed would complain too loudly. After all, Chen’s the one who’s making Rose let the little fox go, and Chen’s the one who’s doing a very good fox job of filling Rose’s heart with desire. Patience, Cyanis, patience! Every time Rose loses track of the ropes, it’s further proof that you’re about to get away scot-free! And besides, think of this excellent new marketing opportunity! Someone is about to need a new wardrobe with a rosepetal theme, and you can absolutely talk Chen into loaning out her handmaiden to cover the costs!

Not that you would ever take advantage of that to get even with someone who tried to send you to cutie jail, Cyanis, pure and innocent maiden that you are. You definitely would not pounce on an opportunity to tease a big buff girl who used to have power over you, with her girlfriend’s complete permission, it’s just that you have licensing fees to pay and shipping and handling isn’t free and after all that time cooped up in the Sky Kingdom you’ve got to turn around all this unexpected windfall!

The chances of you getting even with Rose definitely are not increasing the longer it takes for her to— she’s a sword sage and a dancer and all that, how did she manage to pull those ropes tighter??

What ends up happening is that Rose finally undoes the net and your bindings with her teeth, with Chen lying on top of her, stroking her cheek with the back of one hand and smiling like a girl who just had all her wishes come true. And when Rose looks back up at Chen? She’s helpless. She’s got it so bad. She can’t even get through the warning without breaking into deep, throaty laughter because Chen’s running one finger down her neck, and here the former Equal of Crowns squirms, drumming her heels on the grass and doing her very best not to buck Chen off.

The second you leave them alone, they’re going to start making out furiously, and they’re definitely going to need some new clothes once they’re done. A smart fox would get on that, chop chop!

[Rose gives into desire. She’s all yours, Chen. <3]

Sunshards

This maneuver has many names: the Elephant and the Mouse, the Corp and the Startup, the Mother and the Girlfriend. Each is, in their own way, the same: a powerful, fearsome force of nature brought down, defeated, by something small and weak. So it is with Rose from the River and Chen, the former finding herself sprawled in the grass, the latter petulant and teasing and possessed of many secret and powerful kisses.

Yes, even though Rose from the River has played with Chen, has made her sing (oh-so-muffled) and has been shown off in front of her, those sorts of kisses are still new and frightening and wonderful. For a moment, this beautiful handmaiden looks up at Chen with the fear of someone who is walking out over the abyss; the fear of someone who doesn’t know where this is going.

But Chen can feel it, can’t she? The powerful thump-a-thump of Rose’s ancient heart, beating so excited, a reassuring counterpoint to that look of helpless awe. And then— ah, there! The once-fierce warrior turns her head and burns with the fire of being cared for.

“I was enjoying the view,” Rose from the River says, almost managing to assert herself in the face of the princess who, by the stars and the shattered suns, cares about her. (Would it be such a bad thing to make the Way wait for her for a few decades? Yes, it would; she must be free, must be its tool, must be an instrument of the common good of everything. But universal eudaimonia seems to fade in the light of Chen, here, hot and vital and full of desire for her.) “How could I not stare? Beauty demands attention: the sunset on the mountains, the breaking of the waves on the shore, the dance of Princess Chen.” And all three are part of this world that she is so, so lucky to be in.

“…you are dangerous, you know,” Rose from the River adds, changing the subject— but only after she has leaned forward and stolen a kiss from Chen. (A traitor’s kiss, a burning sin, so sweet and precious.) “All of you princesses are. You represent the temptation to temporal power and the indulgence of personal aesthetics above the common good, empowered by the Sunshards themselves. Why do you think I have to defeat Princess Qiu and scatter her shards?”

Two hands explore Chen’s lower back, pull her closer, firm and teasing and saying: Princess Chen, I need you. Stay with me. But what Rose from the River says is: “I am a Pilgrim of the Way, princess. I have duties. A fox to see to prison. A universal good to pursue. Do you think I am weak enough to stay just because of a beautiful, clever, brave girl? Do you think I am that easily beguiled?”

But you can feel her underneath you, Chen. You know what she wants you to answer. She wants you to take the responsibility of being strong and helpful and unassailable away from her. She wants to trust you like Jessic trusts Keron; she wants to be a girlfriend rather than a great and terrible monster who can only do good in the world through the monastic life. And if she makes that choice herself, she will think herself selfish and terrible and unworthy of you, and so she is silently pleading with you to tell her that she is weak, easily seduced, and an ordinary girl, one who needs a princess to look after her and keep her safe.

Rose from the River is spending a String on you, Chen. If you immediately do something to claim Rose from the River as yours and validate her desire to be a handmaiden, take an XP and Entice her hard.

Of course, you don’t have to. You can choose to be offended by the fact that Rose from the River is looking for an excuse to choose you, rather than making a grand proclamation of how much more you mean to her. You can be hurt, even, that after all you went through at the Sky Castle, that she’s still struggling with how much she wants you but feels she can’t just decide to be with you, that turning her back on the Way out of caprice would be a failure state for her as a person.

But she could be yours. All yours. All you have to do is accept what she’s telling you with her body, to play along with the stories she tells herself in order to make sense of herself as a person, to lean into the Monastic Erotica genre and tell the blushing, helpless monk that she is doomed to be a simple handmaiden for the princess she’s falling so, so hard for. Just do that and she’s yours, Chen.

You could even make her let Cyanis go, just to rub in how you’re making her choose you and to reward a good girl for helping Hyra, and it would turn Rose from the River on so hard. While we’re sharing.

Breathless Dead

I’ve got a friend here too that makes me feel the same way.

Thank Nyx herself that the passage is too dark to allow the look of Tragic Heroism that works its way across Skotia’s face to be noticed. How his eyes fluttering shut might be mistaken for exhaustion or a flinch at his injury being jostled. No, it makes sense. Whatever he might have been thinking, whatever is passing between the two of them here, it’s for her sake. It’s an apology. It’s not for him.

He must make things right before the end of the night; he has to carve this love into the very stones of Salib, in honor of Hera and Aphrodite. Only once he’s fixed what Redana broke by running, only once Bella gets her happily ever after, does he get to rest. And he won’t do it next to Bella. That’s not part of his story. You don’t get a gift-wrapped servitor as a reward for making things right.

“My Praetor,” he says, bleeding from a far more grievous wound with a brave face and only the thinnest strain in his voice, “I have always and ever been a slave to true love. I swear by my name that you will be reunited with the Ikarani. It is the least I can do as a pet— but you will need your hound.”

There’s a firmness there. The kind that Bella would use to tell the Ikarani she would be needed in turn. “There is someone here who will kill you if she gets her hands on you. She is not permitted to kill me. You might not like your pet saving you, but I am not going to let you die tonight. It’s the least I can do, my Praetor…”

Carried as he is, he can trace the scars of the whip on her back, long-faded but still there. The punishment for the failures of a princess. Each and every one deserved to be taken in turn. “You have been punished for someone else’s sake before,” he dares. “Let me protect you this time. I can take it.”

His side hurts. It hurts like nothing else has ever dared to hurt him. But he only has to stand up under it tonight. If he fails here, he will carry that failure for the rest of his life. That is why he throws himself here before her, tells her to use him as a shield. It’s the only way he can make things right.

TSL: The Excess of Flowers

Princess Ven of Snapdragon, Prince of the Brass City.

Everything is fucked.

The low-class bitch, that smarmy little cow? Gone, and Azazuka— intended as another of your suborned vassals— gone with her. Failure upon failure from the Laema. What you did to her and her useless demons— banishment into the Mirror-Forest— is justified. Let them wander lost and confused, let their own reflections trap them in the branches to take over their lives. If they get out, and if they are the same demons who you cast into the forest, well, it won’t be for some time. And you need time. You have to have time.

The rain has relented for a moment, but the air is thick as water all the same, and it’s clear that the wind-gods are heaping the clouds up higher and higher. Tonight, there will be a storm, one to break bridges and wash away roads. Here you stand, staring out at the growing dark, running the same circles in your head over and over and over.

Your fortress is exposed now. Ultimately, it’s an appropriate trade. You have your bargaining chit, after all, a treasure worth more than all of Kingeater Castle. It’s just that your mentors wouldn’t understand, wouldn’t be able to take an appropriately long view of the situation, would demand her be handed over instead of exploited properly. But you’ll have time, and you’ll have your leverage, and you’ll have someplace better. It won’t matter that this castle is perfect for your work; you’ll have Lotus of Tranquil Waters to hand, and her mother to control.

…you just need to make that decision of where to go. To have the Maker of Images finish your proof that you hold Lotus. To tie up the loose ends. You’re almost done with this place, and then you can abandon it. Or, even better, you can make it a trap. Let the Sapphire Mother throw some brave knights at this place, let her send them to their doom.

You just need time.

In for a leaf, in for a tree.

***

Kalaya and Fengye!

You can see it now.

It’s a low, humped shape, black against the dark clouds: Kingeater Castle. An ancient and accursed ruin, intimately connected with dark cults of the Broken King. Thunder rumbles, ominously close, and the air all about is suffocatingly thick. The stars are not visible behind the black and roiling clouds, which threaten at any moment to unleash a storm that will make the afternoon’s deluge look like a pleasant sprinkle.

The two of you are now officially close enough to be in need of a plan, and hurry: it’s almost night, and you definitely don’t want to be out here after sunset. It will be much more difficult to avoid snakes then.

***

Uusha’s Funtime Gang!

“Tell us more about the defenses,” Uusha commands. Not that you’re in the inn any more, oh no. As soon as the rain started to relent, she gathered the lot of you and told you that everyone was going to the Castle: Piripiri, Azazuka, Giriel, Han and even the fidgety priestess. And, huh, what do you know, when Uusha decides something, somehow that’s how things end up. So here you are, the six of you, surrounded by Uusha’s Hard-Ass Retinue of scoundrels and ne’er-do-wells, pushing hard into the jungle.

Torches are lit and carried all around you by said scoundrels as night begins to fall; despite the danger to you all, Uusha intends to risk marching through the jungle at night in order to find the Castle. (Not that it’s easy; it would take a miracle to just stumble across it, and even Piripiri’s directions will only give you a chance of finding it in the thick tangle.)

“What are we likely to find when we march through that empty gate, cosmopolitan?”

She’s got you going hard, and somehow she’s the one that’s still not out of breath. You might need to take a moment to catch your breath to answer, Piripiri; Azazuka is doing her best not to complain, but she’s flagging, and Victorious Vixen of Violets has somehow talked a burly half-N’yari girl into carrying her.

Giriel: something is wrong. All of the little gods and spirits are hiding or absent. In their absence, the growing twilight is more and more oppressive; sounds don’t travel like they should, and there’s a bleakness to the jungle that even Uusha’s scoundrels are picking up on. They’re scared of something.

Oh, and Han? This is great. Uusha didn’t try to posture, she just gave you a wry smile and said she’d be happy to join in (in a low and slightly scratchy voice that suggested she actually was interested in seeing your attempt at doing just that), and now here you are, surrounded by a bunch of badass punks. With tattoos! And all of them seem quite happy to show off how much stamina they’ve got as they keep up with you! This is a crew that could take on demons or N’yari and they’re all the groupies of a woman who took you seriously and didn’t try to tame you.

You should be listening to Piripiri, but, uh, Crazy Daveen just asked you what the heaviest thing you’ve ever lifted was, because he once picked up an entire bull, complete with saddlebags full of goods from Gem, and you definitely can’t beat that. And now everybody (who isn’t listening to the tactical talk, and who includes that priestess tagging along) is looking to you for an answer!

Hard Wired Island: The Future is a Foreign Country

“Of course! If I didn’t want to come out for a lecture, why would I come all the way up here? Although…” 3V drums on the arm of her chair, lost in a moment of consideration. “That’s not all I’m looking for. After all, complaints about the world are a dime a dozen. There’s plenty to criticize, and, hell, the newspaper seems to be in the business of finding more things and digging them up, exposing them to the light, riding a wave of other people’s fury, helpless as our own, on the hopes that maybe we’ll lift it up to the feet of someone who can actually do something about it.”

A sip is taken: the espresso first, a jolt of stimulants to the system. “But you’ve been through all this already. You’ve seen some of what works and what doesn’t. You might even have some answers. Not, mind you, that I’m assuming you know how we can unfuck things, otherwise you’d probably have done it yourself, but— well, if you’re trying to make yourself heard, I’d love to hear some of your experience and not just, agh, you idiots, watch out, who’s driving this thing?!

“Or you could, you know, just tell us what we’re about to crash into. *Reclusive Scientist Predicts Social Collapse! If We Don’t Stop, The Consequences Could Be Severe,*” 3V says, with a flourish and a grin that’s really an attempt to gauge approval.

Sunshards

There is an art to walking on air. It is to step so forcefully that the air beneath you is forced into solidity for a moment. And, if you have already come so far? What is the difference, really, between a step and a leap? So don’t you worry, Rose from the River was never really in any danger—

But she follows Princess Chen.

The air is firm beneath her feet as she spins a net from her bindings, works it around a very well-tied fox so that it’s easy to sling her over one strong shoulder. The breeze runs its fingers through her hair as she spins about Chen of the North Wind, an accent to her dance, a backup dancer here to make the princess look good (and to swing a certain mischievous fox along with her, just to make Cyanis close her eyes and squeak and burrow closer).

She pulls the scarf from her lips and it becomes wrapped around her throat, rippling and dancing along with her, and she lifts her head and out comes the water-brook-song of her joy:

Love, come and dance with me by the river
and let the water brush over our feet!
I have tasted the world upon my tongue
but you alone I deem sweet!

How she smiles!

Do you see it, Chen?

White and shining, the flash of her teeth, the wrinkling of her flushed cheeks, the flaunting of her daring outfit? How she looks at you and joy just bursts from her?

By the time she sinks onto a sheep, cradling Cyanis in her net, she’s already starting to retreat back into herself a little. She is, after all, a follower of the Way; she has been rather delinquent, all for the sake of dreams and girlfriends. She will have to leave.

But you saw her, Chen, and you saw her too, Yue, and that is a treasure that you can never misplace, because it will always be in your heart, won’t it? Won’t it just. Rose from the River, freed from bondage, dancing on the very wind with a captured vixen over her shoulder, the image of a merry-making goddess doing the kind of dance that would tempt a sun out of hiding.

Breathless Dead

Bella!

Reality slowly bleeds in. Stairwells were involved at one point— no, not stairs, the slow curving slope of their ramps, just steep enough to make the climb difficult, hands groping in the dark. The floor is richly carpeted, the wall is black stone, and there is a rising odor of distant smoke. Here, then, is a maze of guest quarters and servant closets and salons, the shantytowns that spring up architecturally around any ballroom large enough, and one that would be not too difficult to navigate if there were lights, but there are no lights. Lights have died, and there is night.

Sight is a useless sense. Certainly your auspex can tell you his outline, but what good is that when you are entwined and entangled, as he half-pins you against a wall to stop you from bowling him over? No. Rely on the others. Rely on the sound of his ragged breath, the catch and hitch of pain that is being repressed and pushed down, how words come apart in his wet mouth and become pants and huffs of breath until he lashes them together as exhalations. Rely on the smell of blood, fresh, on his palm, trickling down his hip; the Azura’s strike through his side did not rupture any internal organs, but blood is seeping through his body’s attempt to seal the wound, hampered by a potent anti-coagulation toxin. No wonder he can’t make the words come. He’s not close to death, but only because Artemis pulled away the blow at the very last second.

If she had not, he would be dying in your arms, here and now.

Feel his false bravado, how he turns the pain into a clinging strength, how his muscles lock in place when you strive against him, how he shakes with the effort in a way that says he can do this all night, if you make him. How dare he care? How dare he refuse to give up on you?

He needs a lot of things: a bandage (until someone can wash the injury clean and allow it to naturally seal), a shirt (or this one peeled off so he looks like an Olympic wrestler, clammy after a grueling brawl), and someplace where he can sit down and catch his breath for a moment. He needs you to stop fighting him, or else he’ll break himself stopping you. And he needs to stop smelling just a little too much like a broken bottle left behind a long time ago. Doesn’t he?

Or maybe you want to take deeper breaths of his hair, of his sweat, underneath the blood. Redana used to make you think of unthinkable things when she was finished with her Olympic training, didn’t she? And after all that, after the dance and the violence and the way he’s holding you and refusing to let go, the way his hand is on your ear right now, even though he took the blow that should have been yours, even as you’ve torn at his clothes and played with him like a mouse…

Well, you’re allowed to feel many feelings all at once. And even if there’s much more important things to take care of, you’re allowed to have confusing thoughts about pulling open a room and rewarding him while the whole palace burns down around your ears. If you’re going to die, it would be a shame to die without fucking him, you might think—

But you should probably do something about the wound instead. You always have been on the side of those who need your protection (and your carry?), after all.

Breathless Dead

—and at the last moment, Skotia is there. Because he alone can see with the eyes of the gods, here and now; because the sound of Bella’s howl is like a knife slipped between his ribs, and he can barely contain old memories that do not belong to him, which insist, demand, plead that he be there for her; because the heroine must be saved from stupid selfless sacrifice by the hero, who values her pure heart but sees clearly what she does not. At the last moment, Skotia is there, and his fingers are around Bella’s wrist, and his heel becomes the axis of the world, as he pulls Bella from her course like a moon pulling a comet into its orbit, as he holds his ground and her unstoppable momentum yanks her to one side, away from the serpent’s hungry jaws just waiting for her, and as he turns, he pulls off his jacket and—

It’s not just a jacket. That’s the thing. Even torn by Bella’s claws, even unbuttoned and disheveled, the jacket belongs to Skotia, to the night, to the privacy of lovers, to the destroyer of kingdoms, to the ruin of man, to the one foe more implacable than Thanatos.

Skotia flings Empty Night into the face of the Azura assassin, and it unravels, floods the room from wall to wall, and there is no light, for

O dark dark dark. They all go into the dark,
The vacant interstellar spaces, the vacant into the vacant,
The captains, merchant bankers, eminent serpents of letters,
The generous patrons of art, the lawyers and the rulers,
Distinguished civil servants, senators of many committees,
Fleet admirals and sailors second class, all go into the dark,
And dark the eye of Apollo and Artemis, and the Auspex alike
I said to my name, do not be still
but let the dark come upon you
Which shall be the kindness of your God

and there is no light, for they are in a corridor and the lights have all been washed away, but his body is on hers and she is digging a groove into his back as she flings herself against him again and again, building to the strike that will break him like a wall and leave him in pieces as she bounds heedless to her doom, and he is murmuring her name as the skin splits under her silver talons, and the only way that he can say I love you is refusing to move, by saying she’s coming after you, by saying we have to run, and don’t worry, Bella, his undershirt was wet and stained before you began to struggle against him, and now that the SP’s a room and a scene and a hard transition away you can smell him more clearly, can’t you, the sweat and the blood and the desperation to try and protect you, of all people, as if he thinks that you’re something that’s worth protecting, and one hand cups your ear and rubs it gently as he refuses to allow you any other choice but relenting or destroying him.

[Skotia rolls a 10 to Overcome the threat of Thist.]

TSL: The Excess of Flowers

Customers of the Blue Snapper Inn!

Jumpscare!

That’s what it’s like to glance over at the door, with its cool, soft lanternlight, and see the shadow of Uusha filling it completely. She is bigger than the door, and her horns would catch if she did anything other than turning her head to enter. Her long limbs are wreathed in thorns, her silence is so vast it seeps into the common room, and the water pooling at her boots makes her seem like an animal that does not care if it gets wet.

Then she lifts her claws, unlatches her skull-helm, and lifts it from her head. It is tucked under one arm as she ducks inside, and for the first time, Han, you have the opportunity to see the face of the notorious Stag Knight.

Her silver-and-brown hair, cut boyishly jagged, is plastered to her forehead. Her cheeks are gaunt and her chin is strong, and her appraising gaze makes the whole room seem smaller. She’s handsome in the way that a mountain wolf is handsome, and just as dangerous.

“The spirit got away,” she rasps, without taking a seat. “What have you found here, witch?” No judgment there; she just needs to know if you have something worth her time, in more ways than one.

Piripiri, you recognize the arrival (peeking out from the back along with Azazuka). This is Uusha, one of the most dangerous potential threats to the Red Wolf. If you can find some way to sabotage her standing or goals, you should— not just because you’ll get praise from the Red Wolf, but because it will make the Dominion’s conquest of the Flower Kingdoms safer for everyone.

If Uusha decides to fight a long and losing war against the Dominion, as she is psychologically likely to do, then everyone loses: there will be wasteful expenditure of supplies, time and lives putting her down.

Also, she’s Big and Strong and Has A Voice Like A Grindstone and Is Old Enough To Be A Cool Aunt, for the record. Just in case anyone’s paying attention to that.

Hard Wired Island: The Future is a Foreign Country

“Okay! I’d like to try a little of everything,” 3V says, with a cheeky little grin. “A glass of rainwater, a shot of the Darjeeling, a shot of the Amontillado, and don’t forget the coffee~!” There’s no spoiled brat rattling off what they want energy here, nah, this is playful, an invitation to play along or shut down the bit with a punchline. But just because it’s playful doesn’t mean it’s not real, too. If she gets her shots, she’ll do them one by one, with the water as a palette cleanser. Life is too short to commit to one thing without trying everything else; you never know when you’re going to suddenly find out that you are an excellent Huehuecoyotl, after all.

Now that she’s not one-on-one, 3V sits back in her chair and nests her beetleshell-emerald fingers over her abdomen, one leg cocked over the other, sunglasses still resting on her brow, the figure of casual relaxation, but she’s focusing her attention on her host. The fists. The tightness in the voice. The way she didn’t react to the hissed intake of breath from 3V. (She’s familiar with the poem, but not its history. Or even really that first stanza, full of a memorial for the dead; everyone’s here for the Inferno, and everyone’s here for the second stanza. Molech, Molech!)

“That’s got to be a project, keeping the drinks cabinet that full,” she points out. “Because here you don’t have ‘Dash to grab you something from the store.” An opening gambit, a vulnerability deliberately exposed: if Ferris has mellowed out in her old age, she’ll hare down the invitation to talk about her drinks and why she moved out here; if she’s still got her finger on the pulse, reading the news like an ex’s profile, she won’t be able to resist making a comment about RoofDash’s recent failed unionization effort and its $20k fine for wage theft (in and of itself a fraction of what was owed, and paid to the government rather than to the workers).

And the really sad thing is how fucking convenient ‘Dash is anyway.