@Bishop Why the annoyed face?
Benzaiten Member
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Recent Statuses
4 yrs ago
Woop! Shipden Peak RP has started. Can't freaking wait for this to unfold.
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4 yrs ago
The Witches of Shipden Peak RP is starting this week! I'm equally excited and nervous.
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Bio
💀 Welcome to this Hell Hole 💀 |
| Also Known As ▔▔▔▔▔▔▔▔▔▔▔▔▔▔▔▔ Ben, Benji (I'm a woman despite the odd name) Age ▔▔▔▔▔▔▔▔▔▔▔▔▔▔▔▔ 28 years Birthday ▔▔▔▔▔▔▔▔▔▔▔▔▔▔▔▔ 24 Feb Country ▔▔▔▔▔▔▔▔▔▔▔▔▔▔▔▔ Germany Languages ▔▔▔▔▔▔▔▔▔▔▔▔▔▔▔▔ English, German |
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Most Recent Posts
@Zorogami you can just start. Have her wake up.
@Zorogami totally accepted. Though I'd like to know what languages she speaks. Add that please?
@Bishop It's a "north, eath, south, west" star and just supposed to tell that you don't know where North is.
You should get working on getting out there. It will most certainly slowly get interesting if you finally move forward ;)
You should get working on getting out there. It will most certainly slowly get interesting if you finally move forward ;)
I would never dare to try and attack that man who obviously has a gun, some gear and probably a lot more combat experience than I do. I would never have a chance. And I am also more of a hiding person.
Before I leave, I take Chris' thin chrome pole, the electric prod and the key. I have no clue that that electric prod is good for or how to use it. I wonder... can the thin chrome pole be used as a weapon?
Power A - I know where that is. Therefor I know where the man is heading, and also where they are heading next. I know I could use the chance and get him from the back, but all I have is a pair of scissors and some thin chrome pole. I don't think I can do much with that to stop him from shooting me the minute he spots me. I just really wish I could be sure to knock him out somehow before he notices me. But I am not, and because of that uncertainty I will not blindly walk into the man and his pistol.
I quietly move to the hallway and into the room that's labeled "241-CHEM SYNTH/ANAL.". Opening and closing the door as quietly as possible. And hopefully there would be one or two things to help me.
If possible, I try to get the right frequency on my radio to listen in on the two men that talk on their radios with each other. It will be helpful to keep knowing where they are and what they're planning.
Before I leave, I take Chris' thin chrome pole, the electric prod and the key. I have no clue that that electric prod is good for or how to use it. I wonder... can the thin chrome pole be used as a weapon?
Power A - I know where that is. Therefor I know where the man is heading, and also where they are heading next. I know I could use the chance and get him from the back, but all I have is a pair of scissors and some thin chrome pole. I don't think I can do much with that to stop him from shooting me the minute he spots me. I just really wish I could be sure to knock him out somehow before he notices me. But I am not, and because of that uncertainty I will not blindly walk into the man and his pistol.
I quietly move to the hallway and into the room that's labeled "241-CHEM SYNTH/ANAL.". Opening and closing the door as quietly as possible. And hopefully there would be one or two things to help me.
If possible, I try to get the right frequency on my radio to listen in on the two men that talk on their radios with each other. It will be helpful to keep knowing where they are and what they're planning.
@Camerch In the post it says Chris has a radio, the chrome pole and the electric prod. Didn't he have some key "241" too?
@Camerch what's an electric prod?
I gasp. This definitely doesn't make me wanna run into their arms. At least I know that it's two or more people out there. Searching for us. They knew we are in here somewhere. Subjects they said. What exactly did they do? Earlier I've read stuff about DNA. I just hope they didn't change me or used my body, blood or whatever for any bad things. How did they choose me? Did I sign up for this? Because I clearly do not remember. And if I didn't, it'd be kidnapping! But that's a problem for later.
I quickly turn off all lights and then move to the office room before they reach me. I hide at the best hiding posibility in the room, weapons readied. (In this case the scissors.) I assume they know this place. So they would know, if someone turns off the lights, at which place they'd need to be at to do so. And I was hoping that whatever happened next would go one of two ways; work out great or kill me quickly.
[Hey, I don't know if greywolf comes back. So what do I do? Just ignore Chris standing there or can I take his things? If so, I would gladly take all his stuff with me. Sad that he left though.]
I quickly turn off all lights and then move to the office room before they reach me. I hide at the best hiding posibility in the room, weapons readied. (In this case the scissors.) I assume they know this place. So they would know, if someone turns off the lights, at which place they'd need to be at to do so. And I was hoping that whatever happened next would go one of two ways; work out great or kill me quickly.
[Hey, I don't know if greywolf comes back. So what do I do? Just ignore Chris standing there or can I take his things? If so, I would gladly take all his stuff with me. Sad that he left though.]
Hours pass and after a long long time of waiting you don't even know if it's still day or night yet. The thought of the girl on the radio crosses your mind. The one that was bleeding out because you got trapped in this hole of a mess. But you can't help her now anyway. Either she was already dead or would be very soon. And your chances of getting out of here with out life were slim to none.
The door opens and you look up from your seating postion on the ground. It's the grounder warrior queen or whatever she is. The one with the black dripping war paint around her eyes, the long brown hair with complicated braids in it and the overly sexy body. Wait what?
"Your chances of winning this combat are so small, you should give up", she speaks to you. Her voice was neutral and you couldn't tell whether she was here to mock you or for another reason. "I want to show mercy on you, sky girl." Her eyes lie on you heavily. She has intense green eyes. "I don't want to start this war. I will let you leave. Under conditions. You will get a punishment of ten cuts. I don't believe your actions were directed against my people or me. You will vow to never attack me or my people again and bow before me." She looks at you, her hands behind her back, waiting for your answer.
On you:
Nothing
Clothes:
1 white t-shirt
1 hoodie in dark blue
1 brown leather jacket
1 jeans
1 pair of undies
1 pair of socks, white
1 pair of brown high boots
I decide that I can't do any good here anymore, I can't do technique for shit. I would probably fuck something up and I don't understand a word either. My feet move over the floor towards the opening in the wall; maybe I can find somewhere else to keep going and find either some answers or even an escape out of this building. But my thoughts and movements stop immediately when I hear shuffling. What is this? I listen closely, maybe I can make out how far they're away, what direction they come from and how many there are. Maybe I can even slip away to hide somewhere else.
My eyes dart back to the 5x5 panel of switches and suddenly a strange thought flashes through my mind. I lift up the map I found in the office earlier and take a closer look at it. 5x5, eh? It might not be it, but without the huge "241- VEL. CHAMBER" room it would make perfectly 5 times 5 rows of rooms. Some bigger, some smaller, but the pattern is the same. Just maybe the panel of switches turns the lights on and off on the entire floor. But as usual, I cannot be sure of that. My knowledge of technology is probably only average. If even that.
I don't want people to think I am here somewhere. Which is kinda weird, because I should be happy about anyone who can lead the way out of here. But somehow my guts tell me that this would not be the case. And I trust my guts in situations like this. So my decision on hiding and not exactly giving away that I am here still stands. Though I will use anything I can to my advantage, if I need to.
I might just try the switches to make sure what they're here for each one on their own, but right now I only listen to see if someone is being close to me.
[Let me break down my actions: Just fucking stands there paralized while having thoughts and listens to any noises, especially the shuffling.]
My eyes dart back to the 5x5 panel of switches and suddenly a strange thought flashes through my mind. I lift up the map I found in the office earlier and take a closer look at it. 5x5, eh? It might not be it, but without the huge "241- VEL. CHAMBER" room it would make perfectly 5 times 5 rows of rooms. Some bigger, some smaller, but the pattern is the same. Just maybe the panel of switches turns the lights on and off on the entire floor. But as usual, I cannot be sure of that. My knowledge of technology is probably only average. If even that.
I don't want people to think I am here somewhere. Which is kinda weird, because I should be happy about anyone who can lead the way out of here. But somehow my guts tell me that this would not be the case. And I trust my guts in situations like this. So my decision on hiding and not exactly giving away that I am here still stands. Though I will use anything I can to my advantage, if I need to.
I might just try the switches to make sure what they're here for each one on their own, but right now I only listen to see if someone is being close to me.
[Let me break down my actions: Just fucking stands there paralized while having thoughts and listens to any noises, especially the shuffling.]
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