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1 yr ago
Current As an American [user could not afford rest of post]
6 likes
3 yrs ago
Never spaghetti; Boston strong
3 yrs ago
The last post below me is a lie
1 like
3 yrs ago
THE SACRIFICE IS COMPLETE. THE BOILERMEN HAVE FRESH SOULS. THEY CAN DO SHIFT CHANGES.
2 likes
3 yrs ago
Was that supposed to be an anime reference

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Harry Potter is not a world view, read another book or I will piss on the moon with my super laser piss.

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Roughly a month prior

Swinging. Pirouetting. Dancing and mingling. The ballroom of the palatial mansion was alight in the glow of festival. Under the vaulted ceiling the heavy chandeliers hung with streamers of pearl and glass beads. The reflected light shimmer across the floor and the great many multitudes dappled the bright happy faces with the light of a million stars. A jovial scent of spice filled the cavernous space from great banquet tables. The buffet laid across it filled with the richness of taste and the wealth of expectation of the foreign merchant who had decades before moved into the small city state of Valentine.

And like the jewels that hung above, so too did the city outside the palace's windows shine. Across the bay, rising scores of streets marched up the hillside from the shore. The dark shapes of boats sat in the dark crystalline waters of the bay. The lamp light from windows glowed in the darkness, adding to the view the light of hundreds more soft yellow and orange stars to the inky sheet of night.

From a stage erected in the middle of a room, a large band took command of the dance, and the singing praise of a multitude of string instruments swayed the dancers about in staccato energy. They sweated in their livery, beads pouring down from their brows as the heat of the dancers and the energy of their playing consumed them to their very core. They appeared as if hypnotized, as if taken by the music and by some other force. Eyes closed in intense concentration, or held up to the old mosaics that decorated the ceiling high above.

And in front of them, broad shouldered and impressive was the master of the house. The bearded and noble master. Carbono Ithilmu, or as those of more ancient times knew him: Semiane Munch Strige Vrykolas. He had come far in space and time since the days he was a low rural count, brooding over the valleys of his domain from a rude stone cut castle on a high ridge. He had passed from the languid and sepulcher tapestries and trappings of a dynasty so ancient that it was dead, save for he. Now here he was, among the warm glow of participants to his own spectacle and the light of the uncountable candles he could afford, crates of which arrived to his palace by the day and it was said the true scale of his wealth could be measured by the inordinate tons of spent wax he threw out to the bay. Who could find a master richer? Seemingly more well connected.

Who would not adore his sublime presence? His eyes, as dark as they were glowing. His presence, so immense it filled a room by itself, let alone a full one.

He commanded his steps, holding out one hand to take a new dancer; man or woman he discerned not. And each danced with him. Some more tenderly than others. And each contact appeared to boost his aura, his presence. While others tired his energy grew. He noted not the heat, or seemed to grow hungry. He drank the wine heavier than any demon, but held himself no less drunk than the simply warmly inebriated; he did not stumble or fall and moved with all the complexity of a spirited dancer, in full control.

As the Saturnalia drew on into the night, the guests began to withdraw. Those who could find the door stumbled laughing and warm in the face from the wine and the joy as they were piloted away by their drivers, the clapping of hooves echoing down the sweeping cobblestone drive that turned they away from the mansion as it had brought them in, funneled by the delicate shadows of olive trees.

Those who weren't so lucky were helped along by the servants, who stepping out of the woodwork took them to guest rooms. They appeared seemingly from no where like nimphs in the wood to take the drunken wanderers away to safe quarters. Their joyous delirious laughter could be heard all throughout before they were closed off in private chambers and stumbled their ways to beds or couches, naked or half way there.

As the ballroom empty, the band ceased to play and they soon retired. Though not drunk, the deprivation of exhaustion hung over them and they threw themselves off to the side, surrendering to their own weight and curled in a corner. The servants stepping out from their doors as the sound of party subsided and began to clean up the mess, the goblets tossed aside, the food on the floor, the sweat and blood and puke. And the last among the many to stand was master Semiane, a glass of wine held high in salute to the revelry.

“And to thee, a good sleep.” he was heard to say in the silent ballroom before downing the goblet. Emptied, he walked over the bodies that had collapsed from exhaustion and handed it to an elderly chamberlain who bowed and delivered it with the others to the kitchen.

“Oh what fun, what joy!” Semiane gloated, laughing as he walked across the sleeping hall, “Oh how man pushes themselves. The escape they seek. A much ado respect to you all. I am well fed.” he added, laughing.

The echoes of his footfalls followed after him as he walked through his estate. From the ballroom to the foyer. The towering room glowing with a lunar blue light through windows that reached up with the columns and intricate details of the architecture. Up golden flights of stairs, the railing a decadent gallery of detailed filigree and painstakingly carved scenes in carved spaces no larger than an oak leaf. Across carpets, imported from many of the far corners of the room and through even more broad chambers. Windows galleries that look out across vineyards and orchards, complete with a distant winery on the far hills, dark against the sheet of the moon glow night.

His journey ended in his bedroom. A library and gallery of all things fair and fine. Where hanging from the walls were paintings and tapestries centuries old. Books in far-flung languages and complex ciphers. Suits of armor from many periods and kingdoms stood in silent drill against the wall under sword and shield. And in the middle, in a large bed of white and gold reclined several young women, naked save for the sheets that covered them. At the sound of the door opening they stirred and rose, presenting their fair fine bodies to him as he stepped forward to kiss their cheeks, their necks, and their chests as they disrobed him and invited him in.

Free of his clothes he breast lay exposed to the warm night air. Unlike the rest of him it bore the signs of his age, his being. Far from the expression of his public self his chest was boiled and white, hairless. His massive ribs jostling for space against his tough leathery skin with the tight sinewy ropes of his muscles. The magic and skill of reconstructive surgery had done much to try and cover this, but unlike his face, what magic he possessed seemed to do little to hold whatever form was sculpted onto his body here.

But the young women he lay with did not seem to care or pay no heed as they gingerly brushed him with his fingers. Their embrace lasted until there was a knock on the door that stirred them. Indifferent Semiane rose and called out, “You may enter.”

The large doors opened, and in stepped an old man. His eyes down cast at the parchment he held. His face pale and white as he looked up and bowed. “Your honor, I hope I am not intruding.”

“It doesn't matter. What is it?” Semiane answered him as he sat up right. Folding his hands in his lap.

“There is word from the imperium. Evidently, the Emperor Zachaeus had announced he is retiring from his duties. His sons are to take to the throne, but on the condition that they are married. I know my honor is looking for opportunity, and so, I believe this opportunity would be most fitting.”

Semiane thought for a moment and nodded. I have not made my way to Xelwyth, he thought to himself. Raising his eyes he looked at his old house steward and said, “Who are the sons, whom are they looking for. I can imagine the opportunities I can have, but who might I have to contend with to gain favors.”

“That, I have here.” the old man said, producing a new scroll from his back pocket.

“Then let's sit down.” Semiane said promptly, throwing over him an embroidered robe as he invited the old man to a table near the window. He lit a few nearby candles as the case was explained to him, who the princes were, and what their dispositions may be. Semiane nodded along, feeling a taste for adventure brew on the back of his tongue.

“I may have to go.” he said, stoking his thick beard. “By morning, when can you ready a ship for passage?”

“Perhaps by the afternoon, or late evening your honor.” the old man said to him.

“Then be on it, keep me notified when it's ready or there are delays. I will be in touch by courier if I need anything when I arrise.”

“As you will, your honor.”
And really, to further illustrate the point: there are companies around today that have been around since the 6th century, mostly Japanese companies (who have the five oldest still-active companies in the world, founded between the year 500 to 800, ranging from hospitality to construction companies, and religious services).

The legal definition of a corporation is the partnership between multiple persons with the aim of generating profit and receiving a charter or legal recognition of their corporation that makes a single entity out of several individuals, the legal practice of such in Europe dating back as far as Rome. Among the Romans, entities such as the Roman State, its religious cults, burial groups, political parties/groups, and - drum roll please - its trade and craft guilds were all incorporated entities: corporations.

Of course the economic and material basis of when they operated was different then as it was today. But the point of the matter is that corporations existed "when guns were new" and much earlier, and some of them still exist today. There's a still operating restaurant even that served Charlemagne.
appearance
A shallow faced man, long beard, and heavy mustache. His eyes: dim an unassuming, a heavy brow. His cheeks full and the structure of his bones pronounced and impressive. A bulbous nose, almost flat like a pig's, mouth and lips curled down in a frown.

name
Semiane Munch Strige Vrykolas

age
346

bio
A vampire of old birth, Semiane Vrykolas hails from a distant kingdom. His age having long nurtured a careful aptitude, Semiane abandoned the outward manifestation of being a vampire long ago, going underground; as vampires go. While once he was a count for some time, a claimed royal presiding over some distant and rude country he fled when the peasants were incited against him by some hunters and he fled into the world, leaving behind a doppelganger to take the brunt of the peasant's anger. Turning away from royal life, he used what wealth he had and entered into commerce. There for a time he managed a small but capable trading outfit until his clients became suspicious as they grew older but the man they came to know for so long remained inconspicuously young, compared to them.

An inquiry forced Semiane into hiding again, and he fled. But through loopholes and confidants he managed to sell his initial trading company over to them, who manage it for him in their name. Re-establishing in another privileged port he began again, only for the same narrative to be repeated. As his clients grew old, and he did not age, suspicions mounted and he was forced to migrate before the blade of a hunter could stake his heart. The second company was later acquired at auction by his first enterprise.

By this second foible he had learned. While taking a laundered salary from his old company he took to travel, and visited ancient lands. There he learned new magics and skills. In high deserts he discovered the art of altering the face and the body, means to make one appear younger, which could be reversed to appear older; or even pulled to the extreme to transform him into entirely different people. In this time, he took on many new names as he did faces as he resigned himself to practitioners of the art of reconstruction and made his first new employees since abandoning his first trading adventures: a surgeon and his apprentices, kept on a high pay for their services as he returned to more recognized lands.

Under their knife and powers, and the knife and powers of their successors, Semiane routinely transformed himself to avoid the suspicions of his peers. Becoming in effect his own sons as time went on. And through this time, in the realm of merchant capital acquired a substantial wealth and a large network.

But Semiane was still at heart a vampire. And vampires had needs. Whether through courting the wives or young daughters of the wrong people or being tied to a murder he was forced to flee or even pretending his own death.

As the years, decades, and centuries went on so too did the depths of his financial empire and the capabilities of his surgeons to transform. While he kept to himself a very small direct staff, he had in reality under his an immense network of thousands. The enormous wealth and capital he came to possess through the domination of virgin foreign trade made him and every persona and biography he invented leading influential figures in the respective realms he found himself in. And with that power and influence came the social life. Not one to by shy, he and every persona became known for the extravagant parties. He was a boon to the arts as he played patron to a many number of artists. All of which was to hide himself and is activities.

On hearing the call from the empire. A vampire elder, who had ruled for five-thousand years was to abdicate, and his sons would someday take the throne. But the succession wasn't clear, conditions were made. Conflict was rife. Financial and political gain could be made, a swift and sure break into the strongest vampire realm in the entire world. While he could not possibly live there to announce his true self to the world and perhaps endanger his entire empire, perhaps playing the cards would implant him into friendly political circles, and he may have lasting protection at the least.

other

-
Um....

<Snipped quote by Vampiretwilight>
This would mean No big corporations. And not everyone in the kingdom is afraid of vampires and such.

Anyway, accepted for the time being.


The thing is he's not running a big corporation, it's a paper trail of sock puppets that only exist because of his age. Like the merchant families of the Republic of Venice, his reach stretches far.
appearance
A shallow faced man, long beard, and heavy mustache. His eyes: dim an unassuming, a heavy brow. His cheeks full and the structure of his bones pronounced and impressive. A bulbous nose, almost flat like a pig's, mouth and lips curled down in a frown.

name
Semiane Munch Strige Vrykolas

age
346

bio
A vampire of old birth, Semiane Vrykolas hails from a distant kingdom. His age having long nurtured a careful aptitude, Semiane abandoned the outward manifestation of being a vampire long ago, going underground; as vampires go. While once he was a count for some time, a claimed royal presiding over some distant and rude country he fled when the peasants were incited against him by some hunters and he fled into the world, leaving behind a doppelganger to take the brunt of the peasant's anger. Turning away from royal life, he used what wealth he had and entered into commerce. There for a time he managed a small but capable trading outfit until his clients became suspicious as they grew older but the man they came to know for so long remained inconspicuously young, compared to them.

An inquiry forced Semiane into hiding again, and he fled. But through loopholes and confidants he managed to sell his initial trading company over to them, who manage it for him in their name. Re-establishing in another privileged port he began again, only for the same narrative to be repeated. As his clients grew old, and he did not age, suspicions mounted and he was forced to migrate before the blade of a hunter could stake his heart. The second company was later acquired at auction by his first enterprise.

By this second foible he had learned. While taking a laundered salary from his old company he took to travel, and visited ancient lands. There he learned new magics and skills. In high deserts he discovered the art of altering the face and the body, means to make one appear younger, which could be reversed to appear older; or even pulled to the extreme to transform him into entirely different people. In this time, he took on many new names as he did faces as he resigned himself to practitioners of the art of reconstruction and made his first new employees since abandoning his first trading adventures: a surgeon and his apprentices, kept on a high pay for their services as he returned to more recognized lands.

Under their knife and powers, and the knife and powers of their successors, Semiane routinely transformed himself to avoid the suspicions of his peers. Becoming in effect his own sons as time went on. And through this time, in the realm of merchant capital acquired a substantial wealth and a large network.

But Semiane was still at heart a vampire. And vampires had needs. Whether through courting the wives or young daughters of the wrong people or being tied to a murder he was forced to flee or even pretending his own death.

As the years, decades, and centuries went on so too did the depths of his financial empire and the capabilities of his surgeons to transform. While he kept to himself a very small direct staff, he had in reality under his an immense network of thousands. The enormous wealth and capital he came to possess through the domination of virgin foreign trade made him and every persona and biography he invented leading influential figures in the respective realms he found himself in. And with that power and influence came the social life. Not one to by shy, he and every persona became known for the extravagant parties. He was a boon to the arts as he played patron to a many number of artists. All of which was to hide himself and is activities.

On hearing the call from the empire. A vampire elder, who had ruled for five-thousand years was to abdicate, and his sons would someday take the throne. But the succession wasn't clear, conditions were made. Conflict was rife. Financial and political gain could be made, a swift and sure break into the strongest vampire realm in the entire world. While he could not possibly live there to announce his true self to the world and perhaps endanger his entire empire, perhaps playing the cards would implant him into friendly political circles, and he may have lasting protection at the least.

other

-
btw if u dont agree with my ship i'm legally allowed to literally call a hit out on you
Um, this is cultural appropriation.


You're cultural appropriation.
This is truth
delet this haram pile of garbage

I'mma bounce back into this thread to make another recommendation, a little more contemporary than Hundred Years of Solitude for ya'll.

But Kenziboru Oe's Death by Water, also known as Sushi in the original Japanese is a great book. It might be more than off putting for most people used to the popular style of say Harry Potter or whatever kids are reading today, because Kenziboru writes in such a minimalist style. Nearly the entire book is written via dialog with scant narrative description. It makes enough to set the scene before it gets the ball rolling. It's something I would have passed off had I not had the enlightening moment I did reading the book, at which point the full scope of it hit me like a rock and I had, shall we say: a zen moment.

I won't spoil it because I don't want to ruin what that was. But I will say it's a story worth its merits. It's initial pretenses do die rather quickly, which is what had me confused at first before it plodded along and I discovered what he was really doing with the story.
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