Fading Memory

Household Adventures, a Two Little Mice game

Alrighty folks, this post will be seeing much in the way of revision as time goes on. I will be updating it with relevant information and using it as an ongoing log of just what the heck is even going on. Seeing as I've never run the system before, I will be utilizing some of the prewritten material I have in order to facilitate our initial soirees in the House. As such, please do not read through the GM materials in the handbook and quick start guide.

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Saga Structure

Household is a game told in a 'Saga', the term used for a 'campaign' in this setting and system. Specifically our game will take place within a period of time that will later be known as 'The Fragile Peace'. These years of opened borders and unparalleled Household travel are also years of trouble and highlight the tensions of neighbors who were once foes coming to terms with a world of peace and the struggles therein. Your characters will be the agents in this Saga, experiencing and influencing The Fragile Peace.

A Saga is composed of Chapters, which are themselves composed of Paragraphs. If I were to equate these to more common D&D vernacular, it means that our Campaign is built out of Adventures, which are themselves comprised of Quests. The book has a recommended length of a Saga, but we will go by feeling for our purposes. There is something unique about the presentation of Household that I will discuss, however...

Household encourages changing characters, and having concurrent groupings of Littlings who experience the world simultaneously in different places. I rather enjoy this element to the system, but understand if this does not call to everyone as it does to me. This would allow the players to witness different and potentially far apart sections of the House from fresh sets of eyes, and potentially contribute to the Saga of The Fragile Peace with different perspectives and ideologies without sacrificing one particular group's cohesion or besmirching a character's ideals to do so.

Advancement is tied to progressing along the Saga, particularly concluding a Chapter.

Advancement

Advancement

When reaching the end of a Chapter, I will declare that it is time to Advance. When you Advance your character, you will note a new Experience. Experiences represent critical moments of significance to the character, and can be either Helpful or Hindering, but are usually Helpful. 'Scars' are their counterpart, and are usually Hindrances. This, of course, means that situationally they can be the opposite, such is the nature of things.

Typically you will gain one Experience per chapter, but if highly motivating or inspirational things occur during the game I as the GM can bestow additional Experiences. Examples of 'Experiences' are thus;

I climbed the Great Stairs!
I became a Parent.
I was in prison.
I broke a leg.
I can't trust anyone anymore.
My sister is the best.
My gecko will never leave me.

so on and so forth; the relevance will come from the events in character and will motivate your decisions on what Experience best defines their time in the Chapter.

Somewhat more mechanically inclined, Advancement also comes with gaining 2 Skill Points to distribute, and occasionally the opportunity to learn new Moves or gain Traits (read: D&D Feats).

Another extraordinarily important thing to explain is Littlings and their Contractual Obligations. Contracts are important to the Little Folk, and everything in the house is defined by Contracts and their concessions by the Forces or their representatives. The Forces are virtually any natural force or concept, and in my eyes they are held to a level that most settings would call deities. All the Littlings are bound by contracts, ranging from their Hereditary contracts which define individual Folk-Type bindings and benefits, to Personal Contracts which are individual Littlings gaining unique favor with one Force or another.

Contracts

Contracts

Contracts are defined by Concessions and Counterparts. Concessions are what the Force is bestowing upon the character, whilst Counterparts are the behaviors or services expected of the character. Breaking a contract results in Terrible Terrible Things (TTT's). The three primary types of Contracts are the Hereditary, which bind all Folk-types by their strictures, the Personal, which are individual remarkable contracts granted by the Forces, and Welcoming, which permit entry into otherwise unpassable locales or destinations-- such as the fireplace, where a Littling may otherwise burn up!

Commitments

Hereditary Contracts represent a character's forebears making a deal with one of the Household Forces. The principal contracts are thus;

Fairy - Contract of the Starchild
-The Starchild contract is what bestows the Fairies their remarkable wings. In return for this incredible boon, all Fairies are bound by their names; any agreement signed by name must be obeyed, lest they suffer TTT's.

Boggart - Dear to the Hearth
-The Hearth bestows upon Boggarts the strength of one hundred littlings. They can temporarily 'Go Juggernaut', growing greatly in size (up to double their ordinary and typically already daunting size) and gain immense physical prowess for the time. This wears them down somewhat when it wears off, and usually results in a loss of Decorum due to ripped clothing, but their true Counterpart is being bound by their word; Boggarts must always honor their word, lest they suffer TTT's

Sprites
Salamander - Out of the Spark
-Salamanders are granted Enlightenment by their contract with the Spark; they can glow bioluminescently from their hands, feet, and nose. Yes, they can 'turn this off and on'. Additionally they will receive epiphanies and flashes of inspiration from time to time.

Sylph - Out of the Draft
-Sylphs are bestowed a legendary Lightness by the Draft; they have hollow bones, long and slender, and as such they walk so lightly as to not even disturb dust in their passing. By holding their breath they may 'bloat' for a short period of time, further enhancing their already natural weightlessness.

Undine - Out of the Drain
-Undine are bestowed Water Retention by their contract; their bodies absorb water like great sponges, and as such they are incredibly durable and hardy to the point of even withstanding incredible falls. Mighty blows that would fell other Folk simply cause Undine to swiftly lose their stored water and become disheveled.

Sprites all share the same Counterpart. All Sprites are bound by deals negotiated and sealed with payment. Should they fail to obey this, they will suffer TTT's

Sluagh - Revenant from Farbeyond
-Bestowed by the unknowable Forces of the Farbeyond, Sluagh are granted the benefits of being Unbleeding; their blood is dense, dark, and flows slowly- but is possessed of incredible healing factors. As such, Sluagh are naturally resistant to poisons and drunkenness, and can withstand otherwise lethal blows; a duel to last blood is not something that fazes Sluagh duelists, who can outlast many foes. All Sluagh are bound by their debts, however; any agreement bound by a lost bet must be obeyed lest a Sluagh suffer TTT's

The House

The House itself is a wonder, built by the Master for his Family. It has been many years since the Master walked the halls of the House, however, and no Littling has the strength to master the House itself. A such, the House's exact proportions are unknowable. The greatest of scholars have theorized that a great contract binds the domain of the House, and as such locations within the House are mysteriously perceived in warped measurements. A common example of this is a City within a Drawer; once you enter into the city, the expanse may exceed the literal confines of the Drawer as measured from outside. This phenomenon is noted in many places in the House, and is functionally the game's way of going 'things are as big or as small as they need to be for the importance in the story'. I dig this part. It even notes that the Dining Table's surface is often measured to exceed the area between the four legs of the table, which causes no end of bickering among scholars who try to explain this phenomenon beyond the conventional assumption of a Contract.

Mechanics

Mechanics, Pasted from Intcheck

Cover Page

Trust a sprite if you pay them
A boggart if they give their word
A fairy if they sign their name
And a sluagh when they say
“you should never trust me”
Household Proverb

The core mechanic of the game is pairing 'Fields' with 'Skills' to amass a die pool, then rolling and searching for matching sets of results. This is where player agency shines, as you get to decide how your character is approaching a scene or obstacle and pitch it to the GM (There would rarely be a situation where I would feel the need to arbitrate these decisions).

There are four fields (Society, Academia, War, and Street), and twenty skills. On the character sheet they are grouped by typical associations, but this is not a restrictive grouping.

Fields and Skills, as presented on the character sheet

When an action carries a risk, or when it can lead to important Consequences that would influence the development of the story, then it’s time for you to roll the dice.
There are two kinds of dice rolls in this game:
Ӵ ACTION ROLLS: For these rolls, you are the one who states the Action, and you can freely choose the Field and Skill you’ll call into play.
Ӵ REACTION ROLLS: For these rolls, the Narrator asks you to React to a specific event, calling into play a specific Field and Skill

you could approach a situation by trying to be stealthy, warranting a Street+Caution to sneak and bypass hostile presences, or perhaps in a party you may be trying to fly under the radar whilst remaining present on the ballroom floor and that would fall under Society+Caution. A situation of a precarious alchemical laboratory in the midst of a firefight requiring you to juggle reagents and components? Could just as easily be Academia+Craft as it could Academia+Dexterity to avoid cataclysm. This is the primary interface with which the players interact with the world, by choosing a Field and Skill, justifying the choice, then rolling the dice and acting out the results.

The difficulty of these actions is decided by the GM, ranging from 'Basic' to 'Impossible' (one pair to five of a kind), but there are nuances to these rolls and your ability to interact with them, but that can be delved into later if folks are still interested in this game. 'Critical', AKA Three of a Kind, is the 'standard' difficulty to be expected for most tasks that are worth rolling for. If you somehow roll 6 of a kind, that's called a 'Jackpot' and it basically allows you to take over the narration of the scene as a whole and describe how you achieve your goal for the scene. Hey, it gives me a break as GM, I'm all for it.

Reaction rolls are similar to Action rolls, except that I, the mighty GM, would dictate what roll is appropriate for the declared action. This comes up in Combat, unexpected circumstances, emergencies, and otherwise dramatic moments. Enemies do not roll to hit you; you will be called on to React to them, as deemed appropriate by the GM, to avoid harm and embarassment.

The core mechanic of interaction with rolls is 'Rerolls' and 'Free Rerolls', which all I'll elaborate on for now is that you can risk what you currently have to try and improve the result- unless it's 'Free', in which case always take your reroll as it cannot harm you!

Characters will have access to specialized maneuvers called 'Moves' which give them unique abilities or access to 'Free Rerolls'; think of these like Feats in D&D.

Instead of tracking HP you have 'Stress', and it acts as plot armor, social graces, physical might, whatever you need to fluff it as to understand this system is an abstract and simple portrayal of the heroics and struggles of these little folk. Taking too much 'Stress' results in becoming Overstressed, and risking 'Bowing Out' of the scene- the game does not overtly risk death upon anyone without their consent outside of few remarkable circumstances. Situationally you may suffer 'Conditions', which modify die pools in relevant fashions. Becoming Hurt, for example, makes it harder to wield your War field and imposes maluses on your physical efforts.

There are some other nuances and mechanics, and a limited method of advancement, but this covers the 'mechanics' of Household to an extent that it should help you decide if this style of gameplay seems fun to y'all.

Example of a roll in action

In this hypothetical, my Boggart by the name of Eniston Poglwogl, is attempting to sneak past some gendarmes who are in an offensive patrol arc around my intended heist target. I shall take my hypothetical Street field of 2 and my hypothetical Elusion skill of 3, and shove them together to make a pool of 5 dice. My GM tells me the difficulty of the test is Critical [three of a kind].

I roll the dice, and get two pairs (two basic successes)

This is not enough to reach the threshold of a Critical difficulty, and as such there will be consequences for Eniston Poglwogl in this situation- although my two basic successes may situationally still permit certain benefits, such as declaring I reached certain positions before I got caught. I have scored at least a Basic Success (one pair), therefor I have the opportunity to Reroll. As I have no sources of a 'Free Reroll', I will gamble with the normal Reroll; roll all non-matched dice again, but if I do not improve my result I will lose one of my current successes. Seeing as the GM was generous enough to let me know the difficulty ahead of time, I know I may as well gamble on this one. Thus I reroll my singular failed die;

the 6 became a 2, my success does not improve and I lose one of my basic Successes.

Eniston is caught out in the open, tripping over his own untied shoelaces and into the sight of the gendarme, but managed to regain footing and break into a run to gain some distance before the guard managed to blow their whistle.

This is just one simple example of how the dice mechanics can function.

Conflict and You; The Basics

Conflict comes in various forms. Mechanically, these situations will hold to the same Action or Reaction roll system the rest of the game is built upon.



As described above, conflicts come in many shapes and sizes- and explicit combat is not the only way for a Littling to suffer stress! Generally Conflicts will operate in 'Turns', situationally favoring the Players or the Opposition. If the circumstances favor the Players, all the Littlings will get an opportunity to begin the Conflict with an Action; otherwise Conflict will begin with a Reaction phase dictated by the GM.

This system does not use Initiative, nor hard turn orders, or anything of the sort. Nor does the GM track specific opposition stats or stress or actions. The exception to this is Duels, which will be described separately.

Unless otherwise stated by the GM, Combat will be handled by summing the opposition into a group. I may describe a literal number, such as ten or five or fifteen, deserters; this is largely mechanically irrelevant. The ability to narrate and fluff as you desire within the prescribed environment is shared between the players and the GM once the outlines are established, and dictated by the die rolls. This means that if our party ends up in an ambush of ten deserters, all players are functionally attacking the same mechanical entity; 'The deserters' share stress and exist as a narrative tool for the GM to impose Reaction Rolls onto the players. Sometimes a single entity, such as a spider, or a centipede, or a particularly noteworthy duelist, could even constitute the same combat circumstance!

In Combat, all Actions and Reaction rolls use the War Field

Eniston Poglwogl, Boggart Thief, is accompanied by Verafina Nightshade, a Sluagh huntress, and Ace of Spades, a Fairy scissor-for-hire. Eniston previously failed to sneak past the gendarmerie to reach his goal, and is thinking through a new plan with clues discovered by Verafina separate to his own escapades. Their camp is suddenly surrounded in the night; twelve dirty and poorly armed deserters are trying to make a move.

Because of this ambush scenario, our Littles were poor in setting up camp and did not keep a watch, the Combat begins with a Reaction. Based on the traits and abilities the GM has decided upon for these deserters, the Littles need Critical Successes to avoid harm in this initial ambush. The GM describes how the deserters act, and dictate the Reactions needed to avoid harm to each Player;

Eniston's reputation as a scrappy brawler precedes him, and so the deserters wield their few firearms in an opening fusillade against the players. The GM calls for War+Athletics to swiftly seek cover against the hail of fire. This is a decent pool for the scrappy Boggart, but a poor pool for the roguish Ace of Spades, whilst Verafina has a favorable pool for this roll.

All three players roll and seek a Critical Success (three of a kind). After pursuing rerolls and making use of traits or Aces, Eniston gets two basic successes (two pairs), Ace of Spades rolls his comparatively small pool and only gets one basic success (one pair), whereas Verafina is extremely lucky and rolls two critical successes (two three-of-a-kind rolls).

Verafina has scored sufficient 'additional successes' to share in the wealth with her companions; she decides to spend her extra Critical success protecting Ace of Spades as well. She describes how she weaves through the gunfire elegantly, before reaching out and pulling Ace of Spades out of the way of harm entirely. Her shared success mitigated the harm coming towards both of them.

Eniston, however, did not achieve a full success. Failing a Critical Reaction roll typically results in suffering 3 Stress, however he rolled two basic successes. He may mitigate the damage suffered with this; Eniston describes how as the first shot takes him low in the arm, he dives to the side and runs into the mushroom thicket for cover. He only suffers 1 Stress instead of the full 3, his lesser successes reducing the threat.

It is now the Players turn to Act, and Eniston gleefully describes as he Goes Juggernaut... The deserters may have chosen the wrong travelers to ambush!

The Space for the advanced mechanics

Aces and Jokers

Aces and Jokers text

Duels

The rules for Dueling will be screenshotted below for easy reference. The DM has a few optional rules to make use of to add diversity to duels, and they will be utilized as they arise.

Duel Information

Weak Spots

Battle is not solely the domain of the powerful scissors-for-hire or thugs of the Household, and the quick-witted or conniving can find ample room to turn the tide against a party's foes with their intellect or schemes. This is where 'Weak Spots' come in.

To keep this abundantly clear, each Opponent can only have ONE weak spot, and it can only be taken advantage of ONCE. They are a diverse and potentially very powerful tool. The rule for discerning weak spots will be screenshotted below, and for the sake of clear mechanical expectations I will state that Weak Spots are randomly determined by a series of tables upon a Littling searching for one.

Weak Spot Rules

Brawls!

A brawl is like a Combat, but for Littlings to duke things out with Fisticuffs! To keep it simple, a Brawl uses mostly the same rules as a typical conflict, except that it is solely meant for outright unarmed brawls of the chaotic, tavern-sprawling, nature. Once someone dares to draw a true weapon, the typical combat rules take precedence once again and will ensue from that point forward.

In a Brawl, the exception to the standard rules is that regardless of Action or Reaction turns, on successful rolls you will inflict Stress on the opponent, and on failed rolls you will suffer the stress. Brawls are a chaotic, sometimes senseless, flurry of blows!

Ranged Combat and Cover

Screenshots of the Ranged Combat and Cover rules

Making a Trade and Raising the Stakes

These mechanics are similar but subtly different. Making a Trade is an opportunity for you, the player, to suggest a reasonable alternative to suffering Stress for GM approval. Reducing decorum, a stray bullet catching your coin pouch, breaking a favored piece of equipment, suffering a condition, etc., are all examples of 'making a trade' with the GM. As always, the GM has final say on whether or not they accept the trade.

Make a Trade text

Raising the Stakes, on the other hand, is a bargain offered by the GM. You may at some time succeed on a roll; as strange as this may sound, it is bound to happen. Occasionally the GM may attempt to entice you into a reroll, trying to improve your result, with a bribe of additional information, improved outcome, or other favorable circumstances. Perhaps you succeeded in your bribe, but the GM offers 'Let's raise the stakes; if you reroll and improve your result, you will learn something from the disgruntled guard about their boss'. Whether you accept such stakes is up to you; failure will result in losing your already earned success!

Leaving Combat

This one is rather simple; to leave a combat situation, you roll Elusion+War against the Opponent Difficulty. If you're the LAST person to leave, you get a -1 to your roll! Sometimes holding the line can be difficult, after all.

Setting and Map; The House

Brief Summary and description of the Demesne Contract here.

Map of the House

The Space for the Household History

Yep.

The Space for the Household regions

Uh-huh.

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There is a timeline, various maps, and detailed historical/cultural artifacts to each of the nations, major cities, and the Folk of the House. I will elaborate on what I feel is necessary as time passes, but for now this will be the launch of the OOC as I shuffle the character materials to all those interested.

Fading Memory's System Interests

Alrighty it seems Household has taken a few steps up over 5e this time. Everyone is welcome to join in this adventure of learning and togetherness, naturally, but I also understand if folks don’t want to join in on something they didn’t personally vote for. I’ll get an OOC up shortly, and meander the appropriate character sheet files and player information into an accessible format for people.

Fading Memory's System Interests

Since Household appears to be climbing rapidly in interest, I'll go ahead and do a more thorough explanation of its mechanics and situations so that people can confirm their interest.

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To begin, the system is simple and intended for an episodic style of adventure rather than a lengthy campaign like one would typically envision for a D&D game. Your progression as a character in Household is limited, and the system is narrative and character action driven rather than mechanically driven. In short, there's more than one way to skin a cat in Household and your particular choices will affect this more than anything else.

Cover Page

Trust a sprite if you pay them
A boggart if they give their word
A fairy if they sign their name
And a sluagh when they say
“you should never trust me”
Household Proverb

The core mechanic of the game is pairing 'Fields' with 'Skills' to amass a die pool, then rolling and searching for matching sets of results. This is where player agency shines, as you get to decide how your character is approaching a scene or obstacle and pitch it to the GM (There would rarely be a situation where I would feel the need to arbitrate these decisions).

There are four fields (Society, Academia, War, and Street), and twenty skills. On the character sheet they are grouped by typical associations, but this is not a restrictive grouping.

Fields and Skills, as presented on the character sheet

When an action carries a risk, or when it can lead to important Consequences that would influence the development of the story, then it’s time for you to roll the dice.
There are two kinds of dice rolls in this game:
Ӵ ACTION ROLLS: For these rolls, you are the one who states the Action, and you can freely choose the Field and Skill you’ll call into play.
Ӵ REACTION ROLLS: For these rolls, the Narrator asks you to React to a specific event, calling into play a specific Field and Skill

you could approach a situation by trying to be stealthy, warranting a Street+Caution to sneak and bypass hostile presences, or perhaps in a party you may be trying to fly under the radar whilst remaining present on the ballroom floor and that would fall under Society+Caution. A situation of a precarious alchemical laboratory in the midst of a firefight requiring you to juggle reagents and components? Could just as easily be Academia+Craft as it could Academia+Dexterity to avoid cataclysm. This is the primary interface with which the players interact with the world, by choosing a Field and Skill, justifying the choice, then rolling the dice and acting out the results.

The difficulty of these actions is decided by the GM, ranging from 'Basic' to 'Impossible' (one pair to five of a kind), but there are nuances to these rolls and your ability to interact with them, but that can be delved into later if folks are still interested in this game. 'Critical', AKA Three of a Kind, is the 'standard' difficulty to be expected for most tasks that are worth rolling for. If you somehow roll 6 of a kind, that's called a 'Jackpot' and it basically allows you to take over the narration of the scene as a whole and describe how you achieve your goal for the scene. Hey, it gives me a break as GM, I'm all for it.

Reaction rolls are similar to Action rolls, except that I, the mighty GM, would dictate what roll is appropriate for the declared action. This comes up in Combat, unexpected circumstances, emergencies, and otherwise dramatic moments. Enemies do not roll to hit you; you will be called on to React to them, as deemed appropriate by the GM, to avoid harm and embarassment.

The core mechanic of interaction with rolls is 'Rerolls' and 'Free Rerolls', which all I'll elaborate on for now is that you can risk what you currently have to try and improve the result- unless it's 'Free', in which case always take your reroll as it cannot harm you!

Characters will have access to specialized maneuvers called 'Moves' which give them unique abilities or access to 'Free Rerolls'; think of these like Feats in D&D.

Instead of tracking HP you have 'Stress', and it acts as plot armor, social graces, physical might, whatever you need to fluff it as to understand this system is an abstract and simple portrayal of the heroics and struggles of these little folk. Taking too much 'Stress' results in becoming Overstressed, and risking 'Bowing Out' of the scene- the game does not overtly risk death upon anyone without their consent outside of few remarkable circumstances. Situationally you may suffer 'Conditions', which modify die pools in relevant fashions. Becoming Hurt, for example, makes it harder to wield your War field and imposes maluses on your physical efforts.

There are some other nuances and mechanics, and a limited method of advancement, but this covers the 'mechanics' of Household to an extent that it should help you decide if this style of gameplay seems fun to y'all.

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If this doesn't scare people away or still seems fun to folks, I'll start nosing into the Household book more in depth. I'll let this sit up for another day or two as an active IntCheck just to see if any other folks show up and have other opinions that might influence things.

Fading Memory's System Interests

I’m honestly fairly surprised at the variance I’m receiving in people’s interests. I’ve a few Discord messages from folks weighing in as well. Household and 5e are tied-ish at the top of my notes, with Vaesen, Vampire, and ASOIAF all roughly equal in second place at the moment. I’m happy to see so many different interests.

Fading Memory's System Interests

So far that’s three votes for 5e or a derivative, 2 votes for Household, and a vote for Shadowrun, Vaesen, Vampire 5e. Got it.

I know if nobody else got me, the usual suspects got me lol.

Fading Memory's System Interests

The only reason Shadowrun isn’t on this list already is because I’m already in two ongoing games of it. I run a session-based table of it on Fridays and am Co-GMing a pure-roleplay game here on the Guild already. I love Shadowrun. My favorite game setting and system for sure. I just have other obligations for that at the moment, so unless a bunch of people show up and want that specifically I’d prefer other options at the moment.

Fading Memory's System Interests

I own a lot of systems. The above isn't even a comprehensive list, as I own a myriad of physical-only products that I never bothered to find PDFs for. I often stare at my library shelves and go 'Fading Memory, when are you going to have the time to play all of these? How on earth are you going to make the time to do all of this?'

And, well, I'm pretty sure I never will. Oh well. That doesn't mean I'm not going to try. I've got a lot of energy these days. A lot. I'm positively overflowing with Guild Refreshes and jittery fingers and a desire to smash buttons and make stories.

I'm going to highlight a few of these systems that I'm personally quite interested in, despite a lack of overt familiarity with them, and willing to attempt to put things together with a crew of folks who may be even less familiar than I am with these systems. Below you will find the systems I am most interested in, for various reasons, in no particular order.

Dungeons and Dragons 4th Edition
I do not know if this game will mesh well with the Forum style. I am willing to smash my head against it anyway. I've never played nor run it before. I've given it cursory readthroughs over the last few years just out of sheer curiosity. I do not consider myself 'knowledgeable' nor 'proficient' with the system, but am keen on trying it out.

It's chock full of hard grid definitions and game-ist terminology that doesn't quite translate into a theatre of the mind comprehension, but I'm willing to flub a lot to make scenes work and keep the fantasy moving. This system is geared for Big Damn Heroes, Big Damn Fights, and being the 'Heroic Adventurer'.

This is D20 based, with multiple layers of additive modifiers and situational bonuses/maluses, and a potential for tracking many turn-based effects and 'over time' triggers. Potentially quite clunky for folks who have only ever played 5e.

Household
This system is simple. The setting is charming. I liken it to 'The Secret World of Arriety' by Studio Ghibli; it's about Little People in a Big House. It fits snugly into a later renaissance aesthetic, with faeries living in the chandelier of the kitchen and Boggarts claiming the hearth and fireplace as home, etcetera and so forth. Keyskets, cogpeshes, half-scissor blades, bumble-bee mounts, vicious hordes of rats, spider cultists, high society intrigues, and grand adventures through the garden are all potential angles in this setting and world. The Master has been away for too long, and now the Littles must keep order in the Home.

I believe that is sufficient to paint a broad picture of what Household entails. The mechanics operate off of a 'roll a pool of D6's, look for multiples-of-a-kind. Potentially have rerolls' system. It's just that simple. A very narrative first system, focusing on the roleplay elements of the Period Drama and being very light on mechanics in my humble opinion. This is the one if folks are of a like mind to myself where the system may end up being secondary to the actual gameplay/roleplay experience of the world itself.

While I've never run this setting or system explicitly, I've run Two Little Mice's other system 'Outgunned' and it uses a nearly identical core mechanic.

Vampire the Masquerade 5e
It's VTM. I think most people broadly have an idea what this is in today's roleplaying game climate. I've dabbled in the myriad video games a smidge, and consumed a few podcasts and youtube series of this one, but have never played it or run it personally. This means that if people are interested in this one, I will make mistakes and break canon and ruin lore or any other horrible things I could probably mess up- but hey, I'll be honest, I don't care if you guys don't.

The World of Darkness is not for the faint of heart. Set 'tonight', 'this year', 'our world', 'right now', the World of Darkness is a dark and macabre reflection of our own city streets and world situations. Vampires roam the night in secret, concealed by a rigid Masquerade upheld by old blood and tyrannical hierarchy. Other factions vie for control of the night, and mortal kine are pawns in their games. This is a game about wrestling with humanity, a lack thereof, and ambition. Vampires are infinitely more powerful than individual mortals, but are outnumbered by their livestock millionfold and must be careful in their hunting and plotting lest the sheep rise against the shepherds.

Bad things happen in the world of darkness. It's a game for mature audiences to put it as clearly as possible; that's not to say that a table cannot be made comfortable for all, but it is the nature of this game that you are playing a monster who may or may not realize it yet as they choose whether or not their humanity is really all that important in the Machiavellian schemes of the night.

Just the way I've described this will probably clue veteran players of the setting in to the fact I really am new to it, but I have an interest and a general understanding of the vibe. Mechanically it uses D10's in pools, trying to roll 6+'s with some nuances to this. Activating vampiric powers can potentially lead to greater Hunger, which in turn can lead to messy situations as it affects your dice pools. 'Clans' represent groupings of shared banes and benefits, functionally mirroring 'classes'+'races' of other systems into one neat bundle. As an example, the Nosferatu; their clan bane is an apparent and unmistakable hideousness, whilst they get the benefits of physical prowess, stealth, and animal familiarity.

I don't anticipate a strong response to this, but it's one I'm willing to run and am interested in myself.

A Song of Ice and Fire
In my opinion, this game system is a bit of a mess. I've played two games in it, run 0, never fully read the books, only watched the show once, but think that there's a fascinating potential to the system and setting for a game that is built on the idea of 'politics and warfare go hand in hand' rather than having one as an afterthought. I could not explain the system off of memory save that it is about amassing pools of D6's which are occasionally modified with a +Number, or by gaining bonus dice which only replace lowest numbers rolled, and trying to beat target numbers. The greater the extent you beat the target numbers, the greater the degree of success.

I don't have much to say about this one other than 'If you like the idea of politicking and lethal combat and dealing with the world of Game of Thrones, this game is quite literally built for that'. The House generation aspect is prime, in my opinion, and greatly solidifies the party's cohesion as a unit in the employ or service of a particular house.

D&D 5e
Hey, people like it. It's easy. It runs clean. It's easy to use. I know it like the back of my hand. I've made mistakes in running it in the past, but I've been running it for a long time. Last time I tried to run it, I ended up dumping nearly 70 pages of homebrewed setting, races, lore, deities, songs, naming conventions, legends, languages, and locations on my players. _{Y'all know who you are, I'm sorry for that.}

This time I'm keeping it simple. If folks want to just play some more 5e, I'll be going back to basics and...well...not doing all of that again. As a worst case scenario, if people want something of substance beyond 'adventuring fantasy game', I alternatively do have Strixhaven and am willing to run it. I've never run a premade module or adventure before, and this thing is a little silly in its layout, but hey- it's a forum, it's through text, what could go wrong if people wanted that route?

I also have various clones/kickstarters/third party productions for 5e, ranging from Bloodpunk (a vampire-centric, blood-currency, techno-punk, setting book) to Carbon 2185 (a cyberpunk flavored futuristic variant a-la Cyberpunk and Shadowrun) and Genefunk (another futuristic setting defined by genetic modification and insane mutations on genome, I've touched this very little) and Steinhardt's Guide (Bloodborne, 5e, 3rd party.). If people had a strong interest in 'the same, but different' I could elaborate on these as well.

If I had a gun to my head, I'd pick 4e as the one I'm most interested in personally, but I'm also looking to explore these other systems with people and not just my own interest. As such, I'm happy with any of the above if interest is present.

Honorable mentions for my willingness to run are Twilight 2k (the modern variant by Free League, not the older editions) and Vaesen (the first Free League game I ever purchased, but never played). T2K is about the world in ruin after world war 3 and the soldiers trying to pick up the pieces as infrastructure, command, and the world itself have collapsed after nuclear war. Old orders still stand, but survival is uncertain and the world is in chaos. This system is complex for what it is, and may be difficult to represent on a forum. Vaesen is about a society of people who were born on Thursdays. To elaborate, they can see supernatural creatures and it's a mystery-intrigue system about the world changing during industrialization in Scandinavia and the old mysteries fighting back in a changing world. Strange things happen that are inexplicable, but you can see the truth of things where others just see chaos.

Planescape: Search for Tir na Og

I've read through everyone's characters by now, if my thumbs-up spam wasn't an indicator, and I'm super stoked for all the possible interactions this crew will have. I'm also curious to see how Fellsing handles all the alignments and factions and sheer chaos that is undoubtedly going to unfold.

Planescape: Search for Tir na Og

At long last the affirmations I craved, glory unto my house.

The Wild Beyond Witchlight