Some of us happen to like drama and getting punched* in the feels.
*or stabbed.
Knowing when to let your character die is important.
-Knowing how to do it well, is just awesome.
• Deconstruction: A fascinating form of it: While most action tropes are simply lampshaded to the point of lunacy when Danny is dropped into "Jack Slater IV", when the characters are turned loose into the Real World, Reality Ensues.
In one moving scene, still inside the movie world, Jack Slater reveals that under his Deadpan Snarker typecasting he's mostly just tired after repeatedly surviving implausible, stressful scenarios while everyone around him dies. Among other things, he's got a cashier at his drug store calling him at the police station so that his colleagues think he has a life and make everyone think his ex-wife still cares about him (she's remarried and moved on), and he's deeply depressed that his Action Girl daughter Whitney skipped her prom to field-strip an AK-47 (he fears she'll grow up alone). This is a side of Slater that Danny was shocked to see, but nevertheless, he was able to get him out of this funk to continue the action of the movie.
Jack: I just want to be a good cop! Instead I keep getting caught up in these crazy adventures

Sarafene said
Hello, I'm not new to this site, but I was here before the complete reset. So I came back after a long break from it. It's been over a year since I've been on this site and I had to recreate my account due to the major hack. Hello people!