Krasnaya

Dragon Age and Final Fantasy fandom insanity! (MxF, Mature)

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Dragon Age and Final Fantasy fandom insanity! (MxF, Mature)

Simple and to the point​

I am tired of making long-ass intros every time I open up a topic! So here ya go, everything that needs to be said is right here. Only 18+ people are allowed who are not scared to delve into a much darker territory stuff.

For these specific roleplays I want to explore the freedom of creating our own characters or using canon ones, and make our decisions in canon events and worlds of the mentioned universes. Everything will be explained below.

But before that, here are some simplistic needs of mine that I am looking from my potential partner. If you don't fill these out, we will not mesh well. In these notes you'll learn a bit about me, as well.​

1. Don't ask me specifically about just smut.​

Honestly, I LOVE smut. I never avoid it, I never fade to black, I go through all nitty-gritty, juicy and dirty details that could make anyone hot and bothered. I'm into all sorts of stuff (I prefer to send my F list to the people I agree to write with), my limits go further than with most people. HOWEVER, if you come to seek out specifically about this content from me, I'll have to refuse. I want a story with intimate scenes, because smut is just a one big meh for me without a proper buildup and a story. I want more than that.​

2. Let's write a story.​

I consider myself a writer, because when I don't roleplay, I write stories of my own. And when I say stories, I mean content with elements such as these: NPCs and side characters, friends, rivals and enemies, hardships, heartbreak, loss, battles, bittersweet victories and unlimited drama. I don't like it when our characters have it easy and very easy-going life. I'll get bored very VERY easily and will probably drop it. When I don't roleplay, I write my own stuff. I am obsessed with details, character development and struggles. While I don't expect from people to be into this as much as I am, I want someone to try it out with me. Also, I hate working on my own. People tend to drop me because I left space in plots for them to help me out to build a story. Roleplaying is two people telling a story together.​

3. Buildup is everything.​

Rushing into romance is anticlimactic. Early intimacy is anticlimactic. Quick solution to problems are anticlimactic. Revealing everything too soon is anticlimactic. Build with me, brick by brick, and with well-thought out building such as this, you'll get an amazing creation. Chemistry between characters needs to be organic, whether its built up slowly or its immediate.​

4. Detailed posts.​

Detailed posts do not necessarily fall into long posts. While you'd think that it would, from my experience, it certainly is not the case. Posts can be long and filled with unnecessary stuff and can even be too tiring to read. Sometimes the wall of text does not apply to the situation, and a post of two paragraphs that has depth in it will be more than enough. I do love long posts, but I dislike posts that are not consistent and unnecessarily long. Two paragraphs minimum is all I ask.​

5. Complex characters.

I am not entirely a fan of easy-going characters who, not only seem like an empty canvas, but they kind of are. I don't mind the first image of having about someone else's character as someone very simple, everything laid up in front of you, but getting a massive curveball as the story progresses, but I'm a type of writer that would want to raise some questions about my own character as soon as possible and not give all the answers so soon. Characters that are complicated on their own and complicated to be with, those with issues, unhappy characters, you name it, those are the stuff that grip me. An issue that needs to be solved and even when we think its solved, something happens that brings us back to square one. Give me complicated characters and situation, and I'm hooked. And if you don't like extremely tangled background stories, characters that either conflict with themselves or others, characters that don't necessarily have one defining description of them and if you don't like when you can't get through characters easily, I'm not a partner for you.

For now, this is all I ask. I am currently looking for what I mentioned below. I usually took on roleplays that others suggested, but it did not work for me. So I stick to my own ideas, which is how it went well for me. I seek an active to semi-active partners. One post a week is the least I'm looking for.​

If you're interested, send me a PM, let me know which plot interests you and tell me about yourself, what works for you, what I should know about you and etc.​

Plots​

Status: Currently NOT taking any suggestions for plots that are different from what I've stated below. I do happily accept suggestions for plot arcs and character ideas, anything that is different from what I'm currently looking for will be rejected, since I have space for one or two roleplays max and this is what I've been desiring to do. Can't help it, girl knows what she wants!​

I HIGHLY ENCOURAGE FREEDOM IN FANDOM PLOTS! NOTHING HAS TO BE 100% AS IT IS IN THE LORE! WE'RE HERE TO HAVE FUN!

The Outcasts

Theme: Fantasy, Dragon Age (Inquisition timeline specifically), adult theme
CRAVE

Female human assassin x male Qunari

This is going to be fairly flexible, I do have a couple of ideas on which we can build on, depending how we decide to take this roleplay. your ideas are much appreciated!

Basically - it starts in the events of the second game and progresses towards the events of the Inquisition. Canon characters maybe might be present or we can make our own, whatever suits you.

YC has perhaps been someone who worked under Arishok during the events that happened in Kirkwall. MC has been actively "clearing the streets" of Kirkwall, mostly dealing with the thugs and bandits, as a request from some of her organization's member requests, while not having any direct contact to the Kirkwalll Champion (As the matter of fact, she'd avoid any sort of recognition to the point of wearing masks and disguises.) And instead of Isabela being the one that stole the sacred tome from the Qunari, was actually a member of another assassin organization in which MC has a major role - legendary Orlesian pirate assassins. Qunari's search for this tome continues on long after the events of the Kirkwall and leads into a separation of their groups to investigate, then the Veil was split and everything goes to shit as it does in the third game.

My girl Frances is currently involved in two factions: One is that she's the head of the underground and independent assassin organization known as the Serpents of the Rocks, who've had their hideout underneath the entirety of the Hinterlands. Due to some unfortunate events that led Frances into becoming the Head of the Serpent, she felt the need to expand. However, during the Blight, they had to force themselves to leave Hinterlands, but also to expand their unknown influence to continue the previous leader's influence. The other organization is the original idea I had for Orlesian pirates. They're legendary masked pirates who have been managing to slip away from the law, as they're called in Orlais - The Phantasm, inspire intrigue. They're like a darker version of bards, the masked pirates that dress in rich and dark clothes who have been behind the gruesome murders of nobles and were the match that started many fires in Orlais regarding the politics, yet they never paid for it. It is led by a terrifying pirate known as The Demon's Grin - Florian Bechard who has a dark story behind the becoming of the Phantasms. Frances is sometimes seen among the Phantasms and represents herself as her alter ego, Julienne Bechard, daughter of Florian. Orlesian bards have sung about Julienne's cold-hearted murders and traitorous acts. She's not treated as a legend - many Orlesians had the honor to witness the cruel acts of Julienne herself. Nobody knows Julienne's true identity, nor is Frances truly like Julienne - its an alter ego, someone who Frances is not. She's not a femme fatale of Orlais who kills for diamonds and fun. Frances is a fearful and damaged individual who seeks escape. Julienne was one of those many escapes.

To get through the plot idea one more time, Isabela is quick to leave Kirkwall to avoid butting heads with the Qunari, only for her ship to bite the dust once the Phantasms get her crew and take everything they had- On that ship were also the Serpents, who stepped out of the ship with their share of the loot - where was also the Tome itself. Eventually Frances eventually learns the danger of possessing the Tome, and actually planned to return it to them, but then there's a shitstorm - few members of the Serpents decided to turn on Frances, killed some of those who supported her as the Head before running off with the loot - of course, again, they took the damn Tome!

Frances somehow needed to figure out the way to speak with the Qunari. YC is one of them who has a position that Frances could recognize and tell him. However, that may not go so smoothly. I would prefer a bit more traditional approach to the Qunari that can change in the meantime. So him being the man by the book in the Qun standards would be ideal, so their personalities can clash, but they eventually form a sort of relationship. Slowburn is the key word, here.

On their quest in retrieving the Tome and Hawke with his allies in the meantime go through the whole templar and mage fiasco, only for Arishok to decide and attack the people, Frances decides that this is the best opportunity to book it and leave YC behind as she sails away with some of her men... Only for one day, shortly after the opening of the Breach, YC's ship to be raided by masked pirates, and a woman holding her knife at YC's throat with a knowing smile.

This is just a few things I came up with right now by myself, but it isn't entirely easy without someone giving feedback and feeding into this with their own ideas, so I encourage you to come to me with your own ideas! But what I can guarantee that our roleplay will include are these elements: events from the game, plot twists, pirate goodness, Orlesian intrigue, character conflict and development and blood spill!

Gods and Monsters

Theme: Fantasy, Final Fantasy (Settled in FF7 universe, but some FF8 elements), adult theme
CRAVE

Sorceress Edea x Sephiroth

Scary part - canon characters in this one.

After all, Edea was supposed to be in FF7, but we all know that didn't happen. So I'm looking for someone with a fresher FF7 lore memory or at least someone who's confident enough to play Sephiroth that will be loyal to the character, but have his own original spin. I think if you're trying too hard to copy a character, you'll fail miserably. Both the lore and these two characters will have our own original spin on it. There will be some changes just because we have that freedom to do as we wish.

You're probably wondering how the hell does Edea fit here? While I wrote her story (which you can read in the hider below) but if you're too lazy to read everything, here's a very short version: Edea basically is behind ShinRa and she's the one responsible for the death of Ancients in Cetra. She is Jenova. (or rather - her old body: Ultimecia.) She (Ultimecia) is an alien who accidentally crashed to Gaia 2000 years ago and had to leave her body due to living conditions on another planet (and major loss of power) and inhabit an Ancient, the one that we know as Edea from FF8. After destroying Cetra and more other twists I had in mind, Edea falls into a sort of coma. Being so close to the Gaia and with such strange powers, She absorbs little bits of lifestream, that in 2000 years after being found by Gast had her powerful enough to manipulate her way through ShinRa. Yes, she is actually the large mastermind in the ShinRa company. It's her cells that are given to the SOLDIERs, her experiments to make them her own minions as her plan for good old villainy world domination, she grows more powerful with each passing day and she wants to rule the world and force everyone to bend their knee to her. But out of all SOLDIERs, it's Sephiroth who gained much of her attention and also the most of her blood. He's her successful project and her masterpiece.

It should start with Sephiroth gradually discovering about himself, much like in the game. I don't want them to meet immediately or quickly. Sephiroth should go through his meltdown and burning down Nibelheim. While Cloud and the rest of the Avalanche can have their own scenes, I wanted to make another twist. The real trouble here is Genesis.

Edea fits the Goddess ideals and seeing how easily she can use this against him, Edea manipulates and he basically worships her. But, once Sephiroth meets his creator for the first time and all the attention Genesis had from Edea is gone, he makes some plans of his own. He's always been envious of Sephiroth to begin with, but this situation would really rub Genesis the wrong way and he'd be more than willing to sabotage Sephiroth - maybe even plan to take his genes. This can go so many directions.

Our two favorite villains of the story have some emotional issues, so them committing to each other romantically will be... Tough, but a very interesting and complicated dynamic. They have dark morals and are extremely ambitious about their goals, which they share, which leads to conflicts, incredible sensual tension and, of course, mind blowing intercourse.

Or you'd maybe like a different direction to their relationship? Perhaps they do respect each other, but it's still intense considering who they are and Edea keeps representing herself as "his creator" which isn't entirely true. Or maybe you have another idea and yes, I want to hear it!

I do suggest you read everything I wrote in the hider, it's much more detailed and it might even make more sense for the plot itself!

Full story in detail

Defeated and condemned from the planet she attempted to conquer last, Ultimecia used her powers that allowed her to travel through space, escaping her certain death. Ultimecia was a sorceress of white hair and purple marks on her face, her powers were god-like, she did not belong among mortal men, but her arrogance was her biggest flaw and the reason why she made a grave mistake. The spite towards those who have done her harm has grown into cold bitterness, the same reason why she wants to avenge the death of her loved one. That bitterness was the main result of the violence she has caused. She left death and ruins behind her, people gathered to stop her, but it was impossible to strip Ultimecia of her power - they needed to destroy her instead.

Of course, the sorceress would never allow anyone to take her alive, so she decided to find herself a new home, with a great and dangerous ambition. However, the journey through space did not go well. Using so much power at once without rest, while being wounded, made her lose control and she fell into the atmosphere of a specific planet: Gaia.

The landing was hard and she left an enormous mark in the ground where she fell. It created what is now known as the North Crater. She survived the fall, but the living conditions on this planet was wasting her body away. The fall did break her one wing, her other black feathered appendage was functional, but she couldn't fly away in the state that she was. As she wandered the unknown world, with struggle and ticking time, she did run into Cetra, the city where the Ancient lived. Ultimecia was not welcome there and in agonizing pain, she used what was left of her powers and destroyed Cetra, along with the people within it. Those who survived were tainted by her otherworldly magic and they turned into monsters. It turned out that her blood, which was turning black when she crashed into Gaia, affected the people here rather... Differently. There was one that she kept alive and Ultimecia left her own body, only to possess the woman she spared, the woman who was named Edea... The body that she still to this day owns. Her old body crystallized itself before it completely decayed, considering that it was now nothing but a lifeless corpse, with valuable genes...

Edea afterwards fell into a coma, a stagnant state, which strangely enough only made her stronger. Edea unknowingly consumed planet's lifestream in very small amounts, it fed her magical powers. Edea's appearance became very powerful. While she did appear human, there were some changes in her face and her aura radiated with Only for her and her body to be discovered two thousand years later by Professor Gast, who claimed that this discovery was revolutionary. The crystallized corpse that was tested and researched showed unbelievable and even frightening results that proved that there might've been some superior beings in the world or even outside of Gaia itself. But the living and stagnant body they found, once they took it to ShinRa building, the woman woke up. They didn't get to touch her, thanks to the manipulative nature, but also her new powers, Edea took over the show. She even supported the experimenting with the body, Ultimecia's unresponsive, yet animated body, which is now known as JENOVA.

Edea is not leaving the ShinRa's Company building, given that her appearance and aura clearly indicate that she is NOT human, but she doesn't need to. She manipulated Shinra, man himself, to work on many scientific projects that will "benefit Midgar and their financial situation". Shinra knew this will bring him more power and stronger reputation. Even better, Edea didn't even want the attention. She just wanted the lab for herself and that's what she got. She has the main role along with Hojo in testing how JENOVA can benefit their newest Jenova Project, more commonly known as the SOLDIER.

Trained men who were infused with Mako, disciplined and loyal men who protected the people. That's how they were presented to the public. Edea, however, had another idea. She went for a subtle approach, unlike the last mistake she has made and instead worked her way slowly in creating brainwashed minions. But she couldn't have small and puny minions. She wanted them to be strong. While Mako injected SOLDIER were impressive with their progress, it's when she had a bigger idea - infuse them with JENOVA cells. And little did she know that she has hit the jackpot...

This is how she created Angeal, Genesis and lastly, Sephiroth. The one winged angels, wings that matched Ultimecia's. Nobody met her firsthand, nor did anyone from the SOLDIER knew about her, but she knew all about them. It wasn't long before she took interest in Genesis, who romanticized the idea of some Goddess from a silly poem. She wanted to play around and introduced herself to Genesis, only for him to hopelessly fall in love and address her as "Godddes" whenever he sees her. He would obey her call and every order and kept her secret safe with him. Genesis became Edea's eyes and ears all over Gaia, did every little thing he was asked to do. But it didn't take long before all of the given orders were mostly focused on the First Class SOLDIER, his friend, but also his rival. He noticed that Edea's interest in him was fading and was focused on the silver haired man. This did not bode well with Genesis and he has felt the envy and jealousy to gnaw at him from within.

However, it wasn't long before Edea's attention was completely turned to Sephiroth and she only increased the cells from JENOVA. He even eerily resembled Ultimecia herself, as it turns out, he's the only one who had a wing that came from his right, while Jenova had a wing on her left, much like Angeal and Genesis did. Edea began to think of Sephiroth as her other half and secretly began to wish to meet and talk with him personally, not to hide from him or anyone else in the world.

Her further experiments were focused on wiping out the excess population on Gaia, making all of the SOLDIER mistakes into monsters. She wanted to be rid of everyone who would consume Mako and lifestream in general, which would further limit her power and ruin her plans. That also means, that the large mastermind will not be able to remain within the ShinRa building forever.

CLOSED

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The Riften Drama (Skyrim, 18+)

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CLOSED

Simple and to the point​

I am tired of making long-ass intros every time I open up a topic! So here ya go, everything that needs to be said is right here. Only 18+ people are allowed who are not scared to delve into a much darker territory stuff.

So here are some simplistic needs of mine that I am looking from my potential partner. If you don't fill these out, we will not mesh well. In these notes you'll learn a bit about me, as well.​

Would prefer a partner who can post a bit more than once a week.

1. Don't ask me specifically about just the "adult content".​

Honestly, I love smut. I never avoid it, I never fade to black, I go through all nitty-gritty, juicy and dirty details that could make anyone hot and bothered. I'm into all sorts of stuff (I prefer to send my F list to the people I agree to write with), my limits go further than with most people. HOWEVER, if you come to seek out specifically about this content from me, I'll have to refuse. I want a story with intimate scenes, because smut is just a one big meh for me without a proper buildup and a story. I want more than that.​

2. Let's write a story.​

I consider myself a writer, because when I don't roleplay, I write stories of my own. And when I say stories, I mean content with elements such as these: NPCs and side characters, friends, rivals and enemies, hardships, heartbreak, loss, battles, bittersweet victories and unlimited drama. I don't like it when our characters have it easy and very easy-going life. I'll get bored very VERY easily and will probably drop it. When I don't roleplay, I write my own stuff. I am obsessed with details, character development and struggles. While I don't expect from people to be into this as much as I am, I want someone to try it out with me. Also, I hate working on my own. People tend to drop me because I left space in plots for them to help me out to build a story. Roleplaying is two people telling a story together.​

3. Buildup is everything.​

Rushing into romance is anticlimactic. Early intimacy is anticlimactic. Quick solution to problems are anticlimactic. Revealing everything too soon is anticlimactic. Build with me, brick by brick, and with well-thought out building such as this, you'll get an amazing creation. Chemistry between characters needs to be organic, whether its built up slowly or its immediate.​

4. Detailed posts.​

Detailed posts do not necessarily fall into long posts. While you'd think that it would, from my experience, it certainly is not the case. Posts can be long and filled with unnecessary stuff and can even be too tiring to read. Sometimes the wall of text does not apply to the situation, and a post of two paragraphs that has depth in it will be more than enough. I do love long posts, but I dislike posts that are not consistent and unnecessarily long. Two paragraphs minimum is all I ask.​

5. Complex characters.

Tangled stories and personalities, tragic pasts that left an imprint on who your character is. Someone who may be impossible to deal with. A beautiful man with terrifying tendencies. Or a terrifying creature whose gentle, but their nature makes them far more complicated. I will never offer someone a predictable and simple characters, nor do I like such characters to begin with. I do ask that you give some meat and juice to the bone of YC’s personality, something that makes me want to know them and don’t spill all the secrets!

Plots​

Status: Currently NOT taking any suggestions for plots that are different from what I've stated below. I do happily accept suggestions for plot arcs and character ideas, anything that is different from what I'm currently looking for will be rejected, since I have space for one or two roleplays max and this is what I've been desiring to do. Can't help it, girl knows what she wants!​

It's been quite a while since I played the Witcher, I'll be honest I wasn't the biggest fan of the show, although it did make me a bit nostalgic for the games I don't have time for. So I'd like to enter this roleplay with a more open mind and freedom when it comes to elements both in the world and story in general. Nothing too strict, because my main focus here is to have a blast with the theme and vibe of the universe. I did have some ideas I wanted to play around with that may not really be considered a part of the Witcher universe at all, but it would still keep the same spirit and atmosphere that could still pass as the part of the universe. I wouldn't go that far. So consider this more experimental and free-form when it comes to overall story.

I have some elements that I am interested in doing. The main plot would mostly revolve around a court wizard who's practicing very dangerous magic, more dangerous than chaos. It includes mind control, demonology and possessions. With such dangerous power and seeing how much he can achieve from it, the court wizard got quite ambitious.

Your Witcher has worked with this wizard in the past, but they did not remain in good contact. The Witcher didn't initially know how dangerous this wizard is and he'll probably have to find it out the right way.

Seeing what threat the Witcher is to him, the wizard hires MC, hearing about her reputation as an assassin and pays her with a lot of money to get this man out of the way. However, the wizard having those powers, he manages to see through MCs act as an assassin and realizes who she truly is and what secret she hides.

Our characters will clash at the start, however they might realize that something is not quite right about the situation, lower their weapons and talk it through, only to come to some worrisome conclusions.

How you portray your Witcher is up to you, it can be your version of Geralt, or an original character, its up to you. (Not mandatory, but the white hair! Please?)

To be honest, the type of a Witcher I'd like to play against wouldn't be too different from the show. I personally can't imagine someone with experience such as that being a very talkative man. What I personally picture Witcher is like this - understanding, silently empathetic, pessimistic (but he calls it realistic), not talkative, doesn't open up about how he feels, impossible shell to break, thinks he's nothing to be praised about, a loner who will never ever admit he's lonely and that he'd like some company, etc. How you present him is up to you, but this is mostly the type of a Witcher I'd like to play against - to break that shell.

I'll leave some detailed information and choices for MC we can use and build from there. If this catches your interest, just shoot me a message and we can go more in-depth with story planning!

Information about my character

This information will be of useful for the overall plot that can complement Witcher's arc as well, so I will suggest you read it through.

- MC is a "cloak and dagger" assassin. I would even lean towards the more pirate background and aesthetic. A living legend of a woman who was allegedly the daughter of the (late?) fierce pirate captain with a large backstory of a curse he cast upon himself after leaving his crew to die. The stories about the scary pirate with a masked crew of skilled assassins were able to ruin an entire empire, but never to be caught, they were known to be the kings of the sea and shadow, only coming out when the night falls. His daughter is like a living legacy of that legendary pirate brought an intrigue among the upper class citizens as bards would sing about a masked woman that would either seduce her target, be it a man or a woman, before killing them and taking everything of value before disappearing into the night. Everyone likes a good and exciting mystery, but the reality is even more interesting, because she's not who they think she is - it is a woman with a tragic background who created a false image of herself and became a living legend among the people. But without the proper and infamous attire, she can stand in the middle of the crowd and they wouldn't know that they share the space with the same assassin that could be after them.

Since the assassin is masked and well at hiding her identity, her part-time job can even be a traveling court bard, snooping around for secrets. A traveling bard by day, a masked assassin by night, gotta love the intrigue stories.

- The idea for her being a bard part time was inspired by Dragon Age bards. Before she became a pirate, she went through the "bard" training - information broking, eavesdropping, breaking and entering, stealing, killing, blackmailing, all in the disguise of a charismatic traveling bard where she learned most of her current social tricks and got her personality of a theatrical and memorable persona. She can definitely poke the Witcher from time to time and play him "Toss a coin to your Witcher" and ngl, I freaking love that song haha Witcher might run into her in separate instances when she's using her different personas. Question is, will he manage to recognize her?

- An idea of her past that can be tied to the Witcher: The assassin is actually a princess of the kingdom that no longer exists, without anyone alive to even prove the legitimacy of her lineage. When she was barely 10, a war broke out and someone, be it a king, a malevolent mage or whoever with power, absolutely destroyed her homeland and there's nothing left. So even if her rights are recognized, she has nothing legitimate that belongs to her. She does have a pendant of the golden dragon's eye passed on by her royal ancestors that offers her some sort of protection from offensive magic, but she's not resistant to curses. I was thinking that the Witcher has worked for her parents before and that they were very fond of him, and my character kinda remembers it, but she will only remember it after she spends some time with him. If your Witcher is one among the last Witchers in the world, the two will have something in common - them being the last of their kind.

I'm hyped for this plot, lets do this!

Suits, leather and blood (MxF, mature, criminal intrigue)

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Adventures of the unlucky dancer (fantasy, mature)

Bump!

Intrigue, pirates, assassins and angry Qunari (Dragon Age, Updated, MxF, Mature)

Never giving up!

Adventures of the unlucky dancer (fantasy, mature)

Simple and to the point​

I am tired of making long-ass intros every time I open up a topic! So here ya go, everything that needs to be said is right here. Only 18+ people are allowed who are not scared to delve into a much darker territory stuff.

So here are some simplistic needs of mine that I am looking from my potential partner. If you don't fill these out, we will not mesh well. In these notes you'll learn a bit about me, as well.​

1. Don't ask me specifically about just the "adult content".​

Honestly, I love intimate scenes. I never avoid it, I never fade to black, I go through all nitty-gritty, juicy and dirty details that could make anyone hot and bothered. I'm into all sorts of stuff (I prefer to send my F list to the people I agree to write with), my limits go further than with most people. HOWEVER, if you come to seek out specifically about this content from me, I'll have to refuse. I want a story with intimate scenes, because smut is just a one big meh for me without a proper buildup and a story. I want more than that.​

2. Let's write a story.​

I consider myself a writer, because when I don't roleplay, I write stories of my own. And when I say stories, I mean content with elements such as these: NPCs and side characters, friends, rivals and enemies, hardships, heartbreak, loss, battles, bittersweet victories and unlimited drama. I don't like it when our characters have it easy and very easy-going life. I'll get bored very VERY easily and will probably drop it. When I don't roleplay, I write my own stuff. I am obsessed with details, character development and struggles. While I don't expect from people to be into this as much as I am, I want someone to try it out with me. Also, I hate working on my own. People tend to drop me because I left space in plots for them to help me out to build a story. Roleplaying is two people telling a story together.​

3. Buildup is everything.​

Rushing into romance is anticlimactic. Early intimacy is anticlimactic. Quick solution to problems are anticlimactic. Revealing everything too soon is anticlimactic. Build with me, brick by brick, and with well-thought out building such as this, you'll get an amazing creation. Chemistry between characters needs to be organic, whether its built up slowly or its immediate.​

4. Detailed posts.​

Detailed posts do not necessarily fall into long posts. While you'd think that it would, from my experience, it certainly is not the case. Posts can be long and filled with unnecessary stuff and can even be too tiring to read. Sometimes the wall of text does not apply to the situation, and a post of two paragraphs that has depth in it will be more than enough. I do love long posts, but I dislike posts that are not consistent and unnecessarily long. Two paragraphs minimum is all I ask.​

5. Complex characters.

I am not entirely a fan of easy-going characters who, not only seem like an empty canvas, but they kind of are. I don't mind the first image of having about someone else's character as someone very simple, everything laid up in front of you, but getting a massive curveball as the story progresses, but I'm a type of writer that would want to raise some questions about my own character as soon as possible and not give all the answers so soon. Characters that are complicated on their own and complicated to be with, those with issues, unhappy characters, you name it, those are the stuff that grip me. An issue that needs to be solved and even when we think its solved, something happens that brings us back to square one. Give me complicated characters and situation, and I'm hooked. And if you don't like extremely tangled background stories, characters that either conflict with themselves or others, characters that don't necessarily have one defining description of them and if you don't like when you can't get through characters easily, I'm not a partner for you.

For now, this is all I ask. I am currently looking for what I mentioned below. I usually took on roleplays that others suggested, but it did not work for me. So I stick to my own ideas, which is how it went well for me. I seek an active to semi-active partners. One post a week is the least I'm looking for.​

Plots​

Status: Currently NOT taking any suggestions for plots that are different from what I've stated below. I do happily accept suggestions for plot arcs and character ideas, anything that is different from what I'm currently looking for will be rejected, since I have space for one or two roleplays max and this is what I've been desiring to do. Can't help it, girl knows what she wants!​

Some time ago, I had a character I was really fond of and I've been feeling nostalgic about and I want to bring the whole theme with her back into play.

It is a fantasy setting, a bit more advanced than medieval, think Final Fantasy 9 and 12 vibes. In this particular universe, MC is something similar to a kitsune or the fox girl, but I don't prefer to call it that, I typically stray away from anything anime related, because this is NOT what this is. I just remember I saw a wonderful picture of a character and decided to take it as a faceclaim for MC.

I'll come up with the name of this race, but typically they're very cat/fox-like with various ears and tails, although human in appearance. The most common color schemes are whites and greys, second are the different shades of brown, but golden, orange, black and red furred are pretty rare and usually is a tell-tale sign from where in the world they come from or that they might have been interbred with another race. MC falls under the rare category, being red furred with golden feline eyes, fox ears and a big fluffy fox tail. People of this race are fairly feminine and graceful, aren't typically made for combat, unless someone has trained from their young age. But their culture doesn't condone violence. Easily they can be viewed as weak by other races and cultures.

There are different types of characters I am looking for, though with one specific detail - They can't be human. So you can come up with your own race of people who have inhuman features, you have full liberty on how you want to make them or how you want them to look like.

Types of characters I'm looking for will be tied to different plots. If you wish, you can play all three of them or just pick one and to stick with it, its absolutely up to you. I am open for debates. The third storyline can easily be tied with the other two.

- MC has been an unlucky adventurer. She traveled the world to learn all sorts of traditional dances to master her skill, only to be captured by the mercenaries where she is chained along with the group of other men and women who will be sold off to a slave trader. That slave trader is YC. He comes from a race of people who by nature oppose and despise MC's race, he will be pretty open with his distaste of her, but MC will want to be manipulative. She's not entirely innocent, she used her body and other tricks in ways to get what she wants. She will bring YC a lot of money, as well - good looks, charisma and also the dancing skills. Eventually he will sell her off to someone rich.

But what happens in the meantime? What kind of an impact will they have on one another? Will they see each other again?

- She has been sold off to a rich merchant, however MC managed to soften the merchant's heart and got him to eventually release her, making her a free woman. But she only got to revel in her freedom for a little while - before she's chained once again by some brutes who own a shady tavern with only specific people who are there for a reason. And they force her to do things she doesn't want to do. Just so happens that a troublemaker, YC who is actually a pirate or a corsair, manages to stir some trouble to distract them and gives her a chance to run. The two end up leaving together, but given both of their reputations in this city, it is not entirely easy for them to just walk around.

The two will need to go separate ways by the end of the plot. Have they been too problematic to the point where it was safer for both to go separate ways? Was there a conflict between them? Did one trick the other? And will they bump into each other?

- This part of the plot can easily be tied to the previous two or be a new one entirely, the option for a new plot with a new character would be that YC is a noble or someone with a strong position and reputation in the kingdom, which is the strongest capital in the world. Either way, MC manages to live through all sorts of situations and starts working in an exclusive, internationally famous brothel where she ends up making a name of herself - even earning a lot of coin. If we go with the route where YC has quite a reputation in the city, going to this brothel can stain his name, especially when a vixen of an equal, yet not really respectable reputation in the kingdom, lures him into her bed. Or when either of the two from the previous two storylines see her making a name of herself.

How will the slave trader feel knowing that the slave he once owned is now a woman who made a decision of her own, making her own fate? Will the pirate be envious of both men and women she pleasures, but also the coin she makes? And what of the man who has a strong reputation in that kingdom, how much is he risking? And what will happen? Let's talk!