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<Snipped quote by Raijinslayer>
Ahhhh... Okay just illusions then.
Yeah, and these illusions would be rather hard to recognize as such, as they are woven into the fabric of reality, or something like that. If that makes sense
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Yeah, and these illusions would be rather hard to recognize as such, as they are woven into the fabric of reality, or something like that. If that makes sense
Illusions are good, but you can't change how people think. That's direct interference with living beings, which the ability can't do.
That works fine, but don't forget Avarice's ability as well.
Yeah, I'm pretty flexible with the power but it can't affect living beings directly. And some aspect of Reality warping is needed, though the way it is done is variable. Actives passives are also okay.
@Sapphire No, I'm afraid not.
I call Haemokinesis user, CS will come soon.
@Lord Santa Can't wait to see it, hope it lives up to your hype.
Edit: @Sapphire Oh, and something you should know, Cer's Reality shift will differ from Jackson's, as well as Avarice's from Cer's. The reason is because the ability changes with the person using it. So, I suggest you come up with the abilities they gain, based in their personalities would be best. Jackson can help a little in the nuances of Reality Shift, but she's on her own past that. I could make the abilities if you want, but who knows your character better than you.
Edit: @Sapphire Oh, and something you should know, Cer's Reality shift will differ from Jackson's, as well as Avarice's from Cer's. The reason is because the ability changes with the person using it. So, I suggest you come up with the abilities they gain, based in their personalities would be best. Jackson can help a little in the nuances of Reality Shift, but she's on her own past that. I could make the abilities if you want, but who knows your character better than you.
Nope, says in the CS, he can only gleam if a person is human or not, as well as what they are actively thinking about.
Posted back, Grimm know his skeletons and Bride's just didn't match up. Try to confuse all you want, but their are just some things thatbare undeniable, and the pelvis for a guy is much thinner and mor narrow then a girl.
Grimm broke the trap illusion with Anatomical Science!
Grimm broke the trap illusion with Anatomical Science!
"I see, as I thought." Grimm nodded to himself as he went back to the desk, picked up the sketchbook, then went back to his drawing. "The width of your shoulders is a bit too broad for the female skeletal frame, and the hips are too thin and narrow. Of course, those could've been birth defects, so I had to ask. The question kept me from drawing properly, but I should be fine now." Looking back up, his gaze fell on the child, noting her heterochromic eyes. 'Interesting, so the living can have eyes like that as well.
Looking back the newly identified male, Grimm noticed him blushing. Curious as to why, Grimm focused intently on him, looking past the realm of the physical to gaze at his soul. He would feel an intense chill crawl up his spine, as well as a feeling of exposure and nakedness before Grimm's eyes. The soul was white and fluttery, a weak little thing and the thought going through it were of shame and embarrassment at their secret being revealed. 'Odd, why be ashamed of what you are? Why must the living be so strange?'
Going back to his drawing, he soon finishes his sketch and puts a way the sketchbook. It was titled after it's contents, drawings of the living. He pulled out another, this one labelled "The Beautiful Dead", and opened it to an unfinshed drawing he had. It was a picture of a skeleton in a decrepit castle, with moonlight pouring in from a hole in the celing. Where the moonlight hit the skeleton, the ghostly figure of a beaytiful woman seems to be super-imposed over it, creating an eerie yet compelling scene. Grimm was currently coloring in the drawing with numerous color pencils and some ink pen as well, the pens being encased in finger bones, they were real ones as well, though it was unlikely anyone who wasn't around ones bones a lot would be able to tell.
Looking back the newly identified male, Grimm noticed him blushing. Curious as to why, Grimm focused intently on him, looking past the realm of the physical to gaze at his soul. He would feel an intense chill crawl up his spine, as well as a feeling of exposure and nakedness before Grimm's eyes. The soul was white and fluttery, a weak little thing and the thought going through it were of shame and embarrassment at their secret being revealed. 'Odd, why be ashamed of what you are? Why must the living be so strange?'
Going back to his drawing, he soon finishes his sketch and puts a way the sketchbook. It was titled after it's contents, drawings of the living. He pulled out another, this one labelled "The Beautiful Dead", and opened it to an unfinshed drawing he had. It was a picture of a skeleton in a decrepit castle, with moonlight pouring in from a hole in the celing. Where the moonlight hit the skeleton, the ghostly figure of a beaytiful woman seems to be super-imposed over it, creating an eerie yet compelling scene. Grimm was currently coloring in the drawing with numerous color pencils and some ink pen as well, the pens being encased in finger bones, they were real ones as well, though it was unlikely anyone who wasn't around ones bones a lot would be able to tell.
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