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Watch out.

The gap in the door... it's a separate reality.
The only me is me.
Are you sure the only you is you?


DON'T TOUCH THAT DIAL NOW, WE'RE JUST GETTING STARTED

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C H A R A C T E R P O R T R A I T
C H A R A C T E R P O R T R A I T
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C H A R A C T E R S U M M A R Y
C H A R A C T E R S U M M A R Y
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John Thomas Constantine
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19 | Single
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Independent | English

A L L I E S & A N T A G O N I S T S
A L L I E S & A N T A G O N I S T S
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P O S T C A T A L O G U E
P O S T C A T A L O G U E
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1.01 - TBC #1
1.02 - TBC #2
1.03 - TBC #3
1.04 - TBC #4
1.05 - TBC #5
1.06 - TBC #6
T H E S T O R Y S O F A R...
T H E S T O R Y S O F A R...
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John was born May 10th 2006 to Mary-Anne Constantine and Thomas Constantine, alongside his stillborn twin brother, Jacob. Mary-Anne died during the birth, and Thomas, now a widower with a dead son, never forgave John. John wouldn't understand his father's hatred - but Cheryl, his older sister, would, and did her utmost to shield him from what she could all her life.

For seventeen years, the bond between Cheryl and John would form an impenetrable barrier against Thomas' hate, a bubble of compassion and love to retreat into no matter what baseless punishment their father meted out; a bubble made only stronger by the addition of Gary Lester and Francis Kramer to their alternative family. The four formed a powerful union of friendship, each individual guided and guarded by the other three, pursuing interests both independently and collectively, treading the new and old that surrounded them. The darker aspects of art, Punk and Emo, Horror and the Occult, let them explore the darkness of their own lives in measured, controlled environments, binding them with a common pursuit. In each other they found safe harbour.

Until Cheryl disappeared.

The absence of one splintered those remaning. Gary turned to vice, pushing his mind to oblivion rather than suffer the hole; Francis fled to London, abandoning memories now turning sour; John found his psyche fracturing completely, growing obssessive and fevered, now subject to Thomas without shelter. When the investigation stalled, and then closed, John threw himself from the Ethelfleda Bridge, and after being fished from the Mersey River, was sectioned to Ravenscar Psychiatric Hospital.

Two years later and nineteen years old, John has been remanded from Ravenscar to temporary residency. Cheryl is still gone, and John is still haunted by her absence. Thomas is to the wind, absconded from the family he had grown to hate so much. His old and only friends are scattered, burying their pain in the intervening years. But fresh spectres are beginning to re-open old wounds; will John lose what little fragile mind he has left entirely? Or will he strive to finally put old ghosts to rest?

P L O T ( S ) & G O A L ( S )
P L O T ( S ) & G O A L ( S )
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My drive behind bringing John back into the mix is to rekindle my drive for writing in general. After a long period of struggle and burnout at work I now find myself facing into a lot of free time, and to that end I want to re-discover my passions and hobbies, and begin a slow-but-steady road back to some manner of happiness. Please understand my character submission is predicated on a real possibility that I will not be able to immediately overcome these barriers.

This story for Constantine is, I think, one of my best; mapped out from start to finish with (I feel) a strong narrative and a core thread of emotion, it brings a humanist side to John that I think in recent years has been lost behind the Liverpool con-man bravado and the occultist flash-magic. John Constantine is a man with sadness and heartbreak at his core, and I think the idea of him as a wretched, pitiable figure who'd rather just have a normal life but is inexorably forced - one way or another - to face into tragedy after tragedy is one left by the wayside in many incarnations and appearances.

The use of the Absolute ident is no accident or embellishment, either; the central principle of DC's new run is to retain the core traits and pillars of the characters while stripping away something previously thought vital: Bruce's wealth, Kal-El's upbringing with the Kents, Flash's connection to the Speedforce. My Constantine - my Absolute Hellblazer - is a John without Astra, without magic; and yet, calamity somehow even more profound has struck him down, and John will have to rely on deals struck with others and the strength of his own wits to claw himself back from the Hell he will find himself mired in.

Frank Castle year zero, non-lethal origin story

Working-class Batman year zero

Fae - Seelie/Unseelie courts, various english/irish/scottish mythology and folklore; interesting premise/setting, no story :/

Jonah Hex returned from the dead - maybe a ghost rider/spectre angle - again, no story!!

Old Man Ghost Rider; brought back but there's no 'heir' so he has to find one? STORY???

Kid Deadman solving his own murder - how to write a supernatural crime mystery/thriller? How to go about piecing the case together?

Constantine year zero

Sonic time travel/Metal plot

yeah kid you got ideas but you're burnt out your mojo is missing and you got. no. S T O R I E S.
all the time in the world doesn't matter if there's no drive

I mean I'm not the GM but it no longer matters for my character so I say do what you want.

There's not a discord server for this game I just chat directly with lots of people from this site.
<Snipped quote by Terry Bogard>

AFAIK Peter is only dead so long as it fits Bens-timeline. If Roman ain't around, that is no longer canon as it hasn't really been established anywhere beyond ROmans stuff (because nobody else knew Peter)


Yeah so I've realized not everyone's in Discord so I should say here that I'm out of this one lol, I basically only thought about applying out of FOMO and then only Spider-Man by committee order anyway, and then got tied up with Silk which obviously stalled out. I'd have to come up with some real juice to bother with the next iteration of these - or at least be in a place where I'm not working 12 hours of my conscious day and wanting to kms for the other 6.
<Snipped quote by Roman>

That works. If you don’t mind formatting, I have downtime tonight potentially to write. It’ll be on my phone though so it won’t be good, lol


No prob! Sling me something whenever.
I have been away.

Thanks to Roman posting. My travels end this coming Thursday.


I was going to look at wrapping up Vulture and having a short convo with Silk, but I'll wait until the weekend and pick up maybe a second collab with you instead to finalise things?
<Snipped quote by Lord Wraith>

That said, the next one should be out next week (possibly around the weekends at the latest). Hope I get a permission from both @Pirouette and @Roman to use Kingpin. Especially from @Roman now that I caught ’em taking and editing my M-Word Pass. Lmfao, jkjk


Kingpin is fine by me, but he factors more heavily into Piro's stuff so they'll need to give you the proper OK. My only real 'no touchy!' villains are Norman and Beck.


Finally.........the screenshot will haunt Wraith no longer.
Location: Manhattan - New York
#1.02: Sixteen Better Than Eight
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Feat. @Pirouette as Silk

Ben sits on the lip of a skyscraper, his body jutting straight-out horizontally as he watches the city streets below him. The bag of pastries in his hand hangs straight down, crumbs flaking away into the evening air as he pushed a pastel de nata into his mouth, absentmindedly wiping the cinnamon dust from his fingers on the torn blue hoodie that formed part of his 'costume'. Hey, Manhattan gets chilly at night, even with the smog acting like one big carcinogenic blanket over the city.

Far beneath him, street lights and cars and people twinkled in a way that eerily mirrored the night sky above. The comings and goings of New York seemed almost akin to shadow theater. There were certainly plenty of Punch n' Judy types. Of particular interest to Ben this evening however was a commotion to the east, over the river. A police helicopter thundered in the distance, in pursuit of something far smaller and more agile that Ben could just barely make out. On the streets below, the tell-tale blue'n'reds of police cruisers raced along the streets, giving chase block after block. The speck got steadily closer, less murky until Ben could make it out as the figure of a man. For a minute he considered if the Superman was muscling in on his territory, before realizing he'd probably be just fine with that, but it quickly became clear this was not the blue blur from Metropolis - this figure had wings and turbines and no majestic cape. He seemed to be...circling? Looking for something maybe, flexing his equipment - was this a test pilot? Some new volume of Stark tech?

He watched a bit longer, picking egg custard out of his teeth with his tongue as he fished a second tart from his bag. Something else was after the flying act, but they were still pretty far below him and difficult to make out. There seemed to be some manner of altercation, an impact between the two parties while the police still failed to catch up, and then-

Ben could almost feel the two-day stubble being scorched straight off his chin as the turbines blasted past him. The tip of a wing caught the pastry in his hand and sent it flying, but Ben barely even registered the lost tart. Time seemed to move in slow-motion as the pilot blasted past him, trailing... the other spider. They locked eyes as she passed, spinning wildly in the air on the end of a web-line strung behind the flyer's wing and leg; they managed an awkward wave as she passed, Ben's mouth agape with his cowl rolled up to his nose, her eyes wide above her half-mask - and then she was gone, blasting off into the sky far above him.

Alright then. One quick blast of web to keep his pastries in place, and he leaped after them, one hand releasing a web-line of his own to snag on her ankle, while the other rolled his mask back down. Two spiders were better than one; and after that, maybe they could have a chat about divvying-up Manhattan's best wall-crawl spots.

Cindy's plan here hadn't really been thought out. She didn't weigh enough to really drag down the thrust of the escapee. It was just her trailing behind by her two tethers as they flew well over the buildings. Though it appears he did have a plan as they were flying towards the taller buildings of Manhattan. The hazards of rooftop dishes, antennae, and rooftop greeneries were getting closer.

Initially, the wingsuit bald man had been a little timid with his flight moves, at least Cindy thought so, but now he seemed to be getting the hang of it. She frowned, lifting her legs in a curl to avoid a satellite dish. Meaning it was only a matter of time before he tried something really reckless. Not wanting an accident to befall both her and the man, she started to scale up along her web lines, slowly closing in towards the man. Yet she didn't manage much progress before a building, dead ahead, approached with a frightful sturdiness. He wasn't going to crash, right? Her head flared intensely as they approached alerting her to the encroaching danger...

"HEY! LOOK OUT!" Cindy blurted out to the rushing wind, but she wasn't sure she could even be heard past the turbines. It felt silly to say because of course he would suddenly turn up at the last moment to avoid his own crash. Due to a little thing called trailing inertia, she would not be so lucky. Her twisted to go shoulder first into the side of a building, avoiding a window in process. She slammed against the siding, a hard but survivable blow with only a wince to show for it. Yet that was only the start as her side scrapped against the building. Her own silken woven suit doing its best to protect her at least from a nasty drag burn.

Her head started to flare again but this was different. She wasn't in danger but recognized something familiar? Her attention shifted to the point of attention ahead of her. A man was up there? Cindy kicked off the building, relieving herself from the discomfort and avoiding a collision into him potentially. Her sense seemingly slowing things down as she passed, her eyes wide in surprise to the fact at the chance encounter. It wasn't just a man but a man dressed in the same vein as her. It only got weirder as she passed by and she caught a web on her foot, her attention snapping to that. Did he just shoot a web?

Okay, she had questions, but for now she had a something else to contend with.

Air whipped past as Cindy, now Silk, held onto both of her web shots that were still stuck to the man with the jetpack wingsuit, who probably needed a name now. She glanced up, narrowing her eyes in focus and a reaction to wind whipping by as she was dragged along. The wings made it obvious that he had to be called some kind of bird and due to how bald he was, Cindy had considered Bald Eagle. However, there was nothing graceful about his wings, patched together by various metal salvage that seemed mismatched. Plus, this guy didn't seem at all patriotic. Vulture seemed to fit, both having some kinds of them appearing bald and the scavenger profile.

That worked.

With the three of them now flying through the air tethered together, she could only imagine the silliness. Though this was finally enough weight and drag to slow Vulture noticeable. She might even be able to try and coordinate a bit here, assuming her counterpart was the like her. Cindy let go finally with one hand and lifted her webbed foot. She grabbed the Scarlet Spider's web and yanked it forward, looking to propel him up and past her to reach the Vulture. As he passed she hollered.

"STOP HIM!"

"Yes ma'am!" Ben answered, riding the line as his distaff counterpart yanked the web up, sling-shotting him over her head and toward the turbines; he fired another web, trying to gum up the works, but the jet bursts from the engines easily seared away the webbing. Instead, he aimed for one of the few remaining buildings they hadn't climbed up past yet, trying to snag a line by which to reel them in - but another deft movement from the pilot and the edge of a wing flicked just-so, and the web was cut through as easily as the air around them. Ben looked down to Cindy, still pulling herself up by the remaining line.
"Guy's got some moves!" He called down, hoping he could be heard over the roaring wind and jet turbines. With newly-steeled resolve he crawled further up, gripping tightly as Vulture continued to try shaking them off, nearly slipping a couple times before he found himself underneath the flyer, gripping his harness and nearly face-to-face.
"I've heard of jay-walking, but this is ridiculous! Pull over!"
"Are awful jokes an entry requirement to spider-club? Let go of me!"
"Oooh, so you can talk! Here I was thinking I'd have to look up mating dance videos later to figure out what you were trying to-HEY!"

Ben's spider-sense went off urgently as they swooped past a building at the same time as Vulture took a swing with a free arm; he couldn't dodge both and remain attached, so he made an even poorer choice and let go entirely. For a few milliseconds he was free-falling in a far more uncontrolled manner than he was comfortable with, but a second after that, Cindy's hand locked around his wrist and used his momentum to swing him underneath and around to the other side. Carrying the weight of three people, combined with the jostling and turbulence, Vulture's turbines weren't keeping up with the strain, and they were slowly-but-surely losing altitude; though there were still a couple hundred feet to go before Ben felt like letting go was a viable option again.
"What's this guy's problem? Only chicken left when he wanted fish?" He called to Cindy, trying to maintain levity in a situation he had no idea how to handle. She raised a single quizzical eyebrow in response. "Airline food? Different generation I guess."

Ben took a foolish look down and had to suppress a shiver; despite the slow decline, the streets were still shrunken beneath them, the once-detailed avenues and alleyways now paper-thin lines populated by the pinpricks of citizens below. Even and soon they'd be out of options, too. They couldn't web the guy up - the razor-sharp wings and jet-engine turbines sliced and seared through their lines respectively - and at this height, removing their source of flight power was a foolishly lethal choice. They couldn't just bring him down; they had to redirect the flight path, stop this guy from attempting to climb and instead encourage what Ben hoped would be a controlled descent, before he blew his engines pushing them and sent them all plummeting. The turbines whined and strained, and as the New York harbour crested the horizon, it all hit Ben like a lightning bolt.

"I have an idea, but it's gonna seem kinda crazy!" Ben cried over the wind and jet-engine scream, hoping the shakiness in his voice didn't carry and betray the wavering confidence in his own plan. If they could suddenly jettison the excess weight, the at-their-limit turbines would burst forth in a sudden surge - and then a couple well-placed web lines would let Ben and Cindy become the lever upon which Vulture's own momentum would force him to swing. The city shoreline was approaching, and if they swung him just-right, they could pitch him straight into the drink.
"We need to let go!"

Cindy just looked at him like he was crazy.

Maybe he was.


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