Raskolnikov

On Writing & Consequence

A warm welcome to the Guild!

I dabbled here many years ago and recently returned.

I’m just starting up my first group RP, Rogue Row. It’s a British Espionage RP and we’ve got one or two spots still open, if you’re interested!

If not, wish you all the best here at the Guild. It’s a great community ^^

@themaybreeze

Thanks for the welcome — I appreciate it.

British espionage and character-driven intrigue is very much in my wheelhouse. I’m taking a bit of time to get a feel here before committing to anything, but Rogue Row sounds genuinely interesting.

I expect to dive into some RPs soon enough, so I’ll keep an eye out as things develop.

*ੈ✩༺hello, miharu here!༻*ੈ✩

We are all beginning and ending, constantly, in never ending cycle.

Xin Chào!

Край – At The Edge

✚ Край ✚

Winter, Far East.

•❅•°•✚•°•❅•°•✚•°•❅•°•✚•°•❅•

I’m looking for a 1x1 built around a fixed disruption rather than an open-ended premise—something quiet, grounded, and shaped by proximity rather than plot.

The Beginning

Midwinter, somewhere east of the Amur. A small government mail convoy pushes through forest roads that no longer fully belong to the season. A storm fractures the route. Visibility collapses. By morning, two travelers discover they have been separated from the convoy entirely.

There is no panic—only the slow realization that no one is coming back the way they came.

Hours later, they encounter an old man walking barefoot along the road. No pack. No coat worth naming. He does not ask who they are or where they are headed. He listens, nods once, makes a cross over them, and points—not back toward the road, but off it, into the trees. He gives no explanation. He does not offer to guide them. When they look back, he is already gone.

They follow anyway.

What they find, whether settlement, shelter, or something in between, forces them into proximity. Space is shared because it must be. Conversation becomes careful, sometimes sparse. Routine takes on weight. The story lives in what accumulates quietly: etiquette standing in for trust, silence doing more work than speech, meaning emerging through repetition rather than revelation.

The travelers discover over time that the ordinary is actually more important than the fantastic.

There are cultural, moral, or spiritual undercurrents at play, but nothing overt. If intimacy appears, it should be incidental—an effect of time and circumstance, not intention.

The question arrives slowly, then with increasing urgency: how thin is the veil between this world and the next?

OOC

• 18+ only.
• Private play preferred (PMs to start; Discord or email also fine).
• Casual–advanced range; attentiveness matters more than labels.
• Open to shared NPCs and incidental side characters where the story calls for it.

If this speaks to you, reach out with the role you’d like to occupy and how you prefer to pace scenes. We’ll begin the moment the road is no longer an option.

On Writing & Consequence

Alright comrade.

Which Heroes of Might & Magic do you play.

@Lith

Afraid I don't. I used to dabble in RPGs years ago, but I drifted away from the systems side. What’s always stayed interesting to me is what people do once the rules stop being enough.

Book Quotes

“What endures is rarely what we intended to preserve.”
Nguyễn Huy Thiệp

Chronicles of the Quiet Year

This is a compelling way of framing aftermath. I’m especially drawn to the idea of history being made quietly and then lost, and to the absence of protagonists in favor of communal memory.

There’s something sobering in watching people try to live well when the end is already accounted for. The emphasis on seasons, accumulation, and inevitability feels well-suited to exploring how meaning survives even when outcomes don’t.

If this does move forward, I’d be interested in taking part.

On Writing & Consequence

Hello.

I write under the name Raskolnikov—not as an affectation, but as a shorthand for the kinds of questions that tend to interest me: conscience, mystery, and the quiet pressure of meaning beneath ordinary choices.

I’ve always been drawn to the idea that the most unremarkable decisions can carry disproportionate moral weight—that a person may appear virtuous in public while privately wrestling with something far less settled. Language, in that sense, often feels more consequential than action.

I started out in tabletop RPGs some years ago. Over time, the appeal shifted from systems and structure to language, interiority, and the slow accumulation of consequence. Eventually I realized I was more interested in writing itself, and that recognition led me here.

I gravitate toward character-driven stories: psychological drama, restrained supernatural elements, historical or quasi-historical settings, and narratives where the divine is suggested rather than declared. I value careful pacing, attentive reading, and collaborative partners who enjoy letting a scene earn its weight.

Much of the literature that has stayed with me—particularly from Eastern/Slavic traditions—seems especially attentive to ambiguity, restraint, and the unseen dimensions of human life.

I’m looking forward to joining a few games and seeing what might emerge.

—R