Member
Half Pint
Captain Uni
FunnyGuy
Azurian Dream
Above is her only hit album cover
Name: Abigail Cynthia Winterborn
Gender: Female
Age: 22 / October 31st
Nationality: British / Manx from the Isle of Man Her Passport
Appearance: Abby has to wear clothing more suitable for a girl half her age or have them special made which often gives her the appearance of a lollie.
She is very petite weighing only 6 stone (#85) with eyes so blue many believe they are contacts. Her hair drops to below her shoulder blades and is a silky Honey blonde with red highlights at her temples and even her figure is less that of a woman’s and more of a young girl and qualifies her as a Little Person but of equal body proportions.
Height: 1.39 (4’7”)
Personality: Abby is outgoing and has a zest for life along with boundless amounts of energy. She sleeps in catnaps and is able to sleep in places and situations that most would find Impossible. She was once found sleeping in a partly closed upright Bass’s hard case at a studio.
She loves to eat and follows her nose to any foods being cooked near herself and will always try a bit no matter how much her friends are off put by her consumption of said questionable food. She is rarely ever sick and considering her lifestyle a source of amazement.
A wicked sense of humor she will play to her situation especially if the person she having fun with has mistaken her for a little girl because she feels she must. Add to that a poison tongue which can fire off quips with the best and is supported by an active imagination and people either learn to love or hate her with few remaining in the undecided.
Role: Leadsinger/Composer
Specified Job Details: Abby can play the piano at a professional level and is also a Drummer.
She is a trained singer of Opera who is a Mezzosopraano she has a power that is unnatural and brassy but her diminutive size prevents her from joining any companies of any worth so she turned her powerful voice to rock music and eventually fell in love with Metal.
Her talent as a Composer okay but not prolific and used more to arrange Cover songs for her own style
Relative Experience: Classically trained in Opera by Helga Lier former Diva of the London Company and her grandmother from 9 to 18 years old.
Mentored in musical studies by Ian Slice of Bomber Bob in piano, drums, and writing.
Her first album was “Star Child” and while a bit dated in its style is a coveted trophy among her small group of fans and was released on her 17th birthday.
Recruited as backup lead vocalist for a studio created band called “Concrete Kittens” she was quickly pushed forward into the lead before their first public performance.
Performed at the Isle of Wight Music Festival as a warmup band and made a 30 minute encore at the crowds demand.
Released the Indie Album “The Mouse That Roared” at age 20 sold 1.2 million copies as lead of Concrete Kittens then left the band before the expected release of “Pretty Ponies” due to creative difficulty (This was blamed on her as being a difficult talent and resulted in her being Blacklisted)
Biography: Abby’s mom is a woman more concerned with public appearence and moving in the right circles and an unexpected child was against her plans in life so she shoveled her off on her mom to raise.
Abby’s grandmother was a retired London opera Diva who lived on the Isle of Man and while demanding was also a loving and supportive woman. She raised Abby to believe she could be anything she wanted and was pleased when her granddaughter began singing scales with her students and often outshining them in power, control, and endurance when she was only 9 years old.
So taking her on as a student her grandmother became two different women; one a loving and doting granny and the other a demanding voice coach who resembled a camp guard or drill instructor. Then at age 15 when her grandmother thought she was ready they made the trip to London where using her connections she got Abby an audition. The board was impressed with her range but said she was too short and could only be used a a chorus singer playing the part of children which would mean she’d have very little work.
Dejected Abby returned to the Isle of Man vowing she’d never sing again; a vow which her grandmother wouldn’t stand for and made her continue for a pointless dream.
Then as Abby explains she was wandering the Island during the Tourist Trophy when she met the drummer of the band Bomber Bob who were big in the 60s and 70s but now largely forgotten and his two twin daughter Mandy and Sandy age 7 and hit it off. He was at that point a single parent trying to run a small recording company and watch after the two girls and was overjoyed when he found Abby would help by acting as their babysitter, tutor, and friend.
He taught her how to play piano and drums when she showed an interest in them and even tried himself to get her auditions with other recording companies who rejected her because at they said she was little more than a novelty act. Her grandmother at first disapproved of her classical training being used to sing such rock standards as “Itching for You” and “Blue Angel” but when she met Ian and saw he was trying to get Abby work and inspiring her to keep singing she joined forces with the man.
Ian’s little record label recorded her Album written by both Abby and Ian called “Star Child” and it enjoyed a bit of success when it was found in the bargain bins of the Liverpool shops and became an underground staple. Rough and still needing polish it still displayed a power hidden in her small body few could believe actually came from her when they saw her live or in person.
Abby was working harder than ever at that time till on her 18th birthday her Grandmother, Ian and even Mandy and Sandy were victims of the Ferry disaster which left her alone in the world for the first time in her life and resulted in a deep depression that made her disappear for a year as she worked through her problems.
Then one day out of the blue Abby showed up in a London studio that was trying to create a Girl band and needed a backup vocalist
Abby’s band was a surprise at the Isle of Wight Music Festival when she popped out on stage with the Band she was working with at the Time know as “Concrete Kittens” and seemed to explode vocally her voice more powerful than her size might be expected to reach.
Then a month later Abby and the Concrete Kittens released the Indie Album titled “The Mouse That Roared” which made them instant Stars in England’s Metal scene but soon their success caused friction when the band’s founder and the manager tried to take advantage of Abby’s Size and made her do a Lollitta Song called “Pretty Ponies” which set her up as a bad little girl complete with one of those huge lollipops and a babydoll skirt.
She hated the song and thought it would make her fan base shift to the creepy pedos that had already begun to plague her and the arguments began and eventually came to a showdown which resulted in Abby’s quitting the Band.
Out of work and black balled at home she came to the city hoping to at least get work as a session singer and try to get control of her career.
Affiliations:
Voice Coach/Grandmother-Helga Lier-deceased
Manager/Producer/Music Tutor-Ian Slice-deceased
Relationships:
Abby is the type of girl who lives music in a large way. She’s always scouring the sources for every new sound and genre. Listening to music in languages she has no idea what they are talking about but moving to the beat as she surrenders to the raw emotions every good song contains no matter where or when it is from.
Abby lives bathed in sound almost 24/7 her lovers finding her bed impossible to actually rest in enjoying falling asleep with her sound system thumping at near ear damaging levels. She sings at her whim to whatever is playing matching the other singer note for note trying to understand the emotion that formed the rhythm, the lyrics, and whether they were written together or fitted to each other one being done before the other.
In shortly after her appearance at Isle of Wight she gave an interview while making “The Mouse That Roared” said when called an up and coming musical artist.
”I am not a Musical Artist, I’m a Worshiper of Music; if Music were a person I would gladly be its slave; I already am”
Some say it's the music she’s confessing her love to in her song “Bend me to your Will” (track 4 TMTR)
She's never still on stage and she can shift personality instantly going from seductress, to angry Diva, and wherever else her passion takes her. Her moves have no choreography and no two performances the same her moods reflected in small ways in her performance.
She throws herself around so violently many have feared she’ll someday fling herself off stage and into the crowd.
A dry or uninspired crowd doesn’t cause her doubt and only makes her shift performance to fit the desires of the fans. Aware that many of her fans are attracted to her because of her Lollie look she doesn’t shy away from it or pander to it instead using her voice to enlarge her presence.
Trained to work in an Opera company which means acting while singing she is trained in using body language to accentuate her performance. When performing live she is a slave driver as far as her stage bands are concerned demanding that the fans have trouble distinguishing live from studio performance at every show.
When she sings even for fun she’s dedicated to the sound of the performance over all else.
She is never late for rehearsal, she is always supportive of her band when in studio only causing friction if she feels her boundaries are not respected.
She’s never moody in the studio, she never does drugs, drinks or exposes herself to negative situations; if she is part of anger or a bystander she cuts it off by leaving and retreating into her headphones till she feels calmer or the anger has moved on, if it remains she asks Pax and calm discussion.
Because of her Opera training she is also able to speak if not fluently then make herself understood in Italian, German, French, Russian, and English as well as Welsh.
She’s horrible with finance but always ering to the conservative side, you’ll never catch Abby dropping 10 grand for a jacket, maybe Charity but never for an article of clothing.
She loves Bootsales and Second Hand clothing stores and strangely collects odd Coffee cups but hates paying full price or buying them new.
“The Discovery is part of the Memory” -Abby as concerns her collection-
Abby lives bathed in sound almost 24/7 her lovers finding her bed impossible to actually rest in enjoying falling asleep with her sound system thumping at near ear damaging levels. She sings at her whim to whatever is playing matching the other singer note for note trying to understand the emotion that formed the rhythm, the lyrics, and whether they were written together or fitted to each other one being done before the other.
In shortly after her appearance at Isle of Wight she gave an interview while making “The Mouse That Roared” said when called an up and coming musical artist.
”I am not a Musical Artist, I’m a Worshiper of Music; if Music were a person I would gladly be its slave; I already am”
Some say it's the music she’s confessing her love to in her song “Bend me to your Will” (track 4 TMTR)
She's never still on stage and she can shift personality instantly going from seductress, to angry Diva, and wherever else her passion takes her. Her moves have no choreography and no two performances the same her moods reflected in small ways in her performance.
She throws herself around so violently many have feared she’ll someday fling herself off stage and into the crowd.
A dry or uninspired crowd doesn’t cause her doubt and only makes her shift performance to fit the desires of the fans. Aware that many of her fans are attracted to her because of her Lollie look she doesn’t shy away from it or pander to it instead using her voice to enlarge her presence.
Trained to work in an Opera company which means acting while singing she is trained in using body language to accentuate her performance. When performing live she is a slave driver as far as her stage bands are concerned demanding that the fans have trouble distinguishing live from studio performance at every show.
When she sings even for fun she’s dedicated to the sound of the performance over all else.
She is never late for rehearsal, she is always supportive of her band when in studio only causing friction if she feels her boundaries are not respected.
She’s never moody in the studio, she never does drugs, drinks or exposes herself to negative situations; if she is part of anger or a bystander she cuts it off by leaving and retreating into her headphones till she feels calmer or the anger has moved on, if it remains she asks Pax and calm discussion.
Because of her Opera training she is also able to speak if not fluently then make herself understood in Italian, German, French, Russian, and English as well as Welsh.
She’s horrible with finance but always ering to the conservative side, you’ll never catch Abby dropping 10 grand for a jacket, maybe Charity but never for an article of clothing.
She loves Bootsales and Second Hand clothing stores and strangely collects odd Coffee cups but hates paying full price or buying them new.
“The Discovery is part of the Memory” -Abby as concerns her collection-
"A Hint of Abby's Style"
