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Opinionated nerd for hire.

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The idea of the 'super-hero' has been around for ages. There was Captain America, of course, storming Fortress Europe and socking Hitler on the jaw. There were the X-Men, Mutant activists turned champions of the downtrodden. There were the Fantastic Four, a family of scientists and adventurers pushing the boundaries of the impossible. While they captured imaginations and grabbed headlines, most people barely considered these colorful crime-fighters and vigilantes to be an actual part of their world. That all changed about ten years ago, when an alien race called the Chi'tauri launched a full-scale invasion, pouring out of a wormhole centered directly above the island of Manhattan. Such an unprecedented threat brought Earth's Mightiest Heroes together, forming an alliance the world would know as the Avengers.

In the wake of the Invasion, everyday life for New Yorkers changed dramatically. Whole neighborhoods had been razed to the ground, and everyone from major corporations to powerful crime syndicates wanted their hands in the reconstruction. Government agencies, rogue mad scientists, and violent street gangs scrambled across the Five Boroughs for leftover pieces of alien technology. And while the Avengers could often be seen flying overhead to combat some world-ending crisis, it fell upon local men and women caught up in unlikely events to protect their homes and their loved ones.

New names began popping up in almost daily conversation. The Spider-Man of Queens. The Devil of Hell's Kitchen. The Punisher. The Crew of Brooklyn. Other names were seen displayed across billboards and skyscrapers to rival the influence of Tony Stark. Rand. Fisk. Osborn. Others still gained notoriety by causing mayhem and bloodshed wherever they went. Jigsaw. The Green Goblin. The Kingpin.

The age of black-and-white heroics and dramatic technicolor battles lasted the better part of a decade before things began to fall apart. Three years ago, a clash of ideologies sundered the Avengers, leading up to a series of conflicts dubbed the 'Civil War' that left many of the world's most revered protectors disgraced, missing, imprisoned, or possibly dead. A year ago, a city-wide battle between an alliance of vigilantes and the city's criminal underworld resulted in the downfall of the notorious Kingpin of Crime, who was revealed to be the billionaire philanthropist Wilson Fisk. This scandalous unmasking of such a high-profile figure in the city was quickly followed by another, as a horrific final confrontation between Spider-Man and the Green Goblin led to the exposing of the bloodthirsty lunatic as the beloved OsCorp CEO Norman Osborn, and ended with the deaths of Osborn, the 19-year-old Gwen Stacy, and evidently Spider-Man himself.

The world's greatest heroes have scattered to the wind. The city's most notorious crime lord is in jail, and its favorite son and most feared villain both believed dead. Both sides of the law now see a tremendous vacuum of power, and nature abhors a vacuum. With the criminal underworld splintered, the city at large unprotected, and a thousand paths to power and fortune laid bare, conflict between the myriad forces at play is inevitable.

With the kings and queens wiped from the board, it falls upon the Knights of New York to begin the game anew.
I dig what I see, Byrd. Bullseye is APPROVED. Just so's you know, though, you're gonna have to commit to this one.

I think that's enough active players, so let's get this party started. IC is LIVE!
Looks good to me. Probably a good thing to have at least one upbeat character to offset everyone being Very SeriousTM. Ms. Marvel is APPROVED.
Miles really wasn't the best example for what I'm talking about, but still. In terms of the details of their personal lives, yes, Miles is very distinct from Peter (honestly, he's the best of the legacy characters IMO). In terms of the broad strokes and the purpose they serve to the story-- quirky/nerdy put-upon everyman, handles mostly street-to-city-level villains, frequently teams up with other heroes as a sort of 'tour guide' to the Marvel universe-- Miles is so similar to Peter that they had to change Peter and make him a globe-trotting billionaire CEO to make room. It worked a lot better in Ultimate where Pete was already gone, but in 616 it's redundant (like that period in DC where they had Barry and Wally running around at the same time as the Flash, or Bruce and Dick both being Batman at the same time).

Apologies in advance for moving the goal posts, but while Miles does have his own identity out-of-costume, in-costume and out-of-universe he pretty much exists just to be "the new Spider-Man," and trades primarily on co-opting Peter Parker's alias, look, powers, and brand value. It's not as severe as, say, Kate Bishop constantly going "screw Clint Barton, I'm Hawkeye," but you can't really write Parker out of Miles's story without it collapsing on itself. It doesn't necessarily take a lot of futzing around with the backstory to make Kamala Khan's story work without Danvers, since their origins and powers and lineup of villains are very different and they really only share a name. You can't really do that with Miles, not without turning it into essentially a reboot of Peter-- at which point, why not just use Peter?

At any rate, we're getting off-track from the game itself, especially since I've already broken my "no legacy characters" rule by approving White Tiger.
I'd say Kamala's different enough from Danvers that she basically counts as her own character (as opposed to Miles, who's essentially "here's another Peter Parker" in virtually every respect). The way I see it, if a character can stand on their own feet without having to mooch off of another character's star-power (and let's be real, Carol wasn't an A-lister until they gave her the Captain prefix [and even then her books aren't exactly flying off the shelves]), they're permissible.
White Tiger is APPROVED.
Daredevil is APPROVED. IC will likely go up this weekend, so folks still have time to work on character sheets and workshop plans.
MARVEL KNIGHTS

VENOM



CHARACTER BIO:

Real Name: Peter Benjamin Parker
Age: 21
Gender: Male
Powers, Abilities, and Gear:


Origin:



STORY INFO:

High Concept:
I want to give a re-telling of the Black Suit Saga that gives this period in Peter's life the gravity it deserves. Too many takes on the symbiote end up as a clumsy rush to the finish line in order to get Venom, or turn Peter into a moustache-twirling cartoon villain (or, God forbid, have him break out into dance numbers). I want to really explore what it would be for a good-hearted kid like Pete to be at his lowest point, and see how (or even if) he manages to bounce back. Then he can fight a drooling slime-monster at the end.

Motivation and Conflict:
Peter is still consumed by his guilt and shame, blaming himself for Gwen's death and taking out his torment on people he thinks have it coming. How long this lasts before innocent people end up suffering at Venom's hands is anyone's guess. Internally, Pete knows that the Black Suit is bad for him, that it's something that shouldn't be there and is turning him into something he shouldn't be, but every time he starts to think of asking for help, some voice in his head talks him out of it. How much of it is the Suit exerting more influence over him and how much is him simply losing himself remains to be seen.

Notes:






PLAYER INFO:

Player Name: Andy C.
Preferred Contact Method: Either PM or Direct Message via Discord
Why This Character?: Spider-Man is, without exaggeration, my favorite character in all of fiction, and I go out of my way to push my writing abilities to their limit when I get to write him.
What Can You Bring to the RPG?: Beyond running the game, I have a strong knack for characterization and for emotionally-driven plots.
I dig it. Shang-Chi is APPROVED.
MARVEL KNIGHTS

VENOM



CHARACTER BIO:

Real Name: Peter Benjamin Parker
Age: 21
Gender: Male
Powers, Abilities, and Gear:


Origin:



STORY INFO:

High Concept:
I want to give a re-telling of the Black Suit Saga that gives this period in Peter's life the gravity it deserves. Too many takes on the symbiote end up as a clumsy rush to the finish line in order to get Venom, or turn Peter into a moustache-twirling cartoon villain (or, God forbid, have him break out into dance numbers). I want to really explore what it would be for a good-hearted kid like Pete to be at his lowest point, and see how (or even if) he manages to bounce back. Then he can fight a drooling slime-monster at the end.

Motivation and Conflict:
Peter is still consumed by his guilt and shame, blaming himself for Gwen's death and taking out his torment on people he thinks have it coming. How long this lasts before innocent people end up suffering at Venom's hands is anyone's guess. Internally, Pete knows that the Black Suit is bad for him, that it's something that shouldn't be there and is turning him into something he shouldn't be, but every time he starts to think of asking for help, some voice in his head talks him out of it. How much of it is the Suit exerting more influence over him and how much is him simply losing himself remains to be seen.

Notes:






PLAYER INFO:

Player Name: Andy C.
Preferred Contact Method: Either PM or Direct Message via Discord
Why This Character?: Spider-Man is, without exaggeration, my favorite character in all of fiction, and I go out of my way to push my writing abilities to their limit when I get to write him.
What Can You Bring to the RPG?: Beyond running the game, I have a strong knack for characterization and for emotionally-driven plots.
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