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@Blue Demon

In case it helps, Bruce stopped being Batman in 1994. Dick retired as Nightwing in 2004. The Batman and Robin years were 1969-1980.

| Name |
Tomás Raymond // Toro

| Age |
Adolescent

| Character Differences |
The main variable is in the ancestry, with the canon version being a stereotypical WASP archetype, with the Spanish nickname being an oddity. This version is a British national of Spanish ancestry on his mother's side, putting the diminutive more in line with the character's cultural identity. Aside from that, Toro's history is connected to World War I rather than World War II.

| Brief World Background |
Earth 47S | Edwardian Steampunk Reality
Toro's home reality features the height of colonialism, with the United Kingdom of Great Britain and Ireland being the predominant world superpower. This period of Edwardian colonialism has ushered in a second Industrial Revolution with the refinement of steam power, being the predominant basis for the eccentric technology of the era. Sociopolitical trends closely mirror the prime reality, with Europe dividing the continents of South America, Africa, and the Pacific Island nations into dominions of their empires. In the midst of a web of complicated political connections between the Empires and their many, varied colonies, the assassination of Franz Ferdinand has triggered the first World War. Plying the major colonial powers against one another, the battle lines are drawn up between those loyal to the Central Powers (Germany, Austria-Hungary, Bulgaria, and the Ottoman Empire) and those loyal to the Allied Powers (France, British Empire, and Russia).

| Brief Character Background |
Tomás is a young Briton, the son of a physicist named Fred Raymond. Fred worked with chemist Phineas Horton on a classified energy program that gave birth to the first android, Jim Hammond (the Human Torch). Exposure to the so-called Horton Cells caused illness in both Fred and his wife, leading to concern that she would lose their baby. Fred ceased his work with Horton, seeking out treatment for himself and his wife in London. Sadly, Nohemi "Nora" Raymond and her midwife both suffered severe burns during the labor, as the newborn infant appeared to spontaneously combust upon contact with air. From these and other complications, with her already failing health, Nora passed away, leaving Fred a widower with a healthy, if somewhat flammable, baby boy.

The child's healthy constitution gave rise to his father calling him Toro (little bull), though the two had only a few short years before Fred would succumb to radiation poisoning from exposure to the Horton cells. Regarded as an oddity for his immunity to fire, and occasional spontaneous combustion, young Tomás wound up in the care of a pair of circus performers named Tom and Allie Alexander, who wanted Toro, the Fire-Eating Boy as part of their act. Thus, his childhood was a nomadic existence. Until 1915, when the German bombing campaign over King's Lynn caught the circus while they performed there. As the circus burned down around them, Toro and his adopted family huddled together for protection... when he felt himself starting to break into flame.

Fleeing from his adopted parents to keep them from being hurt by him, Toro vanished that night. As though taken by some spectre of La Llorona. Whatever the case, Toro woke to find himself in a prison with a collar around his neck, on a world unlike anything he had seen before.

[ Prev ] FEAT OF CLAY, Part V” [ Next ]
B L Ü D H A V E N

1013 Parkthorne Avenue
One thing that Dick had tried to avoid was delving into the morality of everything that the Batman had taught him as a boy. The classic moral imperative, can one uphold the rule of law if he does not hold himself to the law? It was a philosophical no man’s land that didn’t lead to any pleasant thoughts or memories.

Dwell on it too much, a man could easily become just as cynical and brooding as Bruce.

Like a good novelist, Dick was carefully crafting a narrative to support the identity of the character that he was creating. Like a detective, he was doing his research in order to make that story plausible. The character had to be identifiable. Personable. Relatable.

With a surgeon’s skill, he was stitching together the pieces. A trained eye contemplating all the ways in which the deception he was engaged in would need to stand up to scrutiny. Falsified public records were about attention to the details.

He had the Center for Missing and Exploited Children database up, running cross-comparisons with data in the New Jersey state records. Extracting names and details, almost like a fisherman casting a line out from the shore. Dick wasn’t certain just what he was looking to bite, but he figured that he’d know it when he saw it.

That was when he stumbled across Jackson Todd.

If there was a dead end in life, this kid seemed to have found it. His father was dead in a gang-related shooting in Chicago. His mother was serving two twenty year sentences related to robbery and drug-related charges, neither of which had been a first offense. He’d been in the custody of a grandmother, but she’d lost custody of him to the state CPS and the boy had run out from the foster home system multiple times. He’d racked up a slew of arrests by the time he was 12 years old, done time in both the New Jersey Training School and the state Juvenile Medium Security Facility, before getting paroled to a transition program that had attempted to place him back in a foster home.

He’d run off. This time, when the state caught up with him, he was dead. They’d found him along the train tracks. Possible suicide. Possible accident.

It was tragic, but it was also an opportunity. An identity that no one would be looking for. A means by which to craft a persona for Toyboy, with the theatrical byline that read based on the true story.

He kept the part about the time at the New Jersey Juvenile Medium Security Facility. That and the arrests in connection with a chop shop gang would give this identity some color. The father’s death in gang related activities dovetailed nicely with that narrative. But a mother in jail would be problematic for someone backtracking the origins of the problem foster child that Dick was carving out. Instead of being the child of Catherine Todd of New Jersey’s Edna Mahan Correctional Facility for Women, he would be the son of Shelia Haywood. An opioid addict who had died of an accidental fentanyl overdose.

Carefully, Dick duplicated the Jackson Todd file. The record of Jackson’s time at the Juvenile Medium Security Facility was expunged, keeping instead only the portion at the New Jersey Training School. When he had finished, the man looked at the copy file that he had manipulated using the data from the Medium Security Facility.

Jackson would have been one of the younger inmates, so it was possible that some of the staff might recall a kid named Todd. He’d need a similar name...

In his mind, Dick was running a list as his fingers drummed on the keyboard. James? Jacob? Joshua? Joseph?

Joseph Todd?

No, it would need to be close to Jack. Not Joseph. Jace? Jason. Plying his fingers to the keyboard, Dick at last deleted the name at the top of the file. In it’s place, he wrote JASON TODD.

Well, that was Toyboy’s juvenile arrest and foster care record for the state of New Jersey. Now, Dick just needed some fake insurance, birth, and school records. But, the hard part was behind him now.

It wasn’t exactly the kind of origin story that made people stand up and shout, God bless America -- momma was a crack whore and daddy was a gang banger -- but as far as the state of New Jersey was concerned, Jason Todd was a real, living human being. And that meant it was a chance for Toyboy to have some semblance of a life that he could call his own.

Not that there was really a lot of choice. Dick worked with cops. If he had to guess, there were at least three members of his department digging through public records trying to figure out what kid that he’d adopted.

He wondered what Chambers reaction would be when she read the file, but he figured that she’d make her feelings on the matter known. Probably sooner rather than later.

+ - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - +

Compared to the last time that he’d seen him, Toyboy was looking intact.

Unfortunately, that seemed to be about as much as Dick could say on the matter. “He’s unpacking the software package,” Sarah Charles commented, as the man knelt down to inspect the doll’s face. The glassy eyes of the automaton stared vacantly ahead, as though utterly oblivious to Dick’s presence. “The operating system is in place, but his processor capacity is being consumed by the software suite installation.”

Straightening back up, Dick turned to glance back at the woman. “How long’s that going to take?”

Sarah just gave a shrug. “Take him home. Put him to bed. When you wake up, he should be fully functional again.”

With a heavy sigh, Dick held out both hands to steady the doll, guiding him from off the edge of the table. The automaton started to crumple to the ground and Dick found that he had to scramble to keep Toyboy upright. Pain shot up Dick’s back, as he bent to hoist the doll up and set him back on his feet.

Pointing Toyboy toward the door, Dick was a moment too late to stop the doll from walking into the doorframe instead.
@Retired

In light of some of the commentary regarding concepts and being wild with them, I've changed my secondary proposal.

I still have a copy of the Wildfire one though, if something more mainstream is the preference there.
@Retired

Edits made to both sheets to expand on how they arrived at the arenas.




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