@Dedonus Aww. You're so sweet. Thank you for taking the effort to do this. And I would love to read what you had already written, if you wouldn't mind sharing it, anyway.
Thanks.
The text below is not complete. I will update as I get time to do so.As I promised @RomanAria in the contest thread for RPGC #3, here is the summary of what I had intended to do with my entry (but never got time to complete). Once I get home, I will post what I had before I threw up the white flag. I'm going to be a little light on the summary at the beginning because I actually have text written for that part.
My main intent was to try to use the constellation "bonus" category as the foundation of my entry. I intended my entry to one piece of a fiction piece of work that would explain either how the constellations came to be or why they are called by their respective names. The constellation was going to be Ketus (the sea monster that Perseus slayed). Besides the Perseus myth reference, I was also going to be heavily inspired by Hans Christian Andersen's Little Mermaid (with the plot seeming similar to the beginning of this fairy tale, but deviating later on). This would have been the base of entry. Also, the setting is at the end of the "Homeric" or "Mythic" age of Greece.
The beginning of my piece (besides some etiological digression at the beginning that I had fun writing
) follows a similar plot as Andersen's LM: 6 daughters who, when each one comes of age, are allowed to come to the surface to explore the surface world. Some things the daughters see include the Pyramids of Giza, along with a digression about the difference between the Greek and Egyptian sphinx, and there is a scene where mortal sailors confuse one of the "mermaids" (I call them Kymatai - see the explanation when I post what I had as of last night) with a siren and th e"mermaids" laugh about it because the humans must be very stupid to mix up "mermaids" (half-fish) with sirens (half-bird).The final daughter has a similar experience as her counterpart in Andersen's LM: encountering a ship (a Trireme in my case) and becomes infatuated with a young man aboard the ship. Then a sudden storm comes and wrecks the ship, tossing its occupants into the see. The youngest daughter saves her "crush" from suffering a watery grave and drags him ashore. After watching over the unconscious man overnight, in the morning, she hides back in the sea when th eman regains his consciousness. I planned on mixing the original scene from the Andersen fairy tale (a princess from another kingdom finding her) with Odysseus' encounter with Nausicaa in the Odyssey. The final daughter throws a rock at the girl who finds the "prince", but no one sees the "mermaid" do it.
I was also planning on incorporating the whole "soul" plot/motif that was present in Andersen's fairy tale. However, since the "mermaids" were 'related' to the Nereids (i.e. Sea Nymphs), they would be immortal biologically speaking instead of turning into sea foam after 300 years. The youngest daughter would therefore be faced with a dilimma simiilar to that of Achilles: live a long life and have no fame or live a short life (or experience death of loved ones, as mortals are, as the name hints at, do not live forever) but be remembered forever. The youngest daughter uses the exemplum of Thetis (mother of Achilles) to motivate herself.
Next, the youngest daughter sets out to weave a tapestry that depicts the story of Perseus (and possibly the story of Peleus and Thetis if time permitted), as the first is relevant to the constellation aspect, while the latter is relevant because of the marriage between a mortal and immortal. She does this so that she can "beat out" the mortal girl who found the young "prince" on the beach (in Andersen's fairy tale, the prince does in fact is married to the girl who finds him on the beach). After working on it for two years (perfectionist!), she finally undertook the journey for a second time.
I will update this as soon as I can.



