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4 yrs ago
Current I think watching fight scenes can help in general terms with writing combat, since it can give you an idea of flow and choreography.
4 yrs ago
At least if you're writing something you know, with knights.
4 yrs ago
I mean, depends on what you're writing, and the tone and theme of what you're writing. Trained armored knights were legitimately monstrous on the battlefield, so looking up how they fought helps.
4 yrs ago
As much as there's a lot of reasons twitter sucks, I genuinely don't want to see it die for the sake of all the artists who now rely on it. Hoping the shithead stops trying to directly administrate.
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4 yrs ago
roleplayerguild.com/posts/5… If anyone's up for fighting some kaiju, why not try out my new RP, Godzilla: YATAGARUSU?

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Let's just sit on it for now and see how things go in the RP, alright? Sorry. ^^;
@Dead Cruiser: Hmm, while that's better, I'll admit one of my reservations is that you're playing both the vampire and her Master if he's accepted. It might be better to have him in the background, for now at least.
Okay, accepted then.
@Dead Cruiser: I'm... not so sure about this. Being able to lock down anything like that seems really easy to abuse. Couldn't he just make it impossible for someone to breath? Or just constantly lock down anything they try and do?

Also, shouldn't he know Displacement? I mean, given what he did.

@Savo: He looks good now, though I'm not completely sure why the mage decided to transfer the consciousness unless you're going for "I want to lord it over him while removing enough memories to make him not understand why" like I thought you initially were. ^^;
I think the way you've worded it is just confusing me. Maybe like an example of what it can do described in detail?
@Dead Cruiser: I think there's something I'm not getting here, because I'm just sort of confused. ^^;

@Savo: Well, the programming has to happen afterwards. It's important for the setting that you can't actually apply the same sort of thing to a living human's mind but it'd be easy enough to say it was done after moving the consciousness and soul but before he was awakened.

Edit: Also Shi's picture has been updated.
@Dead Cruiser: I'm not so sure about this. You don't really go into his abilities very much, so with the vague nod to his sealing spells, he's either overpowered or underpowered, it's hard to tell. Blank Canvas edges into an area I don't really like in RPs(perfect ability copying) as well as making him kind of ineffective if it's his primary combat ability given its limitations.

@Savo: "Programming" a homunculus is one of the reasons to even make them, along with the ability to determine physical capabilities. It's essentially custom-making a human, with all the skills and physical traits you want. You can make them, from the moment they're alive, instinctively know how to do things with the same level of skill as someone who has trained their whole life. You can make killing come to someone as naturally as breathing. Messing up during creation of a homunculus can have some pretty horrible results, though.

Also the transfer would have to have happened very, very quickly, since the soul lingers around the corpse for faaaaar longer than the consciousness part does.
So I kind of decided Kino would have "boss level" awareness of her surroundings in Metal Gear terms given the crazy, crazy things she manages to do in canon in spite of being a pretty tiny girl.

... Basically it made sense for her to notice that there was someone getting smacked around nearby and also seemed like a good way to get Big Boss into things before we reach the train cars. ^^;
Kino stared blankly for a few moments at all the commotion behind her. There was some ind of giant robot, and... so many new arrivals. So many things were happening. She wasn't intending for them to follow her, but if they had it only made sense. It seemed only a few of their number had even begun in the direction towards the strange cars and the scent of food... Kino was unsure of if they would follow. But that was their decision, of course. No-one else could make that for them. She wasn't God. All she could do is offer her help if she so chose, and it did not appear that the others needed or wanted it. At least, from what she could tell. Of course, it seemed the dark-haired schoolgirl had followed her.

"... I don't mind if you follow," she replied, smiling slightly. "I was going to see what was going on with the silver train cars. It almost smells like there's some kind of food there."

Naturally, Kino was not about to pass up a chance of getting food, especially if there was a chance of it being free. When the girl asked how she was keeping calm, she paused for a moment, a thoughtful expression crossing her face as she did.

"Hmmm..." for a few moments she was silent. Indeed, she'd never expected half the things she had seen today could possibly exist. And deep down it did shock and surprise her. People who could fly? Strange horse creatures? Giant robots? Certainly she had no suspected to run across such things. But then... she never had expected to run across a flying machine, or any of the countries she had ever traveled to. "... It's not that I'm not surprised. But you find a lot of surprising things when you go on a journey."

In truth, Kino was surprised that she wasn't reacting more. But inside, she almost felt as if this experience was so overwhelmingly strange that it had an effect almost like it wasn't strange at all.

Of course, her thoughts were interrupted when she heard a loud thud from a piece of nearby cover. It was a distinct sound, a body hitting the ground.

Kino turned, facing the wall.

There was someone watching them.
@Dead Cruiser: I'll look tomorrow since it's late here.

@Savo: Shi might give you a good idea of what homunculi are like, yes. ^^;
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