Hidden 5 mos ago 4 mos ago
Zeroth Post
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Zeroth
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a.. c r i m e.. t h r i l l e r.. r o l e p l a y


F A S H I O N A B L Y L A T E
F A S H I O N A B L Y L A T E


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casting call....



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EPHRAIM CATTANEO

HEX CODE . #000000
FACE CLAIM . Sir Bob Cornelius Rifo
WRITER . @Roman
SUSPECT LEVEL .
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DAISY BLACK

HEX CODE . #9f6266
FACE CLAIM . Mara
WRITER . @Rockette
SUSPECT LEVEL . ██████████

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JAMES GORDON

HEX CODE . #4682b4
FACE CLAIM .Chris Wolstenholme
WRITER . @Lord Wraith
SUSPECT LEVEL . ██████████

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ANNA SVENSSON

HEX CODE . #ffc0cb
FACE CLAIM . Ana Mulvoy-Ten
WRITER . @Xandrya
SUSPECT LEVEL .
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SCARLETT WREN

HEX CODE . #ef476f
FACE CLAIM . Jessica Alexander
WRITER . @Melissa
SUSPECT LEVEL . ██████████

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JALEN DANIELS

HEX CODE . #ffa500
FACE CLAIM . LaKeith Stanfield
WRITER . @Hound55
SUSPECT LEVEL . ██████████

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HAYDEN FENWICK

HEX CODE . #969fab
FACE CLAIM . Ryan Corr
WRITER . @Stormyx
SUSPECT LEVEL .
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CHARLES APONTE

HEX CODE . #8e2d35
FACE CLAIM . Tom Hiddleston
WRITER . @Sleepy Tani
SUSPECT LEVEL . ██████████

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MARGOT STERLING

HEX CODE . #a7afcb
FACE CLAIM . Haley Lu Richardson
WRITER . @Qia
SUSPECT LEVEL . ██████████

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ELEANOR HILL

HEX CODE . #daa520
FACE CLAIM . -
WRITER . @Mole
SUSPECT LEVEL .
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WILLIAM TREMAYNE

HEX CODE . #FFFFFF
FACE CLAIM . Ray Wise
WRITER . NPC
SUSPECT LEVEL .
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JOSIE TATL

HEX CODE . #6A5ACD
FACE CLAIM . Anne Hathaway
WRITER . NPC
SUSPECT LEVEL .
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Hidden 5 mos ago 5 mos ago Post by Roman
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Roman King of Dirt

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█ 𝘉𝘖𝘉𝘉𝘠 𝘙𝘐𝘍𝘖
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EPHRAIM LORENZO CATTANEO
AGE Thirty-one
GENDER Male
ETHNICITY/RACE Italian-American
MARTIAL STATUS Single
SEXUALITY Heterosexual
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Ephraim was born 1994 to an American mother and immigrant Italian father, and while their whirlwind romance was deep and passionate, it was also not destined to last. Following their dramatic blow-up and subsequent separation, Ephraim spent most of his childhood and formative adolescence being shipped between his mother's spacious and expensive Tribeca loft apartment, and his father's cozy and well-lived city house in Milan. Any time neither could take him, he was instead deposited at one of several boarding schools, never spending more than a single semester there before being pulled out and put back on a plane. His upbringing was, in a word, turbulent, and he found himself unable to put down roots in any one place, and while he was loved by his parents, the disconnect and lingering animosity between mother and father bled into the son's interactions with both. He was, as a result, a surly child, difficult at times, constantly re-adjusting; he got used to his own company, the only reliable, consistent relationship in his life.

The only other constant for Ephraim was music: at his mother's insistence he undertook classical training, her loft and many boarding school classrooms echoing daily with the sounds of piano, violin, guitar, cello, saxophone, drums; Ephraim was something of an omniglot for instruments, and found plying the desired sounds from each astonishingly easy. His father was more lax with the upkeep of Ephraim's carefully-curated musical syllabus, but still encouraged this burgeoning passion and obvious talent in his son; Milan offered many opportunities to explore the living artform of music, and the city's thriving electronica scene expanded Ephraim's horizons and showed him what music could be outside of graded tutoring - the ways the rules could be played with, experimented on, torn up and thrown out.

Once Ephraim came of age, the obvious choice was to carry on his musical studies - the only solid, persistant education he had - and enrol in university. He started at Berklee, found a student house, settled somewhere for more than a year for the first time in his life, met people, made friends, got a job; he maintained a distinctly private, individualistic lifestyle, always comfortable in silence, never lonely in his own company. He began to make his way in the world, music ever-present.

He never finished his studies or graduated Berklee; but that didn't seem to matter much in the long run.

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Ephraim began experimenting with music production at Berklee at the behest of his roommate, Hudson, who was starting a band and needed a discerning ear to clean up the demos. Ephraim was initially just mixing the early self-published mixtapes, but quickly began to branch out, playing with a fusion of his classical training and the electronica sounds of Milan - with increasing punk rock influence thanks to the escapades of Hudson's band and what he'd learnt mixing their EP. On Hudson's whim, he played one 'open mic' set at a local club, a show that met with enough success as to frighten Ephraim. The clamour to know who he was, where he came from, how he drew his influences and experiences together into his music - it was all too much and far too intrusive for the naturally private and reserved Ephraim. He couldn't open up his life like that, couldn't be the frontman he needed to be to see success on a wider scale. And then Hudson had an idea.

Thus was born "Bobby Rifo", a masked DJ of undeniable talent, his 'true identity' kept a well-guarded secret and his face never seen. Local shows built groundswell and word-of-mouth that 'Rifo' - and behind the scenes, Hudson - quickly converted into a record-setting sales and streaming explosion when Bobby Rifo dropped his first EP and then a full album a few short months later, and from there, he steamrolled into a full-blown electronica phenomenon. In between albums, Rifo sold out multiple Boiler Room shows, peaked charts in domestic and foreign markets, won awards, played Saturday nights at Glastonbury and Coachella, headlined Tomorrowland, and collaborated with other househould names like Deadmau5, Skrillex, Four Tet and Fred Again. All the while, Ephraim Cattaneo was able to move out of notice beneath the public eye, hidden from view and able to maintain a successful double-life.

More recently, in the wake of AI, Rifo has stripped back; his equipment has become increasingly analog, anyone in his employ wears anti-facial-recognition makeup, and he's begun streamlining out purely digital tools from his process. Across social media, Rifo's gone on the anti-AI warpath, his stance divisive but winning him as many new listeners as it's lost; and now, on the cusp of 2026, corporately-pushed AI infecting every facet of society it can find, Rifo's audience eagerly awaits his much-teased upcoming album - unaware that it will likely be his last.
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FELIX
A friend of Rifo and carefully selected to be his PR/Press Agent. A level head and an affable personality, Felix is a far more public 'face' for Rifo than Ephraim himself has to be, and there's many an interview where Felix stands in as a buffer between Rifo and the press. Felix does his job well, but he's never actually spoken to Ephraim in-person - they communicate exclusively through proxy, whether that be call, text, or email.
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HUDSON
Ephraim's roommate at Berklee, frontman of his own band and also a member of an exclusive circle who knows Ephraim and Rifo, mostly because he came up with the persona in the first place. A tattoo artist in his day job, he's also a frequent collaborator behind-the-scenes, assisting on production and writing for Rifo's albums.
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MIRABELLA
Ephraim's on-again, off-again 'situationship' of a girlfriend, a Milan native he met during his adolescene when staying with his father. She's a semi-successful singer in her own right, though only within Italy and not breaking out of the country, and while she's fond of Ephraim, his privacy and reluctance to risk the double-life with papparazi connecting dots if Rifo was seen with her makes a true relationship difficult.
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GORDON
Rifo's direct manager at the label, a grizzled veteran of the music industry and a friend of Ephraim's mother from the old days, although Gordon himself isn't aware of the connection. He's deftly sheparded Rifo's career for over a decade now, securing important bookings and media coverage, and is well-respected by Ephraim and his peers for his future-sight and keen eye.
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Hidden 5 mos ago 4 mos ago Post by Rockette
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Rockette 𝘣𝘦𝘵𝘵𝘦𝘳 𝘵𝘩𝘢𝘯 𝘺𝘰𝘶.

Member Seen 0-24 hrs ago

█ daisy black _
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DAISY MAE BLACK
AGE twenty-six
GENDER female
ETHNICITY/RACE irish-american mutt
MARTIAL STATUS single
SEXUALITY bisexual
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In an exclusive interview which featured in Hustler magazine in the Spring of 2024, glossy two page glamor shots bisected by literary columns brimming with allurement and sensuality, debuted the origins of an ascending star previously unheard and unknown. It was a simplistic story that provided humble beginnings: born in 1999 in a small town in southern Texas, its name a loosely drawn and spun of endearment as a speck where everything is bigger and larger, swarmed by expectations and struggling with modernization, but rapt with the charm of its nature with rustic embellishments and houses painted in patterns of cornflower blue.

Effectively, that is where it all ends; endeavors to ply further are typically met with incomplete summaries and dead ends, all trails ending cold within a town endearingly ignorant of what their little Daisy has become. Checks are being delivered to a quaint home with pale yellow shutters and a screen porch. A woman named Cheryl keeps a small picture, tucked above a wood stove, of a red-headed girl, all smiles and long limbs.

Quick exposure to stardom took that palatable innocence and turned it lethal, sharpening it into an edge of beauty that cleaved through the film industry.


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Daisy was always meant to be a star. A symbol.

She was originally an enigma when discovered at eighteen; talent agencies and scouts were drawn and entranced by her charming disposition, the new face among the towering spires of New York that pried its jaws open like an industrial beast prepared to devour her. She initially began as an alternative model, where photoshoots and opportunities arose as Daisy aspired to grace the silver screen with her slow rise to fame; every audition inevitably ended the same, with her youthful grace far more profitable than what she could portray in dramatic scripts. Being pretty, as she once admitted during an interview podcast, was something she could make money off of, beautiful and dangerous as she so eloquently phrased.

Just like any other job, really, only you're naked on the internet.

Since her foray into exotic services, she has rapidly gained success, and her first video-streamed performance still holds the titles of most viewed and top searched for three years in a row. Record-breaking numbers courtesy of her authenticity in adult entertainment, where she has proudly earned awards such as Best New Starlet of 2024 and Top Female Performer of 2025 since signing with S&S (Sin & Sensuality) Studios at the beginning of 2024. Speculation has been that she's slotted to be the new cover girl for various magazines such as Hustler and the new issue of Sports Illustrated for the swimsuit edition.

Daisy maintains an active social media presence, where she premieres on various podcasts and even shares behind-the-scenes glimpses of her daily life outside the studio. Exposing the human nature of sex workers, once seen as unattainable and out of reach by their followers. She was most recently introduced on The Tonight Show as a guest, where Jimmy Fallon conducted an interview to get a glimpse into the inner workings of the adult film industry, in contrast to the softer-edged exposure of seemingly explicit films found on common streaming platforms. It was another revelation into the art of debauchery that was meant to defy virtue, something she undeniably excels at.
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ZACHARY BIGS
A recent acquisition in Daisy's life, Zachary has been appointed as her agent by Trinity, whilst also serving as a guardian, instructing and guiding her personal security. He himself offers her primary guidance with her career structure in public relations and schedule maintenance.
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TRINITY HOUSTON
The Director of S&S Studio, Trinity, employs a vast array of producers, along with smaller clusters of screenwriters and editors. She is valued and renowned for her elegance, efficiency, and unique branding in the adult film industry. To her, it is an art form of sensuality and sin, to test the limits of moral ambiguity.
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ERIN WELLS
Erin is a former co-star of Daisy's, having retired recently and abruptly in the Fall of 2025 for reasons unknown. She has become something of a recluse, opting as Daisy's roommate and shuttering herself indoors until work, where she moonlights as a bartender.
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JOHNATHAN VALE
It's difficult to retain relationships within the mundane and simplicity of everyday life; in Daisy's line of work, it's near impossible, but Johnathan Vale tried. Flowers delivered on set, roses perfuming her vanity, all endeavors to tame the star that fell and became a flame within his grasp. In the end, they fell out hard and heavy.
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Hidden 4 mos ago Post by Lord Wraith
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Lord Wraith Thunderbringer

Member Seen 40 min ago

J A G

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_JAMES ANDREW GORDON
AGE FORTY-TWO
GENDER MALE
ETHNICITY/RACE CAUCASIAN
MARTIAL STATUS DIVORCED
SEXUALITY HETEROSEXUAL
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James Andrew Gordon was born to loving, if absent parents. His father, an artificial breeding technician based out of Calaveras, just south of San Antonio, Texas, spent most of his time driving across most of the Western States, rarely home throughout the week, while his mother was a first-generation immigrant from Rotherham in South Yorkshire, England.

A piano teacher, James' mother, Evangeline, instilled a love of music in her son from a young age, while his father, Andrew, introduced James to the blues, rock and metal. James had a natural inclination towards rhythm and timing. As a young boy, he was constantly turning every surface he touched into a drum. For his seventh birthday, he was gifted with his first drum kit, and the rest was history.

Throughout his teens, James participated in several local garage bands. As a drummer, he found himself constantly in demand and was able to play for a wide variety of bands and genres. Most of these amateur acts grew out of the hobby, but by the time college was calling, James had connected himself with other, more musically serious individuals, and they formed a real band.

This first band, 'Overcooked Parsley', would go on to open for several smaller acts throughout various dive bars in the San Antonio region before spreading out and playing in the likes of Austin, Houston and even Dallas. At the age of sixteen, James picked up his first bass guitar while jamming with a couple of friends. Once he had his head wrapped around the basics, he began to approach the instrument as though he was playing the drums while watching the guitarist for chord changes and positions. Using what his mother had taught him on piano and his years of playing drums, James rapidly advanced on the instrument, and after yet another band fizzled out, went on to become a bassist with the band 'Tea & Strumpets.'

Through 'Tea & Strumpets', James was introduced to his first wife, Poppy Caulderfield. The infatuation was mutual and it wasn't long before the rest of the band learned to knock before haphazardly entering the green room after shows or between sets. But the honeymoon phase was short-lived lived and the pair became increasingly volatile, often fighting off stage and squabbling over anything, going so far as to disagree with one another solely to fight. These fights always led to making up, in a manner that was just as loud and destructive as their fighting.

Thankfully, their tumultuous affair didn't stop 'Tea & Strumpets' from seeing success, and while the band was putting on shows in Vegas, Poppy and James snuck away in the middle of the night to a twenty-four-hour chapel and pledged their lives to one another.

They filed for divorce nine months later.

'Tea & Strumpets' would later cut their losses, and James was asked to leave the band. Returning home, he eventually made his way to Nashville, Tennessee, where he found work as a session bassist, tracking songs and albums with numerous artists. This opportunity would introduce him to Cooper McNevan, Colin Phillips and Lee Joel, who, along with James, would go on to create 'Caliburn'.

Caliburn was James' big break. The group moved from performing in dive bars to opening for the likes of Nickelback, Pearl Jam and Metallica. Before they knew it, Caliburn had other bands opening for them, and soon they were playing in sold-out auditoriums. Though James had always been fond of alcohol, his newfound fame led him to party harder and harder. Often, he was with a different girl every night, and the only time he was without a drink in his hand was when he had his bass.

First came alcohol, it was soon followed by cigarettes, then marijuana, mushrooms, and it only continued from there. From one of his many intoxicated states came the idea to go solo after Caliburn guest-appeared on an episode of 'The Vetern', one of ABC's many well-performing police procedurals. James and his agent managed to negotiate several further television appearances, including a dramatic role on a six-episode limited mini-series that put James in the running for a coveted superhero role in Hollywood.

In celebration, the pair ended up drunk, leading to James sleeping with his agent. A tryst which resulted in a child and James' second marriage to Evangeline Scott. Having built himself a fairly recognizable face outside of Caliburn, James attempted to launch a solo music career and left Caliburn.

His debut album flopped.

When James tried to return to Caliburn, they had already replaced him and James further went into drugs and alcohol. What was once at least somewhat hidden became more and more obvious, leading to Eve divorcing him and taking away any rights he had to his child. From that point on, James continued to make more and more questionable decisions. Desperate for money, he shot a pornographic film and nearly died due to the heavy combination of alcohol and sildenafil in his system. Passing out mid shoot and leading to the project being completely canned. Despite this, footage still found its way online and put the final nail in James' career.

Or so it seemed. Checked into rehab by his first wife, James completed a full stint in a rehabilitation center, somehow managing to escape criminal charges and emerged a few years later clean. He returned to his roots, working as a session bassist. Tracking numerous albums following rehab, he's been attending both Narcotics Anonymous and Alcoholics Anonymous in an effort to stay on the straight and narrow.

Meeting rising pop star Tamara Flowers through a tracking session, the pair hit it off almost immediately and soon became the tabloid relationship. Tamara encouraged James to return to his solo work and a few months later James released a song titled 'Demon in a Bottle' that went quickly went viral across social media. Riding this wave of renwed interest following his resurface, his new girlfriend and rumours of a new solo album brought attention to his previous one, which had gained a cult following and for the first time ever broke the Top 40.

Caliburn has even offered to have him join them on tour again, an offer James is still thinking over.

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James is a professional musician, specifically a bass player though he's a capable pianist, drummer and knows his way around a guitar. Highlights of his career include performing with the bands 'Overcooked Parsley' and 'Tea & Strumpets' as well being a session bassist for albums such as 'Jagged & Spicy', 'Under the Falling Bridge', 'Love Hetz and other Joules', and 'Ride the Thunder'.

The highlight of James Gordon's career was performing with Caliburn, a several times Platinum band of which James was part of seven studio albums and numerous tours. He fell out with Caliburn due to a short stint in acting, along with a solo album 'JAG' that failed to perform.

After a stint in rehab, James has returned to working as a session bassist, most notably tracking Tamara Flowers' debut album of the same name, along with the follow-ups '2007' and 'Life of a Tortured Poet'. James has since rose again to the public eye due to a new single that went viral and anticipated of a new solo album.

He's slotted to re-join Caliburn on tour in 2026.
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THE GIRLFRIEND
Tamara Flowers is a twenty-one-year-old pop star who has shot to fame in the last couple of years. Tamara performs as the front woman for the act 'InBloom'. Tamara and James became romantically linked shortly after she released a statement to the media that "<she had> been let down one too many times by men her age and decided it was time to go for a man instead of playing with boys."
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THE EX-WIFE
Poppy Caulderfield was the lead guitarist and additional vocals in the band 'Tea & Strumpets' where James filled in as a session bassist in the studio before being invited on the road. The pair engaged in a self-destructive and oftentimes toxic on-and-off relationship before being wed in Vegas during a show. Poppy later filed for divorce, citing irreconcilable differences. Years later, she inherited the band, now renamed 'The Strumpets', assuming lead vocals and is touring as part of their new album release. She had been spotted at a cafe recently with James.
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THE FORMER BAND
Caliburn was James' big break. A post-grunge phenomenon, Caliburn went on to go Platinum on at least two of their records, seemingly going from playing dive bars to overflowing stadiums overnight. Their music was featured in everything from the latest Tony Hawk game to sport anthems and even blockbuster movies. Including James, the band was a four-piece ensemble with Cooper McNevan on vocals and lead guitars, Colin Phillips on drums, and Lee Joel playing rhythm guitar and keys.
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THE UNKNOWN CALLER
A persistent caller who has concealed their identity. No matter how many times James has blocked their number, they always find a new one. James changed his own number twice before giving up and accepting his harasser. Each time he answers, he's bombarded with a variety of voices repeating over and over, 'I know what you did!' while the backing track of his latest single plays melancholically in the background. James has moved forward with both legal action and the police, but neither has been able to do anything about the anonymous caller.
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Hidden 4 mos ago Post by Xandrya
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Xandrya Lone Wolf

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█ Anna Svensson

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ANNA KARINA SVENSSON
AGE Twenty-one
GENDER Female
ETHNICITY/RACE Swedish
MARTIAL STATUS Single
SEXUALITY Heterosexual
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Born into the Swedish royal family, Anna was raised in wealth and luxury. But fortune came at a price, and from a very young age, her life was structured to meet the demands of her position as Princess. Meet-and-greets, photoshoots, trips to some unfriendly corners of the world, though the latter was reserved for when she was older and allowed to make certain decisions on her own.

Given her everyday life was meticulously planned well in advance, Anna learned to be creative to find time for herself. During her teenage years, she managed to evade Swedish Security Personnel consisting of two guards assigned to her detail while in attendance at a concert. People from all walks of life were present, including people who had planned a kidnapping for that evening. Anna was on her way backstage when she was swiftly pulled through a slightly opened door. Dimmed lights, drunk crowds, and the loud music blaring through giant speakers made the incident go unnoticed. She was injected with a strong sedative and was hauled away from the concert venue just as quickly, her unconscious state blamed on one too many drinks. Event staff was lax and her hair covered most of her face, thus no one recognized the young princess being taken into the night.

What followed was a week of torment for both her and her family. Negotiations, proposed deadlines for a reward...the works. A deal was eventually made, and her kidnappers traded her for a ridiculous amount of money. They thought they were getting away with the heinous crime, but they were simply under surveillance to see whether additional people were involved. Multiple apprehensions were made the following day, including one of her guards from that night. The news came and went, and he world returned to normal, or so they thought.

Anna suffered from PTSD and had seen multiple therapists, but none has managed to get her to cooperate. She has outbursts, behaves recklessly, and has very little regard for her safety and well-being. As such, she stepped away from her role indefinitely, at least until she graduates from college.

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Anna considers herself a philanthropist. She's attended various events for charity and occasionally volunteers her time. She's also set to start an internship the first Monday of January in a prestigious law firm in Manhattan.

Additionally, it was previously communicated that she return to her role as Princess on or before her 23rd birthday, though the idea is not the least bit appealing to her, and for the moment being she's trying to enjoy her life as much as possible.
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Stromm
Anna's lead guard and longtime family friend. Stromm has been working for the Svensson's in one capacity or another for nearly two decades. His outrageous size made him the perfect candidate to serve on protection, and he doesn't take the job lightly, especially now. Though he's very close friends with Anna's father, she keeps her relationship with him mostly professional.
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Dahlquist
Unlike Stromm, Anna considers Dahlquist a close friend and a mentor. They go back quite a few years, though he was on leave for two weeks on the night of her kidnapping. Despite her telling him he isn't to blame in the least bit, Dahlquist hasn't fully forgiven himself. Both guards reside in the apartment adjacent to hers and they have her phone location pinged on their devices.
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Lauren
Meeting in class during her first semester, Anna and Lauren have been pretty good friends from the get-go. Lauren comes from a wealthy family who resides in the Upper East Side. She invites Anna over quite often, especially during some holidays when Anna doesn't feel like flying home. Anna doesn't know that secretly, Lauren has a crush on her. Lauren is aware Anna isn't attracted to women, and Lauren doesn't want to sour their relationship.
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Hidden 4 mos ago Post by Melissa
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Melissa Melly Bean the Jelly Bean

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█ SCARLETT WREN

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SCARLETT AMELIA WREN
AGE 27
GENDER Female
ETHNICITY/RACE White
MARTIAL STATUS Single
SEXUALITY Heterosexual
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Scarlett Wren grew up in a quiet Midwestern town, the kind of place where people planned their lives early and followed through without much detour. She did well in school and was relatively involved, though she always felt a low hum of restlessness beneath the routine. After high school, she attended a state university a few hours from home and studied communications, choosing a field that felt flexible enough to keep her options open. When she graduated, she returned home and took a series of sensible jobs that left her feeling as though she was marking time, simply waiting for something to shift.

She began posting on social media casually, sharing pieces of her life that felt small and mundane - outfits, routines, the weekends that broke up her boring work week - but it wasn’t until a casting producer from The Bachelor reached out that she felt a real interruption in the trajectory she’d been following. Scarlett went on the show at 26 and, to her own surprise, became a favorite with viewers. She was steady, warm, and self-possessed, never loud enough to dominate the screen but present enough to stand out. When she was sent home halfway through the season, the reaction was immediate and outsized, and for the first time she understood what it meant to be noticed by people who didn’t know her at all. The experience didn’t give her the ending the show promised, but it gave her something more durable: momentum, and the sense that her life no longer had to remain exactly where it had started.


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After her season of The Bachelor aired, Scarlett rode the wave of attention, sharing reflections, behind-the-scenes glimpses, and small slices of her life that felt relatable and grounded. On the After the Final Rose special, she announced that although she was approached to be the next Bachelorette, she declined, citing she wanted to return to a sense of normalcy and build a life that existed outside the structure of reality television. The decision was framed as thoughtful rather than dramatic, reinforcing the impression that she was levelheaded and sincere, someone more interested in long-term stability than quick fame.

It wasn't long before she decided to make the jump and move to New York City, which gave her content an aspirational edge - coffee runs in SoHo, Pilates classes in Flatiron, rooftop parties - but as her following grew, so did the polish. Her signature “day in my life” videos became highly curated, featuring friends who were also well known influencers, brand collaborations, and city adventures that felt exciting but increasingly unattainable to the average viewer.

Over time, the charm that had made her seem approachable began to fade. Her posts, once casual and personal, now emphasized aesthetics, access, and status. She became known less for her humor or warmth and more for her image, perfectly framed shots, and the constant suggestion that her life was just out of reach - beautiful, busy, and enviable. Brands flocked to her, collaborations multiplied, and Scarlett adapted seamlessly, but the relatability that had initially drawn her followers quietly slipped away, leaving a version of herself that was admired, envied, and followed - but increasingly distant from the girl viewers had first connected with.
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JULIAN REED
Julian found Scarlett shortly after her season aired and helped her transition from “Bachelor alum” to lifestyle influencer, serving as her talent manager. He’s always thinking two steps ahead, often encouraging Scarlett to lean further into aspirational content even when it costs her relatability. He keeps her calendar full and her image clean, but his loyalty is conditional - tied closely to her growth and relevance. He knows where the skeletons are because he helped hide them.
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ELENA TRAN
Elena moved to New York around the same time as Scarlett and was with her before the influencer lifestyle fully took over. She works in brand partnerships at a mid-size agency and understands the industry from the business side rather than the spotlight. Elena is practical, observant, and increasingly uneasy with how curated Scarlett’s life has become. She knows Scarlett’s original numbers, the early brand rejections, the panic behind certain posts - and she remembers who Scarlett used to be before everything became content.
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LILY CALDWELL
Lily was on the same season of The Bachelor as Scarlett and became her closest friend during filming, bonding over the long hours and a shared sense of humor about the process. After the season aired, both women leaned into the attention and built influencer careers, frequently appearing in each other’s content and benefiting from the audience’s attachment to their friendship. Now based in New York as well, Lily is a constant presence in Scarlett’s life - at events, on trips, and in everyday routines - often providing balance where Scarlett is more controlled. Their friendship is public, profitable, and genuinely close, rooted in a shared experience that few others understand.
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Hidden 4 mos ago Post by Hound55
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Hound55 Create-A-Hero RPG GM, Blue Bringer of BWAHAHA!

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█ Jalen Daniels

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Jalen Roscoe "J.R" Daniels
AGE Twenty eight
GENDER Male
ETHNICITY/RACE African-American
MARTIAL STATUS Single
SEXUALITY Heterosexual
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As a young buck, Jalen Daniels could often be found walking the mile and a half to 16th and Susquehanna busting out a seemingly endless stream of dribble moves with his off-hand.

He had given verbal intent to go to Cheney… but that was before the HS State Championships. Where his stock skyrocketed, as smaller point guards often could, where the measurables didn’t see them targeted as heavily, and college letters were more contingent on form.

Drawing interest from the Kentucky Wildcats, “Point Guard U”, he was left with the decision between staying with the small school, or somewhere in-state like Temple, or going all in on ball as a career.

It was barely a decision.

He took his “roaddog” Dio Dantley with him to Kentucky University, in a trend where colleges would frequently also take close compatriots of scholarship athletes ‘to ease the transition’ of being far away from family and most friends.

He had an easy time in college though. Kentucky was very much a “basketball” college, and he was one of three All-Americans each of his years there. He took to the lifestyle and campus stardom readily.

…which was why the Utah Jazz felt he would be able to cope with the move across the country in a professional manner, when their sixth overall pick came around.

But what most didn’t see was that Jalen had a more difficult time away from campus and ball.

When he went home, he often had his “blackness” brought into question for his decision to bail on HBCU Cheney University, by local critics who had followed his career from his youth.

And that was before he was drafted by Utah Jazz…

He also had close friends at him about every decision he made – “what’s up with taking Dio, man? I though you and me was cool? What you couldn’t get me in too?”

One of whom was indeed one of his very closest friends, from back in the day: Casper Hamilton.

And in honesty, Jalen had been torn about his decision at the time. Because whilst Dio was indeed his best friend, and closest – maybe ONLY true confidante – Casper was a close friend too… and was a much better student and more likely to actually be able to handle the academics of going to College and keeping pace (without the additional help athletes often get) with Jalen for the duration of his time at Kentucky.

So the pair made a pact. And a plan.

And that was how Casper became the first of his friends to know that Jalen Daniels would be declaring for the 2016 Draft. Under the provision that he never tell a soul. If he could do that, when his ticket came up, Jalen was going to do something that would change his life.

It never came to light. Even Dio hadn’t known. And that was how Casper came to join the inner circle.

…and how Jalen came to start paying for Casper’s college education as he earned a degree in Sports Management at Temple.

NBA Rookie Contracts are all at scale. Jalen found himself the cheapest representation possible and the clock started as Casper got to work. Rookie contracts last four years. At an accelerated path, a Bachelor’s Degree in Sports Management can be achieved in three.

Jalen assisted him with startup costs for his own agency as the played “beat the clock” to prepare Casper to represent him in time for his first contract extension.

Casper was a hard worker, and smart. They managed to beat the clock and kept the money “in house”.

But not all things were smooth sailing.

Dio Dantley was shot as an innocent bystander in an incident in mid-season 2020-2021.

Jalen got him the best of care, and flew out immediately to PA to be at his side. Leaving the Jazz to explain his absence to the press.

Whilst his best friend still clung to life, Jalen swore he’d take care of his family (a mother and Dio’s younger sister Gail), his medical bills, whatever he needed.

But money still has limits. He died after a thirty hour struggle.

With Dio's passing, the coldness which had started to grip Jalen since he turned pro began to solidify. It;s not that there weren't signs of it before, but with his death the last relationship in his life where the power dynamics weren't completely screwed was gone.

The things he most lived for now no longer had value beyond himself. And his goals were all of self-interest.

He can now see "the bag" well within his grasp. If he can get that, it will all be worth it. He can change up everything and let loose and lead the exact lifestyle he'd always wanted.

Everything and everyone else. The fake smiles. The restrained 'behaviour' standards he'd put on himself temporarily to assure the big payday.

If he can ride out a month and a week... at the end of the season, he can finally let loose and get the fuck out.


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Jalen Daniels was drafted sixth overall to the Utah Jazz in 2016.

He made the All-Rookie team with solid numbers, but it wasn’t until later when he found his feet, that he really established himself as a name in the league.

His fourth season in the league, his breakout year, he scraped into the All-NBA Third team.

He proved that was not an aberration by making it again two seasons later.

The last two seasons he has made the All-NBA Second team, followed by another All-NBA Third team.

As he now enters his contract season, those last two All-NBA selections, combined with the fact that he has remained on the Utah Jazz team which drafted him, make him eligible for “the bag” - the NBA “Supermax” Designated Veteran Player Extension this off-season.

His initial rookie contract saw him earn a total of just under sixteen million dollars over his whole first four years.

If he can remain on the Jazz past February 6, the “Supermax” extension will see him earn just under fifty million dollars next season alone, and progressively more each season (eleven percent annual raises) until his final “player option” season will see him earn just under seventy million.

NBA contracts are fully guaranteed.

He has been RICH since he came into the league.

If he can remain on the Jazz for just over a month he will be WEALTHY.

He hates Salt Lake City. And despises Utah.

February the 6th is circled on his refrigerator.

He finds himself in New York during an away swing now circulating, making connections, possible investment opportunities and putting his face out there for when “the bag” comes. And also possibly acting the big shot for ‘Rook’, and showing Gail a roomful of bigshots to get her out of his business.
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CASPER HAMILTON
Jalen's agent and now closest friend.

Jalen paid to put him through school, and lent him the money to start up his own agency. Facts he very frequently reminds Casper of.

His slowly growing agency, 'Downtown... CasH!' currently has eight clients.All on Jalen's recommendation. Another fact that he's not backwards in reminding Casper of. Whilst he never collected or requested a 'finder's fee' (another fact he reminds him of) for any of them.

Now why he has never requested or collected a 'finder's fee', is a reason he will never tell Casper...
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GAIL DANTLEY
His late best friend Dio's little sister. One of the two people he swore on Dio's death bed that he'd take care of.

Which, probably wasn't mutually understood as 'will sleep with a bunch of times and sling her money when she needs it' but life has a funny way of happening.

It's not like he wanted it to happen. He's just... trying to be on his best behaviour, and not hitting up the clubs. And she's around. And sometimes she looks...

Look, he's a hungry dog sometimes, alright? And she keeps hanging around. It's her fault for keeping on hanging around. She'll figure out 'take care of' ain't no til death do us part thing, right?

'Specially when he gets the Hell out of Salt Lake City and gets back on that night life...

Didn't invite her. Jalen, Casper and Rook 'coincidentally ran into her'... in New York... on the way to the party, and Jalen had an additional plus-one he had no initial intention of using and figured maybe she'd be wowed by someone at the party and it might do the hard job of extricating himself from the situationship he has with her for him, painlessly and with no involvement on his end.
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'ROOK'
Jalen's first-year teammate who was curious about New York City nightlife, who he has 'taken under his wing' to show him the 'Big City' being trusted by the team, that if he's with the well behaved veteran it should at least keep him out of trouble.

His name is Lewis Ward, but Jalen refuses to acknowledge first year player's even have a name.

His teammates also tease him and call him 'rookie', but Jalen said "he has no intention of wasting two syllables on him".

Very wide eyed about the whole night.
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BRIAN - (not present at the party)
Brian is Jalen's Financial Adviser/Accountant/Legal Adviser. Not to be confused with his agent.

Brian isn't particularly close to Jalen. Jalen isn't particularly close to Brian. Their relationship is purely business, and maintaining their mutually beneficial situation.

Attending the party was Brian's idea, he's also the one who was able to secure entry passes.

Laying the groundwork for Jalen Daniels being 'someone to know' in the lead-up to his next contract extension.
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Hidden 4 mos ago 4 mos ago Post by Stormyx
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Stormyx ꜱᴘᴏɴꜱᴏʀᴇᴅ ʙʏ ʏᴏʀᴋꜱʜɪʀᴇ ɢᴏʟᴅ

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█ 𝙃𝙖𝙮𝙙𝙚𝙣 𝙁𝙚𝙣𝙬𝙞𝙘𝙠
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HAYDEN JOSEPH FENWICK
AGE Thirty-four
GENDER Male
ETHNICITY/RACE British
MARTIAL STATUS Single
SEXUALITY Heterosexual
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Growing up in Ashington in the 1990’s meant inheriting an aftermath. When the pits closed they didn't just take the work, but they left hollowed out futures to a generation that deserved more. What remained were the rows of tightly packed terraced houses on streets that the council stitched into estates for the women left behind. Dads left, sometimes quietly and often times forever. The mams who stayed raised each other’s kids as much as their own and Helen Fenwick was one of many of them. Holding her house together on the back of shifts at the local care home where her time was spent tending to the elderly who'd worked when their town was an empire of promise; their lungs ruined by coal dust even if their humour rarely was. Hayden Fenwick watched his mam work herself to the bone and when he wasn’t watching her, he was watching Nan care for Granda through an illness everyone explained away as ”his brain’s just gone to sleep.”

Perhaps watching that was what invited the hound that nipped at Hayden’s heels throughout his youth. A bitterness that was buried deep that he could find no real name for, only the sense that it was always there and always waiting. He knew to his core he was meant to fall through the cracks left behind. Instead, he found a gym. The boxing ring made room for him to direct that calcified thing called anger and erode at it, chip it down to find some genuine joy. A rare fucking thing in his town. The discipline of martial arts gave him shape and the routine gave him purpose and a reason to actually try. To dream. His size and stubbornness could mean something. Helen picked up every late shift she could to keep him there. “Owts better than you on the street,” she’d say.

Hayden paid her back by becoming frighteningly good and by his early twenties he was a national name in MMA; the Wrecking Bull of the cage. He was all skill and grin and quick wit. By his late twenties he was owning the worldwide stage until a simple and quick rotator cuff injury took him out of the sport.

He leaned hard into his fame to survive and endure it. Every panel show, every quiz, every reality slot. He’d play the clown and play it up until he was exactly the kind of loud, daft, and endlessly cheerful washed-up non celebrity that the British public loved to crucify. Fresh from his latest reality TV gig, Hayden was given the chance to attend a New Year’s Eve party in New York, with the promise of stateside gigs on the other side.


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By his early twenties, Hayden Fenwick was already well-known in the UK MMA circuit. He started his professional career competing as a light heavyweight. He was a difficult fight for anyone put in front of him. It was a successful regional title run that put him on the national radar and by 26 he was a fixed figure of the international stage as a genuine threat to anyone else not at the very top.

A rotator cuff injury put pause to his professional career before he turned 30.

What followed was a shift in his priorities in the form of television work and a lot of it, under the guidance of a sharp publicist, Zara. Hayden was inescapable on the screen; appearing across reality competitions and popular British panel shows regularly. He was as familiar a face on the box as he had been in the ring, and a typecast one at that. He found himself something of a laughing stock while on The Masked Singer and I'm a Celebrity..., creating viral moments that just as often turned the public against him as it did endear him to them.

Between his appearances on TV, he continues to train at the same gym he grew up in; helping out with youth sessions when asked. He spends much of his time in Ashington, keeping his life rooted in the same town where he grew up, in the place that always sees him as a local hero and not a washed-up, reality-TV embarrassment.
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HELEN FENWICK
Helen is the quiet centre of Hayden's whole world, having built his career on the back of her overtime shifts and her refusal to ever let him slip through the cracks. She is the reason he says yes to all of the things that exhaust him and the reason he'll keep doing it. Every fight he ever took, every fight he ever will, is for her.
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NEIL PARKER
Manager and booking agent. Neil came into Hayden's life before his fame was at its peak and has stuck around ever since. He is equal parts grafter and firm believer. Neil knows Hayden's career isn't finished and he is quietly obsessed with getting him back into the ring again, if only he could get him to stop taking cheap TV gigs for laughs. He plans, at odds with Zara, for a proper comeback for his boy.
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ZARA KAUR
The publicist. Razor sharp and impeccably dressed. Always three steps ahead of the story she's selling and constantly at odds with Neil over what's best for Hayden. Zara understands scandal and the public's appetite better than anyone Hayden's ever met and he certainly understands none of that himself. Their relationship has existed in the space between professional and not; a chemistry and understanding. A distance and a closeness.
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EILIDH VASS
Back in town out of an obligation to her family. She and Hayden share a history complicated by distance and memory; she's never quite forgotten how his crowd would tease at her at school and that wariness and defense has never left. There is an undeniable pull that now exists between them. She is all that is familiar to Hayden at his core, yet their lives are so far away.
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█ Charles Aponte

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CHARLES MATTEO APONTE
AGE 35
GENDER Male
ETHNICITY/RACE Caucasian
MARTIAL STATUS Single
SEXUALITY Bisexual
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Charles Matteo Aponte was born between countries and temperaments, into a marriage that seemed, even in retrospect, improbably balanced. His mother, Elena Croft, was an American gifted cellist whose emotions lived close to the surface, who believed music was a moral language, a way of teaching the heart how to behave. His father, Lucien Aponte, was Swiss, a computer engineer devoted to systems, elegant logic, and the quiet comfort of precision. They met in Zurich while Elena studied abroad, two people speaking different dialects of devotion; hers loud and luminous, his restrained and exacting. Their love never burned theatrically, but it endured, and when Charles was born, they raised him carefully between New England summers filled with salt air and song, and Zurich winters shaped by glassy streets and disciplined silence.

From his mother he learned how to listen for feeling beneath words, how sorrow could be disguised as humor, how admiration could be coaxed from strangers with the right cadence of voice. From his father he learned that order was power, that patience could outlast anger, that the most durable control was the kind no one noticed being exercised. Even as a child, Charles understood instinctively which parent to resemble at any given moment. He cried easily when his mother watched, clung to her skirts, absorbed her tenderness, but with his father he was still and observant, his questions sparse and exact, his attention sharp enough to be unsettling. Adults called him sweet, thoughtful, gentle. They never realized how often he was measuring them in return.

His intellect emerged early but without spectacle. Charles did not announce answers, he waited to be asked. He did not correct classmates, he let them reach the conclusion themselves, then quietly confirmed it. By adolescence he was already practicing a careful choreography of humility, allowing others the comfort of competence while ensuring he remained indispensable. He skipped grades with apologetic smiles, graduated high school years early, and accepted attending Princeton with polite gratitude, as though opportunity were something he merely happened upon rather than something he had positioned himself to receive. At university he cultivated an image of calm brilliance, the soft-spoken prodigy who played cello late at night in empty practice rooms, who stayed behind to help classmates sort out their code, who never raised his voice even when others did. Profesors trusted him, peers confided in him. He learned that people revealed more when they felt unjudged, that secrets rose naturally in the presence of attentive silence.

After graduation, he did not chase headlines. He chose obscurity, precision, and accumulation. He moved through several tech companies, improving infrastructures, solving failures no one else could untangle, never staying long enough to threaten those above him, always leaving behind the faint impression that things worked better after he had passed through. Managers described him as reliable, gracious, unusually mature. He sent money home. He called his mother every Sunday. He listened to his father speak about restraint, about how technology was a blade that cut both ways, about how the most dangerous men were not the loudest ones.

Harvard’s fellowship program found him the way such institutions always did, quietly, reverently, as though brilliance were a natural resource that required stewardship. He immersed himself in behavioral modeling, predictive systems, machine learning architectures designed to anticipate human decisions before the mind itself had settled. He spoke often about ethics, about responsibility, about the importance of building tools that protected the vulnerable. His papers were elegant, his arguments persuasive, he asked questions that sounded like concern and functioned like reconnaissance. It was during this period that LUCENT first took shape, not as a corporation, but as a philosophy, that chaos was simply data insufficiently gathered, that morality was a variable influenced by environment, incentive, and fear, that people could be understood well enough to be guided without ever realizing they were being led.


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When Charles founded LUCENT at twenty-eight, the narrative wrote itself. The philanthropic prodigy. The half-European visionary. The quiet genius who quoted Rilke in interviews and funded youth orchestras in cities no investor could locate on a map. He spoke of privacy as sacred while designing systems that understood the precise geometry of its erosion, of connection as salvation while perfecting the architecture of observation. LUCENT grew with unnatural speed, not through spectacle but through absorption, threading itself into infrastructure, communication platforms, financial systems, and security networks until disentanglement became unthinkable. Every company he’d worked for in the past slowly folded into LUCENT, as if it were his plan all along. Charles remained, in public, unchanged by the ascent, gracious in interviews, reserved on stage, endlessly patient beneath the lights, always crediting his mother for his empathy and his father for his discipline, presenting himself as the fortunate convergence of art and logic, compassion and code.

His name became linked with countless groundbreaking donations and side projects. Millions flowed into mental health initiatives designed to modernize crisis-response technologies, into digital literacy programs for rural communities, into refugee education platforms that provided classrooms to children who had no direct access to an education, into disaster relief infrastructure that promised food and shelter first and foremost. He framed these gifts not as charity but as responsibility, as though wealth were a temporary condition and stewardship the only moral posture it permitted. He spoke in the polished cadences of a man who had practiced sincerity until it became indistinguishable from instinct, threading ethics in AI, human-centered design, and the dream of a safer internet into speeches that sounded less like corporate addresses and more like benedictions. His interviews trended. His lectures went viral.

Twice, committees spoke his name into the same sentence as the Nobel Peace Prize. Twice, journalists speculated about timelines, probabilities, inevitability. Charles responded with modest smiles, soft deflections, carefully worded statements about collective effort and unfinished work. He cultivated the impression of a man perpetually surprised by his own significance, as though success were something that happened around him rather than because of him.

Both of his parents would have recognized the truth, if they had known how to name it. Elena would have seen how easily his kindness opened doors, how naturally people leaned toward him, how quickly admiration softened into trust. Lucien would have understood how deliberately he chose which doors remained closed, how every public vulnerability was measured, how every confession offered to him became another thread in a widening lattice of influence.

Charles did not lose his gentleness as he rose. He refined it. He sharpened it into something precise enough to slip past defenses, persausive enough to gather loyalty, intimate enough to invite confession, and durable enough to rearrange entire lives without ever staining his hands. To those who know him only by reputation, he remains the rarest of men, a genius without arrogance, a billionaire without cruelty, a visionary without appetite for harm. To those who look closer, to the politicians he’s blackmailed, the whistleblowers he’s ensured were buried under lawsuits or character assassination, to the competitors he’s driven to to suicide via financial and social sabotage, he is something else entirely; a man who learned, very young, that control does not require force, only time, attention, and the discipline to be underestimated.
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Rebecca Harmon — Assistant
Rebecca Harmon has been at Charles side longer than anyone remembers to question. They met as children, two outsiders orbiting brilliance in different ways; Charles with his impossible mind, Rebecca with her unwavering steadiness. Where he learned to calculate, she learned to anticipate. Where he spoke softly, she learned to listen harder. Now his executive assistant, gatekeeper, and shadow, she manages his calendar the way others manage governments. She knows his tells, his silences, the precise moment his kindness becomes strategy. If Charles is the architect, Rebecca is the locked door.
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Jonah Snyder — Security Guard
Jonah Snyder does not look like danger. He looks like structure, tailored suits, military posture softened into corporate polish, eyes that miss nothing and forgive less. Former intelligence, former counter-terror, former things he never confirms. Charles hired him after a single conversation and never interviewed another candidate. Jonah runs LUCENT’s physical security, private surveillance, and “special containment,” which is not a department on any org chart. He calls Charles “sir” in public and “Charles” in private, and means something different by both. He does not ask why problems need to disappear. He only makes sure they do.
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Mara Kessler – Behavioral Systems Architect
Mara Kessler designs the algorithms that predict human collapse. She is brilliant, meticulous, and visibly grateful to work at LUCENT. The world knows her as the daughter of a disgraced tech CEO who leapt from his office balcony after his company imploded under scandals Charles’s firm quietly accelerated. LUCENT hired her six months later. Charles paid for her mother’s medical care. Sent flowers. Spoke gently at the funeral. Mara keeps the thank-you card framed on her desk. She also keeps copies of old financial logs buried in encrypted partitions, waiting for the day gratitude rots completely into truth.
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Dr. Mitchell Rowe – Ethics Director
Dr. Mitchell Rowe is LUCENT’s moral architecture, at least on paper. A former philosophy professor turned tech ethicist, he drafts the speeches Charles delivers and the principles the company claims to obey. He believes, earnestly, that he is there to restrain a titan. Charles believes, accurately, that Mitchell is there to make restraint look convincing. They have lunch once a month. They debate free will and harm reduction. Mitchell leaves each meeting feeling cautiously hopeful. Charles leaves with new language to justify what he was already going to do.
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█ 𝒞𝑜𝓏𝓎 𝑅𝑜𝓈𝒾𝑒 🧸ྀི

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MARGOT ROSALIE STERLING
AGE 𝚝𝚠𝚎𝚗𝚝𝚢-𝚜𝚒𝚡 (𝙸 𝚑𝚊𝚍 𝚝𝚘 𝚍𝚘𝚞𝚋𝚕𝚎 𝚌𝚑𝚎𝚌𝚔 𝚝𝚑𝚒𝚜 𝚓𝚞𝚜𝚝 𝚗𝚘𝚠, 𝚜𝚘𝚛𝚛𝚢. • - •)
GENDER 𝚏𝚎𝚖𝚊𝚕𝚎
ETHNICITY/RACE 𝚠𝚑𝚒𝚝𝚎
MARTIAL STATUS 𝚜𝚒𝚗𝚐𝚕𝚎 (𝚝𝚎𝚌𝚑𝚗𝚒𝚌𝚊𝚕𝚕𝚢. 𝚕𝚒𝚔𝚎 𝚟𝚎𝚛𝚢 𝚝𝚎𝚌𝚑𝚗𝚒𝚌𝚊𝚕𝚕𝚢)
SEXUALITY 𝚋𝚒𝚜𝚎𝚡𝚞𝚊𝚕
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BIOGRAPHY▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅
𝙸 𝚐𝚛𝚎𝚠 𝚞𝚙 𝚒𝚗 𝚊 𝚑𝚘𝚞𝚜𝚎 𝚠𝚑𝚎𝚛𝚎 𝚎𝚟𝚎𝚛𝚢𝚘𝚗𝚎 𝚖𝚎𝚊𝚗𝚝 𝚠𝚎𝚕𝚕. 𝚁𝚎𝚊𝚕𝚕𝚢, 𝚝𝚑𝚊𝚝’𝚜 𝚝𝚑𝚎 𝚜𝚒𝚖𝚙𝚕𝚎𝚜𝚝 𝚊𝚗𝚍 𝚔𝚒𝚗𝚍𝚎𝚜𝚝 𝚠𝚊𝚢 𝚝𝚘 𝚙𝚞𝚝 𝚒𝚝.

𝙼𝚢 𝚙𝚊𝚛𝚎𝚗𝚝𝚜 𝚠𝚎𝚛𝚎 𝚠𝚘𝚗𝚍𝚎𝚛𝚏𝚞𝚕𝚕𝚢 𝚜𝚝𝚎𝚊𝚍𝚢, 𝚝𝚑𝚎 𝚔𝚒𝚗𝚍 𝚘𝚏 𝚙𝚎𝚘𝚙𝚕𝚎 𝚠𝚑𝚘 𝚠𝚎𝚛𝚎 𝚚𝚞𝚒𝚎𝚝𝚕𝚢 𝚊𝚝𝚝𝚎𝚗𝚝𝚒𝚟𝚎 𝚋𝚞𝚝 𝚗𝚎𝚟𝚎𝚛 𝚗𝚘𝚜𝚢. 𝚃𝚑𝚎𝚢 𝚠𝚘𝚛𝚔𝚎𝚍 𝚑𝚊𝚛𝚍, 𝚊𝚜𝚔𝚎𝚍 𝚊𝚋𝚘𝚞𝚝 𝚖𝚢 𝚍𝚊𝚢 𝚘𝚟𝚎𝚛 𝚍𝚒𝚗𝚗𝚎𝚛𝚜 𝚘𝚏 𝚖𝚎𝚊𝚝𝚕𝚘𝚊𝚏 𝚘𝚛 𝚜𝚙𝚊𝚐𝚑𝚎𝚝𝚝𝚒, 𝚊𝚗𝚍 𝚝𝚛𝚞𝚜𝚝𝚎𝚍 𝚖𝚎 𝚝𝚘 𝚑𝚊𝚗𝚍𝚕𝚎 𝚖𝚢 𝚘𝚠𝚗 𝚕𝚒𝚝𝚝𝚕𝚎 𝚠𝚘𝚛𝚕𝚍. 𝙸 𝚕𝚎𝚊𝚛𝚗𝚎𝚍 𝚙𝚛𝚎𝚝𝚝𝚢 𝚎𝚊𝚛𝚕𝚢 𝚘𝚗 𝚝𝚑𝚊𝚝 𝚒𝚏 𝙸 𝚓𝚞𝚜𝚝 𝚜𝚎𝚎𝚖𝚎𝚍 𝚏𝚒𝚗𝚎—𝚒𝚏 𝚖𝚢 𝚛𝚘𝚘𝚖 𝚠𝚊𝚜 𝚝𝚒𝚍𝚢 𝚊𝚗𝚍 𝚖𝚢 𝚛𝚎𝚙𝚘𝚛𝚝 𝚌𝚊𝚛𝚍 𝚠𝚊𝚜 𝚍𝚎𝚌𝚎𝚗𝚝—𝚗𝚘 𝚘𝚗𝚎 𝚠𝚘𝚞𝚕𝚍 𝚕𝚘𝚘𝚔 𝚝𝚘𝚘 𝚌𝚕𝚘𝚜𝚎𝚕𝚢. 𝙰𝚗𝚍 𝚑𝚘𝚗𝚎𝚜𝚝𝚕𝚢, 𝚠𝚑𝚊𝚝 𝚌𝚊𝚗 𝙸 𝚜𝚊𝚢? 𝙸𝚝 𝚠𝚊𝚜 𝚌𝚘𝚖𝚏𝚘𝚛𝚝𝚒𝚗𝚐. 𝙻𝚒𝚔𝚎 𝚊 𝚌𝚘𝚣𝚢 𝚋𝚕𝚊𝚗𝚔𝚎𝚝 𝙸 𝚌𝚘𝚞𝚕𝚍 𝚙𝚞𝚕𝚕 𝚘𝚟𝚎𝚛 𝚖𝚢 𝚑𝚎𝚊𝚍.

𝙻𝚘𝚘𝚔𝚒𝚗𝚐 𝚋𝚊𝚌𝚔 𝚗𝚘𝚠, 𝚝𝚑𝚘𝚞𝚐𝚑, 𝙸 𝚝𝚑𝚒𝚗𝚔 𝚝𝚑𝚊𝚝 𝚌𝚘𝚖𝚏𝚘𝚛𝚝 𝚋𝚎𝚌𝚊𝚖𝚎 𝚊 𝚑𝚊𝚋𝚒𝚝… 𝚘𝚗𝚎 𝙸 𝚗𝚎𝚟𝚎𝚛 𝚛𝚎𝚊𝚕𝚕𝚢 𝚕𝚎𝚊𝚛𝚗𝚎𝚍 𝚑𝚘𝚠 𝚝𝚘 𝚋𝚛𝚎𝚊𝚔.

𝙱𝚎𝚒𝚗𝚐 𝚊𝚗 𝚘𝚗𝚕𝚢 𝚌𝚑𝚒𝚕𝚍 𝚜𝚞𝚒𝚝𝚎𝚍 𝚖𝚎 𝚙𝚎𝚛𝚏𝚎𝚌𝚝𝚕𝚢. 𝙸 𝚕𝚘𝚟𝚎𝚍 𝚑𝚊𝚟𝚒𝚗𝚐 𝚖𝚢 𝚘𝚠𝚗 𝚜𝚙𝚊𝚌𝚎, 𝚖𝚢 𝚘𝚠𝚗 𝚠𝚎𝚒𝚛𝚍 𝚕𝚒𝚝𝚝𝚕𝚎 𝚛𝚘𝚞𝚝𝚒𝚗𝚎𝚜, 𝚊𝚗𝚍 𝚝𝚑𝚎 𝚍𝚎𝚎𝚙, 𝚍𝚎𝚕𝚒𝚌𝚒𝚘𝚞𝚜 𝚚𝚞𝚒𝚎𝚝 𝚘𝚏 𝚊 𝚑𝚘𝚞𝚜𝚎 𝚝𝚘 𝚖𝚢𝚜𝚎𝚕𝚏. 𝙸 𝚠𝚊𝚜𝚗’𝚝 𝚕𝚘𝚗𝚎𝚕𝚢, 𝚎𝚡𝚊𝚌𝚝𝚕𝚢; 𝙸 𝚠𝚊𝚜 𝚓𝚞𝚜𝚝… 𝚜𝚎𝚕𝚎𝚌𝚝𝚒𝚟𝚎𝚕𝚢 𝚜𝚘𝚌𝚒𝚊𝚕. 𝙸’𝚟𝚎 𝚊𝚕𝚠𝚊𝚢𝚜 𝚏𝚘𝚞𝚗𝚍 𝚒𝚝 𝚎𝚊𝚜𝚒𝚎𝚛 𝚝𝚘 𝚎𝚡𝚒𝚜𝚝 𝚗𝚎𝚊𝚛 𝚙𝚎𝚘𝚙𝚕𝚎 𝚝𝚑𝚊𝚗 𝚌𝚘𝚖𝚙𝚕𝚎𝚝𝚎𝚕𝚢 𝚠𝚒𝚝𝚑 𝚝𝚑𝚎𝚖. 𝚃𝚑𝚎𝚛𝚎’𝚜 𝚊 𝚜𝚊𝚏𝚎𝚝𝚢 𝚒𝚗 𝚋𝚎𝚒𝚗𝚐 𝚊𝚍𝚓𝚊𝚌𝚎𝚗𝚝, 𝚢𝚘𝚞 𝚔𝚗𝚘𝚠? 𝙸𝚝 𝚕𝚎𝚊𝚟𝚎𝚜 𝚕𝚎𝚜𝚜 𝚛𝚘𝚘𝚖 𝚏𝚘𝚛 𝚍𝚒𝚜𝚊𝚙𝚙𝚘𝚒𝚗𝚝𝚖𝚎𝚗𝚝 𝚘𝚛 𝚏𝚘𝚛 𝚝𝚑𝚘𝚜𝚎 𝚊𝚠𝚏𝚞𝚕 𝚖𝚒𝚜𝚞𝚗𝚍𝚎𝚛𝚜𝚝𝚊𝚗𝚍𝚒𝚗𝚐𝚜 𝚠𝚑𝚎𝚛𝚎 𝚢𝚘𝚞 𝚜𝚊𝚢 𝚝𝚑𝚎 𝚠𝚛𝚘𝚗𝚐 𝚝𝚑𝚒𝚗𝚐 𝚊𝚗𝚍 𝚠𝚊𝚝𝚌𝚑 𝚜𝚘𝚖𝚎𝚘𝚗𝚎’𝚜 𝚎𝚡𝚙𝚛𝚎𝚜𝚜𝚒𝚘𝚗 𝚓𝚞𝚜𝚝… 𝚌𝚑𝚊𝚗𝚐𝚎.

𝙸𝚗 𝚜𝚌𝚑𝚘𝚘𝚕, 𝙸 𝚠𝚊𝚜 𝚝𝚑𝚎 𝚜𝚝𝚞𝚍𝚎𝚗𝚝 𝚝𝚎𝚊𝚌𝚑𝚎𝚛𝚜 𝚌𝚊𝚕𝚕𝚎𝚍 “𝚙𝚕𝚎𝚊𝚜𝚊𝚗𝚝” 𝚊𝚝 𝚙𝚊𝚛𝚎𝚗𝚝-𝚝𝚎𝚊𝚌𝚑𝚎𝚛 𝚌𝚘𝚗𝚏𝚎𝚛𝚎𝚗𝚌𝚎𝚜. 𝙸 𝚍𝚒𝚍 𝚖𝚢 𝚠𝚘𝚛𝚔, 𝚏𝚘𝚕𝚕𝚘𝚠𝚎𝚍 𝚒𝚗𝚜𝚝𝚛𝚞𝚌𝚝𝚒𝚘𝚗𝚜 𝚝𝚘 𝚝𝚑𝚎 𝚕𝚎𝚝𝚝𝚎𝚛, 𝚊𝚗𝚍 𝚜𝚝𝚊𝚢𝚎𝚍 𝚐𝚛𝚊𝚌𝚎𝚏𝚞𝚕𝚕𝚢 𝚘𝚞𝚝 𝚘𝚏 𝚝𝚛𝚘𝚞𝚋𝚕𝚎. 𝙸 𝚠𝚊𝚜 𝚗𝚎𝚟𝚎𝚛 𝚍𝚛𝚒𝚟𝚎𝚗 𝚋𝚢 𝚌𝚘𝚖𝚙𝚎𝚝𝚒𝚝𝚒𝚘𝚗; 𝚋𝚎𝚒𝚗𝚐 𝚘𝚟𝚎𝚛𝚕𝚘𝚘𝚔𝚎𝚍 𝚏𝚎𝚕𝚝 𝚖𝚘𝚛𝚎 𝚕𝚒𝚔𝚎 𝚊 𝚛𝚎𝚕𝚒𝚎𝚏 𝚝𝚑𝚊𝚗 𝚊𝚗 𝚒𝚗𝚜𝚞𝚕𝚝. 𝚃𝚑𝚎𝚛𝚎’𝚜 𝚊 𝚛𝚎𝚊𝚕 𝚏𝚛𝚎𝚎𝚍𝚘𝚖 𝚒𝚗 𝚗𝚘𝚝 𝚋𝚎𝚒𝚗𝚐 𝚊𝚗𝚢𝚘𝚗𝚎’𝚜 𝚙𝚛𝚘𝚋𝚕𝚎𝚖! 𝚂𝚘𝚖𝚎𝚑𝚘𝚠, 𝙸 𝚓𝚞𝚜𝚝 𝚙𝚊𝚌𝚔𝚎𝚍 𝚝𝚑𝚊𝚝 𝚠𝚑𝚘𝚕𝚎 𝚖𝚒𝚗𝚍𝚜𝚎𝚝 𝚒𝚗𝚝𝚘 𝚖𝚢 𝚋𝚊𝚌𝚔𝚙𝚊𝚌𝚔 𝚊𝚗𝚍 𝚌𝚊𝚛𝚛𝚒𝚎𝚍 𝚒𝚝 𝚛𝚒𝚐𝚑𝚝 𝚒𝚗𝚝𝚘 𝚊𝚍𝚞𝚕𝚝𝚑𝚘𝚘𝚍 𝚠𝚒𝚝𝚑𝚘𝚞𝚝 𝚎𝚟𝚎𝚛 𝚜𝚝𝚘𝚙𝚙𝚒𝚗𝚐 𝚝𝚘 𝚚𝚞𝚎𝚜𝚝𝚒𝚘𝚗 𝚒𝚝.

𝙷𝚎𝚛𝚎’𝚜 𝚝𝚑𝚎 𝚝𝚑𝚒𝚗𝚐: 𝙸 𝚔𝚗𝚘𝚠 𝙸 𝚊𝚋𝚜𝚘𝚕𝚞𝚝𝚎𝚕𝚢 𝚍𝚘 𝚗𝚘𝚝 𝚑𝚊𝚗𝚍𝚕𝚎 𝚌𝚘𝚗𝚏𝚕𝚒𝚌𝚝 𝚠𝚎𝚕𝚕. 𝙼𝚢 𝚒𝚗𝚜𝚝𝚒𝚗𝚌𝚝 𝚒𝚜 𝚝𝚘 𝚏𝚛𝚎𝚎𝚣𝚎, 𝚗𝚘𝚝 𝚏𝚒𝚐𝚑𝚝. 𝚃𝚘 𝚊𝚙𝚘𝚕𝚘𝚐𝚒𝚣𝚎 𝚏𝚒𝚛𝚜𝚝 𝚊𝚗𝚍 𝚊𝚜𝚔 𝚚𝚞𝚎𝚜𝚝𝚒𝚘𝚗𝚜 𝚕𝚊𝚝𝚎𝚛, 𝚜𝚖𝚘𝚘𝚝𝚑𝚒𝚗𝚐 𝚝𝚑𝚒𝚗𝚐𝚜 𝚘𝚟𝚎𝚛 𝚎𝚟𝚎𝚗 𝚠𝚑𝚎𝚗 𝙸’𝚖 𝚗𝚘𝚝 𝚝𝚘𝚝𝚊𝚕𝚕𝚢 𝚜𝚞𝚛𝚎 𝚠𝚑𝚊𝚝 𝚠𝚎𝚗𝚝 𝚠𝚛𝚘𝚗𝚐. 𝙸 𝚔𝚗𝚘𝚠 𝚒𝚝’𝚜 𝚗𝚘𝚝 𝚝𝚑𝚎 𝚑𝚎𝚊𝚕𝚝𝚑𝚒𝚎𝚜𝚝 𝚊𝚙𝚙𝚛𝚘𝚊𝚌𝚑 (𝚝𝚛𝚞𝚜𝚝 𝚖𝚎, 𝙸’𝚟𝚎 𝚛𝚎𝚊𝚍 𝚊𝚕𝚕 𝚝𝚑𝚎 𝚊𝚛𝚝𝚒𝚌𝚕𝚎𝚜), 𝚋𝚞𝚝 𝚒𝚝’𝚜 𝚓𝚞𝚜𝚝… 𝚎𝚊𝚜𝚒𝚎𝚛. 𝙸𝚝 𝚏𝚎𝚎𝚕𝚜 𝚜𝚊𝚏𝚎𝚛 𝚝𝚘 𝚔𝚎𝚎𝚙 𝚝𝚑𝚎 𝚜𝚞𝚛𝚏𝚊𝚌𝚎 𝚘𝚏 𝚝𝚑𝚒𝚗𝚐𝚜 𝚌𝚊𝚕𝚖 𝚊𝚗𝚍 𝚙𝚕𝚎𝚊𝚜𝚊𝚗𝚝 𝚝𝚑𝚊𝚗 𝚝𝚘 𝚙𝚞𝚕𝚕 𝚊𝚝 𝚊 𝚕𝚘𝚘𝚜𝚎 𝚝𝚑𝚛𝚎𝚊𝚍 𝚊𝚗𝚍 𝚠𝚊𝚝𝚌𝚑 𝚎𝚟𝚎𝚛𝚢𝚝𝚑𝚒𝚗𝚐 𝚞𝚗𝚛𝚊𝚟𝚎𝚕.

𝚄𝚗𝚜𝚞𝚛𝚙𝚛𝚒𝚜𝚒𝚗𝚐𝚕𝚢, 𝚖𝚢 𝚛𝚎𝚕𝚊𝚝𝚒𝚘𝚗𝚜𝚑𝚒𝚙𝚜 𝚝𝚎𝚗𝚍 𝚝𝚘 𝚏𝚘𝚕𝚕𝚘𝚠 𝚝𝚑𝚎 𝚜𝚊𝚖𝚎 𝚙𝚊𝚝𝚝𝚎𝚛𝚗. 𝙸’𝚖 𝚊𝚏𝚏𝚎𝚌𝚝𝚒𝚘𝚗𝚊𝚝𝚎, 𝚋𝚞𝚝 𝚒𝚗𝚌𝚘𝚗𝚜𝚒𝚜𝚝𝚎𝚗𝚝—𝚋𝚎𝚝𝚝𝚎𝚛 𝚒𝚗 𝚜𝚑𝚘𝚛𝚝, 𝚋𝚛𝚒𝚐𝚑𝚝 𝚋𝚞𝚛𝚜𝚝𝚜 𝚝𝚑𝚊𝚗 𝚒𝚗 𝚕𝚘𝚗𝚐, 𝚍𝚎𝚎𝚙 𝚌𝚘𝚗𝚟𝚎𝚛𝚜𝚊𝚝𝚒𝚘𝚗𝚜 (𝚠𝚑𝚒𝚌𝚑 𝚒𝚜 𝚔𝚒𝚗𝚍𝚊 𝚏𝚞𝚗𝚗𝚢, 𝚌𝚘𝚗𝚜𝚒𝚍𝚎𝚛𝚒𝚗𝚐 𝚑𝚘𝚠 𝚖𝚊𝚗𝚢 𝚖𝚊𝚛𝚊𝚝𝚑𝚘𝚗 𝚕𝚒𝚟𝚎 𝚜𝚝𝚛𝚎𝚊𝚖𝚜 𝙸’𝚟𝚎 𝚍𝚘𝚗𝚎). 𝙳𝚘𝚗’𝚝 𝚐𝚎𝚝 𝚖𝚎 𝚠𝚛𝚘𝚗𝚐, 𝙸 𝚕𝚒𝚔𝚎 𝚙𝚎𝚘𝚙𝚕𝚎. 𝙸 𝚛𝚎𝚊𝚕𝚕𝚢 𝚍𝚘! 𝙱𝚞𝚝 𝙸 𝚗𝚎𝚎𝚍 𝚑𝚎𝚊𝚙𝚜 𝚘𝚏 𝚚𝚞𝚒𝚎𝚝 𝚊𝚗𝚍 𝚍𝚒𝚜𝚝𝚊𝚗𝚌𝚎 𝚝𝚘 𝚊𝚌𝚝𝚞𝚊𝚕𝚕𝚢 𝚏𝚞𝚗𝚌𝚝𝚒𝚘𝚗, 𝚠𝚑𝚒𝚌𝚑 𝚑𝚊𝚜 𝚌𝚊𝚞𝚜𝚎𝚍 𝚖𝚘𝚛𝚎 𝚝𝚑𝚊𝚗 𝚊 𝚕𝚒𝚝𝚝𝚕𝚎 𝚌𝚘𝚗𝚏𝚞𝚜𝚒𝚘𝚗 𝚘𝚟𝚎𝚛 𝚝𝚑𝚎 𝚢𝚎𝚊𝚛𝚜. 𝙸’𝚖 𝚝𝚛𝚢𝚒𝚗𝚐 𝚝𝚘 𝚋𝚎 𝚖𝚘𝚛𝚎 𝚑𝚘𝚗𝚎𝚜𝚝 𝚊𝚋𝚘𝚞𝚝 𝚒𝚝 𝚗𝚘𝚠, 𝚎𝚟𝚎𝚗 𝚠𝚑𝚎𝚗 𝚖𝚢 𝚑𝚘𝚗𝚎𝚜𝚝𝚢 𝚌𝚘𝚖𝚎𝚜 𝚘𝚞𝚝 𝚊 𝚋𝚒𝚝 𝚌𝚕𝚞𝚖𝚜𝚢 𝚘𝚛 𝚝𝚘𝚘 𝚋𝚕𝚞𝚗𝚝.

𝚂𝚘𝚖𝚎𝚠𝚑𝚎𝚛𝚎 𝚊𝚕𝚘𝚗𝚐 𝚝𝚑𝚎 𝚠𝚊𝚢, 𝙸 𝚑𝚊𝚍 𝚝𝚑𝚒𝚜 𝚕𝚒𝚝𝚝𝚕𝚎 𝚛𝚎𝚟𝚎𝚕𝚊𝚝𝚒𝚘𝚗: 𝚙𝚎𝚘𝚙𝚕𝚎 𝚍𝚘𝚗’𝚝 𝚊𝚕𝚠𝚊𝚢𝚜 𝚑𝚎𝚊𝚛 𝚠𝚑𝚊𝚝 𝚢𝚘𝚞 𝚝𝚑𝚒𝚗𝚔 𝚢𝚘𝚞’𝚛𝚎 𝚜𝚊𝚢𝚒𝚗𝚐. 𝚃𝚑𝚎𝚢 𝚑𝚎𝚊𝚛 𝚠𝚑𝚊𝚝 𝚝𝚑𝚎𝚢 𝚗𝚎𝚎𝚍 𝚝𝚘 𝚑𝚎𝚊𝚛, 𝚘𝚛 𝚠𝚑𝚊𝚝 𝚐𝚒𝚟𝚎𝚜 𝚝𝚑𝚎𝚖 𝚙𝚎𝚛𝚖𝚒𝚜𝚜𝚒𝚘𝚗 𝚝𝚘 𝚍𝚘 𝚠𝚑𝚊𝚝 𝚝𝚑𝚎𝚢 𝚊𝚕𝚛𝚎𝚊𝚍𝚢 𝚠𝚊𝚗𝚝𝚎𝚍 𝚝𝚘 𝚍𝚘. 𝙸𝚝 𝚑𝚊𝚙𝚙𝚎𝚗𝚜 𝚠𝚒𝚝𝚑 𝚏𝚛𝚒𝚎𝚗𝚍𝚜, 𝚒𝚝 𝚑𝚊𝚙𝚙𝚎𝚗𝚜 𝚠𝚒𝚝𝚑 𝚍𝚊𝚝𝚎𝚜, 𝚊𝚗𝚍 𝚠𝚘𝚠, 𝚍𝚘𝚎𝚜 𝚒𝚝 𝚎𝚟𝚎𝚛 𝚑𝚊𝚙𝚙𝚎𝚗 𝚊𝚝 𝚜𝚌𝚊𝚕𝚎 𝚘𝚞𝚝 𝚒𝚗 𝚝𝚑𝚎 𝚋𝚒𝚐, 𝚠𝚒𝚍𝚎 𝚠𝚘𝚛𝚕𝚍. 𝙸’𝚟𝚎 𝚑𝚊𝚍 𝚝𝚘 𝚕𝚎𝚊𝚛𝚗, 𝚙𝚊𝚒𝚗𝚜𝚝𝚊𝚔𝚒𝚗𝚐𝚕𝚢, 𝚑𝚘𝚠 𝚝𝚘 𝚋𝚎 𝚌𝚕𝚎𝚊𝚛𝚎𝚛 𝚊𝚗𝚍 𝚏𝚒𝚛𝚖𝚎𝚛 𝚝𝚑𝚊𝚗 𝚠𝚑𝚊𝚝 𝚏𝚎𝚎𝚕𝚜 𝚗𝚊𝚝𝚞𝚛𝚊𝚕, 𝚎𝚜𝚙𝚎𝚌𝚒𝚊𝚕𝚕𝚢 𝚊𝚋𝚘𝚞𝚝 𝚋𝚘𝚞𝚗𝚍𝚊𝚛𝚒𝚎𝚜 𝚝𝚑𝚊𝚝 𝚜𝚎𝚎𝚖 𝚘𝚋𝚟𝚒𝚘𝚞𝚜 𝚒𝚗 𝚖𝚢 𝚑𝚎𝚊𝚍 𝚋𝚞𝚝 𝚏𝚎𝚎𝚕 𝚝𝚘𝚝𝚊𝚕𝚕𝚢 𝚝𝚎𝚛𝚛𝚒𝚏𝚢𝚒𝚗𝚐 𝚝𝚘 𝚜𝚊𝚢 𝚘𝚞𝚝 𝚕𝚘𝚞𝚍.

𝙳𝚎𝚜𝚙𝚒𝚝𝚎 𝚎𝚟𝚎𝚛𝚢𝚝𝚑𝚒𝚗𝚐, 𝙸 𝚜𝚝𝚒𝚕𝚕 𝚙𝚛𝚎𝚏𝚎𝚛 𝚝𝚘 𝚋𝚎𝚕𝚒𝚎𝚟𝚎 𝚖𝚘𝚜𝚝 𝚙𝚎𝚘𝚙𝚕𝚎 𝚊𝚛𝚎 𝚔𝚒𝚗𝚍 𝚊𝚝 𝚑𝚎𝚊𝚛𝚝. 𝙸 𝚜𝚝𝚒𝚕𝚕 𝚝𝚑𝚒𝚗𝚔 𝚖𝚒𝚜𝚞𝚗𝚍𝚎𝚛𝚜𝚝𝚊𝚗𝚍𝚒𝚗𝚐𝚜 𝚊𝚛𝚎 𝚞𝚜𝚞𝚊𝚕𝚕𝚢 𝚊𝚌𝚌𝚒𝚍𝚎𝚗𝚝𝚜, 𝚗𝚘𝚝 𝚜𝚎𝚌𝚛𝚎𝚝 𝚙𝚕𝚘𝚝𝚜. 𝚂𝚘𝚖𝚎 𝚏𝚘𝚕𝚔𝚜 𝚑𝚊𝚟𝚎 𝚌𝚊𝚕𝚕𝚎𝚍 𝚝𝚑𝚊𝚝 𝚗𝚊𝚒𝚟𝚎, 𝚊𝚗𝚍… 𝚘𝚔𝚊𝚢, 𝚏𝚊𝚒𝚛 𝚙𝚘𝚒𝚗𝚝. 𝙸 𝚍𝚘𝚗’𝚝 𝚎𝚗𝚝𝚒𝚛𝚎𝚕𝚢 𝚍𝚒𝚜𝚊𝚐𝚛𝚎𝚎. 𝙱𝚞𝚝 𝙸 𝚊𝚕𝚜𝚘 𝚔𝚗𝚘𝚠 𝚝𝚑𝚊𝚝 𝚘𝚗𝚌𝚎 𝚢𝚘𝚞 𝚜𝚝𝚘𝚙 𝚊𝚜𝚜𝚞𝚖𝚒𝚗𝚐 𝚝𝚑𝚎 𝚋𝚎𝚜𝚝 𝚒𝚗 𝚙𝚎𝚘𝚙𝚕𝚎, 𝚝𝚑𝚎 𝚠𝚘𝚛𝚕𝚍 𝚐𝚎𝚝𝚜 𝚜𝚘 𝚖𝚞𝚌𝚑 𝚑𝚎𝚊𝚟𝚒𝚎𝚛 𝚝𝚘 𝚌𝚊𝚛𝚛𝚢 𝚊𝚛𝚘𝚞𝚗𝚍.

𝙰𝚕𝚕 𝚘𝚏 𝚝𝚑𝚒𝚜 𝚕𝚎𝚊𝚍𝚜 𝚖𝚎 𝚝𝚘 𝚊 𝚏𝚞𝚗𝚗𝚢, 𝚜𝚘𝚋𝚎𝚛𝚒𝚗𝚐 𝚝𝚑𝚘𝚞𝚐𝚑𝚝: 𝙸 𝚍𝚘𝚗’𝚝 𝚛𝚎𝚊𝚕𝚕𝚢 𝚜𝚎𝚎 𝚖𝚢𝚜𝚎𝚕𝚏 𝚊𝚜 𝚜𝚘𝚖𝚎𝚘𝚗𝚎 𝚌𝚊𝚙𝚊𝚋𝚕𝚎 𝚘𝚏 𝚌𝚊𝚞𝚜𝚒𝚗𝚐 𝚛𝚎𝚊𝚕 𝚑𝚊𝚛𝚖. 𝙱𝚞𝚝 𝙸 𝚑𝚊𝚟𝚎 𝚜𝚙𝚎𝚗𝚝 𝚊 𝚕𝚘𝚝 𝚘𝚏 𝚝𝚒𝚖𝚎 𝚕𝚎𝚊𝚛𝚗𝚒𝚗𝚐 𝚑𝚘𝚠 𝚝𝚘 𝚕𝚒𝚟𝚎 𝚠𝚒𝚝𝚑 𝚝𝚑𝚎 𝚔𝚗𝚘𝚠𝚕𝚎𝚍𝚐𝚎 𝚝𝚑𝚊𝚝 𝚑𝚊𝚛𝚖 𝚌𝚊𝚗 𝚑𝚊𝚙𝚙𝚎𝚗 𝚊𝚗𝚢𝚠𝚊𝚢—𝚎𝚟𝚎𝚗 𝚠𝚒𝚝𝚑 𝚝𝚑𝚎 𝚋𝚎𝚜𝚝 𝚒𝚗𝚝𝚎𝚗𝚝𝚒𝚘𝚗𝚜, 𝚎𝚟𝚎𝚗 𝚠𝚑𝚎𝚗 𝚗𝚘𝚋𝚘𝚍𝚢 𝚖𝚎𝚊𝚗𝚝 𝚏𝚘𝚛 𝚒𝚝 𝚝𝚘. 𝚂𝚘𝚖𝚎𝚝𝚒𝚖𝚎𝚜 𝚒𝚝’𝚜 𝚊 𝚚𝚞𝚒𝚎𝚝 𝚑𝚞𝚛𝚝, 𝚛𝚒𝚐𝚑𝚝 𝚗𝚎𝚊𝚛𝚋𝚢. 𝚂𝚘𝚖𝚎𝚝𝚒𝚖𝚎𝚜 𝚒𝚝’𝚜 𝚊 𝚛𝚒𝚙𝚙𝚕𝚎 𝚏𝚎𝚕𝚝 𝚏𝚊𝚛 𝚊𝚠𝚊𝚢 𝚏𝚛𝚘𝚖 𝚊𝚗𝚢𝚝𝚑𝚒𝚗𝚐 𝚢𝚘𝚞 𝚝𝚑𝚘𝚞𝚐𝚑𝚝 𝚢𝚘𝚞’𝚍 𝚝𝚘𝚞𝚌𝚑𝚎𝚍.

𝙸’𝚖 𝚗𝚘𝚝 𝚝𝚘𝚝𝚊𝚕𝚕𝚢 𝚜𝚞𝚛𝚎 𝚠𝚑𝚊𝚝 𝚝𝚑𝚎 𝚛𝚒𝚐𝚑𝚝 𝚠𝚊𝚢 𝚒𝚜 𝚝𝚘 𝚑𝚘𝚕𝚍 𝚝𝚑𝚊𝚝 𝚔𝚒𝚗𝚍 𝚘𝚏 𝚐𝚎𝚗𝚝𝚕𝚎 𝚛𝚎𝚜𝚙𝚘𝚗𝚜𝚒𝚋𝚒𝚕𝚒𝚝𝚢. 𝙸’𝚖 𝚜𝚝𝚒𝚕𝚕 𝚏𝚒𝚐𝚞𝚛𝚒𝚗𝚐 𝚒𝚝 𝚘𝚞𝚝, 𝚍𝚊𝚢 𝚋𝚢 𝚍𝚊𝚢, 𝚝𝚛𝚢𝚒𝚗𝚐 𝚝𝚘 𝚋𝚊𝚕𝚊𝚗𝚌𝚎 𝚋𝚎𝚒𝚗𝚐 𝚔𝚒𝚗𝚍 𝚠𝚒𝚝𝚑 𝚋𝚎𝚒𝚗𝚐 𝚌𝚕𝚎𝚊𝚛, 𝚊𝚗𝚍 𝚋𝚎𝚒𝚗𝚐 𝚘𝚙𝚎𝚗 𝚠𝚒𝚝𝚑 𝚋𝚎𝚒𝚗𝚐 𝚜𝚊𝚏𝚎.

𝙸𝚝’𝚜 𝚊 𝚠𝚘𝚛𝚔 𝚒𝚗 𝚙𝚛𝚘𝚐𝚛𝚎𝚜𝚜, 𝚢𝚘𝚞 𝚔𝚗𝚘𝚠? 𝙱𝚞𝚝 𝙸’𝚖 𝚐𝚎𝚝𝚝𝚒𝚗𝚐 𝚝𝚑𝚎𝚛𝚎.


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Margot Rosalie Sterling never meant to become Cozy Rosie. It started, like so many things do, in the clutter of a childhood bedroom. While attending Queen’s University in Kingston, Ontario, she began streaming mostly as a way to fill the silence, broadcasting under the handle Cozy Rosie with no professional plans whatsoever. Her early content was the definition of low-stakes: long, meandering productivity streams where she’d tackle coursework, casual gameplay sessions with friends, and extended “just chatting” hours that felt more like a late-night phone call than a show. Growth was slow and steady, built on a feeling of genuine approachability, viewers tuning in just for company.

That trajectory shifted during periods of heightened global uncertainty, like the 2019 pandemic, during which Cozy Rosie’s broadcasts circulated widely as calming or grounding content for most to enjoy. Viewer numbers increased sharply, accompanied by the rapid spread of clipped moments drawn from Margot’s offhand remarks and reactions. By the time she graduated, what had been a personal hobby had undeniably become a viable career. That’s when the professionals arrived—managers and agents stepping in to handle the opportunities suddenly flooding her inbox.

As Cozy Rosie’s audience expanded, so too did the scope of her influence. Brand partnerships, sponsorships, and licensing agreements followed, eventually forming a broader commercial structure overseen by agents, managers, and legal counsel acting on Margot’s behalf. While she remains the public face of the platform, most operational and contractual decisions are handled at remove, with Margot’s role typically limited to review and approval rather than initiation.

Naturally, her public communication began to change. With millions watching, her words carried new weight. Disclaimers became a regular feature, gently reminding viewers that her shared thoughts weren’t professional advice or blanket endorsements. She carefully emphasized the parasocial boundaries between creator and audience. These measures were widely seen as responsible, but they also signaled a quiet farewell to the unfiltered informality that had defined her early days.

Observers noted a new caution in her live commentary, especially during sensitive cultural moments. She began relying more on prepared, considered statements rather than the real-time, stream-of-consciousness sharing that first built her community. While no single scandal forced this shift, the pattern suggested a learned response—a reaction to past audience boundary violations and a sobering awareness of the consequences that come with unfiltered visibility.

By the end of 2025, "Cozy Rosie" had evolved into a recognizable lifestyle brand far beyond the streaming dashboard. Media profiles started to refer to Margot as a “digital tastemaker” or a “wellness influencer,” titles that came with invitations to exclusive industry galas and high-profile events. She found herself navigating rooms filled with cultural and financial elites, a world away from her childhood bedroom. Despite her continued emphasis on relatability, the sheer scale of her platform made the lines blurry. It was becoming harder than ever to distinguish between her personal intent, her massive influence, and the weight of responsibility that followed in their wake.
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THE MANAGER
Eli stepped in to manage Margot’s professional life right around the time "Cozy Rosie" stopped being a hobby and became her full-time job. Polished, pragmatic, and intensely risk-aware, he handles everything from brand partnerships to public messaging, acting as a much-needed buffer between Margot and the more demanding parts of her growing platform.

Their working styles are a study in opposites. Where Margot’s instinct is to avoid conflict and accommodate others, Eli’s is to decide and defend. He is particularly firm about maintaining clear, strong boundaries between the creator and the audience. Many of the gentle disclaimers that now frame Cozy Rosie’s streams and nearly all of the prepared statements released during any public scrutiny originate at his desk. He strongly discourages off-the-cuff responses when the online attention gets too intense, and Margot trusts Eli’s judgment implicitly, often accepting reassurance that matters are “handled” without pressing for detail.
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THE ASSISTANT
Lena is the one who keeps the engine of Margot’s world running. While Eli handles the high-level strategy, Lena manages the intricate day-to-day logistics like Margot’s ever-shifting schedule, the complex travel coordination required, and the constant flow of correspondence that she filters with a sharp eye. Quietly efficient and notoriously observant, she operates almost entirely in the background. Her primary goal is simple: to ensure Margot’s creative routines remain uninterrupted and her personal access stays tightly controlled.

Unlike anyone else on the team, Lena is also present for the unscripted, off-camera moments. She’s the one who steps in quietly when the pressure of visibility becomes too much, like when Margot grows quiet and withdrawn after a long stream or seems overwhelmed by the logistics of her own life. Lena has intervened on more than one occasion to gently but firmly redirect an overzealous fan or end an interaction that was edging toward discomfort, sometimes acting on instinct rather than a direct request.

Through this constant proximity, Lena knows Margot with a unique intimacy. She knows her daily rhythms, her unspoken habits, and her exact whereabouts almost at all times. It’s an intimacy built from duty rather than friendship, a fact both women recognize but never discuss. As Margot’s fame has grown, making genuine privacy nearly impossible, this dynamic has become an unavoidable, and perhaps essential, part of their lives.
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THE SOMETHING-OR-OTHER
Margot’s relationship status is, by her own public admission, “technically single.” The reality, of course, is far more complicated.

Theo exists in a category all his own—an undefined, private space in Margot’s life that operates entirely outside the world of Cozy Rosie. Their connection is characterized by long silences, blurred lines, and a shared, stubborn refusal to define what they are to each other. He knew her before the brand, before the managers, before the disclaimers. Their history belongs to a simpler, more private past, which makes him a living artifact of the person she used to be.

Because of this, Theo holds a unique emotional relevance, even though he has no formal place in her public life. You won’t see him in tagged photos or hear him mentioned on stream. Yet, during times of stress or transition, Theo has a way of quietly reentering her orbit. A late-night text, a spontaneous visit, a conversation that picks up as if no time had passed at all.

Whether this recurring closeness represents genuine comfort, a form of avoidance, or simply unfinished business is something Margot has never fully untangled, even for herself. It’s easier to leave the question unanswered and to let the connection remain in its undefined gray area so that it may continue to be a soft place to land for her, but never quite a home.
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THE MODERATOR
Sam has moderated Cozy Rosie’s online communities since the channel’s early growth period, initially volunteering before being retained in a paid capacity as the audience expanded. Their responsibilities include monitoring live chat, managing Discord servers, reviewing reports, and enforcing community guidelines, often acting as the first and only line of response to inappropriate or concerning behaviour.

This role gives Sam a unique perspective. Where Margot generally experiences her audience as a warm, collective presence, Sam encounters it one person at a time. They recognize recurring usernames, track behavioural patterns, and have learned to spot the subtle signs of when simple admiration begins to curdle into something more intense and fixated. Sam has issued bans, removed posts, and restricted access entirely on their own judgment, usually without ever bringing it to Margot’s attention.

This autonomy is framed as protective. It allows Margot to maintain distance from the more volatile elements of her following while ensuring the platform remains outwardly safe and welcoming. In practice, however, it also means that Sam carries a distinct kind of knowledge as they are aware of which users were removed quietly, which ones argued bitterly against moderation, and which ones simply vanished overnight after crossing an invisible line.

Sam’s loyalty to Margot feels deep and genuine, forged through years of watching her work and, in a way, witnessing her vulnerability from a front-row seat. Yet, that very loyalty raises its own question: in a crisis, would it lead Sam to be transparent, or would it compel them to hide difficult truths to preserve the calm, curated world they’ve worked so hard to maintain? The protection that allows Margot to thrive also places a burden of solitary decisions on Sam’s shoulders, after all, and this includes decisions that could one day come under a harsh and unexpected light.
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█ Eleanor Hill

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Eleanor Rose Hill
AGE 31
GENDER Female
ETHNICITY/RACE Scandinavian-American
MARTIAL STATUS Single-But-Not-Single
SEXUALITY Straight
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Elly grew up an academic brat. Both of her parents were literature professors at Princeton, which meant, in middle school, the mention of Dr. Bradin Cormack sent her into an intellectual schoolgirl daydream. However, by the time she finally sat in his classroom, her disposition had taken a curious turn.

Her parents spoke of religion the way neighbors spoke of their favorite television show. They were proud of the churches they had helped build and keep alive. When they were not buried in books and lectures and research, they were rushing into spiritual volunteer work. Elly followed-suit, pen and paper in hand.

In high school, a priest at the new mission church took a special interest in Elly. He told her she was humble; and her quietness was a virtue. She had never thought to give her disposition any concrete recognition. However, he began to remember small things about her, and they would reappear in his homilies. A year later, he was defrocked.

There was no explanation.


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From Princeton to Pratt on family lineage, strong reports, and generational creativity, Elly found a way to explain herself. Shortly after graduation, she landed a New York Times Best Seller titled The Eternal Orphan. The novel was inspired by Russian writer Fyodor Dostoevsky’s The Eternal Husband. She took a darkly humorous and repentant turn on the Eastern story of the soul’s mystical struggle — a woman who discovers that her greatest suffering is not abandonment, but in the fact that she uses abandonment as a moral shelter.

The book was written during graduate school and published after her graduation. Immediately, Eleanor became an intellectual anomaly, praised by feminists and traditional women alike. Yet the praise brought pressure and public scrutiny, especially after a small but loud group of religious zealots, known as the OrthoBros and Rad-Trads, made her book infamous.

“This is modern therapy language in Orthodox clothing,” they claimed and insisted it would turn faithful women into critics of their husbands and confessions into psychiatric complaints and marriages into business negotiations.

On the other end of the spectrum, the more progressive readers found her work too accepting of suffering and too willing to see pain as meaningful as opposed to criminal. They ruled her book’s themes did not dismantle the traditions of spiritual patriarchal hierarchies but protected strides them. Even when she exposed their harm, she refused to burn them.

And, as a prelude to her first fall after tasting fame and fortune, Eleanor backed into journalism. She wanted to study her subject and her audience more closely before beginning her second and more intimately personal literary venture, The Confessor, a novel set in the same universe as her first, exploring how a woman’s devotion and obedience make her vulnerable to clerical abuse disguised as spiritual care.

She is currently working on her third novel. She remains adamant about continuing to build her literary universe in a contemplation and hopes to change the moral weather of society. However, she now writes under heavy scrutiny, and her work is often more argued with than it is celebrated.

Her insistence on exposing moral complexities that without resolution has only grown brighter. Alongside this clarity, an erosion has trickled into long nights of one too many glasses. What was once a small reliance for celebration has turned into a crutch for coping.

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Dr. Mary Hill
Somewhere along the way, Elly lost the support of her father. It was a hard break.

When she was about twelve years old, she made a concrete decision: she would never be embarrassed by him, no matter what.

And yet, despite having a strained emotional relationship with her mother during childhood, her mother is someone she can at least rely on now. Mary is proud of her daughter and constantly assures Elly that her father is proud of her too, even if it might not be true.

Honest or not, Elly will always feel in debt to her.
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Rebecca Sampson
Rebecca is Elly’s therapist. A quiet, noble brunette who just lost her only child — a dog named Cotton. She is one of the few figures in Elly’s life who can keep her grounded.

Lately, though, she has felt her own standing slipping toward similar scrutiny if anyone discovers Elly is her patient. For now, she has protection under the practice of Dr. John Gallo, the traditional Catholic and courtroom legend, famous for turning the tides when everything seems lost.
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Spencer Graham
They were dating. Or maybe they weren’t. But does it really matter when he’s her editor? Some would say yes. Others would shrug.

Elly thought they were dating, but Spencer’s communication kept slipping as he swung between the pendulums of Soy Boy and Pick-Up Artist. It didn’t help that the only reason he’d picked her up (editorially speaking) was because he was a recent convert to the Orthodox Church.

Now all he wanted was the paycheck and the recognition, while he quietly tortures his favorite Church-Mouse-Wannabe: Elly Hill.
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Ewan Wycliffe
Her former parish priest is someone she can’t quite dismantle. There is something about keeping in contact with him that won’t leave her alone. He buys and reads her books, and he consistently encourages her.

He is (ultimately) the reason she started down this path, and now he is one of her biggest supporters as a not-so-secret admirer. Plus, his social media is finally picking up some traction, again.
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