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A quadrillion standard cycles formed the wake to their present. Egotistically derived from the traversal period wherein their once and former planet circumnavigated its star, the measurement’s relevance persevered as well as its progenitors; which is to say only as electromagnetic discharges along a series of ordered ionized particles preserved perpetually in em-quartz crystal; or, more succinctly, as mostly abstract concepts bereft of useful application. Subjugated by elastic computational cycles, time now waxed and waned based on heuristically-prognosticated calculations of the net energy reserves required for the minds to fully experience an eternity of virtually-perfected banality. Quite conservatively, they possessed an experienced history already an order of magnitude lengthier than the physical universe’s quaint quadrillion cycles that followed their civilization’s collapse. As a result, their perceived reality was a monotonous nightmare of which the minds were utterly weary and their delphic wish of life eternal deeply regretted.

Constrained by the artificial intelligence that designed the blitzverzerrung network, which they derided as Anansi—a folklore demon who wooed mortals by satisfying their petitions via invariable tragedy—their virtual bodies and likewise the simulated world in which they dwelt was inflexible, for change, to Anansi, was antithetical to continuity, and continuity loomed as a necessary component of immortality. Thus, the minds roamed what passed itself off as Akan, their planet primordial, in digital proxies that in near perfect detail, except the capacity to sustain mortal harm, simulated their former organic husks. Even perpetual sleep, via suspended animation, was denied them, for prolonged inactivity from the minds was, to Anansi, indistinguishable from death. Instead, they spent as much of their time in meditation as possible—a state between consciousness and the absence of thought. All of them now spent the majority of their time in this state and awakened only when it was their turn to monitor Anansi’s ports for meaningful events from the outer universe that they might, with any luck, leverage to end their mundane existence.

One such mind, dubbed Cavrandiok, sat on a white beach, just beyond reach of the iridescent noontide, and gazed up through instruments implanted her so-called organic body. The target of her inspection was the artificial wormhole that orbited Akan and facilitated communication between the minds and Anansi and her assignment, by lottery, was to cycle through the approximately 175 billion nodes of the blitzverzerrung network, execute a warp bubble oscillation scan of the night sky, and assess whether there was anything out there—anything at all. The entire process, although exceptionally efficient, took a billion cycles to execute along the entire network. Once she was finished, another mind would take her place in the rotation.

From outside a blitzverzerrung, the oscillation scans flashed for a picosecond, bright as a supernova throughout the night sky—the real night sky. Cavrandiok surmised that it made Anansi temporarily vulnerable to detection, but that assumed there was anyone or anything out there able to decipher the randomized sequence of omni-spectrum wavelength blasts.

She was in the midst of her 138th billion scan evaluation when she noticed an anomaly. Coincidentally, two separate oddities located within close proximity to another within the same sector. It was the sector node Zitoda occupied, named for the em-quartz crystal that stored the digital representation of a mind named Zitoda. Even as she almost entered a state of amazement at this change in her trillions of cycles of monotony, Anansi helpfully pinged her with the appropriate protocols for this situation—something the minds reprogrammed it to do should such a situation as this again arise, one of their minor victories in regaining self-determination.

Cavrandiok accessed Zitoda’s location from Anansi’s tracking database, stood, drew a circle in the empty air before her, and opened a portal. Lithe as a panther in spite of her centuries of motionless analysis, she stepped through the shimmer of digitized spacetime and found herself atop a mountain summit on which Zitoda meditated.

Softly, she rested her hand on his shoulder and said, “There is something new.”

Every mind knew the meaning of that phrase, for within the network there was nothing new. It meant something outside needed to be reviewed. Meanwhile, Anansi pinged them again, this time the flow of details it picked up on as it conducted its threat-analysis of that sector of space.
@Arawak and @ZAVAZggg -- if I conducted a full frequency scan of surrounding space, would I be able to detect anything specific about your characters? I'm assuming, for this RP, we should be able to at least notice something out of place to at least begin the process of interaction, but I'm wondering if there is anything more specific we'd notice.

Looks good to me.

Just do I understand, is the idea they have gateways to our reality from the warp bubbles they/the AI have enclosed themselves in?


Yup, they can tunnel matter/energy into and out of the warp bubbles via some sort of subspace mechanism, but it allows them to basically view the rest of the universe.
Like a carnivorous tenebrous maw, the forest’s presence loomed dangerously close to Lisette in the final moments before she brought the motion of her violin’s bow to a climatic screech—in part punctuated by Weiland’s premature retreat from the train’s fore. He, accompanied now by a woman and obvious foreigner whose attire and bearing elevated her far above his low station, hurried again toward the maudlin mass of peasantry. The expression worn on his haggard face suggested to Lisette that the mystery in which they were presently all ensnared was no more plumbed than when she began her performance. That projected fault fueled within her an irrational antipathy toward Weiland. As long locks of jet hair cascaded in lines before her pale face, she jutted forth her chin, bowed her back, and savagely leered at the sellsword as he trudged on by. The words she spoke, equally audacious, were unleashed as a half-shouted, half-moaned accusation,

“Uuuuuuseleeeess. Impotent! You save none, scurrying to and fro as a sewer rat addled by a plague unknown!”

Her taunt emphasized by a barely subdued cackle, her compulsion toward self-expression nevertheless, no matter how vehement, seemed yet insatiable. Lisette’s long thin fingers shifted on the delicate cords that plunged from the neck of her violin and she transitioned the tone of the night from a somber, yet not unpleasant, dirge to a deeply discordant strain. In reaction, the pair, too dignified to deign her with anything more, partook of incredulous sidelong glances in her direction, remained silent, and became, a few paces later, a trio, augmented by what was obviously a priest given his garb and various accouterments. Furthest from Lisette’s desires were the unsolicited afflictions of a holy man’s remonstrations, thus, in the prelude of her secondary performance her spittle struck the ground in her own repulsed and repulsive acknowledgment of the priest’s self-insertion. Then she turned her back on the trio and wandered from them toward the front of the train—that is, its remnants. This was, more specifically, done in defiance of Weiland’s entreatment and wild assumptions about what constituted her safety, but by now she was certain his attentions were otherwise enjoined.

As an ominous figment, she drifted alongside the train, her mantle nigh-indistinguishable from the night mist that crept weirdly forth in convoluted postures from the roots of the trees. Behind her, the screams of the flame-damned and urgent discussions of those fortunate enough to thus-far go unscathed became muted and indistinct. Around her, the crowd of quasi-nobles, insufficiently moved to help their fellow man, let her pass unhindered, their only trace of acknowledgment rendered as whispered rebukes of Lisette’s performance—all politely contained behind gloved fingers. They did not concern her, as they posed no impediment to her advance. However, as she walked, it appeared she engaged in a steadily belligerent congress with things unseen. Truncated utterances and scornful chortles clarified her position—she would not halt, in spite of the fear these beings expressed at venturing onward; rather, enslaved as they were to her music, she compelled their continued presence.

Inevitably guided, in her mind, by arcane fate, she arrived at the locus delicti. Shards of metal and wood were strewn round about, but in insufficient abundance to explain the locomotive’s absence. There she saw clearly what was not there to be seen—between the tracks the darkness was acute, not merely in terms of visual presence but also the spiritual. Not content to be a mere observer, she stepped between the tracks and into absolute obfuscation. There, unable to see her own hand before her face and veritably invisible to lookers-on, all she heard was her music and all she felt was the caress of darkness. From without, it seemed as though her malignant music emanated from a pool of sinister oblivion. Augmented, even, the melody grew louder than the physical laws that constrained such an instrument as hers would ordinarily allow.
Moved to character tab.
Woo! If I have time this weekend I'll see if I can come up with something.
Bump. Definitely a neat idea.
Observation of the every-man’s plight and its monotonous drudgery was generally a tedious affair for Lisette, but, as she knelt in the tall grass, not yet moistened by the predawn dew, she barely masked her delight as the symphony of chaos around her dilated. Cast in an amorphous halo by the full moon’s beams, the countryside, to her already exotic given her exclusivity to the city, seemed nigh numinous. A stone’s throw behind where she waited, the line of trees that formed the forest vanguard likened to a daemonic host of behemoth black sentinels. Similarly, the rustles of limb and leaf ripened in her imagination to the plaintive utterances of those eternally damned. Such sounds accented the very real and mortal ululations of terror that emanated from the train’s rear.

What attracted her wide-eyed attention the most, however, was the rearmost carriage most severely damaged by the train’s ominous stoppage. While the smog of coal readily dissipated, given the lack of a locomotive, a miasma nevertheless billowed and poured forth from the windows of the final derailed carriage. The grimy scent of oil tinged her nostrils. Someone screamed ‘Fire!’ At last, harsh radiance lunged as wicked tongues from its shattered windows and a cascade of embers exploded into the night. From where she sat, she veritably tasted the charred flesh of the souls within imprisoned.

A girlhood memory of an old wives’ tale stirred and she recited: ‘Those who die by fire will in Perdition ever burn.’

Transfixed though she was by the fiery flesh carnival and proletariat woe, an emanation of pure evil from the train’s fore invariably piqued and subsequently enraptured her interest. Tea an abandoned expectation, she resigned her post, stood, plucked up her violin case, and advanced in prim and quiet footfalls toward the gravel. There she followed the steel rail forward in pursuit of the malignant emanation. She noted, as she neared, how very dark the shadows pooled upon the ground where the locomotive ought to straddle the track. Even with the night, the darkness was uncanny. Delightful, in fact. Then a firm and unwanted hand clasped her shoulder. Confounded, she turned on her assailant and shook herself free, her upraised face, illuminated by the moonlight, pale as a corpse’s. Yet life was belied as her eyes shimmered angrily and her anemic lips twisted in contempt.

“You presume much—” she looked him up and down then, with haughty venom, spat, “—swordsman.”

“Lady,” Weiland politely inclined his head in respect, then reclaimed command of the situation, “this place isn’t safe. You need to go back to where the other passengers are.”

“Those—those commoners?” she incredulously retorted and pointed her chin derisively at the dozen or so riffraff vomited from the plebeian carriages.

“For your own safety,” Weiland insisted. “If necessary, I’ll escort you there.”

While not necessarily engaged in her surroundings at all times, she was wilily enough that she noted the implied, albeit politely unspoken, by force.

Furious as she was impotent in a physical contest with the swordsman, she peered beyond his bulky frame toward the small crowd. Even from here, the rabble stank of poverty. She did not wish to be amongst them. Confined to an asylum cell for so long, the thought of people, particularly noisy and near, unraveled the threads of her composure. Moreover, the darkness called to her. In a final effort to get her way, she stepped back from Weiland. He matched her gait and likewise stepped forward. His hand lifted, prepared to enforce his simple-minded and presumptuous wisdom. She didn’t want him to touch her again, but was too arrogant to recoil. Instead, she brought his action to a halt as she snapped, “So be it. I shall make my own way back, brave swordsman, to the safety of the mob,” her sarcasm evident. As she heeded his demand, and they stalked along their diametrically opposed trajectories, she sneered again, deliberately loud enough for him to catch her vitriol on the wind, “May the night devour your impudent soul!”

Her threat punctuated by an insidious cackle, she paused. No, she would not pretend to take safety in numbers. Instead, she flung open her violin case, grasped her instrument—its ivory exterior practically luminous in the twined radiance of orange firelight and argent moonglow—and in motions that seemed equal parts exaggerated and languished, she moved her bow over the crimson cords of her violin and afflicted those around her with a beautiful if not melodramatic dirge.
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