TARANTULA
"Physical appearance is of little value to our eternal fate; worry instead for the beauty or disfigurement of your soul." Character/Concepts Used: Tarantula (John Law) / Richard Agoras / Goliath
Name: Jonathan Jaden Law
Alias: Tarantula / The Tarantula
Age: 46
Personality: Decisive, Sneaky, Mature, Pious, Clever
Alignment: Good
Archetype: Metahuman
POWERS & ABILITIES
Hybrid Humanoid Tarantula Form:- Heroic Physique: Superhuman Strength & Durability.
- Arachnid Physiology: Six-Armed Anatomy; organic Web Silk Production; Venomous Fangs.
- Extraordinary Vitality: Youthful Vigor; Enhanced Stamina; Decelerated Aging.
- Liberated Movement: Super Agility; Enhanced Leaping; and Wall Crawling.
- Sensitive Perception: Heightened Senses: Visiual/Multiple eyes; Kinetic/Vibration Detection.
Skills & Equipment:- Combat: Mixed Martial Arts, Acrobatics, and Stealth.
- Intellect: Investigative logic and professional literary analysis.
- Attire: Rugged cloth wrappings; a barbarian-martial artist aesthetic designed for intimidation.
Weaknesses:- Monstrous Visage: Appears as a hulking nightmare-beast that incites terror in friend and foe alike.
- Vocal Aphasia: Physically incapable of speech; limited to the written word.
APPEARANCE
Once a man of conventional Midwestern stock—blond hair, blue eyes, and a stature that blended into the Midway suburbs—he is now a hulking anomaly of flesh and fur. Standing at a looming seven-foot-two, Tarantula is a powerhouse of arachnid geometry: six powerful arms, a spider’s visage seeing the world through eight obsidian eyes, and with a sandy-brown pelt of arachnian fur that covers his massive frame. He eschews modern tactical gear for the aesthetic of a barbarian brawler, wrapping his limbs and nether regions in rugged cloth.
BIO
Jonathan Law is a name synonymous with the sharp, angular typeface of the paperback thriller. He is celebrated as a prolific chronicler of corrupt precincts and the desperate men who police them. A writer whose niche success afforded comfortable life in the suburbs of Midway City, where from his large gambrel roofed home he lived a quiet life of literary acclaim, supported by his steadfast German housekeeper, Olga. He had been a hard working author, and he was doing well enough two afford two cars and many other luxuries.
He should have listened to Olga and found a a nice girl at church. But despite his devout Christian upbringing and the traditional values of his St. Roch youth, Law spent his bachelorhood adrift in a sea of shallow appetites. Beneath the disciplined veneer of a professional success story lay just another restless human spirit who longed for what he did not have. In Jonathan's case he longed for a wife and a family of his own.
He heeded more readily the call his own savage and dominating lusts, however, rather the loving spiritual partnership and he claimed to be after. For as much as he idolized the dream of a traditional family, filled with love and connection, his actual pursuit of this dream was all too often an outlet for a darker side of his passions. Looking for the ideal wife, but finding only a series of fleeting, carnal encounters, and predatory flings. And that's where it all went wrong, you see.
One gloomy night his desires led him into a neon-lit abyss. Enticed by a gothic Japanese girl whose bratty, teasing demeanor perfectly mirrored his secret appetite for dominance. That evening of flirtation ended in an utter void of blackness and Jonathan found himself not in a conquest, but a cage.
He awoke into the fever-dream of a clinical horror show. Strapped to a cold table, he saw the girl no longer a submissive toy, but now a laughing architect of agony. There were needles, alien-cold chemicals, and fractured memories of a titanic clash against a golden-clad woman. When the facility finally blossomed into a cleansing explosion, he crawled from the wreckage transformed.
When he awoke, he felt like he had the worst hang over on the planet. And he could not speak. He was confused and lost in a downtown area. Wandering through unfamiliar alleyways in the afternoon light. And everyone who saw him, those who weren't drunk or high, ran away in exaggerated fear. But only when he finally caught sight of his own reflection did he finally understand why. He was now a seven foot tall spider monster!
After a while of reflection and flirtation with despair, Jonathan began to realize that he was now especially well equipped to be like some of the best protagonists he'd ever written about. He could now go toe to toe with mobsters and terrorists, intimidate them, sneak into their lairs, the works. Besides, what was there to lose? It's not like he was ever going to have much of a social life now. Or a family. What then did the money from his books mean anymore?
And so he began to be the hero he would have written about. And he also did write still. He corresponded with Olga about his home and finances. And he corresponded with the press, pretending to be normal citizens, regarding the emergence of a strange new hero. He developed a plan to keep Olga taken care of by making her the director of his finances, while traveling form city to city, fighting crime. But after a few months his old housekeeper began to insist that he return home. He warned her that he was now "hideously disfigured", but she replied that "physical appearance is of little value to our eternal fate," and that he "should spend more time worrying about the beauty or disfigurement of your soul." Eventually he did return home, and found the German woman shockingly accepting of his new appearance and willing to aid him in his new purpose.
NOTES
- The Blind Spot: Jonathan does not know his tormentor was Dr. Poison, nor does he realize his "dream" fight with Wonder Woman was a real life battle.
- The Ward: Seeking to incorporate an NPC bond with a young Catalina Flores as a redemptive mission of protection.