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27 days ago
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Watch out.

The gap in the door... it's a separate reality.
The only me is me.
Are you sure the only you is you?


DON'T TOUCH THAT DIAL NOW, WE'RE JUST GETTING STARTED

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<Snipped quote by Martian>

The number one editing trick to catch these sorts of things is to verbally read your post out loud. When reading in your head, your brain autocorrects things without you realizing and you're bound to miss mistakes. Reading out loud allows you to hear each word and syllable so you can notice when something doesn't sound correct, and then can fix it accordingly. I can confidently say that doing that will catch 99% of all errors made during the writing process.


I hate doing this, but jesus christ it works. Such a revolutionary tip.
sonic uses the master emerald to travel back in time to prevent robotnik from rising and stop the war on Mobius by eggman's robotic army. unfortunately his attempt, while appearing successful, actually inspires robotnik's most dangerous and powerful design to date, which he spends years perfecting: Metal Sonic.

When sonic returns to 'his time', Mobius isn't at war with Robotnik; it's been conquered by him through Metal Sonic's power, and Sonic's friends have been enslaved as forcibly-converted robots.

Even worse, in the new timeline, the Master Emerald doesn't exist - Metal Sonic shattered it once Robotnik's rule had been established, as he recognised it was the only legitimate threat to their reign. Knuckles, the last Echidna, is less than pleased about this, and blames Sonic (as a Guardian of the Master Emerald, he is immune to having his memory re-written, because of plot devices).

The Chaos Emeralds themselves have been scattered, some picked up by thieves and bounty-hunters - outlaws, un-roboticised but not against Robotnik's rule, just making the best of a bad situation - others guarded by lieutenants of Robotnik's army. They need to be collected to undo what Sonic's foolish meddling in the timestream has done, but that won't be easy, especially with Robotnik and Metal Sonic hot on his heels...
Wheeeeeeee new Batman means even more villains brought to the table hehehe

@Bounce I wanted to express my admiration for your Jason posts in particular for how well they offset what my Batman posts lack, i.e. the actual day-to-day life of Bruce and Alfred. Where my Batman is 'the vigilante' and indulges in the theatre of the Dark Knight, I adore how well your Jason posts balance Jason's activity as Robin and his reality of being an adopted boy in school with caretakers he remains at-odds with. You accomplish what I cannot and it makes me happy.
It makes me, writing Batman, feel like I'm actively neglecting Jason, my ward, which just serves to fuel the character writing further. Love it.
T H E B A T M A N
T H E B A T M A N

Batwave alert on my gauntlet. Fire in the Narrows. It's a large blaze, threatening to grow out of control. I can already see it, the smoke billowing up over the rooftops. The horizon glows orange from the inferno. By the time the Batwave makes an anonymous call to GCFD, I'm already mid-air, sailing over Gotham's skyline.

Boots make a heavy crunch on debris as Batman hits the ground. Fragments of glass and splintered wood litter the ground from where fire has burst from window frames. Thermal display through the cowl is useless - the entire building lights up in a brilliant orange, one solid block of overwhelming inferno; Batman can feel it already, stood outside while the blaze burns within, an oppressive heat pushing on his skin. The suit’s plating will protect him from burns, but clad in his armour he runs a serious risk of heatstroke. There’s no time to think of that, though - there’s innocent people, a mother and her children, trapped inside, and they will die if he fails.

The Batman cannot fail.

The first and second floor have been consumed by the flames - only the third remains relatively unscathed, but every second the fire climbs higher as it feasts on the building. Batman pulls his grapnel from his belt and fires skyward, aiming for a third-floor window that still retains some structural integrity. The grapnel hook crashes through the glass pane and Batman heads a shriek from within - the mother. He reels the hook back and braces himself for when it latches, but the latch never comes; the fire has weakened the wood and the hook tears straight through, whipping back down the building into the launcher. A woman’s head looks through the shattered window pane and scans the street below; Batman can see the desperation in her face, hair matted to her forehead with sweat from both panic and the heat of the fire.

Batman swivels on the spot and launches his grapnel again, this time at the rooftop opposite the window. The grapnel finds purchase quickly, piercing into the brickwork, and the line pulls taut as the launcher rappels Batman upwards; he hits the wall with his legs curled and tight, muscles ready to spring - and spring they do, pushing him off the wall as he twists mid-air and opens his cape, unfurling gnarled black wings that carry him to the window before he pulls them in just as rapid and paths like a missile through what’s left of the glass.

There’s another shriek as Batman lands in the room and stands up, cloak draping around him and making something inhuman of the man beneath the armour. Low sobs ebb behind the roaring of the fire - the children in their mother’s arms, eyes streaking from the smoke and the fear - but then the cloak parts, and Batman kneels, extending a single hand and a kind eye, and suddenly a creature no more but a stalwart, noble man. A rescuer. A guardian.

The mother grabs her children’s hands fiercely as they reach out toward Batman, the younger brother no older than 8 at the most. They’ve both heard of him, stories on the playground, punching bad guys and flying across the city and driving around in his cool car; but the mother’s heard of him too, and her stories are far more violent than Saturday morning cartoons. Living in the Narrows, she has witnessed first hand what the man in front of them is capable of.

There’s little time to think of stories and rumours though, with the fire racing up towards their oh-so-temporary sanctuary, and Batman strides across the room and kicks open the door that had become too hot to touch with a single powerful blow. Looking down the hallway he sees the fire already advancing up the stairs, and knows that getting lower is not an option. So that only leaves one alternative. Batman turns back toward the mother, shrinking in her fear of this dark, violent crusader - but he crouches again, puts a hand on her shoulder, meets her gaze calmly with an open face, and says:
“What’s your name?”
Shakily, she replies: “M-Maria.”
Batman nods. “Maria, I need you to come with me.”
And she does.

They reach the roof quickly, and Maria takes big gulping breaths, drinking the cool night air. Her children are coughing and spluttering and still weeping, but every so often Batman looks at them and smiles or nods, and they smile or nod back, weakly, and quieten a little, partially soothed. Batman scans the rooftop, looking for an exit - and it presents itself quickly. On the south side of the building, across a small alleyway no more than a few feet wide, is a roach motel, and on the back wall of the motel is a fire escape. The metal landings and ladders stretch all the way to the ground, now some 4 storeys below. He points toward it.
“There. Jump the gap. Climb down. You’ll be safe.”
Maria can barely approach the edge.
“I’m afraid of heights.” She says, and Batman nods, putting that calming hand on her shoulder again.
“That’s okay. I’m afraid of bats.”
Maria nearly laughs, but a great cracking and groaning begins to emanate from below them, some eldritch yawning from deep within the building.
“The building’s coming down!” Batman shouts, his voice full of urgent authority. “We need to jump, now! Go! I’ll take the boys!”

Batman scoops up both children, one in each arm, and they cling to his armour tightly as he nods at Maria again before sprinting towards the edge of the rooftop. The boys bury their heads in his cape, screaming as the street opens up beneath them; but then they land, and the fire escape holds, and quickly Batman is ushering them down the ladders, instilling in the elder a sense of duty to lead them both to the ground.

Maria is still on the rooftop.
“I can’t do it!” She yells across the gap, and she is ready to crumple under the weight of her own terror. Her children are safe, and every maternal instinct is screaming that this is fine, this is enough, the important duty is done.
“I’ll catch you!” Batman yells back. Maria has maybe a few seconds to will herself into standing and making the leap before the building implodes in on itself. Slowly, shakily, she pulls herself to her feet, edging closer to the edge. Batman hangs from the metal, one arm extended out to catch her. Below them on the street, the two boys stood huddled together, watching their mother try and summon the bravery to leap. Eyes squeezed shut, Maria ran to the edge of the building and jumped...

...as the building completely collapsed, and the rooftop fell away beneath her. Eyes wide and aghast, a scream bellows from the depths of her throat as she begins to drop.

Batman launches himself from the fire escape immediately, body straight and tight, flying through the air toward Maria like a bullet; he catches up fast, scooping her up into his arms. The ground is coming up quick, quicker than he can do anything about; mid-air, he twists himself, putting himself between Maria and the concrete of the alleyway.

They land, hard, and Batman feels at least one rib crack under the weight of his armour and Maria on top of him, and as she rolls off, saved from the impact, his shoulder screams. But as he scrapes himself off the street, Maria, unharmed, embraces her two children, the family stained a faded grey from the smoke but otherwise...safe. Rescued. Alive.

Batman stands, clutching his ribcage with his free hand while his other arm dangles, shoulder dislocated. As the family embraces, quiet relieved sobs bubbling out from them, he silently walks away. By the time Maria looks back to thank him, he's already gone - but she has a new story to tell about the Batman, and the things he's capable of.

-

Garfield Lynns watched everything from the corner of the block, hidden in plain sight among the crowd that had gathered when the first signs of the blaze began making themselves known to the neighbourhood. He'd attempted to subtly sow seeds on the why of the fire, but it was mostly posturing; it was inconceivable that Black Mask didn't already have something planned to claim ownership of the arson attack, and it was unlikely that Lynns' failure to secure the deaths of the family would go unpunished. He wondered if it would be wise to run, to flee the city.

Hmmm. No. He wouldn't make it past city limits, and Black Mask hated cowards even more than failure.

Whispers of Batman began spreading through the people, admiration for his heroism, which only caused the singed Lynns to pale more. Positive propoganda for the Bat was definitely not what Sionis had hoped to achieve here tonight. As paramedics and firefighters finally arrived, Lynns slunk away from the crowd and hurried himself back to his room in a nearby hostel. As he went, he glanced upwards, and what he saw struck a new fear that had been ignited in him as swiftly as the fire he'd set: a spotlight, splashed across the sky, calling for the Bat.

Lynns knew judgement was on its way, inevitably metered out by Batman's or Black Mask's hand. Lynns wasn't sure which he dreaded more.
@Roman Pretty cool time line.

I'm a little sadge about that so I hope someone picks up Barbara Gordon if she's going to be in the RP as Batgirl. I guess I could just do it myself?

I'm also not sure what you mean by your suggestion- that her assassin name is already Black Bat? Or that's just what people call her at first when she pulls a Gordon and starts running around as an unaffiliated bat vigilante?


Feel free to include Barbara in your posts! Just give me a heads up what you want to do with her first.

Yeah what Retired said basically, that as an assassin sent to Gotham her handle is already ‘Black Bat’, but after her first kill and her realisation, her arc becomes leaving ‘Black Bat’, the killer, behind, and transforming into ‘Batgirl’, the hero - naturally taking cues from the existing Bat-heroes in Gotham.

Just an idea, don’t feel like you have to implement it!
@Roman

Oh yeah? Who's the Batgirl who got her own solo comic run first? That's right, Cassandra! Maybe YOU'RE a part of MY legacy pool, huh???

Ok but seriously XD sure thing. I guess I'm just waiting for the OK before I start shooting PM's at people from broadside. IC I was thinking they could both be Batgirl. I mean if Cassandra puts a bat symbol on and is a girl, and makes no effort to brand herself in any way other than that, I doubt the ppl of Gotham are going to call her "Black Bat" or "Orphan" but maybe we could figure that out. (I just don't like her other two titles. Her most famous name is just her actual name, anyway, lmao.)

I'm doing things different this time and now she's not even a hero yet, let alone having the mantle of Batgirl. so I'm down to just go with the flow


In fairness, unless someone picks her up as a player character, Barbara won't feature beyond one or two posts in the near-future, so while she's present, she won't be very active IC, so it will likely be OK - however, for what it's worth, I really like Cass' 'Black Bat' handle. Maybe that could be her title coming in as the assassin, and she works to rid herself of it and its connotations as part of her transformation into the new Batgirl?

Additionally, here's my proposed timeline I talked about earlier, for reference. GMs, Bat-fam players, let me know your thoughts!
All right, well. Bleh. Here. A character in the middle of an origin story because I like origin stories.



Hi!

Love your sheet, love your Cassandra from the last time you played, looking forward to having you onboard.

HOWEVER, currently I'm planning for Barbara Gordon to be a currently-active Batgirl in Gotham as an independent vigilante to Batman and Robin (Jason Todd).
While I know in your sheet you don't plan to have Cass starting the IC as Batgirl, I just wanted to highlight where my current thoughts for the Batfamily are, so we may have to work together to figure out who holds what title.

I'm working on a timeline this evening to add to my sheet to clarify who's active and under what capacities to try and straighten this all out, as I know I'm playing the character with probably the biggest known legacy-pool in canon.
Also i thought about gotham for real, but how could you be impressed by batman if you also had green lantern? Felt it would be uncool of me




Yeah...Green Lantern is waaaaaay cooler than Batman...
<Snipped quote by Alternax>

I'll tag @Roman but I don't think we have a Bat Signal in this continuity yet. The general sense in Gotham seems to be that Batman's a problem, not a solution.


I've honestly been tossing this back and forth the last couple days because I thought about using the signal in my next post. The attitude in Gotham is still very divisive on Batman, and while many people believe and trust he's an effective (if violent and un-governable) force for good, many more believe he's one guy spending what is obviously a lot of money on a personal crusade that has ended up inviting - or being first-hand responsible for - even worse criminal elements into the city. Plus, there are those in public offices who are paid not to like him because the people lining pockets are the people he's waged war against.

I think I will likely end up having a signal, but it won't be approved by the city officials and it certainly won't be on the GCPD Headquarters. It'll probably end up being set up in some private and/or abandoned city lot, much like Reeves' signal in The Batman.

Yoooo @Roman, how do you feel about a giant lantern lighthouse signal being mounted on top of gcpd?


As a result, based on the above, I don't think the GCPD are going to want intergalactic space-cops stepping on their turf when they're already struggling to deal with/control Batman's street-level vigilantism. Apologies!
T H E B A T M A N
T H E B A T M A N


Screams echoed around Garfield Lynns, bouncing off the walls of the corridor as he made his way to the doors at the end of the hall. He was underground, beneath the renovated old Sionis place. At one time a grand high-rise town-house, it had burned down a few years ago when Lynns was a fire-bug teen in the Gotham Narrows; in the last year, Roman Sionis, the surviving heir miraculously unscathed by the fire, had resurfaced after time spent recovering from his tragedy, and had had his old family home rebuilt and renovated. On the surface, it was near-identical to its pre-blaze glory, but there were a select few - a handful, no more than 7 or 8 men - who knew of a hidden bunker beneath the residence, secreted away from the public eye. Roman Sionis lived in the house above. It was Black Mask who inhabited the bunker.
"Watch yerself, kid. Boss got his tools out. Real edgy tonight."
Garfield nodded nervously at the advice of the hired muscle on the door, and then pushed through the doors to Black Mask's personal play room.

The smell hit him first; copper and rust, but behind that the distinct ammonia of piss, and behind that the salt and stink of sweat. The source of this olfactory miasma was plainly apparent; some poor wretch, strapped to an upright gurney in the middle of the room, skin slick with blood from cuts and gouges across his figure. Bloodied and gored tools lay strewn across the floor in the immediate vicinity, and a selection of smaller implements on a mobile cabinet. Black Mask hovered over him, his own arms stained crimson, and with a chill that ran through his bones Lynns could see he was gripping onto a pair of pliers that were stuffed in his victim's mouth.

Without warning, Black Mask yanked, and there was a wet 'pop' as a molar came forcibly loose. The victim gave a guttural grunt of agony and breathed heavy, exhausted from pain. Black Mask dropped the tooth into his open palm, holding it up for inspection. Satisfied with some invisible criteria, he set the pliers down and moved his other hand up to his palm, and then, carefully and deliberately, flicked the tooth. It struck the bound man square on the forehead, leaving behind a little imprint of saliva and blood. The man's body shuddered as he broke down sobbing, tears streaking through the bloodstained skin of his face. Above the weeping, Lynns could hear Black Mask chuckling to himself, darkly amused.

This was the worst part of Black Mask's torture sessions; not the carefully planned tour of agony from top to tail, nor the creative methods of sadism employed. It was the pettiness of it.

Lynns waited patiently, quietly, wincing slightly at the sight of the victim's condition, wincing more that he knew this was still early in the night for what Black Mask usually had planned. Sionis turned his head slightly, just enough to catch Lynns in his peripheral, and slapped a torn piece of duct tape over his victim's mouth as he gave him a fond pat on the shoulder and turned away to address his new guest, gesturing back to the door. Lynns nodded politely and stepped outside, holding the door for Black Mask to follow behind.
"I got a job for ya, kid. Needs doing tonight." Black Mask said. His eyes, dark and steely, bore holes in Lynns from behind the skull-plate mask. Lynns had heard a rumour Sionis had hewn it from the ebony stone of his father's sarcophagus. Others said it had been whittled from blackened, charred chunks of wood from the ashes of the fire that had left Sionis an orphan. Whatever stories were attached to that mask only distracted from the evil that lurked behind it. Maybe that's what Sionis wanted.

"Shitstain back there I'm workin' on thought protection money was optional. Fuck got his lofty ideals in the empty skulls of his neighbours, and now they think since Falcone and Maroni got themselves strung up by the Bat like the pair of washed-up old men they are, they don't gotta listen to authority no more."
Lynns nodded along, trying his best to appear deferential. Despite the harsh fluorescent lighting of the bunker corridor, Sionis' pupils were a yawning abyss, dilated beyond reason. They flicked about wildly beneath the mask, and there was a shake to his voice that betrayed his otherwise even tone. Lynns knew it was what he was doing in that room to that man that had Sionis...Lynns had no other word for it. Black Mask was high.
"Burn his place to the ground. Then they'll see what they're paying for." Sionis said, producing a small piece of folded paper from his shirt pocket. Lynns opened it up and read the address, committing it to memory; having done so, he pulled a lighter from his pocket and dangled the paper over the flame until the ashes drifted to the floor. Sionis had already turned, but stopped to turn back to Lynns as he held the door open. Lynns could see the 'shitstain' barely clinging to consciousness in the room.

"Oh, I should mention - when we picked this guy up, wifey and the kids were still home, above the shop." He said loudly, loud enough that the victim roused and thrashed when his family were mentioned.
Lynns nodded. "You want me to arrange them to clear out before I torch?"
Lynns wasn't sure how he could tell, but beneath the mask Sionis smiled a sickening, wide-toothed grin.
"I want you to seal the doors." He answered. His victim screamed, wild-eyed and muffled through the tape; as Garfield Lynns walked away, he could hear the screams through the closed door, and hear them twist in suffering as Black Mask went back to work.

-

The shop stood on the edge of the Narrows, a garage used for quick swap auto-parts and the occasional chop job, where no-names could bring joy-rides to have plates sheered off and parts stripped, a quick buck paid out to the hooligan for a profit to be made on the flip. Above the workshop was a dead-end flat, the kind that had a feature-piece microwave instead of an oven, and needed a camping stove to replace the hob that had never been installed. But it came with the property, and meant you didn't have to double up on your city zone tax.

You did still have to pay your street dues, though, thought Garfield Lynns as he approached. Gloved, masked, his heavy jacket zipped up and goggles in place, he cut an intimidating figure as he crossed the dark street, barely-lit by dingy, burnt-out street lights that splashed a grimy yellow across the brickwork; but in truth, he was a bundle of nerves, jittery and anxious. The job from Black Mask was a big step-up for him, and it paid, it paid, money Garfield thought he'd never see in his life. But though he'd torched before - extensively, prolifically, his fires well known, and this was why Sionis had sought him out - he'd never killed. His fires had been on abandoned property, out-of-hours units, defunct warehouses; all carefully selected to produce the grandest blazes will the smallest collateral damage. That was how he stayed 'low-priority' on the lists you didn't want to be at the top of. Tonight would change everything for Garfield Lynns. There was no backing out now, no backing out since the moment Black Mask had asked his men to ask around about where to find Lynns. Just get the job done and get out and try not to think about the woman and children asleep upstairs. Just hope they died of smoke inhalation before the flames reached their beds.

The jerry-can of gasoline in one hand sloshed as he set it down, looking for the doors. There were three ways out of the property from the ground floor - a front and back door, and the garage shutters themselves. The doors were simple; the key had been 'acquired' from its owner and passed to Lynns before he'd set out, and it slid smoothly into the locks and clicked them shut without trouble; after the fire had been set, it would be too thick with smoke to see where the spare key was, and the flames would prevent passage to the doors anyway. The garage door was trickier, but far from an impasse. It was already locked, bolted to the ground; Garfield however poked around the building, finding and cracking open the fusebox before severing all the wiring. With power to the building cut, the few standby lights in the garage flickered off, and the electric motor that lifted the shutters up was useless.

The only way off the property now was from the roof, which Garfield tossed around in his head while he set to work with the jerry-can and hobbyist's assortment of accelerants. Knowing what he knew about fires and burns, and thinking of the patches of mottled skin that speckled his arms and legs, he eventually decided on roof.

He stepped back, mentally reviewing everything he'd prepared, and then nodded. The fire had him now, thoughts of the family above were ejected in favour of anticipation of the blaze; he always got this way as he prepared, every new splash of gasoline or carefully stuffed roll of newspaper letting him map out the path of the flames before he set them, an inferno amuse-bouche. It worked up inside him and made his hands shake. He was excited, on a level he'd not been by previous fires. He didn't think about it, but he knew why. And then it was time.

Lynns used a match to flick on his blowtorch, an old-school kerosene tool, something he'd picked up for cheap in a military surplus store; the match sizzled against his tongue as he put the light out, and then, listening to the low roaring hiss of the torch, hefted the molotov he'd prepared in his other hand. He knelt to set light to the various trails he'd made around the garage, each one a dragon's tail leading back into the building, pilot lights feeding the beast within - and then, with practiced aim and a strong arm, lobbed the molotov square through the second-story window. Flames belched out the window as the grenade exploded within and began the fire on the top floor.

The screams started not long after.
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