Crimson Raven
Member
*Rolls a Nat 1*
STATUS: 'tis better to have loved and lost than never to have loved at all. 6 yrs ago
- Last Seen: 6 yrs ago
- Joined: 11 yrs ago
- Posts: 5009 (1.23 / day)
- VMs: 2
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Username history
- Crimson Raven 11 yrs ago
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Latest 10 profile visitors:
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LiverisGood,
The Raven Calls,
Fish of Oblivion
Status
Recent Statuses
6 yrs ago
Current
'tis better to have loved and lost than never to have loved at all.
6 yrs ago
I say the words that I wish someone would tell me in vain hope that they might be returned to me.
2
likes
6 yrs ago
Existence continues.
6 yrs ago
So much I want to do, so little time...
1
like
6 yrs ago
“I’ve met some pricks in my time. But you, sir...” He said to the offending cactus.
7
likes
Bio
“NO ADMITTANCE.
NOT EVEN TO AUTHORISED PERSONNEL.
YOU ARE WASTING YOUR TIME HERE.
GO AWAY.”
― Douglas Adams, Mostly Harmless
NOT EVEN TO AUTHORISED PERSONNEL.
YOU ARE WASTING YOUR TIME HERE.
GO AWAY.”
― Douglas Adams, Mostly Harmless
NOTICE
Thank you for Noticing This Notice.
Your Noting it has been Noted.
And it has been Reported to the proper Authority.
Hello lurker/ My old friend/ I've come to talk to you again/ Because a shadow softly creeping/ Lurking in the chat while I was sleeping/ And the roleplay that was forming in my brain/ Still remains with the sound of lurking.
In dead roleplays I walked alone/ Narrow pathways of casual zone...
Need mor ༼ つ ◕_◕ ༽つ
(Made in collaboration with @hatakekuro)
It is known that there are an infinite number of worlds, simply because there is an infinite amount of space for them to be in. However, not every one of them is inhabited. Therefore, there must be a finite number of inhabited worlds. Any finite number divided by infinity is as near to nothing as makes no odds, so the average population of all the planets in the Universe can be said to be zero. From this it follows that the population of the whole Universe is also zero, and that any people you may meet from time to time are merely the products of a deranged imagination.
--Douglass Adams
All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages.
At first, the infant,
Mewling and puking in the nurse’s arms.
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school.
And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress’ eyebrow.
Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon’s mouth.
And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part.
The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound.
Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages.
At first, the infant,
Mewling and puking in the nurse’s arms.
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school.
And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress’ eyebrow.
Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon’s mouth.
And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part.
The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound.
Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.
~~As You Like It, Shakespear
"Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing."
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing."
~~ Macbeth, Shakespear
“All stories told have been told before. We tell them to ourselves, as did all men who ever were. And all men who ever will be. The only things new are the names.”
“The purpose of a storyteller is not to tell you how to think, but to give you questions to think upon.”
“What do you know?”
“Almost everything. That almost part can be a real kick in the teeth sometimes.”
“What do you want, then?”
“What I can’t have.” Wit turned to him, eyes solemn. “Same as everyone else, Kaladin Stormblessed.”
"Two blind men waited at the end of an era, contemplating beauty. They sat atop the world’s highest cliff, overlooking the land and seeing nothing.
'Can beauty be taken from a man?' the first asked the second.
'It was taken from me,' the second replied. 'For I cannot remember it.' This man was blinded in a childhood accident. 'I pray to the God Beyond each night to restore my sight, so that I can find beauty again.'
'Is beauty something one must see then?' the first asked.
'Of course. That is it’s nature. How can you appreciate a work of art without seeing it?'
'I can hear a work of music,' the first said.
'Very well, you can hear some kinds of beauty - but you cannot know full beauty without sight. You can know only a small portion of beauty.'
'A sculpture,' the first said. 'Can I not feel its curves and slopes, the touch of the chisel that transformed common rock into uncommon wonder?'
'I suppose,' said the second, 'that you can know the beauty of a sculpture.'
'And what of the beauty of food? Is it not a work of art when a chef crafts a masterpiece to delight the tastes?'
'I suppose,' said the second, 'that you can know the beauty of a chef’s art.'
'And what of the beauty of a woman,' the first said. 'Can I not know her beauty in the softness of her caress, the kindness of her voice, the keenness of her mind as she reads philosophy to me? Can I not know this beauty? Can I not know most kinds of beauty, even without seeing it?'
'Very well,' said the second. 'But what if your ears were removed, your hearing taken away? Your tongue taken out, your mouth forced shut, your sense of smell destroyed? What if your skin were burned so that you could no longer feel? What if all that remained to you was pain? You could not know beauty then. It can be taken from a man.'"
The messenger stopped, cocking his head to Shallan.
"What?" she asked.
"What think you? Can beauty be taken from a man? If he could not touch, taste, smell, hear, see, what if all he knew was pain? Has that man had beauty taken away from him?"
"I…" What did this have to do with anything? "Does the pain change day by day?"
"Let us say it does," the messenger said.
"Then beauty, to that person, would be the times when the pain lessens. Why are you telling me this story?"
The messenger smiled. "To be human is to seek beauty, Shallan. Do not despair, do not end the hunt because thorns grow in your way. Tell me, what is the most beautiful thing you can imagine?"
...
“In this,” Wit said, “as in all things, our actions give us away. If an artist creates a work of powerful beauty – using new and innovative techniques – she will be lauded as a master, and will launch a new movement in aesthetics. Yet what if another, working independently with that exact level of skill, were to make the same accomplishments the very next month? Would she find similar acclaim? No. She’d be called derivative.
“So it’s not beauty itself we admire. It’s not the force of intellect. It’s not the invention, aesthetics, or capacity itself. The greatest talent we think a man can have?” He plucked a final string. “Seems to me that it must be nothing more than novelty.”
"A blind man awaited the era of endings," Wit said, "contemplating the beauty of nature."
Silence
"That man is me," Wit noted. "I'm not physically blind, just spiritually. And that other statement was actually very clever, if you think about it."
"What is it to be witty, then?”
“To say clever things.”
“And what is cleverness?”
“I…” Why was he having this conversation? “I guess it’s the ability to say and do the right things at the right time.”
The King’s Wit cocked his head, then smiled.
“Expectation. That is the true soul of art. If you can give a man more than he expects, then he will laud you his entire life. If you can create an air of anticipation and feed it properly, you will succeed.
“Conversely, if you gain a reputation for being too good, too skilled . . . beware. The better art will be in their heads, and if you give them an ounce less than they imagined, suddenly you have failed. Suddenly you are useless. A man will find a single coin in the mud and talk about it for days, but when his inheritance comes and is accounted one percent less than he expected, then he will declare himself cheated.”
Wit shook his head, standing up and dusting off his coat. “Give me an audience who have come to be entertained, but who expect nothing special. To them, I will be a god. That is the best truth I know.”
~~ Stromlight Archive, Brandon Sanderson
"You see, whether you can draw like this or not, being able to think up this kind of design, it depends on whether or not you can say to yourself, ‘Oh, yeah, girls like this exist in real life. If you don’t spend time watching real people, you can’t do this, because you’ve never seen it. Some people spend their lives interested only in themselves. Almost all Japanese animation is produced with hardly any basis taken from observing real people, you know. It’s produced by humans who can’t stand looking at other humans. And that’s why the industry is full of otaku!"
-Hayao Miyazaki
"In culture an analogous situation leads to the emergence of enclaves shut up in ghettos, where intellectual production likewise stagnates because of inbreeding in the form of incessant repetition of the selfsame creative patterns and techniques. The internal dynamics of the ghetto may appear to be intense, but with the passage of years it becomes evident that this is only a semblance of motion, since it leads nowhere, since it neither feeds into nor is fed by the open domain of culture, since it does not generate new patterns or trends, and since finally it nurses the falsest of notions about itself, for lack of any honest evaluation of its activities from outside."
~Stanislaw Lem, author of Solaris
Some heartfelt music while you lurk
Or U liSTEN TO tem MOOSIC!
I just don't want you to have a Bad Time...
What do I live for?
"I think I've seen this movie before." -@Guess Who
I LOVE TVTROPES!
Most Recent Posts
*Am deeply mired in collab hell*
V.V
V.V
In
My Gif and image drop (Please do not post on. PM if you wish to add something.)
→
9 yrs ago
Forum: Test Forum
*runs in screaming*
"I'M A GENIUS! I'M A GENIUS!
I'M THE MOST MAGNIFICENTLY MAD MAD GENIUS
AHAHAHAHAHAHAHA!!!
HAHAHAHAHAHAUAUAH!!!!
AUAUAHAHAHAHAHAHAHAHAHA!!!!!!!!!"
*runs out*
"I'M A GENIUS! I'M A GENIUS!
I'M THE MOST MAGNIFICENTLY MAD MAD GENIUS
AHAHAHAHAHAHAHA!!!
HAHAHAHAHAHAUAUAH!!!!
AUAUAHAHAHAHAHAHAHAHAHA!!!!!!!!!"
*runs out*
Hm... Maybe I'll make a Chaser...
But my current idea won't work for one. :(
But my current idea won't work for one. :(
I feel like we have too many antagonists though...
@Leslie Hall It'll be up by tonight. I apologize for the hold up, I just haven't had time to sit down and finish it (on my phone right now).
Your avatar doesn't exactly inspire confidence...
Guild Membership Card
| Nａｍｅ: |
--Forgotten--
| Alias|Nickames|Titles: |
Kage
| G e n d er: |
Female
| R a n k: |
A
| Ａｇｅ: |
N/A, 19, judging by height and stature
| Guild : |
???
| Personality : |
Kage is a strange person to be sure. Dispite her rather solum and mysterious appearance, she displays a sense of humor that is so throughly dry, that most miss it. She is constantly fascinated with seemingly mundane things and seems to not grasp socal norms. Her isolation has made her a bit odd in the head, it's extremely hard to tell what she is thinking or what she will do next. Kage also excludes a quicky personality, conveyed through body language and gestures. She has a chort temper with people who fail to understand what she is trying to convey. She is very passive, preferring to simply watch then interfere. She shows a frightening ferocious and lack of anything resembling mercy or honor when fighting; She fights savagely and without restraint.
| History: |
To tell her history, would be to tell the history of the her country, and the terrible fate that befell it...
But this is not their story.
For centuries after the Shading, The People drifted as wraiths, fading, forgetting, slowly loosing any semblance of sentience, becoming mindless, flighting shadows. All except one. Kage was one of the rare People born with a unique magic, Shadow magic. The curse reacted strangely with her magic. She, like the rest faded, but she kept her magic and her sentience, if not her sanity. For the centuries that followed, she merely existed. The first hundred years or so, it was not too bad, it took time for some people to fade completely, and she had company. But all too soon she was completely alone. The isolation, boredom, and the curse drove her mad. It took some time, but she eventually regained some sanity. She watched from the shadows as new people arrived, new cities were build and the floating islands were formed. She observed the powerful and unique magic that these people wielded, and eventually she formed a plan. Or a half-baked plan. She would join these 'Wizards' and see if they could lift the curse.
But this is not their story.
For centuries after the Shading, The People drifted as wraiths, fading, forgetting, slowly loosing any semblance of sentience, becoming mindless, flighting shadows. All except one. Kage was one of the rare People born with a unique magic, Shadow magic. The curse reacted strangely with her magic. She, like the rest faded, but she kept her magic and her sentience, if not her sanity. For the centuries that followed, she merely existed. The first hundred years or so, it was not too bad, it took time for some people to fade completely, and she had company. But all too soon she was completely alone. The isolation, boredom, and the curse drove her mad. It took some time, but she eventually regained some sanity. She watched from the shadows as new people arrived, new cities were build and the floating islands were formed. She observed the powerful and unique magic that these people wielded, and eventually she formed a plan. Or a half-baked plan. She would join these 'Wizards' and see if they could lift the curse.
| Magic: |
Living Shadow: A strange and powerful form of Shadow magic, formed from human magic combined with that of a Shadow Daemon's. The most notable feature if this magic is thatnit turned the Caster into a living shadow.
Beneath the clothing Kage appears to be a 3D silhouette of a person, but she lacks details, face, eyes, or any identifying features.
As a shadow, she is completely insubstantial, it takes concentration and magic for her to solidify enough to affect the physical world. However she can use this to her advantage, most attacks will pass right through her. Her magic also gives her to ability to mold her body into any form she wishes, and use it like a weapon. She can merge with surfaces to become more like a literal shadow. Like this, she is almost completely invulnerable to attack. Other abilities her magic give her is to merge with other shadows and manipulate their owners like a puppet or steal shadows and use them.
Weaknesses:
-Light, Kage cannot exist without some form of shade, this can be other's shadows or the shadow of clothing. Natural light itself does not hurt her, per say, prolonged exposure will cause her to fade, but she can recover by hiding in shadow. The only way to truly kill her would be to isolate her from any form of shade. Light magic, on the other hand, does burn her, but instead of doing physical harm, it burns her magic, speeding her depletion.
-Magical Limits, Kage only has a finite amount of magic. It is the only reason she can interact with the physical world and it is also the only thing keeping her sentiance intact. Should she use too much, she will revert to a mindless shadow. She can recover, but it is possible that she will not.
-Communication, Kage cannot speak, nor make any noise at all. The only way to communicate is to use magic to become substantial and write, or use sign language.
-Substance, it requires a significant amount of magic for Kage to become substantial. Breif periods are sustainable but extended use tires her quickly.
Beneath the clothing Kage appears to be a 3D silhouette of a person, but she lacks details, face, eyes, or any identifying features.
As a shadow, she is completely insubstantial, it takes concentration and magic for her to solidify enough to affect the physical world. However she can use this to her advantage, most attacks will pass right through her. Her magic also gives her to ability to mold her body into any form she wishes, and use it like a weapon. She can merge with surfaces to become more like a literal shadow. Like this, she is almost completely invulnerable to attack. Other abilities her magic give her is to merge with other shadows and manipulate their owners like a puppet or steal shadows and use them.
Weaknesses:
-Light, Kage cannot exist without some form of shade, this can be other's shadows or the shadow of clothing. Natural light itself does not hurt her, per say, prolonged exposure will cause her to fade, but she can recover by hiding in shadow. The only way to truly kill her would be to isolate her from any form of shade. Light magic, on the other hand, does burn her, but instead of doing physical harm, it burns her magic, speeding her depletion.
-Magical Limits, Kage only has a finite amount of magic. It is the only reason she can interact with the physical world and it is also the only thing keeping her sentiance intact. Should she use too much, she will revert to a mindless shadow. She can recover, but it is possible that she will not.
-Communication, Kage cannot speak, nor make any noise at all. The only way to communicate is to use magic to become substantial and write, or use sign language.
-Substance, it requires a significant amount of magic for Kage to become substantial. Breif periods are sustainable but extended use tires her quickly.
| Miscs : |
Her guild mark is embroidered on her cloak.
She is extremely good at charades.
She is extremely good at charades.
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