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9 yrs ago
Current Going to a festival fellas! So for the coming week I won't be able to post.
9 yrs ago
When you marathon Rick & Morty S2 and expected laughs but the ending just slaps you in the face...
9 yrs ago
School's in full "consume all his time"-mode so no posts for just a lil longer. Sorry folks! I promise I'll make up for it in the weekend!
10 yrs ago
Going to take a small break on most of my RPs for maybe a week or so.
10 yrs ago
Not near an actual keyboard until 21/06

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Adrian Goodguard
(Post 3 of 8)

Many hours past but eventually the bar was forged together. So it was time to grab the hammer and start beating. The now homogenous metal bar was glowing white hot every time Adrian pulled it out of the charcoal fire and started beating it with a hammer, pulling out the metal. The job was tougher than he had anticipated. Even with steel swords, it would take time. But the mithril core made it only worse. As it was harder to shape than steel. In other words, the steel was getting pulled out, but the tough, mithril core kept snug and thick. The only thing Adrian could do was slamming it more than the steel could use. Thus making the layers around the mithril thinner and the edges thicker. Eventually, after many hours of hammering out the metal, the metal finally started looking like a blade. But the hammering job wasn’t done yet. First, with the utmost precision, Adrian started beating out the only mithril that was coming out of the steel jacket. It took him a while, but he got the tang drawn out. Then he moved on to the edges. Hammering a slope downwards into them. Of course, that wouldn’t be enough for the blade to be able to cut. But it did shape it for him so grinding would be easier.

More than a day had passed already, but Adrian still had much to do. He grabbed a bar of beeswax and put it down on one of the workbenches. With various knives, scoops, hammers and chisels he started forming the shape of his pommel. Adrian was by far not as mastered in the art as his great-grandfather. Who could sit down with someone and sculpt a bust out of beeswax that looked so akin that Adrian often wondered if Aurelius was a sculptor in his past life? But maybe it was a trained art? The boy didn’t know. He kept going at the wax, sculpting the approximate form of a female head. Basing it on one of his sisters. Though the beeswax looked mostly like a featureless girl with long hair, hiding ears. But Adrian poured all his focus in forming the eye sockets, which he kept hollow for now. Once done, he packed the beeswax in wet clay and put the entire mold near his furnace so it could dry. In the meantime, Adrian took a glass he used to drink water from and smashed it into the ground. A hundred shards flew in every direction as Adrian cursed himself. He should have done that in a crate, he realized. Thus the hunt began for two suitable shard, in the shape of almonds. With sandpaper and file, he formed the two chosen pieces a little bit more.

Luckily for Adrian, the clay didn’t seem to have cracked anywhere once it was dry. Confident the clay was dry he put the mold inside the fire for a few minutes. The beeswax inside melted again, and as Adrian poured it out it left behind the exact form of his sculpt pommel. Losing no time he moved over towards the central forge. To Adrian, it had always been a beacon of might. The massive forge boasting several openings that were all sealed by metal doors was a mighty piece. The fires within roared and the charcoal burned. Normally Adrian would prefer to not lose much time. But the construction demanded so much respect for it that he could not help but stare at it for a moment. Even as it was evening, several other students were hard at work at their chosen opening. Trying to either melt metal for casting or creating alloys. Or black steel. Adrian didn’t know nor did he have the time to care. He moved swiftly towards a free opening into the forge and put his two crucibles, one filled with the bronze and another filled with two small nuggets of mithril, inside. It would take time and the power of bellows to let the flames melt the bronze. After an hour, Adrian was sure the metal has liquidized. He poured it into the mold and once again waited until the metal inside was cool enough to put into a bath of water. Obviously, the bath still steamed like it was working in a sauna. But Adrian kept it in there. Once cooled completely Adrian used a wooden mallet to beat away the clay. Revealing the small, eyeless pommel. An hour later and the nuggets were molten down too. Adrian cast the small bits of mithril inside the eye sockets, making mithril, lidless eyes. The extremely hot mithril started heating up the bronze eye-sockets. Once hot enough, Adrian pressed his almond shaped glass shards against the mithril. Sealing them. Some bubbles of air did form in the corners, but most of his plan worked. He had his pommel.


@Holy Soldier Still here, waiting...
Adrian Goodguard

To say that Adrian was satisfied by the answer, would be a lie. It did not offer him the answers he wished for. The only thing it did provide was a tiny fraction of insight on the spirit god. Well, it was something. His time was not entirely wasted. But right now he had to return to his workshop with haste. With only a week to finish a sword worthy of a god, Adrian knew very well he’d miss many hours of sleep. But in the end, he knew it would be worth it. Once arrived at his workshop he unceremonially lit his forge. His great-grandfather would have cursed him for that. But then again, his great-grandfather only ever lit a furnace four times in his life. Every time it was the Dragonfang Forge. Which was not just some stone construction keeping the heat and the coals inside like this furnace was. The Dragonfang Furnace burned with the inner flame of a dragon. Such a lighting demanded a ceremony. But the brick construction of the workshop paled in comparison, thus no ceremony was required according to Adrian.

After adding the coals he began to take out the ingots of metal. He piled the steel up and wrapped it in wet paper. After that, he packed some clay around it and slowly put it in the hot fire. He did the same with the mithril and then started fanning the flames with his bellows. It was a tough job and filled the workshop with the smell of smoke. Inside the forge, the clay and paper kept the ingots together. At least for long enough so they were welded together to form one, big clump of metal. The paper itself would burn off, and the clay could be slammed off with a hammer. After some time, Adrian reckoned an hour or two, he was confident the ingots at fused with one another. Making one bar of steel and another made from mithril. He took each one out and laid it on a watered anvil. A method to protect the heavy object from the heat. With his wooden hammer, he hit each of the bars a few times, slamming off the hardened clay. After which he put them back into the forge.

But then began the difficult part. In his mind, the blade looked like a normal, steel one. The mithril laid in its core, hidden from the light and those who valued mithril only for its ivory white color. Adrian would only use the mighty material for its properties. That meant sealing away the mithril within the steel. He first folded the steel twice, to make sure it was nicely layered. Then, when he cut the hammered steel ingot in two, he did not fuse it immediately together. Instead, he pulled out the mithril ingot and put the white-hot bar in between the red hot steel pieces. He hit the entire bar a few times with his hammer and then the whole bar was shoved back into the coals to heat up again. Flames spat out from the forge as fresh air was pushed through the warm charcoal. Once sufficiently heated, he pulled the fused bar out again, hammering away but not folding it. Making sure the mithril was, at all sides but the top sealed away from view by steel. It was a harder task than he wished for. As he wrestled with hammer metal he had to read the difference in color, trying to see where the mithril was still thick and where the thinner steel began. Swallowing hard he started fearing that maybe he should have flattened out the mithril bar itself first.

@RoflsMazoy No need for haste. I got school now anyway.
Adrian Goodguard


Adrian listened attentively as the challenge was given. A sword fit for a god. His heart fluttered a bit. He could not imagine just how powerful a godsword was. However, a blade forged for something as mighty had to be well made. Not only from an aesthetic standpoint. No doubt the blade itself would have to be strong. Would it? Someone, either valiant or power hungry, would come around someday and wield it. That, and the god itself would have to be ‘comfortable’ in the blade itself. So instead of rushing over towards the resource table, Adrian sat down on one of the benches around the tree. Letting his mind wander and form an image of the sword he wants.

Though, when he got up and went towards the resource pile, he noted that quite a few people had already taken their fair share. Well, they were indeed first. He just started taking his resources. Some would say he took far too many kinds of metal. But Adrian would disagree. After all, there were so many ways to forge and so many parts to create. Ideas still flooded his young mind, but the more materials he took, the more specific the original image he had became. Though, as with all of Adrian’s work, he would have to put a lot of time in it. But the young Goodguard had no trouble with that. Though he would have to ask Lotte for a favor.

After taking the resources he wanted he swiftly moved towards his own workshop. It was a rather open room, with large windows and a wall that did not quite reach the ceiling. Leaving a gap so the smoke and fumes could rise. Against the wall stood several benches and in a corner: a small, brick furnace with two baskets of charcoal near it. Against the other wall stood a chest in which Adrian dumped his metals and locked it. He then moved towards the table in the middle. Unlike the workbenches, there were no other tools nearby, only paper. Normally Adrian would start designing. But He first needed some answers.

Once again he was outside, looking for Miss Kotori. Eventually, he found and approached her, quite clearly starting to get a little nervous about the challenge. “Hi, euhm, sorry. Miss Kotori? I was wondering if you could answer a few questions for me: first off… does the god have a name? Like you know, Adrian or something? Further, I got this theory. I just wanted to see if I’m wrong or right. So, my theory is that the god is ‘leaking’ or rather giving off magical energy. That’s why the tree could flourish all year around. Is this right? I’m sorry, I’m not so attuned to spirits myself. Oh also, I got this second theory… well It’s more like an idea. I’m thinking, because she or him chose a tree as its first vessel, I’d say it’s some form of nature god. Is that right?”
@RoflsMazoy


@KOgaming OOC says you need 10 units for a sword and 5 for a scabbard. Scabbard is obligatory for the challenge.
@KoL@KOgaming I'm not sure where the forge is, but I'm guessing everyone will first and foremost start designing their sword on paper. In the first OOC post Rofl said you could "steal idea's from fellow students workshop". So I'm guessing each student does have his own place to work at. I'm also guessing that the workshop for a smith student would be pretty useless without a forge.

Now all of this is pretty much guessing, but I'm assuming that the units are already forged ingots and not ores (as there is bronze which is an alloy). So you don't need to melt your metal, which would require a powerful furnace. You only need to heat it to shape it. This requires far less heat and can be done in an open charcoal furnace. Which isn't that hard to make. If I were to guess, I'd say that there is one big forge where you can make your alloys (and everyone can reach this forge) if you so desire and every student has a smaller forge in their personal workshop where you can shape your metal (and probably store it and such things). But @RoflsMazoy can correct me too if I'm wrong.

Though, a disclaimer: I'm not in the metal business myself. However, there are some great channels out there that teach you a lot about sword making. I would certainly advise you to watch the "Ulfberht Viking Sword" and "Narsil" of Man at arms: reforged. They explain a lot about how forging works. Then again, this is a fantasy setting so I'm guessing you generally can do whatever you want.
@RoflsMazoy Small question, can I add to my CS that he has a minor affinity to fire magic? More specifically: he can create a jet of flame from his hand. Not as hot as a furnace but pretty handy for welding. Also, you said the metals are the only things we could use but could one also use, say a shard of glass from a broken glass? Or just a shard of glass made in the furnace from some sand lying around?
@RoflsMazoy

Name: Adrian Goodguard
Age: 17
Appearance:


History: For the longest time, Goodguard stood next to the great house of Dragonfang. The house was composed of mighty knights and warriors that came to the northern mountains with their people and settled there. However, while the valleys were rich in soil and the mountains wealthy in gold and other metals, it was also infested by wyverns, dragons and other flying monsters that called the peaks their home. For generations, these warriors fought side by side to rid their valley from those threats. Eventually uniting in the mighty Dragonfang family.

But Adrian is a Goodguard, not a Dragonfang. The Goodguards are a lesser family, sworn featly to the Dragonfangs. For generations they fought alongside the Dragonfangs, but as common soldiers and knights. While there are many stories about the Goodguards, they are all made in service of the Dragonfangs. Even now, in times of peace, the Goodguards remain trustworthy servants. Becoming bodyguards, scribes or, indeed, smiths for the mighty house.

From his birth, Adrian was destined for greatness. But not personal greatness. He would serve greatness instead. As he grew older, it became apparent that his great-grandfather, Aurelius, was dying. He could no longer work the Dragonfang forge on his own, so it became Adrian’s destiny to help the old man. From that point his fate would be to forge the weapons of mighty slayers and powerful statesmen alike. But Aurelius died too soon. His knowledge was too vast and Adrian could not learn fast enough. Without a master he was sent to the Seishun Academy of Swords. To continue his education to the point that he would be useful and worthy to serve the Dragonfangs.

Personality: Adrian is a hard worker. Days in, days out he can be found at the forge. Manning the bellows or fighting with the flames. Days turn into nights and turn into day again before he leaves the forge and the anvil. He fights with himself and everyone around him for superiority in his blades. Wrestling with metal has become an obsession for him. However, this is rooted in a deep form of shame. He was not fast enough and not good enough to learn from the good master Aurelius. Thus now, in his shame the Dragonfang Forge back home is extinguished. Only a small fire of the once might dragon flame is kept lit for until his return. This shame has pushed him to take increasingly more drastic actions. He pushes himself to the point that he researches ways of forging and imbuing magic into metal that should best be left alone.

However, towards others he is not a dark or broody person. Quite the opposite, no matter your goal he will fully support you in it. At the forge he will gladly offer his help if he thinks you need it. Or in the library, he will most certainly try helping you to find the right book, scroll or note. He is, however, most certainly not laid back.

Specialty:
While it often takes a long time to make them, his swords are generally both beautiful and of a high quality. It is clear that the good master Aurelius’ magical affinity flows freely through Adrian. As he can produce multiple ways of imbuing the swords with magic (using crystals, gems, runes, he keeps on researching new ways). However, his fondness mostly goes out towards bastard swords and great swords.
Name: Alexander Salzar
Level: 1
Race: Human
Class: Sorcerer
Date/Time: Day 1 / Morning
Location: Bridgewater - Market - Imp's stand
Tagging: @Holy Soldier
Mentioned: -

After the explanation Alex was visibly cringing, as his mind imagined the whole situation. After that only one question shot through his mind: why would anyone actually buy this!? “Milk to the rest.” Did he mean that the actual fluid coming out of the root was drinkable? But then the imp got an even bigger grin. His cover was blown. It was hard to pretend he didn’t know anything about roots and ingredients after just asking fairy stool. There were no other appliances. Well, there were. Throwing it in some nasty aunt’s soup would surely ruin it and leave no trace behind. That was a fun little game back when he was young.

Alex quickly looked left and right. Nobody around that looks suspicious, but he didn’t really have a trained eye for that. He opened his satchel and pulled out the orb, letting it hover in his hand in front of the imp, before he put it back. “Sorcerer, technically. Oh and alchemist. Sort of. Listen, this is little dance is going to take too long for me.” He began, as he sat down in front of the imp’s rug. “I won’t buy herbs. Not yet. I’m looking for a man’s daughter. She came over here to buy…that.” Alex pointed at the leaking grub. Clearly with a voice of disdain. “However, it’s good to have a supplier of certain herbs. Especially one I can trust. One would be more inclined to do good business with someone who helped him out int he past. So, I will ask you straight out: have you seen a beautiful, young lady buying such a root?”

Still, as he talked, he couldn’t help but wonder why the old man actually needed the root? It certainly didn’t look appetizing. Nor did Alex know any alchemical uses for it. The explanation the imp gave him certainly could be the how the old man intended to use the root…could it?
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