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2 mos ago
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Watch out.

The gap in the door... it's a separate reality.
The only me is me.
Are you sure the only you is you?


DON'T TOUCH THAT DIAL NOW, WE'RE JUST GETTING STARTED

Most Recent Posts


I. Pre-Trial


The sound of screeching tires and startled screams filled Matt's world with cascading images of pavements, buildings, letterboxes, every noise flowing out from its source and splashing the environment around it. A runaway truck with hazardous cargo barreled down the street - Matt could hear the driver pumping the failed brakes desperately, could smell the sweat that had flooded out with the outpouring of fear. The horn blared and the noise of it erupted from the front of the vehicle and lit up the road ahead - and then bounced off a frozen figure, paralyzed in fear, waiting for the demise that came screaming towards him. The driver wrenched the steering wheel, the man dived to the side. Truck overturned. Hazardous material blowing its containment. This wasn't right. Matthew watching everything erupt through sound and air pressure. This wasn't right. His father holding his hand, squeezing it tightly as everything unfolded around them. It's okay, Matthew, it's okay. It's not okay, dad. I wasn't blind yet. I can't see. I can't see.

"Dad...dad, I can't see. I can't see! Dad! I can't see! DAD!"

Matt woke up with a gasp and the world lit up before fading back out. He lay still, pushing out against the black; the ambient sounds of the city drifted in through his window; the early sun already laying down a thin layer of heat that rested just above the surface of everything, a silken web that only Matthew could sense. The heat emanated further still from Matthew himself - and also the body that lay next to him in bed, a smooth and pleasant curve that traced down her side to where the sheets lay across her waist. Matthew let the sounds of the city paint a picture of his apartment and softly, carefully, sat up and swiveled himself off the bed, feeling the currents his movements created and the alternating air pressures he'd affected. The wood grain floor under his bare feet felt rough and mountainous with the rises and falls that he could map out beneath his toes, and that microscopic moutainrange served to ground Matthew as equally literally as metaphorical. From this floorboard he knew it was 3 steps forward to the bedroom door and the living room beyond it; 2 and a half to the left to get to the bathroom. Behind him was the bed and its second occupant and beyond the bed was a metre-and-a-half of open space with a window facing onto the opposite building. He'd left it slightly open last night after arriving back late, ever-so-carefully sliding in so as not to awake his guest; now, the breeze flowed through the gap in the window, winding around his bedroom and taking the heat from the bodies within, carrying it out into the living room and through the draught in his apartment's front door. Matthew shivered, and told himself it wasn't, in no small part, the lingering dream that had woken him. He stood, and reached out to his right, groping for the small chest of drawers he knew was there; his fingers met the top handle of the drawer and he moved his arm down to find the third, sliding the drawer open to find the soft cotton underwear and vests within. Slipping out of the bedroom quietly, Matthew made his way into the main room and found his shirt and slacks across the back of the sofa, dressing himself quickly as he attempted to shake off the lingering dread from his nightmare. I can't see. Dad, I can't see...

"Need a hand with that tie, Mr. Murdock?"

The low, husky tones of his lover's voice erupted from the bedroom doorway towards him, the dulcet sounds of her voice spilling out from her and lighting up the room in golden-red waves as they passed silkily over the room and furniture towards him, knocking Matthew out of his memory-filled stupor. He smiled as she walked towards him, and held out the two ends of the tie he had inadvertently paused with to her, which she gracefully took into her own hands to tie an elegant and professional knot, pausing to do up the top button on his shirt before returning to the tie to tighten it up to the collar. She sighed satisfactorily through her nose and Matthew felt the air hit her top lip and curve towards him; she was smiling too, he knew, by the angle of her breath alone. Her heat moved closer to him and suddenly they were kissing, only for her to pull away just as suddenly and leave her warmth lingering on his lips. She stepped away towards the kitchen and pulled two mugs from the rack beneath the island-counter, filling both from the pot she'd apparently started the evening before. Matt hadn't noticed that.

"Making yourself feel at home, El?" He asked, with a whimsical smirk and an edge of teasing. She drank from her mug, pushing the other one across the counter-top towards Matthew as he stepped to join her.

"Oh, you know me, Matthew. I like to be comfortable." She replied. "At the very least, I promise not to disrupt your flow."

"I learned a long time ago how to adapt to...changing circumstances. Just let me know if you create a risk of stubbed toes." He drained his mug. Damn good coffee. "Or I might have to sue you for grievous injury."

"Oh, is that right? Think you'd win that case?"

"I'm blind, El. The jury would love me."

They both chuckled, and the vibrations of the air around her body as she laughed, and then walked around the counter to hug him, forced Matthew to suddenly notice that she was naked, made ever-more abundantly clear as she embraced him tightly. He cleared his throat and felt his own body growing hotter, and even blind he knew his face was red like beetroot. She giggled and pecked him on the cheek before leaving his side to walk back to the bedroom.

"Will you be out all day? I thought we might go for dinner should your trial go well."

"You know how these things can go, El. I have confidence that this is open-and-shut - but defense lawyers are often stubborn bastards." He walked across the main space towards the hallway that led to his front door, finding his blazer hanging on the wall next to his sight-stick as he did so. He could feel her heat pushing towards him from the bedroom as she dressed, and the breeze from the window carried lingering drops of her perfume mixed with her shampoo from yesterday's shower and a natural light sweat from the night, a sweet-and-savoury combination Matthew enjoyed very much. It was all he focused on when she was near. "I'll call you when I can. Will you be alright today?"

"I'll keep myself busy, Matthew. Good luck. I love you."

Matthew smiled, a different kind of heat swelling inside him now. He turned to look at her, and while they both knew he was blind, they were both aware that he saw her in a way no other man ever could. She smiled back.

"I love you too, Elektra. I'll see you tonight."

-

Matthew could smell the burnt coffee from the end of the hall, even through the closed door that stunk of oak and varnish, potent odors that mixed with Foggy's cologne and the lingering scent of sweat from countless anxious defendants. Karen's perfume was there too, a soft and sweet smell that relaxed Matthew. He could hear them talking, light conversation. A burst of laughter from the two of them made Matthew chuckle as well, and he walked the length of the hallway, tucking his cane under one arm as he turned the handle and stepped in, closing the door behind him and carefully placing the brown paper takeaway bag he'd picked up from a family-owned coffee shop that was on the corner. Matt had defended them in an alleged tax fraud case the year before he'd been made ADA, and they still hadn't forgotten him.

"Bringing your own coffee again, Matt? What have you got against my personal brew?" Foggy said, his words sharp but his tone lax and playful. There was no real offence here, but Foggy had always liked teasing Matt.

"You burn it, Foggy. Every time. And I didn't bring just mine..." He pushed the bag across the table towards Karen, who leaned forward to empty the contents - three takeaway card cups, steam still rising from the hole in the lid. Matthew reached for his, a hazelnut mix that he could taste in the air.

"Karen likes my coffee. The burn gives it a perky edge. Right?" Foggy rebutted, looking towards Karen expectantly. Matthew felt the heat from her cheeks flushing as she smiled, wordlessly pulling her cup towards her lips and taking a long drain. Matt chuckled as he sipped from his own cup, before Foggy conceded and threw up his hands, grabbing the final cup. "Fine. But you're both bad friends, and I'm only drinking this because it's a gift from a blind man, and I'd look like an asshole if I didn't." He took a sip. "Damn. That's good coffee."

"I know, Foggy. You say that every time too." Matt smiled and sat down.

"How much of the review have I missed?"

"None, actually. We wanted to wait for you." Karen replied, pulling a briefcase from behind her chair and setting in on the table before opening it and retrieving three separate sheaves of paper - pre-trial stratagem notes. She passed one to Foggy, kept one to herself, and gave the third - a braille copy - to Matt. He began to read as Karen summarized. "We've got a known mid-level mob lieutenant in the box after he got a little too drunk and decided the strip joint on 3rd should have been a brothel. Pre-trial prep has dug up a whole bunch on this douchebag - we've got testimony from previous victims, ledgers from local laundering sites, numerous tips from low-level informants. There's enough here to lock him up for a good twenty years, easy. Jury won't even have to think about it." She concluded, and as the sound of her voice played its last echoes around the room Matthew could see her looking at him.

"But?" He asked. Karen faltered, and Matthew could feel the heat of her blushing cheeks erupting again. Foggy gave a single chuckle and leaned forwards in his chair.

"But you don't need the jury to think about it. You need the defendant to think about it. All this evidence, tension mounting up, all his recklessness coming back around, tips from his own people...you make him think he's sold up the river already. Make him think his friends already know he's spilled. Make him think he's a loose end that his bosses are just itching to tie up. And then he really will spill. He'll spill for anything we can offer him."

Matt smiled. "Exactly, Foggy. Thank you, for this - your consultancy has been valuable." Foggy raised his cup to Matt, and then lowered it quickly, shaking his head. Matt had felt the movement through the air and the heat of the coffee moving, and he appreciated the gesture. It saddened him how limiting it was playing the fool, regardless of how necessary. He pressed a button on the side of his watch, and a robotic female voice announced the time to the room. "We have roughly an hour until the trial begins; I'd like to go over our witnesses, informant testimony, and the order we present our physical evidence in - and then drinks are on me." This time, Matt raised his cup, and heard the replying cheers from his friends. "Foggy...make another pot, would you?"
Given how great the Doom Patrol series currently is, I'm surprised no one here has taken them on!


where can I watch this?? UK for reference. Genuinely have no idea where it's available
BAZOOKA JOAN HAHAHAHAHAHA

oh man comics are great

Edit CODPIECE

christ i'm never gonna have ideas this good
<Snipped quote by Byrd Man>

In a lot of instances I'd agree with you. But Ted lends himself to some snappy dialogue heavy stuff and I think the quick visual cues are worth the pain in the arse coding issues in order to streamline readability without constant "Ted said"/"the Blue Beetle quipped"/"Kord joked"/etc.


That’s what dialogue formatting in prose is for though. New dialogue is a new line. If it’s back-and-forth between 2 it’s easy to follow. If there’s 3/4/more speakers you might need some more clarifiers but we don’t really need a rainbow to replace long-standing grammar techniques.
@Sep thanks but don't worry about it.

all the characters i want to play have been taken already. that kinda sucks but not really. so if I write up my character and it gets accepted, someone else has to feel that sucky feeling because their writing was for nothing. and i'll feel sucky for that. and that's after I already fully finished up writing a character sheet, which I haven't yet. So if I finish writing up a character sheet and don't get accepted, that would really suck. But right now, since I haven't, it's not a big deal at all

So in order for there to be less total net suckyness for everyone involved, it's best for me to just withdraw.


I have a backup if there’s really nothing else you want to write. I’d also welcome the competition.


I also have Constantine as a back up if that's more exciting.
C H A R A C T E R C O N C E P T P R O P O S A L
H E L L B L A Z E R


J O H N C O N S T A N T I N E O C C U L T D E T E C T I V E C H I C A G O / G O T H A M A N T I - H E L L
C H A R A C T E R C O N C E P T:


"S'just the way of it, son. We all sell our souls sooner or later."

My Constantine is younger, brasher, bolder, but still tormented and scarred, with some aspects edited and shaken up to allow him personal quirks that will serve to mark him as my own interpretation of his character. I also hope to Emphasise more of the 'detective' half of 'Occult Detective', and​ bring back some of John's roots in solving mysteries and crimes in ways as necessary as they are morally gray. Some major events of John's canon history have occurred - the loss of Astra, John's incarceration at Ravenscar - but many more haven't, if indeed they ever will.

C H A R A C T E R M O T I V A T I O N S & G O A L S:

John Constantine is one of the most morally-gray characters in DC without being a true anti-hero, and it's this unwavering willingness to do nasty things to people who trusted him in the name of the greater good that makes John so compelling. Despite his considerable magical prowess he's a conman first and more often than not uses guile more than force. A man as lonely and traumatised as John has no business being as noble and virtuous as he is - and yet he manages it anyway. And everyone hates him for it.

Personally I want to dive into the 'Detective' side of 'Occult Detective' and write some real twisty murder mysteries for myself and everyone else to explore and brainstorm about. I'd also like to use John in Crossovers and Crises to build his notoriety and reputation and forge future alliances.

C H A R A C T E R N O T E S:





S A M P L E P O S T:

"A dungeon horrible, on all sides round,
As one great furnace flamed, yet from those flames
No light, but darkness visible
Served only to discover sights of woe,

Regions of sorrow, doleful shades, where peace
And rest can never dwell, hope never comes
That comes to all; but torture without end
Still urges, and a fiery deluge, fed
With ever-burning sulphur unconsumed:

Such place Eternal Justice had prepared
For those rebellious, here their prison ordained
In utter darkness, and their portion set
As far removed from God and light of Heav'n
As from the centre thrice to th' utmost pole."

- John Milton, Paradise Lost.


"It's not always like it is in the books."
- John Constantine



Fire. Oh god, fire. Licking flames marred the horizon like the ridges of mountains, burning nothing and everything. It seemed to absorb light rather than emanate it, exuding a thick blackness that, nonetheless, still illuminated the twisted landscape in a way that made John feel nauseous. Far below him, pinpricks of agony went on in their suffering, skewered and crushed and lashed, their torture brazen and subtle and unending. Stronger souls put on airs of resistance, stifling their own screams, while in the distance the more wretched spirits simply writhed in dirt and scum, the pain and torment of this place etched into their very being by the eons. Others had been twisted into obscene parodies of Man, a mocking affront to God through the perversion of His most beloved creation. All was curated by devils, convicts of this prison who had made their cells their kingdoms, and overseen by their demonic generals. John conjured their names to mind, each flitting in and out of his consciousness like nymphs through the glen, their eagerness to be known and dreaded imprinted behind his eyes: Mammon, King of Worms and Wealth, eyes searching ever downwards for gold; Belial, the Impure Lord, destroying all that lies before and behind; Moloch, the False Idol, who feasts upon children; Mulciber, Mockery of the Creator, great architect of sorrows and sin; and Beelzebub, Lord of Flies, devourer of carcasses and mouthpiece of Satan. Ah, Satan, the Most Unclean, the Son of Perdition, the Father of Lies, the Dragon, the Beast, the Adversary; Lucifer, King of the Bottomless Pit. A story old as anything, and John had done his research in Ravenscar. He was here - he was always here - but John would escape his gaze for now.

Somewhere, off in the distance, a light blinked into life among the flames, a burning point of pure white that outshone the oozing darkness of the fire surrounding, piercing through all of Hell's great disgust to focus John's attention completely. He felt himself moving, no longer transfixed by the cavern's horror, and stumbled forwards, legs battling against the mire of dark, sickly discharge that seemed to ebb from the ground itself and coat the earth. His feet were drenched, and as he advanced - somehow passing over the void of agony that lay beneath him, apparently existing on a separate plane - the mire clung to him ever more tightly, climbing past his ankles to lap at his shins, then his knees, each step requiring twice the effort of the one preceding, until John was dragged onto his hands, crawling and dragging his body toward the white light that beckoned him, his journey taking him millenia, but the light never moving, never getting closer, but always reaching out to him, as if to say keep going, John. Keep crawling. Come for me. Just a little bit further...

He slumped into the mire, the mud overtaking him as exhaustion took hold. The ground enveloped him, swallowed John whole, and he could feel himself suffocating, drowning in the viscous, foul liquid for centuries before he was spat out below, the pinpricks he had looked upon so long ago growing larger and larger as he fell to join them. He craned his neck upwards, hoping for any sign of that light, the beautiful, pure shining star that had goaded him forth.
There was nothing but inky blackness.
Not even the flames.
But still, the voice echoed around him.

Save me, John. Come for me. Save me. You put me here, John Constantine. You put me here. Save me, John.
Save me, John.

Save me, John.

Save me, John.


"S A V E M E J O H N ."



"I CAN'T." He yelled back, startling himself awake with the forcefulness of his reply. There was a bubble of silence, and then John drew the first ragged, stale breath of the day, and it was broken; the sounds of traffic and the city filtered in through his window, and he could hear the creaking of floorboards above him, the faint sounds of strong, angry words floating down through his ceiling. The sun shone harshly outside, spilling onto his bed, and John threw off his covers, propping himself up as he wiped his face of sweat, his heart pounding in his chest. This was the fourth night of the same dream, and it had always played out the same way. Failure, accusation, and tortured pleading. John sat up, swinging his legs over the edge of the bed as shaky hands fumbled around in the drawer of his bedside table to find the lighter and the nearly-empty pack of Silk Cut cigarettes that dwelled within, a fag quickly finding its way to his mouth in one hand as the other flipped the lighter open and lit the wick. He held the flame to the end of the cigarette and drew deeply as it caught alight, drawing the toxic smoke into his lungs and pushing it out in one motion. His heart began to calm itself, though his mind still raced. These were not mere nightmares, imagined illusions of horror born of external stress. These were deeper, more vivid - John would say premonitions were he not a cynic. But a cynic he was, and he was quite content to endure these dreams for as long as they would persist, a subconscious desire to be punished eager to inflict such lucid terror when John's waking mind was not there to suppress his inner demons.

"I am in his kingdom, John."
John flinched, ducking sharply as he reacted to the vicious whisper that came from just behind his shoulder. He stood from his bed, cold air stinging his naked torso as the duvet fell from around his shoulders. Smoke from the lit cigarette drifted lazily upwards, ash falling to the ground and pooling around John's feet. The room was empty save for him, but the voice had been so clear and direct that even the deepest cynicism John could muster failed to dispell the belief that something - someone - had just spoken to him.
"Find the house of Nergal, John."

"Fuck off." John said loudly, and then he heard a stomp on his ceiling as the 88-year-old lady above disapproved of his vulgarity. The room was still again, and John poised himself for a third intrusion, carefully sucking on his cigarette as he moved across the bedroom to his closet, fishing out a shirt and a pair of slacks, pulling the trousers over his legs and buttoning his collar as the keen silence of his apartment remained steadfastly unbroken. He didn't want to think about who was talking to him, delivering ominous, cryptic messages and pleading commands. Instead, he pushed his tie up to the top of his collar and walked out of the bedroom, leaving his dreams and spectral visitor behind him. In the kitchen, he stubbed his cigarette out on an ashtray that sat in the center of the small round table and snatched his coat from where it hung on the door, slinging it over his form while his free hand snatched the flask from the inside pocket, feverishly pulling and twisting at the cap before he swung it to his mouth, taking a large gulp. He stowed the flask again, and held a hand out, parallel to the ground. It twitched slightly, and Constantine drew it into a fist until his knuckles were white and his fingers ached with the pressure. Smoke rose from the cracks between his fingers and he opened them, fire bursting from his palm and smoldering painlessly. He watched the flames dance across his skin, lashing at his wrinkles and hopping the callouses at the base of each finger. The voice from his dream echoed in his head as the flames span round and round. The house of Nergal...

John's cigarette burnt to its last end in the ashtray as the door to his apartment slammed shut behind him, another already lit and hanging from his lips as he took the stairs two at a time down towards the building's lobby.


C H A R A C T E R C O N C E P T P R O P O S A L
D A R E D E V I L


M A T T H E W M U R D O C K A S S I S T A N T D I S T R I C T A T T O R N E Y H E L L ' S K I T C H E N V I G I L A N T E
C H A R A C T E R C O N C E P T:


"How do you know the Devil and the Angel inside me aren't the same thing?"

This is a Matthew Murdock who, instead of helping bleeding hearts and the unfortunate, still has dreams of being a big city lawyer. He's high profile and works high class cases, directly taking on the mob on both his civilian guise and during the night when he dons the horns to become Daredevil. It is more important than ever to keep his dual life secret, as he becomes a bright target to the underworld on both sides of the law. He's New York's ADA coming out of Harvard Law, working for DA Katherine Spencer, moonlighting as the Vigilante DareDevil. It's not a Year One DareDevil, but he's still in the midst of his campaign against Kingpin, working to dismantle the crime-lord's empire on both sides of the law.

This DareDevil is one I've played before but didn't finish his story, and I'd like the opportunity to rectify this error, and push him towards bigger and better things and explore all the twists and turns along the way.

C H A R A C T E R M O T I V A T I O N S & G O A L S:

My Murdock's characterization draws a lot from the Netflix Marvel Series, the very same series that enveloped me in DareDevil's character in the first place. Far from 'Marvel's Batman', DareDevil is a complicated, conflicted individual, with important roles on both sides of his life, and an internal struggle to stay level within himself while doling out his retribution without giving in to his darker impulses.

My Murdock is entirely obssessed with deposing Wilson 'Kingpin' Fish from his throne at the peak of New York's criminal underworld, and unbeknownst to him, this singular fixation will impart deeper risks and tragedies upon both himself and those he loves, changing everybody's lives irrevocably. It'll be fun.

C H A R A C T E R N O T E S:

Matthew's allies currently include Franklin 'Foggy' Nelson, a close friend and working attorney at a private firm, Karen Page, Katherine's PA, Katherine Spencer, New York's DA, and Elektra Natchios,
his long-term romantic partner. Stick, his old mentor, has been out of contact for many years.

Matthew only has the singular nemesis so far - Kingpin himself - but Fisk's near-universal influence is enough to keep him plenty busy.

S A M P L E P O S T:

The sound of screeching tires and startled screams filled Matt's world with cascading images of pavements, buildings, letterboxes, every noise flowing out from its source and splashing the environment around it. A runaway truck with hazardous cargo barrelled down the street - Matt could hear the driver pumping the failed brakes desperately, could smell the sweat that had flooded out with the outpouring of fear. The horn blared and the noise of it erupted from the front of the vehicle and lit up the road ahead - and then bounced off a frozen figure, paralyzed in fear, waiting for the demise that came screaming towards him. The driver wrenched the steering wheel, the man dived to the side. Truck overturned. Hazardous material blowing its containment. This wasn't right. Matthew watching everything erupt through sound and air pressure. This wasn't right. His father holding his hand, squeezing it tightly as everything unfolded around them. It's okay, Matthew, it's okay. It's not okay, dad. I wasn't blind yet. I can't see. I can't see.
"Dad...dad, I can't see. I can't see! Dad! I can't see! DAD!"

Matt woke up with a gasp and the world lit up before fading back out. He lay still, pushing out against the black; the ambient sounds of the city drifted in through his window; the early sun already laying down a thin layer of heat that rested just above the surface of everything, a silken web that only Matthew could sense. The heat emanated further still from Matthew himself - and also the body that lay next to him in bed, a smooth and pleasant curve that traced down her side to where the sheets lay across her waist. Matthew let the sounds of the city paint a picture of his apartment and softly, carefully, sat up and swiveled himself off the bed, feeling the currents his movements created and the alternating air pressures he'd affected. The wood grain floor under his bare feet felt rough and mountainous with the rises and falls that he could map out beneath his toes, and that microscopic moutainrange served to ground Matthew as equally literally as metaphorical. From this floorboard he knew it was 3 steps forward to the bedroom door and the living room beyond it; 2 and a half to the left to get to the bathroom. Behind him was the bed and its second occupant and beyond the bed was a metre-and-a-half of open space with a window facing onto the opposite building. He'd left it slightly open last night after arriving back late, ever-so-carefully sliding in so as not to awake his guest; now, the breeze flowed through the gap in the window, winding around his bedroom and taking the heat from the bodies within, carrying it out into the living room and through the draught in his apartment's front door. Matthew shivered, and told himself it wasn't, in no small part, the lingering dream that had woken him. He stood, and reached out to his right, groping for the small chest of drawers he knew was there; his fingers met the top handle of the drawer and he moved his arm down to find the third, sliding the drawer open to find the soft cotton underwear and vests within. Slipping out of the bedroom quietly, Matthew made his way into the main room and found his shirt and slacks across the back of the sofa, dressing himself quickly as he attempted to shake off the lingering dread from his nightmare. I can't see. Dad, I can't see...

"Need a hand with that tie, Mr. Murdock?"
The low, husky tones of his lover's voice erupted from the bedroom doorway towards him, the dulcet sounds of her voice spilling out from her and lighting up the room in golden-red waves as they passed silkily over the room and furniture towards him, knocking Matthew out of his memory-filled stupour. He smiled as she walked towards him, and held out the two ends of the tie he had inadvertantly paused with to her, which she gracefully took into her own hands to tie an elegant and professional knot, pausing to do up the top button on his shirt before returning to the tie to tighten it up to the collar. She sighed satisfactorily through her nose and Matthew felt the air hit her top lip and curve towards him; she was smiling too, he knew, by the angle of her breath alone. Her heat moved closer to him and suddenly they were kissing, only for her to pull away just as suddenly and leave her warmth lingering on his lips. She stepped away towards the kitchen and pulled two mugs from the rack beneath the island-counter, filling both from the pot she'd apparently started the evening before. Matt hadn't noticed that.

"Making yourself feel at home, El?" He asked, with a whimsical smirk and an edge of teasing. She drank from her mug, pushing the other one across the countertop towards Matthew as he stepped to join her.
"Oh, you know me, Matthew. I like to be comfortable." She replied. "At the very least, I promise not to disrupt your flow."
"I learned a long time ago how to adapt to...changing circumstances. Just let me know if you create a risk of stubbed toes." He drained his mug. Damn good coffee. "Or I might have to sue you for grievous injury."
"Oh, is that right? Think you'd win that case?"
"I'm blind, El. The jury would love me."
They both chuckled, and the vibrations of the air around her body as she laughed, and then walked around the counter to hug him, forced Matthew to suddenly notice that she was naked, made ever-more abundantly clear as she embraced him tightly. He cleared his throat and felt his own body growing hotter, and even blind he knew his face was red like beetroot. She giggled and pecked him on the cheek before leaving his side to walk back to the bedroom.
"Will you be out all day? I thought we might go for dinner should your trial go well."
"You know how these things can go, El. I have confidence that this is open-and-shut - but defense lawyers are often stubborn bastards." He walked across the main space towards the hallway that led to his front door, finding his blazer hanging on the wall next to his sight-stick as he did so. He could feel her heat pushing towards him from the bedroom as she dressed, and the breeze from the window carried lingering drops of her perfume mixed with her shampoo from yesterday's shower and a natural light sweat from the night, a sweet-and-savoury combination Matthew enjoyed very much. It was all he focused on when she was near. "I'll call you when I can. Will you be alright today?"
"I'll keep myself busy, Matthew. Good luck. I love you."
Matthew smiled, a different kind of heat swelling inside him now. He turned to look at her, and while they both knew he was blind, they were both aware that he saw her in a way no other man ever could. She smiled back.
"I love you too, Elektra. I'll see you tonight."

H E L L B L A Z E R

J O H N C O N S T A N T I N E A U G U S T ' 8 9 ( 3 0 ) M A L E
"S'just the way of it son. We all sell our souls sooner or later."

▼ A P P E A R A N C E:

"Pretending to be charming is a skill like any other."
//STATS:
◼ HEIGHT | 5'11"

◼ WEIGHT | 140lbs

◼ BUILD | Average build

◼ HAIR COLOR | Sandy blonde

◼ EYE COLOR | Dark brown

◼ OTHER | Several tattoos of runes and protective wards across his body. Burn and laceration scars on arms, legs, chest and back from his occupation.

//DESCRIPTION:
A written description of the character's appearance. Keep in mind that appearance isn't only limited to their physical make up, but the style of clothes they wear, they're body language and in general how they present themselves.

▼ B I O G R A P H Y:

"In my line of work, there are a lot of days you want to forget forever."
John Constantine was born into the shit that would follow him for the rest of his life - and appropriately enough, he arrived in Liverpool, 1989. His twin asphyxiated in the womb on John's umbilical cord, and his mother, Mary-Anne Constantine, died giving birth to him and his stillborn brother because an earlier forced abortion had weakened her womb, causing it to rupture and bleed out. Thomas Constantine, John's father, and the man who had forced the abortion upon his wife, was incapable of accepting the responsibility of Mary-Anne's death, and instead blamed his surviving son, John - and they grew up harboring a deep dislike of one another. Thomas had little involvement in John's upbringing, and much of his care was left to his older sister, Cheryl Constantine. After their father descended into alcoholism and was imprisoned for petty theft and voyeurism, Cheryl and John moved to Northampton to live with their Aunt and Uncle for a brief time, before returning after Thomas' release. It was their return to both Liverpool and their father that set John off onto his journey into the magical and occult.

John had discovered his ancestry in Northampton, his blood belonging to a long family line known as the Laughing Magicians, legendary mages known for their power over Synchronicity and their uncanny ability to bluff and trick even gods. This discovery led him to delve into the practices of his lineage, and he began to partake in magic. His first act was to seal away his childhood innocence and vulnerability in a small wooden toy-box he once used, ridding himself of the burdens of virtues he'd lost long ago. Later on, in his teenage years, John botched a curse that left his father withered and frail and doomed to die - and subsequently ran from home, his sister, and Liverpool, heading to London and making a permanent home in an apartment with his roommate, Francis 'Chas' Kramer, who would go on to be John's oldest, closest, and longest surviving friend.​

~

| 2008: Zatanna Zatara, Mucous Membrane, and Astra |

John soon got involved in the occult circles of London's population. He practiced his magics and learned more about the occult world lying behind the mortal one, and began to travel to other cities and countries to expand his knowledge. In New York, 2008, he met a talented female magician called Zatanna Zatara, and the two began a relationship. Together, they grew enamored with Punk Rock after attending several gigs, and John was inspired to put together his own punk band, a three-man piece called Mucous Membrane. They released an album, and it was on their first tour that John got his first taste of magical heroism, and the disasters it would rain down upon his life.

On tour with his band in Newcastle, John stumbled across the aftermath of a horrific magical incident: an abused child - a little girl called Astra - had taken revenge on her adult tormentors by tapping into her raw innate magical abilities, conjuring a vicious monster to slaughter them in the middle of an orgy - and now the monster refused to leave the mortal plane. With a recklessness that would soon enough become his MO, John convinced Zatanna, Chas, his bandmates, and several other occultist friends to pour their power into summoning a demon of their own to combat the monster. Sadly, while their abilities were enough to bring forth the creature, they were not enough to bind it to their will. The demon, Nergal, killed the monster, and then tormented Constantine's friends and snatched Astra away to Hell. John suffered a nervous breakdown, severing ties with everyone he knew, and eventually being committed to Ravenscar Psychiatric Hospital, only ever keeping regular contact with Chas Kramer.

~

| 2010: Lung Cancer, the Triumvirate of Hell, and Blackmailing God |

Constantine was released from Ravenscar in 2010 with a clean sign-off on his mental health - despite persisting nightmares - and several 'goodbyes' from inmates and keepers alike. Constantine had been diagnosed with terminal lung cancer - brought on by his continuing smoking habit of nearly 30-a-day - and he'd been let out to enjoy his last days in freedom. The world had changed during his time in the ward, and was now filling up with extraordinary men and women, on all sides of the moral compass, and while Constantine knew that perhaps he was one of them, he refused his call. Instead, he traveled to Ireland to seek out a friend he once had who he believed could help cure him with magic and rituals.

He found Brendan dead, having drunk himself to death with rampant alcoholism and a suspiciously infinite supply of the best wines known to the world. It was at Brendan's funeral that Constantine had his first encounter with the entity that would become his greatest nemesis - the First of the Fallen, one of the three Triumvirate Rulers of Hell. Brendan had sold his soul to this being in exchange for an endless cellar of the finest wines in the cosmos, and the First had arrived to collect. Not wanting his old friend's soul to be eternally tormented in Hell, Constantine proposed a final toast to the mortal - spiking the First's wine with Holy Water, and tricking him into drinking it, rendering him helpless and unable to collect Brendan's soul. Unable to collect before midnight, Brendan's contract was declared null, and his soul ascended to Heaven. Wounded by the insult of being fooled by a mortal, the First declared Consantine's soul his by the 'right of insult', and swore to collect him upon his death and render unto him torment twofold, enough to make up for the soul he lost.

Slowly dying from cancer, Constantine created a plan. In secret, he summoned both the Second and Third of the Fallen - the others of the Triumvirate - separately and struck up deals with both, pledging his soul now three times over. Soon, the First, Second, and Third discovered Constantine's scheme, and realized that should he die, the Triumvirate would erupt into a war over ownership that would tear apart Hell and of which the only true winner would be God and His angels. Too proud to form an alliance, they instead decided that their only option was to cure John of his cancer, and allow him to live. While doing this, however, they also took their power to create a counterpart to Constantine, a Demon formed of all his worst attributes and vices, but lacking none of his cunning or magical prowess. In doing this, they were assured that when Constantine's soul finally came to rest in Hell, it would be consumed by this Demon, whose power would be near unparalleled, and used for naught but evil and the destruction of Earth and Heaven. John knew this, and in cunning desperation, contacted God. His aspect appeared, and came to converse by campfire. John warned Him of the demonic power that would be released if his soul was to come into Hell, and that such a being would surely topple the Triumvirate and unleash countless Demons upon Earth and to assault Heaven, and shut the Gates of Hell so that the damned would have no rest, and be forced to rise again. Constantine blackmailed God into keeping his soul from Hell to prevent this. God knew that the events John described would come to pass, and agreed - but before His aspect disappeared from Earth, He warned John of great suffering that would soon visit itself upon his life.

~

| 2013: The Magic War, Rosacarnis, The Return of the First, and Cheryl |

John drifted for a time, travelling throughout and between England and the US, performing as a stage magician and learning more about magic and his abilities, and occasionally being drawn into occult business. He found himself in America for Sta'rro and the 'Dawn of Justice', aiding with his magic where he could, but soon left again, and came back to Britain to reconcile with his sister Cheryl, whom he'd thought dead. It was at that time that a Magic War erupted in London, and Constantine found himself thrust into the middle of it, his sister dragged in with him. He allied with an entity known as the Shadow Dog against a demonic being known as The Beast; the ensuing battle and eventual victory left him vulnerable, and he was ensnared by the demon Rosacarnis, under commands from the First, who bound him to her will for day. She had John father three demonic children, who then went on to slaughter anyone who had ever known Constantine - from family and friends to enemies and those who had met him only briefly as an ally in the Magic War. Cheryl's husband, a pious man, was whipped into religious fanaticism and pushed to see his wife as a witch - and she was duly slain by his hand. In grief, Constantine dove into Hell to retrieve her soul and resurrect her, accompanied by the demon Nergal.

It was not long through their journey that they encountered the one who barred Constantine's entrance into Hell; the demon created from his negative aspects. John was forced to allow Nergal possession of him to defeat the Demon Constantine, tainting his soul irreparably. Eventually, John and Nergal arrived at the hall of Rosacarnis, wherein a feast was being held with Rosacarnis, the First, and Constantine's three children in attendance. John baited Rosacarnis into attempting to slay him in return for Cheryl's release, but as she attempted to do so, the First intervened and immediately killed her as well as two of the three demon children she had forced John to sire, declaring that Constantine was his to collect when he deemed.

Alone with Constantine, the First summoned up Cheryl's soul. He deemed her pure and innocent, a soul that truly did not belong in Hell - but offered her a deal. Telling her that her husband killed himself after murdering her, and was therefore twice-damned, the First offered to fairly divide his punishment between him and Cheryl if she remained to be tormented in Hell of her own free will. Constantine argued and pleaded in vain against it, screaming that her husband had murdered her and was not deserving of such mercy at one's own suffering - but ultimately, Cheryl still loved her husband too much, and agreed to the deal, deciding to stay in Hell, and preventing Constantine from bringing his only remaining family back to Earth. The First gloated, and sent John back home, and in mad grief he ran into the night and fled to America, turning his back on Britain and the torment he suffered there, only Chas Kramer following him.

~

Now, it is 2019, and Constantine is 30 years old, a resident of Chicago who likes to holiday in Gotham, earning a living as a Private Investigator of both mundane and paranormal matters, as well as being drawn into occult conflicts and slowly growing into his role as a hero of Earth - as much as he hides from it. While cynical, disillusioned, and foul-mouthed, and still going strong with his smoking habit, Constantine is a compassionate Humanist at heart, and struggles to keep the forces of both Heaven and Hell in check within himself and in the world around him, seeking to keep humanity free from either influence.

▼ M O T I V A T I O N / O B J E C T I V E:

"Everyone who puts their trust in me winds up dead."
My Constantine's immediate goal is the retrieval of Astra's soul from Hell, a fate he indirectly inflicted on the girl, and something he considers his greatest failure that still haunts him today. Beyond that, Constantine defends the world from the influences of both Heaven and Hell, and works to solve crimes and mysteries of both mundane and occult natures. Hopefully, he will come to be friends with the major heroes of the DC universe, and go on to recruit Deadman, Zatanna, Black Orchid, and Andrew Bennet to form the Justice League Dark. He will also deal with the First and his activity, and resolve supernatural phenomenon that have been haunting him since his birth.

▼ A B I L I T I E S / S K I L L S:

"Knowledge marks you for life. But it doesn't change who you are."
//ABILITIES:
◼ Magician | Constantine's sorcery is a force to be reckoned with. With experience in Evocation (the calling of supernatural entities and forces), Illusion (the distortion and misdirection of the senses), and Necromancy (the summoning of, and communication with, the dead), John Constantine's magic spans many fields. He also has a wide range of protective magics at his command, shielding him from both physical and supernatural attacks, and well as protecting his mind from offenses such as telepathy, possession, and mind control. John is also capable of using sigils and runes to block omnipresence for a time, rendering his actions completely secret for a period of time, similar to when he dealt with the Second and Third of the Fallen to trick the First. John's offensive magic is less practiced than his defenses, but still capable of mild electrokinesis, telekinesis, pyrokinesis and immobilization. John's magic has also permanently granted him a form of Third Sight, allowing him to see Demons, Angels, and Half-Breed for their true selves constantly, regardless of what disguises and illusions they have thrown up to hide themselves among mortals, as well as allowing him to utilize magic to dispel camouflage.

//SKILLS:
◼ Con-Man | While Constantine's magical prowess is most certainly not to be dismissed out-of-hand, he rarely relies on it, especially in the midst of combat. He faces his challenges instead armed with the cunning and quick-thinking that his family line is nearly legendary for, as well as his vast knowledge of the paranormal and occult, his skill at manipulating friend and foe alike, and his extensive list of contacts - which, combined, are often more useful than the spells, rituals, and curses at his command. John Constantine is considered by many to be the world's greatest con-man.

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