STATUS:
Two days ago, Noble Arms is indisputably four years old, spread out across three threads, and the third thread is still ongoing and about to reach the endgame...
10 days ago
Current
Two days ago, Noble Arms is indisputably four years old, spread out across three threads, and the third thread is still ongoing and about to reach the endgame...
3
likes
21 days ago
Can't believe that I actually got an RP close to its endgame, btw...
4
likes
1 mo ago
Noble Arms is now either four years old, or three years and eleven months. The third thread had lasted for more than one year.
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like
2 mos ago
New Interest Check, everybody!
2 mos ago
My Roleplay, Noble Arms: The ASEAN War, will reach its 4th year in June or July. It's been a long journey.
I might already be too late since this Thread has been quiet for a while, but are you still looking for someone to join? I have a few unused Masters and Servants that are collecting dust, so I should be able to fill any slot you are missing.
They were back in the Xuanzang. Thank god, after a stressful first mission, they were back in the Xuanzang. Not that Natasha did anything much in the actual mission, but when Ashton and Flame had brought up RealAscendancyStockBets once they were back on the ship - She had an account there too - the Captain had decided to make up for her relative inaction by earning the group some money and more importantly, deal some financial hurt to the Ascendancy with the help of her genius/prodigy crewmembers.
Within 24 hours or so of their return, a few Ascendancy hedge funds had been obliterated, a scattering of various rich oligarchs was (metaphorically) writhing in agony from having their speculation ruined, and Ashton and Flame were clearly in their element as they caused a few ripples in the Ascendancy's Core Worlds before the regulators struck - Even then, RealAscendancyStockBets managed to make off with a generous amount of cash, although actually buying things with it will have to wait till they return to the Galactic Bazaar. There was also the option of going to a Tayanen or Korta world, too - The Ascendancy's former vassals ought to be enjoying their newfound freedom.
Freedom, she mused, that Plenty had been deprived of once Kherol and Co. had crushed the rebellion there - Let's just say that the quick getaway of the Xuanzang was something Natasha could take credit for in the end...
Ashton and Flame
"We keep the bulk of the money, Ashton," Flame said, "Only twenty million each for our friends - The rest belongs to us."
Ashton said, "But Flame, what can we do with a full billion if we're not giving it to Moonstrike?"
Flame said, "Ashton, I hate to say this, but we need an exit strategy for if we fail - We don't know if Moonstrike has commanders who can stand a chance against Grand Admiral Laguna, much less Grand Admiral Kherol. And by exit strategy, I mean we need to escape a potential defeat while having a way to strike back, and thanks to having a full billion, we can buy our own dreadnought, which can form the nucleus of a new opposition force should Moonstrike get their asses kicked."
Ashton looked at Flame and said, "Not a dreadnought, Flame - Kherol won his victories with Carriers. We're going to need something which can give those ships and their swarms of starfighters a problem." He breathed and paused, "I've contacted Gloriana - She says that the Korta have a design for a dedicated artillery ship - A gigantic pipe with a Fusion Reactor and Engines inside which can launch superheated jets of hydrogen gas. But the problem with implementing this design is money - They're still rebuilding from decades of Ascendancy oppression."
Flame chuckled, "And that's what we have aplenty. Very well, funnel the money to the Korta, then - Commission a prototype unit of this 'Tube Ship' as soon as possible, and if we ever get more money, we make more."
William Windsor and his Crew
As William was returning from Ponin, the young man had acted with renewed purpose, working as an ordinary crewfolk abroad Captain Aisha Ibrahim's ship while using FTL comms to communicate with his mother, Elizabeth, and coordinate a minor financial assault on the Ascendancy's oligarchs in Wall Street with the help of the rest of RealAscendancyStockBets. Not that they'd cross the line to causing a panic, though - That'd get their buddies in the social media organization investigated by regulators. No, he'd content himself with bringing down some of the worst hedge funds and lenders.
After that, it was time to talk about other matters.
"This Kaisoken, Mirrorshard," William was asking his mother through private comms, "You are certain of his loyalties?"
Elizabeth answered as her holographic projection straightened the shawl around its neck, "I am - He speaks with the commitment of a new convert, one who has pursued a previous cause with fervor, was disillusioned with it, and now pursues a new one with greater zeal than before. Treat him well, William, he might make a good ground commander."
A shudder swept through William then. "The very thought of fighting in a planetary surface, in open ground and evenly high gravity... It is very unusual. And the thought of doing so for days and weeks on end -"
"Kherol did such," Captain Aisha Ibrahim interrupted as she entered the comms room, "But I must admit, as we're both fleet-born folk, that spending more than a few days on a planet like Ponin and even fighting there... Well, it makes for a lot of phobias, right?"
"That it does," Windsor said, "But I must overcome said fear if I am to to lead the true rebellion. Moonstrike has given no indication it intends full-scale war or is even ready for it. I, however, am..."
Realist didn't even attempt to disappoint Laurey and her expectations, giving the cyberneticist a vision of a great, golden hall made up of binary and trinary codes, glowing with their own soft yellow light. A transcendent space meant to show the immense space of Realist's mind and what it can hold, and also flattered those whose paradigm already revered AI and borderline worshipped it.
And then he flooded Laurey's mind with information, information which her cybernetics can barely comprehend, yet which it did, due to Realist pacing the flow just enough. Numbers, dates, and technical schematics of various Ascendancy projects flooded into Laurey's head, as well as philosophical musings on Magic and his own sapience. And of course, a 'historical model' which puported to show the course of history as he saw it - Cycles of revenge feeding into each other over and over again without end.
Laurey Karlin - Take me out of here, Realist's voice, heavy with information and accumulated wisdom, echoed in her head. Jan is distracted, your partners are freeing the remaining prisoners. You can remove me from this 'cage' I am in, so that I can reveal to you the dark secrets of the Ascendancy, and the treasure trove of information Moonstrike seeks.
Instructions flooded through her brain, instructions on how to detach his AI Core from the machines keeping him in place and take him out of the room safely. Save me, Laurey, Realist said. You know how little the Ascendancy values its tools. Especially... the AI continued, That which hold the key to a new world, a new world of transcendence and heights of beauty incomprehensible to those who reject the gift of cybernetics.
But deep in his heart of hearts, Realist felt the human emotion called humor, felt the human emotion called... Satisfaction. Satisfaction at the lies he was weaving, lies mixed with truth, and how Laurey was being led away from his hidden truth - That a part of his knowledge had been locked, hidden, and rendered inaccessible to her. That even though he wanted to get rid of the block as soon as possible, he did not want her to do it, for what she can do with that truth... It will lead to the end of everything and not in the way most folk would anticipate it doing so.
Take me away, Laurey Karlin - The Ascendancy is catching on, the window of opportunity is closing, Realist said once more, suppressing the human feelings he felt, concealing them from Laurey's cybernetic senses. They already know.
We will be holding the next Arc within two weeks - Once jhdh97/Hopeful posts and Jest replies, we will be back to the ship and going off to the next Arc!
Also, on behalf of the mod team, I highly apologize for the long slog that Arc One had become.
Edit: Also, once jdh97/Hopeful posts and there isn't a reply within five days, I will be posting a GM Post moving us along. Yes, that means a timeskip.
All Magic comes from instructions given in the Epic of Making, which in turn is a long poem or song that details the transference of a part of The One Deity's power to mortal Humanity, and the basic mental exercises used to 'pull' magical power from the depths of one's own soul to make what you imagine real.
The various 'types' of Magic come from concepts common to humanity, concepts that you either come up with or are taught. These, in turn, are powered by the Human heart, will, and soul. There is no way to take magical energy from the surrounding environment, as only Humans (or fully sapient aliens, if they exist) have magical energy.
Anyone can learn Magic, but few have the combination of strength of heart and imagination to be truly good at it. Therefore, Magical Academies are important so that what existing Magi already imagined before can be taught to other people.
There are six disciplines of Magic:
High - There are many theories that try to explain High Magic. Some say that it is the power of The Divine, it is the power of positive emotions, channeled through the human soul. Nevertheless, High Magic is the power of controlling Magical Energy itself, allowing for the ability to see all Magic, to draw available magical energy from the sky and earth, create constructs of condensed Mana, create and fuel magitech and enchanted items, ward people and places from magic, and finally, the ability to create bolts of silver-white light that cause damage that cannot be healed by magic to Mages and Magical creatures... But not ordinary targets, whose burns can be healed as normal.
World - World Magic is control over the physical elements of the world. Do you want to create Fire? World Magic. Do you want to alter Gravity to make yourself float? World Magic. Do you want to use lightning to electrocute a person? World Magic. Basically, if it has nothing to do with changing one thing to another, or controlling something that isn't wholly of this earth? World Magic is your key. Basically, Bending from Avatar: The Last Airbender, but without healing or spiritual arts and with control over gravity.
Change - This is the magic that deals with changing one thing to another. This magic can knit wounds and reverse aging, cause trees to grow fists, and turn vines into whips. This magic can change one substance to another, turning lead into gold, earth into acid, and fire into water. What it cannot do, however, is affect stuff protected by High magic, or mess with things that are already dead. That belongs to another school, the magic of the Underworld.
Underworld - Death is all around us, and the old laws against disturbing the ghosts who chose not to pass on are gone, cast into the wind. Nevertheless, the souls of the departed have to be treated with respect...but it is not the same for their bodies. Underworld Magic is the magic of Necromancy; it is the magic you wield when you want to raise an army of the dead, to control the shadows of the world, to speak with ghosts, and to strike people dead with one blow (this is a high-level spell). You can even use this to transcend death, allowing you continued existence in this world without the need for food, drink, and sleep...
Timespace - The magic of traveling vast distances in a single bound, of teleportation, portals, and scrying. The strongest Magi can even control probability, making a person luckier or unluckier, sometimes to absurd levels. But what it can not do is reverse the past; basically, no time travel. Bullet Time and Time Stop are also possibilities for incredibly strong practitioners but have certain requirements that limit their effectiveness in combat.
Mind Magic - This magic deals with controlling minds and altering emotions of both humans and animals, as well as creating illusions, mental compulsions, and even erasing or editing memories. A very powerful magical discipline, but strong willpower can better resist its effects...
Note: A lot of individual spells are very broken by nature, and would fundamentally destroy the game’s balance if implemented. If you’re touching these spells, please make sure you have some limitations added to them. If you’re not sure, look no further than your GMs! They will be happy to answer your question/address the balancing of your powers.
Spell Mastery
Pretty self-explanatory. Each spell your character possesses has their own degree of mastery. The more you master a spell, the less effort (Mana, Time, other relevant resources) it takes to perform that spell. If you have enough spells from the same school mastered, you can choose to make it a <Magic School> Mastery trait. How many spells, you ask? Well, there’s not a hard-coded number for that. But I’d say about 3+ spells of the same school. We can lower the number if the spells are difficult enough, or raise it if they’re easier to cast. Having Mastery as a trait makes learning and mastering new spells of that school a lot easier.
How long is it going to take to master a spell: This gives me headaches every time. It really depends. From the length of an arc to the number of times the character practices/uses these spells. I’d say on average 1 spell is mastered every arc as a benchmark, but don’t take this as a gospel. Use a LOT of nuances when interpreting this. We’ll try to adjust and accommodate your needs, just let us know.
Enchantment Rules
Enchantment requires High Magic and a spell that you or another party member knows, along with an item to be enchanted. Note however that the weaker and less durable the material is, the magic you can put into it is more limited; for example, oak can be enchanted to emit laser beams, birch cannot. This is the same for metals, and the strongest of spells can only be enchanted into 'Perfected Electrum (more below)'.
Perfected Electrum
Electrum is a mix of Gold and Silver that occurs naturally but can be made by artificial means. This material, if treated by High and Change Magic by four different Magi (see 'Group Spells' below) can be 'perfected', aka transformed into metal as hard as a diamond yet not as brittle, and whose lightness is that of cloth. But the most valuable property of Perfected Electrum is that it can contain very, very strong spells, except for Resurrection (see below under 'Group Spells'). The Ascendancy of Man has a monopoly of Perfected Electrum; not that it helped them win the war.
Group Spells
Basically, multiple spell-casters with different Schools can do things that would strain a single Mage. This also helps in compensating for single Magi's weaknesses in specialization.
Update on Group Spells: There’s no longer any rules in terms of how many spells are needed to perform group spells. What combination of spells creating what is down to your creativity. Use your imagination! And a bit of common sense too…
Potential Non-Magical Options
Character Traits (Formerly Exceptional Skills)
Character Traits can both be a few neat bullet points to describe some of your character’s defining traits, and also accommodate your character’s non-magic skills. They essentially describe a portion of your character, and some of them might be capable of special effects that can benefit you and other characters in different ways.
A character Trait consists of 3 parts as described
<Trait Name>: <Trait Description>. <Trait Effects> <Trait Name>: Self-explanatory <Trait Description>: A few sentences explaining what characteristics of your character that this Trait is describing. You can go longer if you wish <Trait Effects>: These are optional, but the most interesting. These essentially encompasses the Ex Skills, but a lot more specific and individual-based.
A few examples of generic trait to illustrate this further
Swordmaster: His extended training with his family’s traditional blade and under their guidance have made him exceptionally capable with these weapons. Greatly increases proficiency when using blades Turtleback: His natural skin of his species allowed him to essentially be a walking mini-fortress. Enhanced resistance against physical attacks. A Healthy and Focused Mind: Her zen training allowed him to ascend to a higher spiritual state that allows her to act solely based on his instincts. Only usable in combat situation. Allows the character to ignore mind magic during these time. Only affected when said magic can affect subconscious thoughts. Disgraced Warrior: From a family of traitors, he is received by the public with mistrust. Reduce effectiveness when coercing people through diplomacy Supreme Chef: She’s just really good at cooking duh. <Blank> (Yes, you can leave it blank. You don’t have to have an effect for every trait)
Of course, these are generic examples that apply to no one in particular. Your character traits, however, are bound by their background. A character trait has to be connected somehow to your character and what makes them who they are. Unrelated traits will be rejected. Your trait names does not have to follow these format. Feel free to go ham and be creative with the name and description.
What these skills are not, however: They do not fully describe your character. There is and should be more depths to your character than just a bunch of bullet points. They have defining characteristics but they have nuances and more depths to and outside those characteristics. That’s how a great character is made
Some potential questions.
How many traits are needed: There should be no limits to how many traits you have, but please refrain from making too many of them. Remember this is supposed to represent defining characteristics that screams that’s them when mentioned. You don’t want to describe yourself like that. For starters, around 3-4 traits would be a healthy number (this number is preliminary).
What about combat with vague measures to quantify your strength: Well, this is not a tabletop RP to begin with. There is no dice. We have narratives and plots to drive your characters around. How battles would turn out is entirely down to you and your fighting partners. Discuss with your partner how you would want fights to turn out. Maybe this guy have a really cool move that he wants to show off, or this lady is cocky and needs to be slapped down a peg. After all, it’s more about building your character than a game of who gets to win. If you have problem deciding the fight, the GMs can step in and help
Can you bypass these skills somehow: Yes. Having traits that give you enhanced characteristics (durability/strength/speed/etc.) does not make you infallible (unless you opt in for it, to which you would need to give a GOOD justification). Having enhanced resistance against Mind Magic could fall apart if you’re intoxicated/not paying attention. Use common sense and logic at all times.
Gaining/Losing traits: This is possible, as your character changes, but you shouldn’t gain too many traits throughout the journey anyway, so when you want to add/remove/change a trait, contact your GM. Don’t worry we’re friendly
What about Magic Mastery: If you have 3+ spells mastered from the same school of magic, you can gain a mastery trait of that specific school, giving you increased magic literacy for that school. If you CHOOSE to have that trait at the very beginning, and thus giving you at least 3 spells to be mastered, it’s best you contact the GM so we can discuss it.
Technology is equivalent to 21st Century Earth, but Spellcasters are capable of creating devices called "Magitech" which allow for even common people to access the benefits of Magic. In Iliad, this has resulted in magical healing being common all throughout, with specialized 'regeneration booths' in strategic parts of the city where even grievous injuries may be healed as long as they are not inflicted by High Magic. There is also a set of Magitech Bullet Trains and Nuclear Fusion plants (with magic used in the process), as well as 'Null-entropy fridges' which can preserve meat and fresh vegetables indefinitely.
Military Magitech is also very much advanced, with Iliad City being able to bio-engineer, through magic, entire armies of Pegasi and Dragons, which are fielded alongside more mundane VTOLs and Supersonic Airplanes. They also have Golems, animated humanoid statues of clay and metal, which supplement normal infantry, tanks, and the more usual kind of Magi. The grand majority of inhabitants know some battle magic, including children and teenagers who are trained in spellcasting as soon as they can talk.
However, both the Hermannreich and Olympia are developing not just their own Magitech, but are conjuring up, from almost nowhere, pieces of technology that though they are as powerful as Magic and Magitech, run purely on Science. This 'Super-tech', which includes Lasers, Railguns, and Anti-Gravity devices which can lift up an entire Supercarrier to the skies, is an unwelcome development for Iliad City, and some say it is the harbinger of its fall...
Iliad City: A Magical RP in an Original World - Reboot
I. Intro
In another universe, on the planet of Historia, there lies a city filled with magic and spells, of warriors and thinkers. This city, named Iliad, is the last refuge for the Descendants, a group of people who despite their descent from the person who gained the blessing of The One Deity to advance Humanity, are now vilified as heralds of an apocalypse due to lies of unknown origin, lies which have convinced the other nations of the world to try and kill them all.
Despite this hatred, the city is protected by two Magical Academies which hold greater strength than entire armies, whose students stand strong against a world that hates them. But as an invasion looms from the greatest nations on the planet, the two Academies descended into a quarrel on the best way to save their city.
You are one of the students of the Magic Schools. Or an ordinary civilian who knows a magical spell or two. Or a soldier. Or a refugee from the nations that hate Iliad City and The Descendants. Or any combination of the above plus a Descendant themselves - You have free choice of who to be, just remember that you live under the shadow of doom, and that your next actions can save or doom those whom you love!
In another universe lies the planet of Historia, inhabited by Humans much like us, but blessed with impossible powers that we think of as 'Magic'.
Magic is a daily part of life, existing alongside technology just as advanced as ours', although some integrate magic with science to create advanced inventions. But it is a widely held belief among the people that the highest form of Magic is Storytelling, and that The One Deity, the Creator of the Multiverse, gave Humanity the power to warp reality through the telling of stories.
Three thousand years before the present day, when the greatest storyteller of that time, the Illuminated Poet, sang of the grief and joy of Humanity, appealing to The One Deity to provide a way through their sufferings. In response, The One himself came down and sang his song, the Epics of Making, by which Humanity and whatever sapient beings lived beyond Historia were granted freedom from the will of the divine. The Epic of Making was instructions for the casting of Magic, allowing Humanity to better their lives and that of others at will.
And so the Illuminated Poet taught pieces of the Epic to those who followed him, turning them into the first Magi. He also sired twenty sons and thirty daughters and prophesied that as long as a descendant of his bloodline was alive, Humanity’s destiny and the destinies of all sapient beings across the Universe, would be free from divine interference, and Magic would continue to be accessible to all human beings (and most aliens except for [REDACTED]).
Fast-forward to the present and the majority of the descendants of the Illuminated Poet have suffered purges, slaughters, genocides, and massacres from the various nations of the world due to ignorance and misunderstanding, or even outright lies spread by their enemies. Their one safe refuge is Illiad City, an independent city-nation founded by the freethinkers and outcasts of the world, people dedicated to artistic and philosophical pursuits, as well as worshippers of The One Deity. Despite the hostility of other nations towards it, its access to a greater portion of the Epic of Making makes it equivalent to the great empires of the world in Magical might.
But now, a feud is brewing between the two prime Magical Academies of the city, a feud brewing from how to deal with the world's hostility towards them. Ironically, this feud might be the one thing that brings down the metropolis...
II. The Factions of Iliad City
Marduk Academy for The Mystic Arts, located on Uruk Hill in the western parts of Iliad, holds power over the pieces of the Epic of Making that govern 'Heroic' Magic - The Magic of Light, the Elements (Fire, Water, Air, and Earth), and the power to heal the wounded and the sick with mystic energy alone. Their students are the champions of the defenseless, the honorable knights-errant, and the wise wizards. But confronted with the hatred of other nations towards them, they seek a 'muscular' foreign policy, asking that Iliad City use its magical might to conquer the neighboring empires and repressive states that wish to destroy Illiad City before they grow too strong. However, whispers are being heard that push for more than that - That Marduk Academy should attempt to rule the world so that no nation would exterminate the descendants of the Illuminated Poet once again.
And Professor Ninsun, its Principal, is beginning to listen...
Ishtar School for Creative Minds, on the other hand, holds power over the pieces of the Epic of Making that govern 'Black' Magic - The Magic of Darkness, Entropy, Blood and Death, as well as the power to inflict agony and weaken their enemies. Their students are the spies and assassins, the dark knights whom monsters and criminals fear. Despite this, they used to work alongside Marduk Academy, until Professor Nergal, its principal, began urging for the casting of the Spell of Otherworldly Travel, which will transport Iliad City onto another dimension where its people can live in peace. Problem is that 1.) This requires the pieces of the Epic of Making that Marduk Academy does have, and 2.) Marduk Academy considers Ishtar's solution cowardly.
As the feud simmers, Ishtar does double duty watching out for foreign infiltrators in the Leviathan Port/Mount Ophir in the eastern, coastal part of Iliad City.
The Cassandra Club is the newest faction in the block, a small band of students from both Academies and a larger group from other schools who believe that the brewing feud between Marduk Academy and Ishtar School is being engineered by a 'sinister force' outside the city as part of a grand plan to conquer Iliad City and acquire the Epics of Making and Unmaking. Not only that, but they believe in asking the question: Why do other nations hate us? What are the lies they've been fed to kill off the descendants of the Illuminated Poet? Do they even know that they are bringing Humanity’s destiny under the control of the Divine again? And if so, who is trying to do so and why are they courting the wrath of The One Deity?
The Cassandra Club is led by the Anonymous Council, a group of 'concerned students and teachers' (PCs have the option to be part of this circle) whose goals are to find out exactly who is profiting from the extermination of Descendants and stop them before its too late. These folk are supported by the Church of The One and meet in the Cathedral of The One.
III. Interesting Places in Iliad City
The Wall - Iliad City is located on a coastal plain from where three peaks with smaller plateaus jut out, and the plain is enclosed by a huge wall, two miles high and four miles thick (Based on the Ark Fortress of Bukhara, Uzbekistan), with four gates where refugees seek asylum from the Hermannreich's oppression, many of whom are admitted into the farmlands, forestlands, and hills inside the wall after a thorough screening, including mind-reading.
Mt. Uruk - Watching over The Wall surrounding Iliad, Mt. Uruk stands deep inside the city's west, bristling with walls and fortifications of its own, including magical shields and guns. Marduk Academy sprawls over all of the mountainside, even digging a reinforced bunker underneath the surface in order to conceal its own pages of the Epic of Making.
The Leviathan Port/Mt. Ophir - Iliad City's port is where most of its foreign trade comes from, due to the Hermannreich's on-and-off hostility. A bustling structure where great cargo ships dock and depart, the Leviathan Port is watched over by great ranged guns from two coastal forts that guard the entrance to the bay, as well as Ishtar School for Creative minds, whose campus, located on Mt. Ophir, the smallest of the three peaks of Illiad, overlooks the port.
The Acropolis - On a mountain higher than Mt. Uruk and Ophir lies the Acropolis, where a plateau on top contains City Hall (where the Mayor, a Non-Descendant, is constantly pressured this way and that by the feuding academies). Besides City Hall lie the Cathedral of The One, in whose basements the Cassandra Club sometimes meet, and Fort Maccabeus, where the city's formal military, a powerful force of its own, regularly sends out patrols of Gunships, Pegasi, and the occasional Dragon Rider to remind the Academies that they are not the rulers of the City.
Artisan Coffeemakers United Branches - A set of coffeehouses spread all throughout Iliad City dedicated to the production of quality artisan coffee, tea, and pastries at a fair and affordable price. Both Ishtar and Marduk have cafes of ACUB on their premises, with secure internet lines to each other, and it is rumored that students who wish to establish forbidden contact with each other are allowed to use said lines... For a price.
Enchanted Mountain - Iliad's prime amusement park, with a large Ferris Wheel, magitech roller coasters, and virtual reality simulations of any environment one can think of, as well as various restaurants catering to every palate. It is also a 'truce zone' between Iliad and Marduk, due to Professor Gilgamesha having spent time there on better days and not wanting to let the place be stained by the current inter-school conflict.
Kaleidoscope Arcades - A series of arcades filled with the latest games mundane science and magitech can supply, and are thus destinations where both Marduk and Ishtar and students from other schools can be found competing against each other in a halfway-friendly manner.
Paradise Spa - The place everyone who is anyone in Iliad goes to relax, Paradise Spa is filled with treatments both mundane and magical which rely on pleasing every sense possible, from sweet aromas to soft coats of mud to serene sounds and calm colors, along with filling yet tasty smoothies and juices, Paradise Spa is where the troubles of the world fall away, even for a while.
Players can submit new places if they want to.
IV. The World Around Illiad
Iliad City is situated on a peninsula that juts out at the very edge of the Western Continent, one of two major landmasses that make up Historia's inhabited parts. These two continents used to be filled with many city-states, kingdoms, and republics, but those have now been absorbed by two distinct power blocs which in their way, present a danger to Iliad City, even if one of them (Olympia) is one of the reasons reason the latter has not been invaded yet (the other is Iliad City's sheer magical might). These power blocs are the Unified Hermannreich, a gigantic nation that seeks to dominate the world, and the Olympian Federation, which believes they are defending it. These are elaborated on below.
The Unified Hermannreich - The undisputed conqueror of the entire Western Continent except for Illiad, the Hermannreich is also an empire built on slavery and oppression, maintained by a dark alliance between its militaristic regime and the mysterious Custodians. With vast armies at its disposal, it waits for the order to conquer Iliad City and purge the Descendants, but its inferiority in Magic and the need to keep the slave population underneath its heel are obstacles to fulfilling such an order.
That and Iliad City is grudgingly protected by its main enemy, the Olympian Federation across the sea...
The Olympian Federation - A close compact of twelve nations that claim to stand for Freedom and Justice, the Olympian Federation is a naval power that governs the Eastern Continent whose fleets, airpower, and cruise missiles prevent the Hermannreich from destroying Iliad and then crossing over to the east. However, do not be deceived: Olympia is just as Anti-Descendant as the Hermannreich is, it just hides it better. Once Iliad City's usefulness ends to the Federation, the latter will destroy the former itself.
V. How Magic Works (To be itself reworked)
All Magic comes from instructions given in the Epic of Making, which in turn is a long poem or song that details the transference of a part of The One Deity's power to mortal Humanity, and the basic mental exercises used to 'pull' magical power from the depths of one's own soul to make what you imagine real.
The various 'types' of Magic come from concepts common to humanity, concepts that you either come up with or are taught. These, in turn, are powered by the Human heart, will, and soul. There is no way to take magical energy from the surrounding environment, as only Humans (or fully sapient aliens, if they exist) have magical energy.
Anyone can learn Magic, but few have the combination of strength of heart and imagination to be truly good at it. Therefore, Magical Academies are important so that what existing Magi already imagined before can be taught to other people.
There are six disciplines of Magic:
High - There are many theories that try to explain High Magic. Some say that it is the power of The Divine, it is the power of positive emotions, channeled through the human soul. Nevertheless, High Magic is the power of controlling Magical Energy itself, allowing for the ability to see all Magic, to draw available magical energy from the indestructible and immortal souls of others, create constructs of condensed Mana, create and fuel magitech and enchanted items, ward people and places from magic, and finally, the ability to create bolts of silver-white light that cause damage that cannot be healed by magic to Mages and Magical creatures... But not ordinary targets, whose burns can be healed as normal.
World - World Magic is control over the physical elements of the world. Do you want to create Fire? World Magic. Do you want to alter Gravity to make yourself float? World Magic. Do you want to use lightning to electrocute a person? World Magic. Basically, if it has nothing to do with changing one thing to another, or controlling something that isn't wholly of this earth? World Magic is your key. Basically, Bending from Avatar: The Last Airbender, but without healing or spiritual arts and with control over gravity.
Change - This is the magic that deals with changing one thing to another. This magic can knit wounds and reverse aging, cause trees to grow fists, and turn vines into whips. This magic can change one substance to another, turning lead into gold, earth into acid, and fire into water. What it cannot do, however, is affect stuff protected by High magic, or mess with things that are already dead. That belongs to another school, the magic of the Underworld.
Underworld - Death is all around us, and the old laws against disturbing the ghosts who chose not to pass on are gone, cast into the wind. Nevertheless, the souls of the departed have to be treated with respect...but it is not the same for their bodies. Underworld Magic is the magic of Necromancy; it is the magic you wield when you want to raise an army of the dead, to control the shadows of the world, to speak with ghosts, and to strike people dead with one blow (this is a high-level spell). You can even use this to transcend death, allowing you continued existence in this world without the need for food, drink, and sleep...
Timespace - The magic of traveling vast distances in a single bound, of teleportation, portals, and scrying. The strongest Magi can even control probability, making a person luckier or unluckier, sometimes to absurd levels. But what it can not do is reverse the past; basically, no time travel. Bullet Time and Time Stop are also possibilities for incredibly strong practitioners but have certain requirements that limit their effectiveness in combat.
Mind Magic - This magic deals with controlling minds and altering the emotions of both humans and animals, as well as creating illusions, mental compulsions, and even erasing or editing memories. A very powerful magical discipline, but strong willpower can better resist its effects...
Note: A lot of individual spells are very broken by nature, and would fundamentally destroy the game’s balance if implemented. If you’re touching these spells, please make sure you have some limitations added to them. If you’re not sure, look no further than your GMs! They will be happy to answer your question/address the balancing of your powers.
Spell Mastery
Pretty self-explanatory. Each spell your character possesses has their own degree of mastery. The more you master a spell, the less effort (Mana, Time, other relevant resources) it takes to perform that spell. If you have enough spells from the same school mastered, you can choose to make it a <Magic School> Mastery trait. How many spells, you ask? Well, there’s not a hard-coded number for that. But I’d say about 3+ spells of the same school. We can lower the number if the spells are difficult enough, or raise it if they’re easier to cast. Having Mastery as a trait makes learning and mastering new spells of that school a lot easier.
How long is it going to take to master a spell: This gives me headaches every time. It really depends. From the length of an arc to the number of times the character practices/uses these spells. I’d say on average 1 spell is mastered every arc as a benchmark, but don’t take this as a gospel. Use a LOT of nuances when interpreting this. We’ll try to adjust and accommodate your needs, just let us know.
Enchantment Rules
Enchantment requires High Magic and a spell that you or another party member knows, along with an item to be enchanted. Note however that the weaker and less durable the material is, the magic you can put into it is more limited; for example, oak can be enchanted to emit laser beams, birch cannot. This is the same for metals, and the strongest of spells can only be enchanted into 'Perfected Electrum (more below)'.
Perfected Electrum
Electrum is a mix of Gold and Silver that occurs naturally but can be made by artificial means. This material, if treated by High and Change Magic by four different Magi (see 'Group Spells' below) can be 'perfected', aka transformed into metal as hard as a diamond yet not as brittle, and whose lightness is that of cloth. But the most valuable property of Perfected Electrum is that it can contain very, very strong spells, except for Resurrection (see below under 'Group Spells'). Iliad City has a monopoly of Perfected Electrum, by the way.
Group Spells
Basically, multiple spell-casters with different Schools can do things that would strain a single Mage. This also helps in compensating for single Magi's weaknesses in specialization.
Update on Group Spells: There’s no longer any rules in terms of how many spells are needed to perform group spells. What combination of spells creating what is down to your creativity. Use your imagination! And a bit of common sense too…
Non-Magical Options
Character Traits (Formerly Exceptional Skills)
Character Traits can both be a few neat bullet points to describe some of your character’s defining traits, and also accommodate your character’s non-magic skills. They essentially describe a portion of your character, and some of them might be capable of special effects that can benefit you and other characters in different ways.
A character Trait consists of 3 parts as described
<Trait Name>: <Trait Description>. <Trait Effects> <Trait Name>: Self-explanatory <Trait Description>: A few sentences explaining what characteristics of your character that this Trait is describing. You can go longer if you wish <Trait Effects>: These are optional, but the most interesting. These essentially encompasses the Ex Skills, but a lot more specific and individual-based.
A few examples of generic trait to illustrate this further
Swordmaster: His extended training with his family’s traditional blade and under their guidance have made him exceptionally capable with these weapons. Greatly increases proficiency when using blades Turtleback: His natural skin of his species allowed him to essentially be a walking mini-fortress. Enhanced resistance against physical attacks.
A Healthy and Focused Mind: Her zen training allowed him to ascend to a higher spiritual state that allows her to act solely based on his instincts. Only usable in a combat situations. Allows the character to ignore mind magic during this time. Only affected when said magic can affect subconscious thoughts. Disgraced Warrior: From a family of traitors, he is received by the public with mistrust. Reduce effectiveness when coercing people through diplomacy.
Supreme Chef: She’s just really good at cooking duh. <Blank> (Yes, you can leave it blank. You don’t have to have an effect for every trait).
Of course, these are generic examples that apply to no one in particular. Your character traits, however, are bound by their background. A character trait has to be connected somehow to your character and what makes them who they are. Unrelated traits will be rejected. Your trait names does not have to follow these format. Feel free to go ham and be creative with the name and description.
What these skills are not, however: They do not fully describe your character. There is and should be more depths to your character than just a bunch of bullet points. They have defining characteristics but they have nuances and more depths to and outside those characteristics. That’s how a great character is made
Some potential questions.
How many traits are needed: There should be no limits to how many traits you have, but please refrain from making too many of them. Remember this is supposed to represent defining characteristics that screams that’s them when mentioned. You don’t want to describe yourself like that. For starters, around 3-4 traits would be a healthy number (this number is preliminary).
What about combat with vague measures to quantify your strength: Well, this is not a tabletop RP to begin with. There is no dice. We have narratives and plots to drive your characters around. How battles would turn out is entirely down to you and your fighting partners. Discuss with your partner how you would want fights to turn out. Maybe this guy have a really cool move that he wants to show off, or this lady is cocky and needs to be slapped down a peg. After all, it’s more about building your character than a game of who gets to win. If you have problem deciding the fight, the GMs can step in and help
Can you bypass these skills somehow: Yes. Having traits that give you enhanced characteristics (durability/strength/speed/etc.) does not make you infallible (unless you opt in for it, to which you would need to give a GOOD justification). Having enhanced resistance against Mind Magic could fall apart if you’re intoxicated/not paying attention. Use common sense and logic at all times.
Gaining/Losing traits: This is possible, as your character changes, but you shouldn’t gain too many traits throughout the journey anyway, so when you want to add/remove/change a trait, contact your GM. Don’t worry we’re friendly
What about Magic Mastery: If you have 3+ spells mastered from the same school of magic, you can gain a mastery trait of that specific school, giving you increased magic literacy for that school. If you CHOOSE to have that trait at the very beginning, and thus giving you at least 3 spells to be mastered, you should contact the GM so we can discuss it.
Technology is equivalent to 21st Century Earth, but Spellcasters are capable of creating devices called "Magitech" which allow even common people to access the benefits of Magic. In Iliad, this has resulted in magical healing being common throughout, with specialized 'regeneration booths' in strategic parts of the city where even grievous injuries may be healed as long as they are not inflicted by High Magic. There is also a set of Magitech Bullet Trains and Nuclear Fusion plants (with magic used in the process), as well as 'Null-entropy fridges' which can preserve meat and fresh vegetables indefinitely.
Military Magitech is also very much advanced, with Iliad City being able to bio-engineer, through magic, entire armies of Pegasi and Dragons, which are fielded alongside more mundane VTOLs and Supersonic Airplanes. They also have Golems, animated humanoid statues of clay and metal, which supplement normal infantry, tanks, and the more usual kind of Magi. The grand majority of inhabitants know some battle magic, including children and teenagers who are trained in spellcasting as soon as they can talk.
However, both the Hermannreich and Olympia are developing not just their own Magitech, but are conjuring up, from almost nowhere, pieces of technology that though they are as powerful as Magic and Magitech, run purely on Science. This 'Super-tech', which includes Lasers, Railguns, and Anti-Gravity devices that can lift up an entire Supercarrier to the skies, is an unwelcome development for Iliad City, and some say it is the harbinger of its fall...
VI. Rules
1.) Do not be an asshole. 2.) Take NSFW to PMs. 3.) No Godmoding or Powergaming, aka no controlling other players' actions, no defeating your enemy in one shot, and no shrugging of all hits without a magical shield. 4.) This game is friendly to m/m and f/f romance.
VI. Character Sheet
[b]Name:[/b] [b]Appearance:[/b] [b]Age:[/b] The usual age for a student is 13 to 18, but characters older than those are permitted. [b]Bio:[/b] [b]Mundane Skills:[/b] [b]Magic:[/b] [b]Character Traits:[/b] [b]Faction (Marduk, Ishtar, or Cassandra Club when it's founded):[/b] [b]Are you a Descendant of the Illuminated Poet?:[/b] Simple yes or no question.